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Find link is a tool written by Edward Betts.Longer titles found: Heinrich Wölfflin (view), Eduard Wölfflin (view), Christoph Wölfflin (view)
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manuscript, now lost, together with the Epitome of Florus. An 1873 edition by Wölfflin was based on Salmasius's copy of the lost codex. The more recent editionsIndeterminacy (music) (1,843 words) [view diff] exact match in snippet view article
music is also used in the sense defined by the art historian Heinrich Wölfflin (1915) to mean a work which is fundamentally incomplete, represents anMassacre of the Innocents (Reni) (309 words) [view diff] exact match in snippet view article
World as Will and Representation, Volume 1, § 46 near the end Sources Wölfflin, Heinrich (1961). Renaissance et baroque. Paris: Gérard Monfort. SalvyRaphael Cartoons (4,695 words) [view diff] exact match in snippet view article find links to article
the V&A have eight of the ten cartoons. V&A website on the colouring. Wölfflin 1968, p. 108 believed they were entirely executed by Penni, one of Raphael'sAntiochus of Syracuse (169 words) [view diff] exact match in snippet view article find links to article
Historiker. Chisholm 1911. Müller, Fragmenta Historicorum Graecorum, i (1841). Wölfflin, Antiochos von Syrakus, 1872. This article incorporates text from a publicationLeo Blumenreich (721 words) [view diff] exact match in snippet view article find links to article
Friedrich Wilhelms University in Berlin and was a student of Heinrich Wölfflin and Max J. Friedländer, with whom he had a lifelong friendship. On Friedländer'sOrpheus (7,623 words) [view diff] exact match in snippet view article find links to article
trans. A. S. Kline (2000). Ovid: The Metamorphoses. Book XI. Heinrich Wölfflin (2013). Drawings of Albrecht Dürer. Courier Dover. pp. 24–25. ISBN 978-0-486-14090-2Expositio totius mundi et gentium (911 words) [view diff] exact match in snippet view article find links to article
Prefazioni, prologhi, proemi di opere tecnico-scientifiche latine, Roma. Wölfflin, E. 1904. Bemerkungen zu der Descriptio orbis. Archiv für lateinische LexikographieBice Curiger (1,125 words) [view diff] exact match in snippet view article find links to article
the Order of Arts and Letters (France)[citation needed] 2007 – Heinrich Wölfflin Medal of the City of Zurich 2009 – SI Award of the Swiss Institute ContemporaryCarola Giedion-Welcker (620 words) [view diff] exact match in snippet view article find links to article
Mary Legien (1865–1919). She studied art history in Munich under Heinrich Wölfflin, and in Bonn with Paul Clemen. She received her doctorate in Bonn in 1922List of literary movements (2,181 words) [view diff] exact match in snippet view article find links to article
Manchester University Press. ISBN 0-719-00745-3. Greene 2012, "Petrarchism". Wölfflin, Heinrich (1964) [1888]. Renaissance and Baroque. Translated by KathrinAlfred Rosenberg (8,879 words) [view diff] exact match in snippet view article find links to article
child of the Sistine Madonna is "frankly heroic" in gaze and posture (Wölfflin). That is aptly expressed except that the fundamental ground is lackingUlrich Pfisterer (art historian) (1,146 words) [view diff] exact match in snippet view article
Burioni and Burcu Dogramaci: Kunstgeschichten 1915. 100 Jahre Heinrich Wölfflin: Kunstgeschichtliche Grundbegriffe. Dietmar Klinger Verlag, Passau 2015Huldrych Zwingli (10,520 words) [view diff] exact match in snippet view article find links to article
years in Basel, he stayed a short time in Bern with the humanist Henry Wölfflin. The Dominicans in Bern tried to persuade Zwingli to join their order andFranz Landsberger (656 words) [view diff] exact match in snippet view article find links to article
through Germany, England and France, and after further studies with Heinrich Wölfflin in Berlin, Landsberger habilitated in Breslau in 1912. This marriage producedSüddeutsche Monatshefte (4,363 words) [view diff] exact match in snippet view article find links to article
l'histoire de l'art et de l'art contemporain en Allemagne à l'époque de Wölfflin et de Meier-Graefe", Revue de l'Art, Vol. 88, 1990, pp. 35, 38 "Revue desNigel Konstam (3,066 words) [view diff] exact match in snippet view article find links to article
it alters the foundations of art history as taught today e.g. Heinrich Wölfflin, Principles of Art History. The assumption has previously been that theLatin tenses (semantics) (3,170 words) [view diff] exact match in snippet view article
moment of the action expressed by the infinitive but on its duration (cf. Wölfflin and Miodoński 1889: 69; Kurzová 1992: 214–17). Significantly, in late Latin