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searching for Venetian painting 121 found (211 total)

Giovanni Bellini (2,629 words) [view diff] exact match in snippet view article find links to article

Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the

Circumcision of Christ (Bellini) (103 words) [view diff] exact match in snippet view article

Circumcision of Christ, a common subject in 16th and 17th century Venetian painting. It is attributed to Bellini's studio although it bears his signature

List of works by Giovanni Bellini (2,193 words) [view diff] exact match in snippet view article find links to article

brother-in-law was Andrea Mantegna. He was considered to have revolutionized Venetian painting, moving it towards a more sensuous and colouristic style. Through

Lucretia (Veronese) (100 words) [view diff] exact match in snippet view article

an oil-on-canvas painting by Paolo Veronese from c.1580-1583. This Venetian painting depicts Lucretia in the act of piercing her chest with a dagger after

Christ and the Samaritan Woman (Carracci) (354 words) [view diff] exact match in snippet view article

It belongs to a time in Annibale's career when the influence of Venetian painting began to combine with the central Italian tradition of painting as

Alonso Sánchez Coello (994 words) [view diff] exact match in snippet view article find links to article

combines the objectivity of the Flemish tradition with the sensuality of Venetian painting. He was court painter to Philip II. Alonso Sánchez Coello was born

Virgin and Child on Bronze (Moskos) (475 words) [view diff] exact match in snippet view article

School. The technical migration from the maniera Greca of Cretan-Venetian painting to the more refined Ionian-Venetian style is visible in the works

Entry of Christ into Jerusalem (Karousos) (571 words) [view diff] case mismatch in snippet view article

attributes with Proto-Renaissance paintings. The Cretan School mixed Venetian Painting and the Proto-Renaissance style. Greek painting further evolved with

Assumption of the Virgin (Titian) (2,708 words) [view diff] exact match in snippet view article

Apostles marked a break with the usual meditative stillness of saints in Venetian painting, in the tradition of Giovanni Bellini and others. It was perhaps originally

Charles Hope (art historian) (119 words) [view diff] exact match in snippet view article

specialist in Italian art of the 15th and 16th centuries, especially Venetian painting. Titian Bronzino's 'Allegory' in the National Gallery. The Chronology

The Miracle of the Holy Belt (837 words) [view diff] exact match in snippet view article find links to article

French and Flemish attributes not reflective of the maniera greca or Venetian painting. The artist absorbed the stylistic characteristic of Flemish and French

Giusto de' Menabuoi (291 words) [view diff] exact match in snippet view article find links to article

Jacopo d'Avanzi, and he had no influence on the later development of Venetian painting. In Lombardy he executed a fresco of the Last Judgement in the Abbey

Esther Before Ahasuerus (Tintoretto) (1,097 words) [view diff] exact match in snippet view article

colours and dramatic contrasts in lighting, is characteristic of Venetian painting. The orange-yellow pigment orpiment in the robe of the king has altered;

Marco Boschini (309 words) [view diff] exact match in snippet view article find links to article

as: La Carta del Navegar pittoresco (1660), a panygeric poem about Venetian painting; Le minere della pittura veneziana (1664) and Le ricche minere della

Jesus Hominum Salvator (Ritzos) (919 words) [view diff] exact match in snippet view article

traditional Greek-Italian Byzantine style combined with Italian Renaissance Venetian painting. The technique later became known as the maniera greca. Sixty of his

Sleeping Venus (Giorgione) (1,538 words) [view diff] exact match in snippet view article

afterwards, as "the reclining female nude became a distinctive feature of Venetian painting". There was originally a sitting figure of Cupid beside Venus's feet

Adoration of the Shepherds (Giorgione) (1,128 words) [view diff] exact match in snippet view article

usual other view is that it is an early Titian. It is certainly a Venetian painting of that period. It is displayed in the National Gallery of Art of

Paolo Veronese (3,298 words) [view diff] exact match in snippet view article find links to article

decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century.

Valerio Corte (119 words) [view diff] exact match in snippet view article find links to article

Soprani. He travelled to France as a mercenary. He helped introduce venetian painting styles, both by works and his work as an art merchant, to Genoa, where

Jaynie Anderson (744 words) [view diff] exact match in snippet view article find links to article

exhibitions, known for her publications and exhibitions on Giorgione and Venetian painting. Anderson is a Professor Emeritus at the University of Melbourne.

Marco Palmezzano (670 words) [view diff] exact match in snippet view article find links to article

below, symmetrically sited in the foreground are flanking saints. Venetian painting, in general, and the work of Giovanni Bellini and Cima da Conegliano

Contarini Madonna (125 words) [view diff] exact match in snippet view article find links to article

recalls the Byzantine painting, which was one of the roots of the Venetian painting school. The background is formed by a soft landscape, with hills and

Paolo Veneziano (740 words) [view diff] case mismatch in snippet view article find links to article

Concise History of Venetian Painting, 1970, London: Thames and Hudson (World of Art), ISBN 0500181071, reissued in 1986 as Venetian Painting: A Concise History

Filippo Abbiati (746 words) [view diff] exact match in snippet view article find links to article

the first manifestations of the Rococo. Being in contact with the Venetian painting of Federico Bencovich and Sebastiano Ricci he influenced his apprentices

Michele Giambono (1,830 words) [view diff] case mismatch in snippet view article find links to article

a painter of Treviso called Giam Bono (also Zambono) In his book Venetian Painting, John Steer notes that the depiction of the rider and horse in the

Matteo Ponzone (610 words) [view diff] exact match in snippet view article find links to article

left in situ adequately define the importance for the history of Venetian painting of the first '600, although the significance was detected only in

The Three Philosophers (1,373 words) [view diff] case mismatch in snippet view article find links to article

Ferion-Pagden, Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting. National Gallery of Art and Kunsthistorisches Museum, p. 164 (2006

Portrait of Doge Leonardo Loredan (495 words) [view diff] case mismatch in snippet view article find links to article

Sylvia (2006). Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting. New Haven: Yale University Press. ISBN 978-0-300-11677-9. Cevizli

Portrait of Agostino Barbarigo (206 words) [view diff] exact match in snippet view article find links to article

ISBN 978-1-351-80573-5. Pignatti, Terisio (1979). The golden century of Venetian painting. Los Angeles County Museum of Art. ISBN 9780875870885. Art, Cleveland

Carlo Ridolfi (581 words) [view diff] exact match in snippet view article find links to article

painters than Florentine ones, Ridolfi remains an important source for Venetian painting between the beginning of the Renaissance and his own day, although

Vincenzo Pagani (308 words) [view diff] exact match in snippet view article find links to article

of San Francesco in Sarnano. In the 1520s he was influenced by the Venetian painting school, which he had known from Antonio Solario, then at Fermo, and

Portrait of Bishop Bernardo de' Rossi (272 words) [view diff] exact match in snippet view article find links to article

mantel is backed by a green embroidered drapery, a common element of Venetian painting of the period. The roll is perhaps an allusion to the sentence against

Andrea di Bartolo (593 words) [view diff] exact match in snippet view article find links to article

in its iconography and rich ornamental elements the influence of Venetian painting. His later work shows the influence of Taddeo di Bartolo, Martino

Gallerie dell'Accademia (1,016 words) [view diff] exact match in snippet view article find links to article

Bartolomeo Bon. The Gallerie dell’Accademia contains masterpieces of Venetian painting up to the 19th century, generally arranged chronologically though

A Man with a Quilted Sleeve (2,054 words) [view diff] exact match in snippet view article find links to article

speculative, asking "Why not admit that we still don’t know very much about Venetian painting in the first decade of the 16th century, instead of pretending to

Rodolfo Pallucchini (577 words) [view diff] exact match in snippet view article find links to article

Venice and Padua. Pallucchini curated the exhibition Five centuries of Venetian painting set up in 1945 at the Procuratie Nuove in Venice, considered a model

Veronica Veronese (584 words) [view diff] exact match in snippet view article find links to article

Rossetti's work of the 1860s and 1870s, Veronica Veronese was inspired by Venetian painting. It is believed to represent "the artistic soul in the act of creation"

Salome (Titian, Rome) (2,354 words) [view diff] exact match in snippet view article

The painting relates to two different types of painting found in Venetian painting in the years dominated by Giorgione, including his posthumous influence

Jacobello del Fiore (4,704 words) [view diff] exact match in snippet view article find links to article

affinity for: that of Byzantine-inspired, early-fourteenth-century Venetian painting. The color palette of this work and the manner in which the figures

Roberto Longhi (855 words) [view diff] exact match in snippet view article find links to article

Piero della Francesca played a decisive role in the development of Venetian painting. This monograph, which Kenneth Clark opined could hardly be improved

Agony in the Garden (Bellini) (864 words) [view diff] case mismatch in snippet view article

Their Meanings. Yale University Press. Cole, Bruce (1999). Titian and Venetian Painting, 1450-1590. Westview Press. pp. 10–12, 16–17. Reitlinger, I, 122 Official

Pietro Faccini (339 words) [view diff] exact match in snippet view article find links to article

Correggio, and Bassano. He was also inspired by the rich color of Venetian painting and the exaggerated forms of Parmigianino. In 1590, he painted The

Nicolò Grassi (112 words) [view diff] case mismatch in snippet view article find links to article

went to Bavaria and then to Dalmatia. Aldo Rizzi, The Masters of Venetian Painting Electa, Milan 1973. Wikimedia Commons has media related to Nicola

The Fall of the Rebel Angels (Giordano) (246 words) [view diff] exact match in snippet view article

characterized by the figure of the saint, shows evident influences of Venetian painting. The image of Saint Michael mirrors that of classical iconography

The Bravo (Titian) (599 words) [view diff] exact match in snippet view article

Company/Yale, London 2003, ISBN 1 857099036, #12 in catalogue Steer, John, Venetian painting: A concise history, 1970, London: Thames and Hudson (World of Art)

Ettore Tito (2,320 words) [view diff] exact match in snippet view article find links to article

turned to mythological and symbolic subjects inspired by 18th-century Venetian painting, both for his oil paintings and for the murals he painted at the Villa

John Steer (art historian) (175 words) [view diff] exact match in snippet view article

Doctorate from Heriot-Watt University in 1991. A concise history of Venetian painting. London: Thames and Hudson, 1970. Alvise Vivarini: His art and influence

Saint Dorothy (painting) (253 words) [view diff] case mismatch in snippet view article

Alan Brown e.a., Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting (catalogue of the exhibition at the National Gallery of Art, Washington

Antonio Maria Zanetti (549 words) [view diff] exact match in snippet view article find links to article

opere pubbliche de veneziani maestri gives a view of contemporary Venetian painting; it continued to be expanded and reprinted decades after his death

Francesco Maria I della Rovere (882 words) [view diff] case mismatch in snippet view article find links to article

Renaissance. University of Toronto Press. Cole, Bruce (2018). Titian And Venetian Painting, 1450-1590. Routledge. Fletcher, Catherine (2020). The Beauty and

Laura (Giorgione) (1,072 words) [view diff] exact match in snippet view article

Berrie, B. H. (2006). Bellini, Giorgione, Titian, and the Renaissance of Venetian painting (Washington: National Gallery of Art). ISBN 0-300-11677-2

Christ Carrying the Cross (1,575 words) [view diff] exact match in snippet view article find links to article

Jaynie eds., Bellini, Giorgione, Titian, and the Renaissance of Venetian painting (exhibition at the National Gallery of Art (Washington) and Kunsthistorisches

Castelfranco Madonna (554 words) [view diff] exact match in snippet view article find links to article

home in Castelfranco in December 2005. Steer, 79-84 Steer, John, Venetian painting: A concise history, 1970, London: Thames and Hudson (World of Art)

Teodor Ilić Češljar (498 words) [view diff] exact match in snippet view article find links to article

the St. Nicholas Church in Kikinda show even more intentions for Venetian painting. They are The Last Supper and Christ in Eclat. A street in Kikinda

Museo Correr (1,691 words) [view diff] exact match in snippet view article find links to article

19 rooms display the Picture Gallery, which focuses primarily on Venetian painting up to the 16th century. There are also rooms dedicated to maiolica-work

Niccolò di Pietro (582 words) [view diff] exact match in snippet view article find links to article

collections is a series of paintings, which can be attributed to the Venetian painting of the 14th and 15th centuries; attribution of some of them varies

David Rosand (724 words) [view diff] case mismatch in snippet view article find links to article

Est une traduction de : Titian. Cranston, Jodi. (under contract). Venetian Painting Matters: Essays in Honor of David Rosand. New York: Brepols. Reed

Guariento di Arpo (347 words) [view diff] exact match in snippet view article find links to article

Rekonstruktionsversuch (Vienna: AV Akademikerverlag, 2014) Steer, John (1970), Venetian painting: A concise history, pp. 28-29, London: Thames and Hudson. ISBN 0500201013

Pietro degli Ingannati (349 words) [view diff] exact match in snippet view article find links to article

Jesus) surrounded by a group of saints. This motif was typical of Venetian painting and had been popularized by Titian. Ingannati's many representations

Adoration of the Magi (1,954 words) [view diff] exact match in snippet view article find links to article

Damaskinos revitalized the Greek Italian Byzantine style by mixing it with Venetian painting in his rendition of the Adoration of the Magi around 1590. The island

Shepherd with a Flute (789 words) [view diff] case mismatch in snippet view article find links to article

page Schumacher, Andreas, Venezia 500<<. The gentle revolution of Venetian Painting, Alte Pinakothek, 2023, p. 25-26, ISBN 978 3 7774 4176 4 Lucy Whitaker

The Gypsy Madonna (720 words) [view diff] case mismatch in snippet view article find links to article

David Alan (ed), Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, 2006, National Gallery of Art, Washington / Yale Freedberg, Sydney

Donor portrait (3,380 words) [view diff] exact match in snippet view article find links to article

architectural setting. This innovation, however, did not appear in Venetian painting until the turn of the next century. Normally the main figures ignore

Christ Among the Doctors (Dürer) (4,372 words) [view diff] case mismatch in snippet view article

Museum Wien (eds.). Bellini, Giorgione, Tizian and the Renaissance of Venetian Painting. Princeton, NJ: Yale University Press. pp. 112–115. ISBN 978-0-300-11677-9

Longleat (2,392 words) [view diff] exact match in snippet view article find links to article

Elizabeth (the Queen Mother); the ante-library, with a magnificent Venetian painting on the ceiling; the Red Library, which displays many of the 40,000

Bernard Berenson (2,737 words) [view diff] case mismatch in snippet view article find links to article

Renaissance (1907) A Sienese Painter of the Franciscan Legend (1910) Venetian Painting in America: The Fifteenth Century (New York, 1916) Essays in the Study

Justus Sustermans (2,116 words) [view diff] exact match in snippet view article find links to article

is executed in a thickly painted texture similar to 16th-century Venetian painting. The presence of Pietro da Cortona in Florence from 1637 may have

Giulio Campagnola (1,486 words) [view diff] exact match in snippet view article find links to article

which include the Astrologer, very successfully interpret the mood of Venetian painting of the first decade of the century in the medium of engraving. It

Michelino da Besozzo (1,365 words) [view diff] exact match in snippet view article find links to article

to Venice was incredibly significant to the overall development of Venetian painting in the following two decades. Both Venice and Vicenza appreciated

Qaitbay (2,317 words) [view diff] exact match in snippet view article find links to article

Anonymous Venetian painting depicting the reception of Venetian ambassadors in Damascus. The wall in the background is decorated with Qaitbay's blazon

Sebastiano Bombelli (1,258 words) [view diff] case mismatch in snippet view article find links to article

"Galleria Web di arte biografia". John Steer, A Concise History of Venetian Painting, Thames and Hudson, 1970, p. 131 Michael Bryan, Dictionary of Painters

The Feast of the Gods (1,767 words) [view diff] case mismatch in snippet view article find links to article

google books Holmes, George, "Giovanni Bellini and the Background to Venetian Painting", in Communes and Despots in Medieval and Renaissance Italy, Editors:

Simone Cantarini (1,971 words) [view diff] exact match in snippet view article find links to article

Condé, Chantilly). Other works from this period show an influence of Venetian painting and a development towards freeer brushwork. Already from his earliest

Tarquin and Lucretia (1,377 words) [view diff] exact match in snippet view article find links to article

National Gallery of Art, Washington, 1990, ISBN 1558610391 Steer, John, Venetian painting: A concise history, 1970, London: Thames and Hudson (World of Art)

Festa della Sensa (258 words) [view diff] exact match in snippet view article find links to article

race that starts the local racing season. Sam Jones (7 July 2005), "Venetian painting by Canaletto sold for record £11.5m", The Guardian, archived from

The Funeral of the Virgin Mary (321 words) [view diff] exact match in snippet view article find links to article

particular choice of colors references to the chromatic tones of Venetian painting. In this work, Ludovico chooses to underline the drama of the scene

Otto Pächt (1,075 words) [view diff] case mismatch in snippet view article find links to article

ed. by Monika Rosenauer, London: Harvey Miller Publishers, 1997. Venetian Painting in the Fifteenth Century. From Mantegna to Bellini. London: Harvey

Fernando de la Jara (400 words) [view diff] exact match in snippet view article find links to article

to Europe to study; of particular interest to him were Flemish and Venetian painting. From 1973 to 1977, he lived in the Peruvian highlands with the goal

Christ Driving the Money Changers from the Temple (El Greco, New York) (1,586 words) [view diff] exact match in snippet view article

his later knowledge of Venetian Altarpieces and experience with Venetian painting from his time in Venice had an impact. There are at least three known

Last Judgment (6,823 words) [view diff] exact match in snippet view article find links to article

the Venetian Empire. Most of the works of art were influenced by Venetian painting but were considered to be painted in the Maniera Greca. Georgios Klontzas

Pietà (Titian) (2,251 words) [view diff] exact match in snippet view article

Tintoretto, 2nd ed 1997, Cambridge UP ISBN 0521565685 Steer, John, Venetian painting: A concise history, 1970, London: Thames and Hudson (World of Art)

San Zaccaria Altarpiece (3,194 words) [view diff] case mismatch in snippet view article find links to article

Pächt, Otto; Pächt, Michael; Vyoral-Tschapka, Margareta (2003). Venetian Painting in the 15th century: Jacopo, Gentile and Giovanni Bellini and Andrea

Francesco Zuccarelli (6,480 words) [view diff] case mismatch in snippet view article find links to article

Landscape Painting from the 1700s - Rome, 1940 Five Centuries of Venetian Painting - Venice, 1945 Eighteenth Century Venice - London, 1951 An Exhibition

The Surrender of Breda (1,778 words) [view diff] exact match in snippet view article find links to article

relatively light tonality and bright colors reveal the influence of Venetian painting. There is no use of violent reds or bright blues; rather, calm brown

Pietro della Vecchia (2,505 words) [view diff] exact match in snippet view article find links to article

and the suffocating lack of space in the compositions are unique in Venetian painting of the seventeenth century, comparable only with the morbid paintings

Sebastiano del Piombo (4,570 words) [view diff] exact match in snippet view article find links to article

1986, Harmony Books/Nippon Television, ISBN 051756274X Steer, John, Venetian painting: A concise history, 1970, London: Thames and Hudson (World of Art)

The Banquet of Cleopatra (Tiepolo) (1,170 words) [view diff] case mismatch in snippet view article

Antony and Cleopatra, The Burlington Magazine, Vol. 113, No. 825, Venetian Painting (Dec., 1971), JSTOR Christiansen, K, ed. (1996). Giambattista Tiepolo

Philipp Fehl (6,052 words) [view diff] case mismatch in snippet view article find links to article

Press, Berkeley, California, 1992. Decorum and Wit: The Poetry of Venetian Painting. Essays in the History of the Classical Tradition. Bibliotheca Artibus

Meyric R. Rogers (807 words) [view diff] exact match in snippet view article find links to article

1935), also by James B Musick, Arthur Pope, and George Caleb Bingham Venetian painting of the XVIIIth century; loan exhibition, April 6 to April 18, 1936

Philipp Fehl (6,052 words) [view diff] case mismatch in snippet view article find links to article

Press, Berkeley, California, 1992. Decorum and Wit: The Poetry of Venetian Painting. Essays in the History of the Classical Tradition. Bibliotheca Artibus

Federico Bencovich (1,842 words) [view diff] exact match in snippet view article find links to article

mystical imprint that is often foreign to the magisterial and olympian Venetian painting, and more akin to the Baroque painters from Northern Italy, Alessandro

Lobkowicz Palace (2,895 words) [view diff] exact match in snippet view article find links to article

and St. Martin Dividing his Cloak (1611) by Jan Brueghel the Elder. Venetian painting of the 16th century is represented by Paolo Veronese's David with

Art Recovery Group (826 words) [view diff] exact match in snippet view article find links to article

- artnet News". artnet News. Retrieved 2016-03-08. "Dispute over Venetian painting seized by Vichy regime resolved after more than 70 years". "Case of

Apollo in the Forge of Vulcan (1,113 words) [view diff] exact match in snippet view article find links to article

years 1629–1631. During his Italian journey he was also influenced by Venetian painting, which can be seen in his use of colour, for example in Apollo's striking

Marco Basaiti (2,341 words) [view diff] exact match in snippet view article find links to article

still generally considered to be one step behind the trends of the Venetian painting of that time. There are approximately 30 known pieces currently attributed

Daniel van den Dyck (1,501 words) [view diff] exact match in snippet view article find links to article

his La carta del navegar pitoresco of 1660, a panygeric poem about Venetian painting. Boschini dedicated two pages to van den Dyck and represented the

List of painters and architects of Venice (1,650 words) [view diff] exact match in snippet view article find links to article

Jacopo Guarana (1720–1808), painter, president of the Academy of Venetian painting Francesco Guardi (1712–1793), painter Gianantonio Guardi (1699–1760)

Christ Washing the Disciples' Feet (Tintoretto) (1,468 words) [view diff] case mismatch in snippet view article

Pelican History of Art. Gould, Cecil (1962). Sebastiano Serlio and Venetian Painting. Journal of the Warburg and Courtauld Institutes. Gould, Cecil (1975)

Venetian secret (319 words) [view diff] exact match in snippet view article find links to article

by West and other artists did not match the coloristic effects of Venetian painting. West and his followers were widely ridiculed in the British press

Leda and the Swan (3,895 words) [view diff] exact match in snippet view article find links to article

the Getty Samuelson blog with thoughts and pictures 16th century Venetian painting by Il Padovanino Alternative detail view of the Getty vase Roman statue

Joos van Winghe (2,073 words) [view diff] exact match in snippet view article find links to article

Winghe was strongly influenced by Mannerism from central Italy and Venetian painting. His work was also influenced by the School of Fontainebleau, works

Rokeby Venus (5,752 words) [view diff] exact match in snippet view article find links to article

Venus may have been intended as a pendant to a sixteenth-century Venetian painting of a recumbent Venus (which seems to have begun life as a Danaë) in

Old master print (8,102 words) [view diff] exact match in snippet view article find links to article

in translating the new style Giorgione and Titian had brought to Venetian painting into engraving. Marcantonio Raimondi and Agostino Veneziano both spent

Ca' Rezzonico (5,546 words) [view diff] exact match in snippet view article find links to article

room offer the opportunity to compare two different trends in the Venetian painting school of the Eighteenth century: vivid, sensual, rococo, visible

Andrea Carrera (1,164 words) [view diff] exact match in snippet view article find links to article

Palermo in 1609, whilst his art as a whole also shows borrowings from Venetian painting and Novelli. The majority of his works are in Trapani, the rest of

Giulio Bonasone (4,725 words) [view diff] exact match in snippet view article find links to article

painting-like quality. In fact, the lighting and texture became closer to venetian painting than Roman painting. Human faces became more vivid after Bonasone

World of Art (773 words) [view diff] case mismatch in snippet view article find links to article

1970 The Pre-Raphaelites Timothy Hilton 1970 A Concise History of Venetian Painting John Steer 1970 (revised 1980) The Munich Gallery: Alte Pinakothek

Portrait of a Man Holding a Letter (522 words) [view diff] exact match in snippet view article find links to article

softness of the brushstrokes seems to bring Moroni's art closer to Venetian painting, but this canvas is certainly more sparse in material, creamy only

The Raising of Lazarus (Sebastiano del Piombo) (3,009 words) [view diff] exact match in snippet view article

Transfiguration, the panel used a number of vertical boards, where a Venetian painting would be more likely to use horizontal ones. In the 1770s there was

Biblioteca Marciana (13,493 words) [view diff] exact match in snippet view article find links to article

dramatic compositions. They nevertheless show the influence of the Venetian painting tradition in both the colouring and brushwork. For the single roundels

Trpanj (5,395 words) [view diff] exact match in snippet view article find links to article

to professor Grgo Gamulin the painting shows signs of 18th-century Venetian painting resembling Piazzetto and Benkovic. The painting on either side of

List of painters in the National Gallery of Art (11,620 words) [view diff] no match in snippet view article find links to article

Alexandria, oil on canvas, ID: 1952.5.59 Rosalba Carriera (1675–1757), Venetian : Painting, pastel, ID: 1939.1.136 John William Casilear (1811–1893), American :

List of Lovejoy episodes (136 words) [view diff] exact match in snippet view article find links to article

Taylor 7 March 1986 (1986-03-07) When a dealer is murdered for a Venetian painting that Lovejoy identified as a fake, the evidence leads to a wealthy

Tobias and the Angel (2,386 words) [view diff] case mismatch in snippet view article find links to article

David Alan et al., Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting, 140, 2006, National Gallery of Art, ISBN 9780300116779, Google Books

Madlyn M. Kahr (862 words) [view diff] exact match in snippet view article find links to article

scholar, educator Known for 16th–17th century Dutch, Spanish, and Venetian painting, feminist art history Notable work Dutch Painting In The Seventeenth

Albino Lucatello (3,319 words) [view diff] exact match in snippet view article find links to article

Pasadena, catalogue published (Levitt Thomas); 1958: 50 years of Venetian painting, Warsaw, catalogue published; 1958: Group exhibition, Directional

Portrait of Doge Andrea Gritti (689 words) [view diff] case mismatch in snippet view article find links to article

1904, p. 278. Cole 1999, pp. 135–136. Cole, Bruce (1999). Titian And Venetian Painting, 1450–1590. United States: Westview Press. pp. 133–138. Gronau, Georg

Cultural depictions of Frederick Barbarossa (10,058 words) [view diff] case mismatch in snippet view article find links to article

January 2006). Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting. Yale University Press. p. 47. ISBN 978-0-300-11677-9. Retrieved 25

Renaissance art in Bergamo and Brescia (3,855 words) [view diff] exact match in snippet view article find links to article

relations, and its equally obvious distinction from contemporary Venetian painting, as well as its fidelity to earlier traditions, its very rapid perceptions

Self-Portrait at 69 years (3,148 words) [view diff] exact match in snippet view article find links to article

Working on texture and color, Goya employed a technique typical of Venetian painting, which emphasizes the softness of the skin and the exceptional luminosity

Veneto (11,145 words) [view diff] exact match in snippet view article find links to article

Conegliano, Pordenone laid the foundations for what would be the age of Venetian painting. Padua was a cradle of the Venetian Renaissance, Where influences