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searching for the Carracci 87 found (144 total)

Mystic Marriage of Saint Catherine (Correggio, Naples) (261 words) [view diff] exact match in snippet view article

Correggio's reputation was then at its peak thanks to the popularity of the Carracci brothers and their school. The work may have been the painting seen in

Giovanni Lanfranco (1,441 words) [view diff] exact match in snippet view article find links to article

minor works in the room. Afterwards, while still technically a member of the Carracci studio of Carracci, Lanfranco, along with Guido Reni and Francesco Albani

Giovanni Andrea Donducci (326 words) [view diff] exact match in snippet view article find links to article

father was a maker of vats (mastelli). Born in Bologna, he trained in the Carracci Academy degli Incamminati at about the time when Domenichino, Lucio Massari

Aureliano Milani (171 words) [view diff] exact match in snippet view article find links to article

Pasinelli in Bologna, although he also adhered to a style derived from the Carracci. He took up his residence in Rome, being ill able to support a family

Bartolomeo Ramenghi (218 words) [view diff] exact match in snippet view article find links to article

return to Bologna. His works were later highly esteemed by Guido Reni and the Carracci. Among his works made in Bologna were a Dispute of St Augustine and a

Cesare Fracanzano (282 words) [view diff] exact match in snippet view article find links to article

Nittis. His pictorial style was based on Ribera, but also on Tintoretto, the Carracci brothers and Guido Reni. After long years of artistic preparation and

Pietro Paolo Bonzi (294 words) [view diff] exact match in snippet view article find links to article

Bonzi (c. 1576–1636), also known as il Gobbo dei Carracci (hunchback of the Carracci) or il Gobbo dei Frutti (of fruits), was an Italian painter, best known

Domenichino (2,846 words) [view diff] exact match in snippet view article find links to article

with Calvaert, he left to work in the Accademia degli Incamminati of the Carracci where, because of his small stature, he was nicknamed Domenichino, meaning

Tommaso Campana (114 words) [view diff] exact match in snippet view article find links to article

Baroque, mainly in his native Bologna. He was originally a pupil of the Carracci, but afterwards followed the style of Guido Reni. In the church of San

Benedetto Possenti (80 words) [view diff] exact match in snippet view article find links to article

painter, as well of seaports, landscapes, and festivals. He was a pupil of the Carracci. His son, Giovanni Pietro Possenti, was also a painter of similar themes

Alessandro Albini (108 words) [view diff] exact match in snippet view article find links to article

period. He was born in Bologna, and was an early pupil of the school of the Carracci. He was known for designs he made for the funeral ceremony of Agostino

Pietro Faccini (339 words) [view diff] exact match in snippet view article find links to article

but apprenticed in the Carracci academy with Ludovico and Annibale Carracci commencing around 1583. In 1594, he left the Carracci academy and set up his

Alessandro Tiarini (517 words) [view diff] exact match in snippet view article find links to article

Fontana, and subsequently with Bartolomeo Cesi. He was not inducted into the Carracci Academy. Forced to flee from Bologna, due to what Malvasia and Amorini

Niccolò Musso (156 words) [view diff] exact match in snippet view article find links to article

Caravaggio for ten years in Rome (Orlandi) or by local tradition under the Carracci in Bologna (Lanzi). He painted for the church of St. Francis in Casale

Giovanni Battista Vernici (90 words) [view diff] exact match in snippet view article find links to article

Italian painter. He was born in Bologna. He was a pupil in the school of the Carracci. He painted religious and historical pictures for the churches and public

Bident (1,558 words) [view diff] exact match in snippet view article find links to article

al., Drawings by the Carracci from British Collections (Ashmolean Museum, 1996), p. 78. Robertson et al., Drawings by the Carracci from British Collections

Sinon (876 words) [view diff] exact match in snippet view article find links to article

Engraving after frescos by the Carracci, 1663

Francesco Carracci (203 words) [view diff] exact match in snippet view article find links to article

to his teacher, calling it the "True School of the Carracci". Like the other members of the Carracci family he taught, engraved, and painted. His Adoration

La Zingarella (Correggio) (356 words) [view diff] exact match in snippet view article

painting, popularly known as 'la Zingara'. It was also copied by one of the Carracci brothers and we saw the original in Parma so damaged and ruined that

Michel Corneille the Elder (523 words) [view diff] exact match in snippet view article find links to article

"sweet", school of Italian art, showing the far-reaching influence of the Carracci. He was long employed in the decoration of churches in Paris, his masterpiece

Bartolomeo Schedoni (596 words) [view diff] exact match in snippet view article find links to article

National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 526–533. {{cite

Lucio Massari (298 words) [view diff] exact match in snippet view article find links to article

Passarotti, but also worked with Bartolomeo Cesi. In 1592, he joined the Carracci studio or the Academy of the Incamminati, and remained attached to Ludovico

Francesco Cozza (painter) (302 words) [view diff] exact match in snippet view article

fresco decorations of the Palazzo Altieri. His landscape paintings recall the Carracci style of paesi con figure piccole (landscapes with small figures). He

Pietro Testa (588 words) [view diff] exact match in snippet view article find links to article

attempted a personal version of neo-classicism, under the influence of the Carracci. Many of his later subjects were original classical subjects, the most

Ludovico Mazzolino (351 words) [view diff] exact match in snippet view article find links to article

Francis P. Smyth and John P. O'Neill, ed. (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington: National

Scarsellino (593 words) [view diff] exact match in snippet view article find links to article

Francis P. Smyth and John P. O'Neill (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington: National

Cinquecento (960 words) [view diff] exact match in snippet view article find links to article

Pontormo, Rosso Fiorentino, Parmigianino and Giulio Romano. After 1580, the Carracci brothers, Annibale and Agostino, began to develop the Baroque style of

Leonello Spada (668 words) [view diff] exact match in snippet view article find links to article

Basilica of Santa Maria di Loreto. By then he had already gravitated to the Carracci Academy, having contributed to the decorations for the funeral of Agostino

Carlo Bononi (349 words) [view diff] exact match in snippet view article find links to article

National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 379–85. {{cite

Amico Aspertini (624 words) [view diff] exact match in snippet view article find links to article

National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 56–61. {{cite book}}:

Marcantonio Franceschini (803 words) [view diff] exact match in snippet view article find links to article

John P. O'Neill (Editors in Chief) (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington: National

Dosso Dossi (1,129 words) [view diff] exact match in snippet view article find links to article

Brown (1986). National Gallery of Art (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries (First ed.). Cambridge

School of Ferrara (542 words) [view diff] exact match in snippet view article find links to article

National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Camillo Laderchi (1856)

Palazzo Spada (514 words) [view diff] exact match in snippet view article find links to article

Brueghel the Elder, Guercino, Rubens, Dürer, Caravaggio, Domenichino, the Carracci, Salvator Rosa, Parmigianino, Francesco Solimena, Michelangelo Cerquozzi

Giacomo Cavedone (459 words) [view diff] exact match in snippet view article find links to article

Commons has media related to Giacomo Cavedone. The Art of Corregio and the Carracci. Monograph (1986-7) Wittkower, Rudolf (1993). Pelican History of Art

Thomas B. Hess (510 words) [view diff] exact match in snippet view article find links to article

York, 1959 The Academy: Five Centuries of Grandeur and Misery, from the Carracci to Mao Tse-Tung. Macmillan, New York, 1967 Barnett Newman. Museum of

Pellegrino Tibaldi (879 words) [view diff] exact match in snippet view article find links to article

Commons has media related to Pellegrino Tibaldi. The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries (exh. cat., Washington

Ubaldo Gandolfi (496 words) [view diff] exact match in snippet view article find links to article

risen to prominence nearly two centuries earlier with the members of the Carracci family.The Bolognese school of painting focused on realistic depictions

Guido Cagnacci (976 words) [view diff] exact match in snippet view article find links to article

Francis P.; John P. O'Neill, eds. (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington: National

Sebastiano Filippi (514 words) [view diff] exact match in snippet view article find links to article

National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 61–63. {{cite book}}:

Gerard van Honthorst (1,576 words) [view diff] exact match in snippet view article find links to article

contemporary artists, including Caravaggio, Bartolomeo Manfredi and the Carracci. He was particularly known for his depiction of artificially lit scenes

Gaetano Gandolfi (817 words) [view diff] exact match in snippet view article find links to article

itself almost two centuries earlier with the group of painters trained by the Carracci.The Bolognese school of painting focused on realistic depictions of human

Sisto Badalocchio (313 words) [view diff] exact match in snippet view article find links to article

Francis P. Smyth and John P. O'Neill, ed. (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington DC: National

Giovanni Battista Benaschi (661 words) [view diff] exact match in snippet view article find links to article

As did many other aspiring artists, Benaschi drew inspiration from the Carracci frescoes from the Farnese Gallery, from the statues in the Belvedere

Benvenuto Tisi (1,164 words) [view diff] exact match in snippet view article find links to article

Francis P. Smyth; John P. O'Neill, eds. (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. National Gallery of

Pluto (mythology) (17,184 words) [view diff] exact match in snippet view article

al., Drawings by the Carracci from British Collections (Ashmolean Museum, 1996), p. 78. Robertson et al., Drawings by the Carracci from British Collections

Girolamo Mazzola Bedoli (358 words) [view diff] exact match in snippet view article find links to article

Chief (1986). National Gallery of Art (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington. p. 65.

Caravaggio (12,092 words) [view diff] exact match in snippet view article find links to article

perhaps more pertinently, Caravaggio never established a workshop as the Carracci did and thus had no school to spread his techniques. Nor did he ever

Magdalen in the Desert (1,034 words) [view diff] exact match in snippet view article find links to article

artist of the seventeenth century, from an original of the school of the Carracci." The picture at Dresden was also thought not improbably a copy of a

Giovanni Antonio Burrini (347 words) [view diff] exact match in snippet view article find links to article

National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 385–391. {{cite

Cesare Rinaldi (1,012 words) [view diff] exact match in snippet view article find links to article

by W. Fick. pp. 169-170. Summerscale, Anne (2000). Malvasia's Life of the Carracci: Commentary and Translation. Penn State University Press. p. 367. ISBN 9780271044378

Giovanni Carlo Aliberti (416 words) [view diff] exact match in snippet view article find links to article

made his own manner of painting, that is, he resented the Maratta and the Carracci school, with some echoes from Correggio. His activity, very fervent,

John Chamberlaine (414 words) [view diff] exact match in snippet view article find links to article

Florentine and Venetian Schools, comprising some of the Works of L. da Vinci, the Carracci, C. Lorrain, Raphael, Michael Angelo, the Poussins and Others in His

Francesco Naselli (188 words) [view diff] exact match in snippet view article find links to article

flourished about the year 1610. When young, he studied the works of the Carracci and Guercino, which he copied with surprising success, but afterwards

1560 (2,993 words) [view diff] exact match in snippet view article find links to article

German). Franke. p. 3. Retrieved October 24, 2023. Malvasia's Life of the Carracci: Commentary and Translation. Penn State Press. 2000. p. 245. ISBN 978-0-271-04437-8

Tito Azzolini (371 words) [view diff] exact match in snippet view article find links to article

restoration of the Casa Vecchietti (1883); Casa Gradi (1884); the House of the Carracci; casa della Garisenda; the church of San Michele in Bosco (refacing the

Francesco Mancini (1679–1758) (783 words) [view diff] exact match in snippet view article

at Bologna and was introduced to academic painting in the manner of the Carracci; echoes of this style of painting can be seen in his juvenile works:

Lelio Orsi (534 words) [view diff] exact match in snippet view article find links to article

Francis P. (1986). John P. O'Neill (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington DC: National

Italian Baroque art (1,657 words) [view diff] exact match in snippet view article find links to article

academy to train painters. Amongst their various joint commissions, the Carracci carried out the fresco decorations in the Palazzo Fava. There followed

Guild of Saint Luke (3,401 words) [view diff] exact match in snippet view article find links to article

system. Gradually other cities were to follow the example of Rome and the Carracci in Bologna, with leading painters founding an "Academy", not always initially

Basilica della Ghiara (843 words) [view diff] exact match in snippet view article find links to article

with rich decorations in gold, marbles, as well as large frescoes of the Carracci school covering the domes and the vaults. These depicts stories of women

Leonardo Agostini (581 words) [view diff] exact match in snippet view article find links to article

Anne Summerscale, ed. (conte Carlo Cesare Malvasia), Malvasia's Life of the Carracci: Commentary and Translation, 2000:270 This article incorporates text

Gaspare Traversi (459 words) [view diff] exact match in snippet view article find links to article

National Gallery of Art, Washington DC (ed.). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. pp. 373–378. {{cite

Mauro Gandolfi (522 words) [view diff] exact match in snippet view article find links to article

itself almost two centuries earlier with the group of painters trained by the Carracci. The Bolognese school of painting focused on realistic depictions of

Louis Galloche (1,202 words) [view diff] exact match in snippet view article find links to article

journey. He advises them, after having studied Raphael in Rome; and the Carracci, either at Rome or at Bologna; to go and draw the principles of Titian

Bartolomeo Coriolano (1,385 words) [view diff] exact match in snippet view article find links to article

first instructed by his father at the Academy of the Incamminati, of the Carracci, at Bologna. He afterwards became a pupil of Reni, in whose studio he

Lavinia Fontana (3,149 words) [view diff] exact match in snippet view article find links to article

Smyth, Francis P.; O'Neill, John P. (1986). The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries. Washington DC: National

Jean-Baptiste Corneille (499 words) [view diff] exact match in snippet view article find links to article

etched plates after his own designs and finished pictures, and after the Carracci. His work with acid and the burin was spirited and exhibited his thorough

Michel Corneille the Younger (720 words) [view diff] exact match in snippet view article find links to article

under the then powerful influence of the Eclectics, he studied with the Carracci and modelled his style on theirs. In 1663 he returned to Paris and was

Torquato Tasso (5,289 words) [view diff] exact match in snippet view article find links to article

Jerusalem Delivered and Aminta have been legion and include Tintoretto, the Carracci, Guercino, Pietro da Cortona, Domenichino, Cigoli, Van Dyck, Poussin

William Aglionby (1,026 words) [view diff] exact match in snippet view article find links to article

ISBN 978-1-4051-5222-8. conte Carlo Cesare Malvasia (2000). Malvasia's Life of the Carracci: Commentary and Translation. Penn State Press. p. 37. ISBN 0-271-01899-2

Catholic art (6,380 words) [view diff] exact match in snippet view article find links to article

requirements, especially in the earlier, simpler phases associated with the Carracci and Caravaggio, who nonetheless met with clerical opposition over the

Henry Keazor (1,273 words) [view diff] exact match in snippet view article find links to article

thesis on the pictorial reform of the Early modern painter’s family of the Carracci from Bologna. Directly afterwards Keazor became guest professor at the

The Lives of the Artists (Bellori) (764 words) [view diff] exact match in snippet view article

Bellori's Idea. Prior to 2005, only the Idea and the biographies of the Carracci, Barocci, Caravaggio and Van Dyck had been translated into English. The

John Adamson (publisher) (3,618 words) [view diff] exact match in snippet view article

(2014) ISBN 978-2-87844-200-7 (translation from the French into English) The Carracci Gallery: Its History and Restoration, Elvira Cajano and Emanuela Settimi

Giovanni Pietro Bellori (2,904 words) [view diff] exact match in snippet view article find links to article

ISBN 9780521317207. Malvasia, Carlo Cesare (2000). Malvasia's Life of the Carracci: Commentary and Translation. Penn State Press. p. 37. ISBN 0-271-01899-2

Antinous Farnese (1,280 words) [view diff] exact match in snippet view article find links to article

Hercules and the Farnese Bull. It was once displayed at the entrance to the Carracci Gallery in the Palazzo Farnese in Rome, from which it was taken to Naples

Giovanni Battista Agucchi (2,320 words) [view diff] exact match in snippet view article find links to article

his writings, which also contain important biographical information on the Carracci. Agucchi may have advised Carracci on the complicated and learned mythological

Neapolitan Novels (3,665 words) [view diff] exact match in snippet view article find links to article

(Antonio's sister, helps her mother clean staircases, later works at the Carracci grocery shop) other children Guido Airota (Greek literature professor)

The Last Communion of Saint Jerome (Domenichino) (1,201 words) [view diff] exact match in snippet view article

Albani, were well-known pupils who had trained under Annibale Carracci in the Carracci Academy. During this time Domenichino was more renowned and better established

David Franklin (curator) (1,572 words) [view diff] exact match in snippet view article

Gallery of Canada and the Kimbell Art Museum, 2011). From Raphael to the Carracci: The Art of Papal Rome (National Gallery of Canada, 2009). Leonardo

Adoration of the Shepherds (Domenichino) (1,833 words) [view diff] exact match in snippet view article

generally accepted. However it seems that Bellori probably never saw the Carracci original, and no certain documentation for its subsequent history has

Il ritorno d'Ulisse in patria (Raymond Leppard recording) (2,063 words) [view diff] exact match in snippet view article

Ulysses's benefactors, Juno and Jupiter, portrayed by one of the Carracci family

1560s (30,985 words) [view diff] exact match in snippet view article find links to article

German). Franke. p. 3. Retrieved 24 October 2023. Malvasia's Life of the Carracci: Commentary and Translation. Penn State Press. 2000. p. 245. ISBN 978-0-271-04437-8

Elmer Belt Library of Vinciana (2,748 words) [view diff] exact match in snippet view article find links to article

in succession by painter Francesco Albani, a major representative of the Carracci school; and Francesco Gabburri, a diplomat, painter, art collector, and

Light in painting (44,129 words) [view diff] exact match in snippet view article find links to article

landscape, as well as in historical and mythological themes. In addition to the Carracci brothers, Guido Reni, Domenichino, Francesco Albani, Guercino and Giovanni

Rembrandt's prints (10,249 words) [view diff] exact match in snippet view article find links to article

works attributed to Giorgione, Palma le Vieux, Lelio Orsi, Raphael, and the Carracci; It also housed prints by Andrea Mantegna, Lucas van Leyden, Martin Schongauer