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Longer titles found: Dastgāh-e Māhur (view), Dastgāh-e Šur (view)

searching for dastgāh 13 found (31 total)

alternate case: Dastgāh

Chahargah (mode) (199 words) [view diff] exact match in snippet view article

Dastgāh-e Chahārgāh (Persian: دستگاه چهارگاه; Azerbaijani: Çahargah) is a musical modal system in traditional mugham music and one of the seven Dastgāhs

Humayun (mode) (156 words) [view diff] exact match in snippet view article

Dastgāh-e Homayun (Persian: دستگاه همايون; Azerbaijani: Hümayun) is a musical modal system in traditional mugham music and one of the seven dastgāhs of

Persian maqam (223 words) [view diff] exact match in snippet view article find links to article

is equivalent to 'mode', and certainly prior to the development of the dastgāh system, this would have been the main local term signifying mode or melody-type

Phrygian dominant scale (718 words) [view diff] exact match in snippet view article find links to article

known as Ahava Rabbah, Freygish or just the "Jewish scale", and is called Dastgāh-e Homāyoun in Iran.[citation needed] It is the most common scale in North

Persian traditional music (1,857 words) [view diff] exact match in snippet view article find links to article

200 short melodic motions (guše), which are classified into seven modes (dastgāh). Two of these modes have secondary modes branching from them that are

Faramarz Payvar (1,273 words) [view diff] exact match in snippet view article find links to article

by F. Pāyvar. Pāyvar Ensemble and Simā Binā (vocal). Hekâyate Del, in dastgāh šur. Pâyvar Ensemble with A. Rostamiyân (vocal). Mahur and Segâh, Masters

Mohammad-Reza Lotfi (1,041 words) [view diff] exact match in snippet view article find links to article

Āvāy-e Shaydā. Mohammad-Rezā Lotfi playing the Tār (a solo piece in Abu Atā Dastgāh), a slide show on YouTube (8 min 34 sec). Mohammad-Rezā Lotfi (Tār and

Ali-Naqi Vaziri (1,040 words) [view diff] exact match in snippet view article find links to article

Quarterly, Vol. 51, No. 4, pp. 636–648 (1965). JSTOR Hormoz Farhat, The Dastgāh Concept in Persian Music (Cambridge University Press, 1990). ISBN 0-521-30542-X

Violin (12,742 words) [view diff] exact match in snippet view article find links to article

to be tuned (E–A–E–A) in Dastgah-h Esfahan or in Dastgāh-e Šur is (E–A–D–E) and (E–A–E–E), in Dastgāh-e Māhur is (E–A–D–A). In Arabic classical music,

Hormoz Farhat (1,616 words) [view diff] exact match in snippet view article find links to article

JSTOR 932755. Caton, Margaret (Spring–Summer 1992). "Reviewed Work: The Dastgāh Concept in Persian Music by Hormoz Farhat". Asian Music. 23 (2): 168–171

Sanaz Mazinani (1,987 words) [view diff] exact match in snippet view article find links to article

photography, public art Notable work An Impossible Perspective, Threshold, Dastgāh, All that melts, Iran Revisited Movement Contemporary Art Awards Toronto

Birdsong in music (3,865 words) [view diff] exact match in snippet view article find links to article

Laudan (1998). "The Song of the Nightingale: Processes of Improvisation in Dastgāh Segāh (Iranian Classical Music)". British Journal of Ethnomusicology. 7:

Iranian women and Persian music (2,358 words) [view diff] exact match in snippet view article find links to article

genres. Classical music is distinct from traditional in that it is based on dastgāh, defined as the standard musical system, consisting of a collection of