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Find link is a tool written by Edward Betts .
searching for connie's Inn 11 found (34 total)
alternate case: Connie's Inn
Harlan Lattimore
(416 words)
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Starting in 1932, singing in the Don Redman Orchestra, Harlem nightclub Connie's Inn marketed Lattimore as the "colored Bing Crosby" [sic]. Lattimore was
Shim Sham
(1,070 words)
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1930s, the Shim Sham was performed on stage in Harlem at places like Connie's Inn , Dickie Wells's Shim Sham Club, the 101 Ranch, the LaFayette Theatre
J. Russel Robinson
(563 words)
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Memories of France (1928), Columbia Claude Jones, Harlan Lattimore, & Connie's Inn Orchestra- Reefer Man (1932), Columbia Benny Goodman Orchestra- Margie
Bubbling Brown Sugar
(1,175 words)
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The group tours the club scene, visiting locations like the 101 Ranch, Connie's Inn , Dickie Wells, and Saratoga. Sage and Checkers appear as "Rusty" and
Crown Records (1930s label)
(789 words)
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name Fletcher Henderson – five records issued under his name, and also Connie's Inn Orchestra Eubie Blake – seven records were issued Joel Shaw – a sizable
Fletcher Henderson
(2,568 words)
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the morning. During the 1930s, he recorded for Columbia, Crown (as "Connie's Inn Orchestra"), ARC (Melotone, Perfect, Oriole, Vocalion), Bluebird, Victor
Mantan Moreland
(2,584 words)
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Moreland gained an opportunity in 1927 when he was hired as a comedian in Connie's Inn Frolics in Harlem. He next worked in the musical revue Blackbirds of
Ida Forsyne
(1,280 words)
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auditioned but was not hired at Harlem nightclubs such as the Cotton Club, Connie’s Inn , and the Nest because of their preference for light-skinned chorus girls
Gladys Bentley
(2,698 words)
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New York City, New York Ubangi Club, Harlem, New York City, New York Connie's Inn ("Jungle Alley"), 2221 Seventh Street, Harlem, New York City, New York
Luckey Roberts
(7,914 words)
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moved to basement next door to the Lafayette Theatre and was renamed Connie's Inn . Roberts 1920s hit "Railroad Blues", a fox trot, was published and recorded
Timeline of music in the United States (1920–1949)
(20,594 words)
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makes his first recordings, which are credited to Harold Lattimore & His Connie's Inn Orchestra. Redman, who formerly wrote the arrangements of Fletcher Henderson