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Longer titles found: Dastgāh-e Māhur (view), Dastgāh-e Šur (view)

searching for Dastgāh 12 found (30 total)

alternate case: dastgāh

Chahargah (mode) (198 words) [view diff] exact match in snippet view article

Dastgāh-e Chahārgāh (Persian: دستگاه چهارگاه; Azerbaijani: Çahargah) is a musical modal system in traditional mugham music and one of the seven Dastgāhs
Humayun (mode) (156 words) [view diff] exact match in snippet view article
Dastgāh-e Homayun (Persian: دستگاه همايون; Azerbaijani: Hümayun) is a musical modal system in traditional mugham music and one of the seven dastgāhs of
Persian maqam (220 words) [view diff] exact match in snippet view article find links to article
is equivalent to 'mode', and certainly prior to the development of the dastgāh system, this would have been the main local term signifying mode or melody-type
Phrygian dominant scale (676 words) [view diff] exact match in snippet view article find links to article
known as Ahava Rabbah, Freygish or just the "Jewish scale", and is called Dastgāh-e Homāyoun in Iran.[citation needed] It is the most common scale in North
Persian traditional music (1,861 words) [view diff] exact match in snippet view article find links to article
200 short melodic motions (guše), which are classified into seven modes (dastgāh). Two of these modes have secondary modes branching from them that are
Mohammad-Reza Lotfi (1,041 words) [view diff] exact match in snippet view article find links to article
Āvāy-e Shaydā. Mohammad-Rezā Lotfi playing the Tār (a solo piece in Abu Atā Dastgāh), a slide show on YouTube (8 min 34 sec). Mohammad-Rezā Lotfi (Tār and
Faramarz Payvar (1,273 words) [view diff] exact match in snippet view article find links to article
by F. Pāyvar. Pāyvar Ensemble and Simā Binā (vocal). Hekâyate Del, in dastgāh šur. Pâyvar Ensemble with A. Rostamiyân (vocal). Mahur and Segâh, Masters
Violin (12,805 words) [view diff] exact match in snippet view article find links to article
to be tuned (E–A–E–A) in Dastgah-h Esfahan or in Dastgāh-e Šur is (E–A–D–E) and (E–A–E–E), in Dastgāh-e Māhur is (E–A–D–A). In Arabic classical music,
Ali-Naqi Vaziri (1,035 words) [view diff] exact match in snippet view article find links to article
Quarterly, Vol. 51, No. 4, pp. 636–648 (1965). JSTOR Hormoz Farhat, The Dastgāh Concept in Persian Music (Cambridge University Press, 1990). ISBN 0-521-30542-X
Hormoz Farhat (1,613 words) [view diff] exact match in snippet view article find links to article
JSTOR 932755. Caton, Margaret (Spring–Summer 1992). "Reviewed Work: The Dastgāh Concept in Persian Music by Hormoz Farhat". Asian Music. 23 (2): 168–171
Birdsong in music (3,853 words) [view diff] exact match in snippet view article find links to article
Laudan (1998). "The Song of the Nightingale: Processes of Improvisation in Dastgāh Segāh (Iranian Classical Music)". British Journal of Ethnomusicology. 7:
Iranian women and Persian music (2,360 words) [view diff] exact match in snippet view article find links to article
genres. Classical music is distinct from traditional in that it is based on dastgāh, defined as the standard musical system, consisting of a collection of