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searching for The Nashville Sound 200 found (233 total)

Nashville sound (939 words) [view diff] case mismatch in snippet view article find links to article

The Nashville sound is a subgenre of American country music that originated in the 1950s in Nashville, Tennessee. It replaced the dominance of the rough

Owen Bradley (1,742 words) [view diff] case mismatch in snippet view article find links to article

Nashville division in 1958. This period marked the beginning of the Nashville sound, a movement that aimed to broaden country music's appeal by incorporating

Outlaw country (2,229 words) [view diff] case mismatch in snippet view article find links to article

as a reaction to the slick production and limiting structures of the Nashville sound developed by record producers like Chet Atkins. Some country fans

RCA Studio B (1,513 words) [view diff] exact match in snippet view article find links to article

musical production style and sound engineering technique known as the Nashville Sound. In the two decades the studio was in operation, RCA Studio B produced

Eddy Arnold (1,994 words) [view diff] no match in snippet view article find links to article

base. This style, pioneered by Reeves and Arnold, became known as the "Nashville Sound". During 1953, Arnold and Tom Parker had a dispute, and Arnold fired

Country pop (6,036 words) [view diff] case mismatch in snippet view article find links to article

similar efforts that began in the late 1950s, known originally as the Nashville sound and later on as Countrypolitan. By the mid-1970s, many country artists

RCA Studio A (831 words) [view diff] exact match in snippet view article find links to article

musical production style and sound engineering technique known as the Nashville Sound. In 2015, it was added to the National Register of Historic Places

Our Man in Nashville (296 words) [view diff] no match in snippet view article find links to article

was indeed their man in Nashville. He was producing and developing the "Nashville sound". The album is primarily notable for featuring Atkins's first recordings

Bob Moore (musician) (936 words) [view diff] exact match in snippet view article

lo-fi/DIY music. The New York Times called him "an architect of the Nashville Sound of the 1950s and '60s" in his obituary. Bob Moore was born in Nashville

Big Four Poster Bed (259 words) [view diff] exact match in snippet view article find links to article

written by Shel Silverstein and performed by Brenda Lee featuring the Nashville Sound. The song reached #4 on the U.S. country chart and #2 on the Canadian

Waymore's Outlaws (967 words) [view diff] no match in snippet view article find links to article

The Waylors, later Waymore's Outlaws, is a country music band, best known as the backing and recording band of country music singer Waylon Jennings. Jennings

Chet, Floyd & Boots (225 words) [view diff] no match in snippet view article find links to article

artists including Elvis Presley and Brenda Lee, helping to define the "Nashville Sound" that Atkins had also helped develop. The trio briefly toured together

The Scene Changes (Perry Como album) (297 words) [view diff] no match in snippet view article

Perry Como concept album where all the songs are country and feature the "Nashville sound". Songs for he album were recorded at RCA Victor's Nashville studios

Send Me the Pillow You Dream On (601 words) [view diff] case mismatch in snippet view article find links to article

and recorded by Hank Locklin. The song has become a standard for the Nashville sound, and has been covered by pop, country, and bluegrass artists. Locklin

Boots Randolph (690 words) [view diff] no match in snippet view article find links to article

became Benny Hill's signature tune). Randolph was a major part of the "Nashville sound" for most of his professional career. Randolph was born in Paducah

Chet Atkins (4,071 words) [view diff] case mismatch in snippet view article find links to article

musician who, along with Owen Bradley and Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music

The Browns (1,035 words) [view diff] case mismatch in snippet view article find links to article

Maxine and Bonnie, had a close, smooth harmony characteristic of the Nashville sound, though their music also combined elements of folk and pop. They

Bruce Bouton (1,567 words) [view diff] case mismatch in snippet view article find links to article

he helped reintroduce the pedal steel guitar to the forefront of the Nashville sound. Bouton is also a member of The G-Men, the group of session musicians

Roy Drusky (922 words) [view diff] case mismatch in snippet view article find links to article

1970s. Known for his baritone voice, he was known for incorporating the Nashville sound and for being one of the first artists to record a song written by

Please Help Me, I'm Falling (album) (230 words) [view diff] exact match in snippet view article

released in 1960. It marks Locklin's first release considered part of the Nashville Sound. Included are Locklin's previous hit singles "Send Me the Pillow

Connie Francis Sings "Never on Sunday" (519 words) [view diff] exact match in snippet view article find links to article

and Owen Bradley's team of musicians(resulting in her first use of the Nashville Sound) had taken place in January 1961 when recording Let the rest of the

You Pick Me Up (And Put Me Down) (273 words) [view diff] exact match in snippet view article

like "You Pick Me Up ... ," West had been known for recording in the Nashville Sound and honky-tonk styles of country music. "You Pick Me Up ..." reached

Waylon Jennings (7,754 words) [view diff] case mismatch in snippet view article find links to article

was not encouraged by powerful Nashville producers, who favored the Nashville sound produced by a roster of experienced local studio musicians. The music

Gone (Ferlin Husky song) (437 words) [view diff] exact match in snippet view article

Studio, the recording is widely regarded as the first example of the Nashville Sound production approach. The use of echo and sparse instrumental support

Jim Reeves (4,861 words) [view diff] exact match in snippet view article find links to article

the 1950s to the 1980s, he became well known as a practitioner of the Nashville Sound. Known as "Gentleman Jim", his songs continued to chart for years

Bill Porter (sound engineer) (4,262 words) [view diff] case mismatch in snippet view article

– July 7, 2010) was an American audio engineer who helped shape the Nashville sound and recorded stars such as Chet Atkins, Louis Armstrong, the Everly

Music Row (939 words) [view diff] exact match in snippet view article find links to article

to this mission is the Music Industry Coalition. In his 1970 book The Nashville Sound, Paul Hemphill described Music Row as the area "where almost all

Sandy Posey (1,231 words) [view diff] no match in snippet view article find links to article

Later in her career, the term "countrypolitan", associated with the "Nashville sound", was sometimes applied. Posey had four hit singles in the United

List of Hot C&W Sides number ones of 1960 (1,441 words) [view diff] no match in snippet view article find links to article

songs were produced by Chet Atkins, widely seen as the originator of the "Nashville Sound", a new style of country music which eschewed elements of the earlier

Oh Lonesome Me (album) (222 words) [view diff] exact match in snippet view article

Don Gibson, released in 1958. It is an example of the beginning of the Nashville Sound. On November 17, 1958, it was rated No. 1 on Billboard magazine's

List of Hot Country Singles number ones of 1965 (1,391 words) [view diff] no match in snippet view article find links to article

1950s, had revitalized his somewhat declining career by embracing the "Nashville sound", a newer style of country music which eschewed elements of the earlier

Eddy Arnold Time (377 words) [view diff] exact match in snippet view article find links to article

January 19, 2009. Streissguth, Michael (1997). Eddy Arnold: Pioneer of the Nashville Sound. New York: Schirmer Books. ISBN 0-02-864719-X. p. 139 Eddy Arnold

Claude Gray (609 words) [view diff] case mismatch in snippet view article find links to article

Eddy Arnold, Don Gibson and Chet Atkins, Gray was a purveyor of the Nashville sound, embracing the Countrypolitan movement which paved the way for pop-oriented

1950s in music (5,230 words) [view diff] case mismatch in snippet view article find links to article

heavily popular during the decade, and the late 1950s gave rise to the Nashville sound. Blues music was highly influential to popular music in the 1950s

List of Hot Country Singles number ones of 1966 (1,386 words) [view diff] no match in snippet view article find links to article

revitalized his somewhat declining career in the mid-1960s by embracing the "Nashville sound", a newer style of country music which eschewed elements of the earlier

You Don't Know Me (Cindy Walker song) (1,406 words) [view diff] exact match in snippet view article

Billboard Top 100 Sides listing. In his book Eddy Arnold: Pioneer of the Nashville Sound, author Michael Streissguth describes how Arnold and Walker composed

Shotgun Willie (2,872 words) [view diff] case mismatch in snippet view article find links to article

country music and an alternative to the conservative restrictions of the Nashville sound, the dominant style in the genre at the time. In April 1972, after

List of Billboard number-one country songs (3,042 words) [view diff] no match in snippet view article find links to article

honky-tonk style of the 1940s and 1950s was overtaken in the 1960s by the "Nashville Sound", a smoother style with a broader appeal. In the 1970s, the country-pop

Jack Shook (402 words) [view diff] case mismatch in snippet view article find links to article

He was a left handed guitarist and was one of the originators of the Nashville sound style of recording. In 1950, he released the title Written Guarantee

Danny Davis (country musician) (1,579 words) [view diff] exact match in snippet view article

California. In October 1968 the first album The Nashville Brass Play The Nashville Sound was released. The first album was followed by The Nashville Brass

Roy Wiggins (1,308 words) [view diff] exact match in snippet view article find links to article

ISSN 0092-0517. Streissguth, Michael (2009). Eddy Arnold: Pioneer of the Nashville Sound. University Press of Mississippi. pp. 54–55. ISBN 9781604733426.

List of Billboard number-one country songs of 1948 (1,511 words) [view diff] no match in snippet view article find links to article

a decline. He revived his fortunes in the mid-1960s by embracing the "Nashville sound", a newer style of country music which eschewed elements of the earlier

List of Most Played Juke Box Folk Records number ones of 1947 (1,624 words) [view diff] no match in snippet view article find links to article

He revived his fortunes in the mid-1960s, however, by embracing the "Nashville sound", a newer style of country music which eschewed elements of the earlier

John E. Volkmann (202 words) [view diff] exact match in snippet view article find links to article

was designed specifically to incorporate the musical techniques of the Nashville Sound. It also is the last remaining gym sized facility of three that he

Velma Williams Smith (216 words) [view diff] exact match in snippet view article find links to article

the RCA Studio B's "A-team" of studio musicians during the era of the Nashville Sound. She played rhythm guitar on numerous top hits such as Eddy Arnold's

America's Music: The Roots of Country (1,105 words) [view diff] case mismatch in snippet view article find links to article

Western music, Western swing, the Bakersfield sound, Honky-tonk and the Nashville sound. Country music artist and actor Kris Kristofferson narrates the three-part

Leave Them Boys Alone (168 words) [view diff] exact match in snippet view article find links to article

and Ernest Tubb, prior to the music being fairly taken over by the Nashville Sound in the 1960s. Reviewing Strong Stuff for Record magazine, Lee Ballinger

Elvis Is Back! (3,422 words) [view diff] no match in snippet view article find links to article

work, but it also offers a mix of sophisticated pop, blues, R&B and the "Nashville sound" production values associated with Chet Atkins, who co-produced the

Jewels (Waylon Jennings album) (257 words) [view diff] exact match in snippet view article

him. As his record sales increased, his complaints grew louder. The Nashville Sound was cramping his style." The album also includes Mel Tillis' "Mental

List of Hot Country Albums number ones of 1965 (1,228 words) [view diff] no match in snippet view article find links to article

a decline. He revived his fortunes in the mid-1960s by embracing the "Nashville sound", a newer style of country music which eschewed elements of the earlier

Only the Lonely (1,262 words) [view diff] no match in snippet view article find links to article

Orbison would become one of the first recording artists to popularize the "Nashville sound". In his first session for Monument in Nashville, Orbison recorded

Famous Country Duets (338 words) [view diff] exact match in snippet view article find links to article

Jones work with Musicor would also be increasingly characterized by the Nashville Sound that became prominent on country radio throughout the rest of the

Jerry Bradley (music executive) (1,270 words) [view diff] exact match in snippet view article

Atkins, a record producer and head of RCA Nashville, was a creator of the Nashville Sound in the 1960s along with Bradley's father Owen. Bradley told his father

List of Top Country LP's number ones of 1968 (1,351 words) [view diff] no match in snippet view article find links to article

1950s and then revived his career in the mid-1960s by embracing the "Nashville sound", a newer style of country music which eschewed elements of the earlier

American popular music (12,736 words) [view diff] case mismatch in snippet view article find links to article

at least a million copies each and pioneered the Nashville sound.[citation needed] The Nashville sound was a popular kind of country music that arose

KZOK-FM (1,023 words) [view diff] exact match in snippet view article find links to article

included Top 40 for nine months, then a country music format called "The Nashville Sound." KTW-FM, along with KTW (AM), was acquired by Norwood and Dawn Patterson

If My Heart Had Windows (George Jones album) (538 words) [view diff] exact match in snippet view article

had evolved into the more lucid, contemporary approach typical of the Nashville Sound of the sixties. Both the title track and "Say It's Not You" would

Tommy Hays (388 words) [view diff] exact match in snippet view article find links to article

the early ‘50s and ‘60s sweetening of country music epitomized by the Nashville Sound. Along with the Western Swingsters which also included Big Bill Wilkerson

Jimmie Rodgers (pop singer) (2,775 words) [view diff] exact match in snippet view article

— — 1965 Deep Purple — — Christmas with Jimmie Rodgers — — 1966 The Nashville Sound — — Country Music 1966 — — It's Over 145 — 1967 Love Me, Please Love

Cedartown, Georgia (album) (409 words) [view diff] exact match in snippet view article

second release of 1971 finds the singer moving further away from the Nashville Sound that had dominated his early albums at RCA. Its title track, a morbid

High-Tech Redneck (548 words) [view diff] case mismatch in snippet view article find links to article

Hank Williams might have sounded like had he lived to record using the Nashville sound." Guterman also praised the duet with Sammy Kershaw on "Never Bit

One More Time (Eddy Arnold album) (272 words) [view diff] exact match in snippet view article

pp. 23–24. Michael Streissguth (1997). Eddy Arnold: Pioneer of the Nashville Sound. University Press of Mississippi. ISBN 9781604732696. "Eddy Arnold

Music history of the United States in the 1960s (4,971 words) [view diff] case mismatch in snippet view article find links to article

backing band invent funk. Modern music in the 1960s was dominated by the Nashville sound until Merle Haggard changed the national country sound to the Bakersfield

Anita Kerr (2,280 words) [view diff] case mismatch in snippet view article find links to article

for her significant contributions to the birth and development of the Nashville sound." Between 1977 and 1988 she continued to perform and record for a

Nashville Sounds (14,356 words) [view diff] no match in snippet view article find links to article

for the city's association with the music industry, specifically the "Nashville sound", a subgenre of country music which originated in the city in the

Willie Nelson (15,089 words) [view diff] case mismatch in snippet view article find links to article

the late 1960s as a reaction to the conservative restrictions of the Nashville sound. The critical success of his album Shotgun Willie (1973), combined

Connie Francis Sings Folk Song Favorites (400 words) [view diff] exact match in snippet view article find links to article

and Owen Bradley's team of musicians(resulting in her first use of the Nashville Sound) had taken place in January 1961 when recording "Let the rest of

Waylon (album) (677 words) [view diff] exact match in snippet view article

studio." Despite chart success, Jennings had grown frustrated with the Nashville Sound that had been imposed on his records by RCA Victor and especially

Mexican Joe (song) (220 words) [view diff] case mismatch in snippet view article

differed greatly from the smooth ballads — recorded in the style of the Nashville sound, in contrast to those early novelty hits — that he later recorded

1923 in country music (499 words) [view diff] exact match in snippet view article find links to article

velvet-voiced "Gentleman" singer whose pop-styled songs helped define the Nashville Sound (died 1964). September 17 – Hank Williams, singer-songwriter and

Bob Ferguson (musician) (2,026 words) [view diff] exact match in snippet view article

became a senior producer with RCA Victor, where he helped create the Nashville Sound of the 1950s and 1960s. He served as executive assistant to Chet

King of the Road (song) (792 words) [view diff] exact match in snippet view article

Friskics-Warren, Bill (September 28, 2021). "Bob Moore, an Architect of the Nashville Sound, Dies at 88". The New York Times. ISSN 0362-4331. Retrieved June

Laying My Burdens Down (368 words) [view diff] exact match in snippet view article find links to article

"There are some nice things on here, but too many are buried under the Nashville Sound and don't seem to be able to stand on their own." Despite the paltry

Folk-Country (657 words) [view diff] no match in snippet view article find links to article

assertive vocal style and surrounding him with the hallmarks of the "Nashville sound" that had been enormously successful for previous RCA artists like

Low Country Sound (833 words) [view diff] case mismatch in snippet view article find links to article

significant studio founded by Chet Atkins, central to the creation of the Nashville sound movement, and adjacent to RCA Studio B. It is located on the famed

Night Life (Ray Price album) (348 words) [view diff] case mismatch in snippet view article

gasp of true honky tonk, the first stab at mainstreaming it into the Nashville sound of the 1960s, or country music's first concept album". "Introduction

The Kitty Wells Story (298 words) [view diff] exact match in snippet view article find links to article

collection consisted of "re-recordings that find Wells fully embracing the Nashville Sound, with strings and vocal choruses supplanting the basic band as the

The Willie Way (478 words) [view diff] exact match in snippet view article find links to article

band on his recording sessions. Producer Chet Atkins adhered to the Nashville Sound with Nelson, smothering his songs with violins and syrupy background

Ray Edenton (516 words) [view diff] exact match in snippet view article find links to article

Jay (June 21, 1998). "Nashville's 'A Team': The Unsung Heroes of the Nashville Sound". Nashville, Tennessee: The Tennessean. pp. 135–142. "Ray Edenton:

Brylcreem (932 words) [view diff] case mismatch in snippet view article find links to article

Brylcreem in the 1940s and 1950s. Waylon Jennings during his years in the Nashville sound era of his career always sported Brylcreem over the much more popular

Suffer Time (1,228 words) [view diff] exact match in snippet view article find links to article

contributed one track to the album. Suffer Time was recorded in the Nashville Sound style, a sub-genre of country music. In this musical style, country

Dick Damron (733 words) [view diff] exact match in snippet view article find links to article

Year Album Peak positions CAN Country 1961 and 1963 The Nashville Sound of Dick Damron — 1967 Canadiana Souvenir Album — 1968 Dick Damron — 1969 Lonesome

Then and Only Then (418 words) [view diff] exact match in snippet view article find links to article

time. Wolff, Kurt (2000). "Ch. 8 - It's Such a Pretty World Today: The Nashville Sound Arrives". In Orla Duane (ed.). Country Music: The Rough Guide. London

Strangers (Merle Haggard album) (820 words) [view diff] case mismatch in snippet view article

the twelve songs are sweetened by strings, one of the hallmarks of the Nashville sound. In addition, a Marty Robbins influence is clearly evident in Haggard's

Nashville, Tennessee (18,920 words) [view diff] no match in snippet view article find links to article

Nashville underwent a musical transformation with the emergence of the 'Nashville Sound,' which was characterized by "smooth strings and choruses", "sophisticated

Lynn Anderson (6,930 words) [view diff] exact match in snippet view article find links to article

rooted in the country genre. It is also rooted in the sub-genres of the Nashville Sound, Countrypolitan, bluegrass, western and gospel. Early on, Anderson

Two Highways (310 words) [view diff] exact match in snippet view article find links to article

Studio album by Alison Krauss & Union Station Released 1989 Recorded The Nashville Sound Connection, Nashville, TN Genre Bluegrass, country Length 38:05 Label

The Words Don't Fit the Picture (580 words) [view diff] exact match in snippet view article find links to article

much to show for it. RCA head Chet Atkins stuck to the formula of the Nashville Sound, which had churned out hits for other country stars throughout the

Ozark Jubilee (6,472 words) [view diff] case mismatch in snippet view article find links to article

from rockabilly, country and western, bluegrass and honky tonk to the Nashville sound, gospel and folk. Several now-legendary[citation needed] session

Music history of the United States (5,461 words) [view diff] exact match in snippet view article find links to article

There, country and pop were mixed, resulting in what was known as the Nashville Sound. The 1950s also saw the widespread popularization of gospel music

Country music (20,973 words) [view diff] case mismatch in snippet view article find links to article

in the mid-1950s, and reaching its peak during the early 1960s, the Nashville sound turned country music into a multimillion-dollar industry centered

Country Music Concert (623 words) [view diff] exact match in snippet view article find links to article

Despite the low sales of his tepid RCA albums, which were given the Nashville Sound treatment, Nelson enjoyed a loyal fan following in his home state

Paul Cohen (record producer) (501 words) [view diff] exact match in snippet view article

Nashville's emergence as the country music recording capital and the Nashville Sound and was a long-time Decca Records executive. As President of the

Honky-tonk (2,434 words) [view diff] case mismatch in snippet view article find links to article

honky-tonk country with rhythm and blues) and the slick country music of the Nashville sound ended honky-tonk's initial period of dominance. The Rolling Stones'

Neal Matthews Jr. (268 words) [view diff] case mismatch in snippet view article find links to article

Number System for chords in music that was instrumental in creating the Nashville sound. As a member of The Jordanaires, he worked with artists such as Patsy

Once a Day (1,161 words) [view diff] exact match in snippet view article find links to article

2009-08-19. Wolff, Kurt (2000). "Ch. 8 - It's Such a Pretty World Today: The Nashville Sound Arrives". In Orla Duane (ed.). Country Music: The Rough Guide. London

Don Williams Volume One (670 words) [view diff] case mismatch in snippet view article find links to article

release a full-length album. At the time the album was released, the Nashville sound featured more elaborate orchestral arrangements; however Don Williams

Country Willie: His Own Songs (787 words) [view diff] case mismatch in snippet view article find links to article

were augmented with the lush instrumentation that was typical of the Nashville sound. “The critical praise was strong,” Nelson later remembered, “but

The Eddy Arnold Show (508 words) [view diff] exact match in snippet view article find links to article

stars included: Streissguth, Michael (1997). Eddy Arnold: Pioneer of the Nashville Sound. New York: Schirmer Books. ISBN 0-02-864719-X. "The Eddy Arnold Show"

Good Times (Willie Nelson album) (799 words) [view diff] case mismatch in snippet view article

the sixties neared a close it was becoming plain to Nelson that the Nashville sound simply did not suit his own musical instincts. As the singer later

Please Remember Me (712 words) [view diff] case mismatch in snippet view article find links to article

production, complete with strings, harkens back to the glory days of the Nashville sound." The song ranks 96th on the RIAA 365 songs of the century list UK

The Dean Martin TV Show (521 words) [view diff] case mismatch in snippet view article find links to article

had been a "lengthy series of country-pop hits that borrowed from the Nashville sound", Ruhlmann commented that Martin's album of traditional pop standards

Dolly Parton filmography (1,822 words) [view diff] exact match in snippet view article find links to article

2018. "Hee Haw - Episode #6.23". IMDb. Retrieved October 31, 2018. "The Nashville Sound". IMDb. Retrieved November 1, 2018. "The Mike Douglas Show - Episode

Dottie West (8,679 words) [view diff] exact match in snippet view article find links to article

recordings were largely identified with the Nashville Sound sub-genre of country music. The Nashville Sound was a style of country that replaced traditional

Patsy Cline (12,553 words) [view diff] exact match in snippet view article find links to article

obvious vocal skills. Cline's style has been largely associated with the Nashville Sound, a sub-genre of country music that linked traditional lyrics with

Emotions (Brenda Lee album) (676 words) [view diff] exact match in snippet view article

Brenda, the album's production mixed the sounds of Rockabilly with the Nashville Sound production, according to Richie Unterberger of Allmusic. Seven of

Congregation (song) (581 words) [view diff] case mismatch in snippet view article

focuses on the country music scene of Nashville that is known as the Nashville sound. Foo Fighters' bassist Nate Mendel told NME that "The song 'Congregation'

Then You Can Tell Me Goodbye (1,055 words) [view diff] exact match in snippet view article find links to article

August 2009. Streissguth, Michael (1997). Eddy Arnold: Pioneer of the Nashville Sound. Schirmer Books. p. 188. ISBN 9780028647197. Whitburn, Joel (2004)

Songs from My Heart.... (610 words) [view diff] exact match in snippet view article find links to article

production of Owen Bradley, Lynn's early musical style incorporated the Nashville Sound and elements of traditional country music. These styles were seen

Make Way for Willie Nelson (869 words) [view diff] case mismatch in snippet view article find links to article

in lush strings and background singers that were the hallmarks of the Nashville sound in the sixties. “You’d walk into the studio,” the singer remembered

Session musician (2,303 words) [view diff] case mismatch in snippet view article find links to article

A-Team (Nashville, 1950s–1960s) Studio musicians who recorded during the Nashville sound era. Their contributions began in the 1950s with artists such as

Music of the United States (15,018 words) [view diff] case mismatch in snippet view article find links to article

honky-tonk gradually eroded as the Nashville sound grew more pop-oriented. Producers like Chet Atkins created the Nashville sound by stripping the hillbilly

Foo Fighters: Sonic Highways (1,000 words) [view diff] case mismatch in snippet view article find links to article

producer Tony Brown to discuss Nashville's musical influences and the Nashville sound. Foo Fighters prepare to record at Southern Ground studio, owned

October 13 (4,359 words) [view diff] exact match in snippet view article find links to article

Nicholson, Jessica (October 12, 2022). "Anita Kerr, Who Helped Shape The Nashville Sound, Dies at 94". Billboard. Retrieved January 1, 2023. Rose, Mike (13

(Won't You Come Home) Bill Bailey (714 words) [view diff] case mismatch in snippet view article

medley where Bill Bailey is adapted to various styles, including the Nashville sound, Italian opera, Bach, and Israeli music (with Jewish jokes). The

Western music (North America) (2,051 words) [view diff] case mismatch in snippet view article

a western theme with a rock-and-roll arrangement). In addition, the Nashville sound, based more on pop ballads than on folk music, came to dominate the

Foreign Love (649 words) [view diff] exact match in snippet view article find links to article

style, backed by lush instrumentation that helped cement him with the Nashville Sound sub-genre of country music. Among these Nashville Sound hits was

Dottie Sings Eddy (478 words) [view diff] exact match in snippet view article find links to article

in My Arms)" (1947). West also covered tunes Arnold later cut in the Nashville Sound style. Songs of this nature included "Make the World Go Away" (1965)

I Don't See Me in Your Eyes Anymore (548 words) [view diff] exact match in snippet view article find links to article

association with producer Chet Atkins, one of the architects of the Nashville Sound. Like many of Atkins-produced songs of the era, "I Don't See Me

1932 in country music (1,025 words) [view diff] exact match in snippet view article find links to article

– Dottie West, female vocalist who successfully transferred from the Nashville Sound (of the 1960s) to more straight-ahead pop country during the late

Hank Locklin & Danny Davis & the Nashville Brass (561 words) [view diff] exact match in snippet view article find links to article

"Laura (What's He Got That I Ain't Got)." The project was recorded at the Nashville Sound Studio and was produced by Davis. Hank Locklin & Danny Davis & the

The Davis Sisters (country duo) (772 words) [view diff] exact match in snippet view article

harmony duos such as the Blue Sky Boys and the Delmore Brothers, the Nashville Sound backing made the overall sound more in line with their more polished

Connie Smith (1965 album) (689 words) [view diff] exact match in snippet view article

Reviewer, Dan Cooper called Smith's voice to be, "blowing through the Nashville Sound production like a down-home Streisand fronting The Lennon Sisters

Joshua Hedley (1,552 words) [view diff] exact match in snippet view article find links to article

revivalist, crafting a meticulous, loving re-creation of the heyday of the Nashville Sound, layering supple strings and vocal harmonies over the steady clomp

1958 in country music (827 words) [view diff] exact match in snippet view article find links to article

times. Gibson is considered by many to be one of the originators of the Nashville Sound, a form of country music that uses pop music-styled arrangements

Connie Smith (7,321 words) [view diff] exact match in snippet view article find links to article

she told the Nashville Scene. Connie Smith's sound is defined by the Nashville Sound musical style, primarily during her breakthrough years in the 1960s

Red Sovine (1,123 words) [view diff] exact match in snippet view article find links to article

— — — Decca Giddy Up Go 4 — — Starday The Sensational Red — — — The Nashville Sound — — — 1967 I Didn't Jump the Fence — — — Dear John Letter — — — 1968

What I'm Cut Out to Be (583 words) [view diff] exact match in snippet view article find links to article

The album was produced by Chet Atkins. Atkins crafted the album in the Nashville Sound style of country music. The album itself consisted of 11 tracks.

Jean Shepard (1,760 words) [view diff] case mismatch in snippet view article find links to article

Pearl were the only others. Because she was a honky-tonk singer when the Nashville sound was popular, Shepard had just two charting country singles between

WSM (AM) (3,406 words) [view diff] exact match in snippet view article

List of radio stations in Tennessee Sources Hemphill, Paul (1970). The Nashville Sound: Bright Lights and Country Music. New York: Simon & Schuster. ISBN 0-671-20493-9

Sound (disambiguation) (513 words) [view diff] case mismatch in snippet view article

similar to tecnocumbia Sound, a music subgenre or "scene", such as the Nashville sound "Sound" (song), a 1991 single by the English rock band James Soundtrack

Hold to a Dream (376 words) [view diff] exact match in snippet view article find links to article

Dream Studio album by New Grass Revival Released 1987 Recorded 1987, The Nashville Sound Connection and Sound Emporium Studios, Nashville, Tennessee Genre

Moon Mullican (1,561 words) [view diff] case mismatch in snippet view article find links to article

original songs in the burgeoning new more lush style of country music, the Nashville sound. However, Bradley was frustrated with Mullican; he reportedly said

1964 in country music (674 words) [view diff] exact match in snippet view article find links to article

July 31 — Jim Reeves, 40, velvet-voiced singer and leading force in the Nashville Sound; many of his hits came posthumously. (plane crash) Tex Ritter (1905–1974)

Country Girl (Dottie West album) (579 words) [view diff] exact match in snippet view article

musical style and sound in her early recording career by implementing the Nashville Sound into her recordings. In this style, West's sound was backed by pop-tinged

I'll Help You Forget Her (583 words) [view diff] exact match in snippet view article find links to article

signing her to a recording contract in 1963. Atkins incorporated the Nashville Sound sub-genre of country music onto West's 1960s albums, including I'll

Country Girl (Dottie West album) (579 words) [view diff] exact match in snippet view article

musical style and sound in her early recording career by implementing the Nashville Sound into her recordings. In this style, West's sound was backed by pop-tinged

Country Music (miniseries) (1,763 words) [view diff] case mismatch in snippet view article

of Music Row and influx of new songwriters, and the dominance of the Nashville sound typified by Patsy Cline. 5 "The Sons and Daughters of America (1964-1968)"

Bill McElhiney (1,188 words) [view diff] case mismatch in snippet view article find links to article

a trumpeter in the orchestra assembled by Owen Bradley to create the Nashville sound on Jim Reeves' recordings. Reeves' biographer noted that, unlike

WMRO (1,676 words) [view diff] exact match in snippet view article find links to article

signedon with the new call sign of WLVN signed on April 1, 1963, as "The Nashville Sound", focusing entirely on recordings made in the city. WLVN relaunched

There Won't Be Anymore (543 words) [view diff] exact match in snippet view article find links to article

association with producer Chet Atkins, one of the architects of the Nashville Sound. Like many of Atkins-produced songs of the era, "There Won't Be Anymore"

Music of Georgia (U.S. state) (3,636 words) [view diff] exact match in snippet view article

pop music to help create the smoother country music style known as the Nashville Sound, expanding country music's appeal to adult pop fans. Country music

Music of Tennessee (3,620 words) [view diff] case mismatch in snippet view article find links to article

overtaking honky-tonk in the charts. Performers reacting against the Nashville sound formed their own scenes in Lubbock, Texas and Bakersfield, California

1960s in music (9,484 words) [view diff] exact match in snippet view article find links to article

plane crashes. The predominant musical style during the decade was the Nashville Sound, a style that emphasized string sections, background vocals, crooning

Connie Smith (1998 album) (1,069 words) [view diff] exact match in snippet view article

July 2022. Wolff, Kurt. "Ch. 8 - It's Such a Pretty World Today: The Nashville Sound Arrives". In Orla Duane (ed.). Country Music: The Rough Guide. London:

Bill Monroe (3,101 words) [view diff] no match in snippet view article find links to article

begun to slip. The rise of rock-and-roll and the development of the "Nashville sound" in mainstream country music both represented threats to the viability

When I Think About Cheatin' (374 words) [view diff] case mismatch in snippet view article find links to article

too much for her to bear. The song is performed in the style of the Nashville sound. The video for the song was filmed in the historic Ryman Auditorium

My Love Song for You (777 words) [view diff] exact match in snippet view article find links to article

album in its review of recent LP's, calling it "a fine example of the Nashville Sound." Writers noted that its piano and lyrical phrasing helped make it

With All My Heart and Soul (album) (691 words) [view diff] exact match in snippet view article

Atkins recognized that West's singing and songwriting style fit into the Nashville Sound sub-genre of country music. Using this sub-genre, Atkins softened

Loretta Lynn (7,798 words) [view diff] case mismatch in snippet view article find links to article

there is a West Coast sound that is definitely not the same as the Nashville sound [...] It was a shuffle with a West Coast beat". The Lynns toured

List of country performers by era (4,681 words) [view diff] case mismatch in snippet view article find links to article

solo act and broke Country Music's 3-chord barrier and popularized "The Nashville sound" known for lush string and orchestral arrangements. Woody Guthrie

Burl Ives (3,688 words) [view diff] exact match in snippet view article find links to article

the record producers who (along with Chet Atkins) helped define the Nashville Sound style of country music that expanded the music's appeal to a wider

Rockin' Chair Money (284 words) [view diff] case mismatch in snippet view article find links to article

question as to how he would have adapted to rock and roll's arrival and the Nashville sound had he lived; biographer Colin Escott, while allowing that "'Rockin'

When It's Just You and Me (album) (920 words) [view diff] exact match in snippet view article

West recorded much of her own material and it was combined with the Nashville Sound musical style. At the label she had top ten singles with "Here Comes

Decca Records (6,709 words) [view diff] case mismatch in snippet view article find links to article

Decca's Nashville operation and credited with helping to create the Nashville sound Paul Cohen (1908–1970), longtime executive widely attributed for

Elvis Presley (23,660 words) [view diff] case mismatch in snippet view article find links to article

Something for Everybody. According to John Robertson, it exemplifies the Nashville sound, the restrained, cosmopolitan style that would define country music

List of Country Music Hall of Fame inductees (572 words) [view diff] case mismatch in snippet view article find links to article

songwriter, actor, TV & radio Personality, disc jockey, pioneer of the Nashville sound Stephen H. Sholes 1967 February 12, 1911 April 22, 1968 Music executive

Brenda Lee (4,317 words) [view diff] case mismatch in snippet view article find links to article

song, it was among the first big hits to use what was to become the Nashville sound – a string orchestra and legato harmonized background vocals. "Rockin'

American folk music (5,325 words) [view diff] case mismatch in snippet view article find links to article

pop-gospel, doo wop and R&B (later secularized further as soul music) and the Nashville sound in country music all modernized and expanded the musical palette

2022 in country music (6,109 words) [view diff] case mismatch in snippet view article find links to article

singer, composer, arranger and music producer known for developing the Nashville sound. October 24 – Don Edwards, 86, cowboy singer-songwriter. October

Champagne Ladies and Blue Ribbon Babies (303 words) [view diff] exact match in snippet view article find links to article

Jordanaires (Hoyt Hawkins, Neal Matthews, Jr., Gordon Stoker, Ray Walker) The Nashville Sound (Louis Nunley, Dotty Dillard, Gil Wright, Jeannine Walker, Ernest

Roy Orbison (12,615 words) [view diff] case mismatch in snippet view article find links to article

Monument Records, the record label that Orbison would soon switch to. The Nashville sound was developed by producers Chet Atkins, Owen Bradley (who worked

Logan Brill (750 words) [view diff] exact match in snippet view article find links to article

touring appearances with icons Merle Haggard and Dwight Yoakam. The Nashville Sound rated Walking Wires as its 6th best album of the year. They added

Commander Cody and His Lost Planet Airmen (2,050 words) [view diff] case mismatch in snippet view article find links to article

which Classic Rock said resulted in "a counter-cultural twist to the Nashville sound". Relix said that the band "tossed together rockabilly, blues, country

2003 in country music (1,531 words) [view diff] exact match in snippet view article find links to article

known for "I Can't Stop Loving You") and singer who helped introduce the Nashville Sound (natural causes). December 16 – Gary Stewart, 58, rough, outlaw-styled

Uncaged (1,684 words) [view diff] case mismatch in snippet view article find links to article

reggae, bedroom R&B… Brown and his ever-growing motley crew stretch the Nashville sound further than any other artist. If they weren’t so talented, this

Deaths in June 2001 (5,340 words) [view diff] no match in snippet view article find links to article

"Chet Atkins, 77, Is Dead; Guitarist and Producer Was Architect of the 'Nashville Sound'". The New York Times. p. 1 27. Archived from the original on January

Music of Hawaii (6,123 words) [view diff] case mismatch in snippet view article find links to article

developing the pedal steel guitar; his recordings helped establish the Nashville sound of popular country music. Lani McIntire was another musician who

Paducah, Kentucky (6,866 words) [view diff] no match in snippet view article find links to article

Champions Tour Boots Randolph, saxophonist who was a major part of the "Nashville Sound" for most of his professional career, best known for his hit "Yakety

East Nashville Magnet High School (564 words) [view diff] case mismatch in snippet view article find links to article

Porter, 1949, American audio engineer credited with helping shape the Nashville sound Frank Sutton, 1941, American actor best remembered for his role as

RCA (9,437 words) [view diff] case mismatch in snippet view article find links to article

studio in Nashville, Tennessee; known in the 1960s for being part of the Nashville sound. Vladimir K. Zworykin with an early experimental TV Grace Bradt and

List of years in country music (4,030 words) [view diff] case mismatch in snippet view article find links to article

charts; Patsy Cline debuts on the charts. 1958 in country music, The Nashville sound becomes country music's response to continued encroachment of genre

Bob Wills (5,042 words) [view diff] case mismatch in snippet view article find links to article

popular country and western stations, which typically played music in the Nashville sound. Neither did he fit into the conventional sound of pop stations,

The Delta Sweete (1,547 words) [view diff] case mismatch in snippet view article find links to article

seemingly added to reflect the then modern styles of soul music and the Nashville sound. The album opens with "Okolona River Bottom Band", a swampy southern

Paul Hemphill (657 words) [view diff] exact match in snippet view article find links to article

run out of gas". He started his first and most successful book, The Nashville Sound: Bright Lights and Country Music (1970), while at Harvard University

Lisa Stewart (album) (359 words) [view diff] case mismatch in snippet view article

a favorable review, saying that the album's production recalled the Nashville sound of the 1960s, and that Stewart "is one talented singer who knows

Hank Locklin (3,916 words) [view diff] exact match in snippet view article find links to article

the best pure singers in the genre." Locklin also helped define the Nashville Sound sub-genre of country music. This particular style brought a cosmopolitan

Ray Walker (singer) (562 words) [view diff] exact match in snippet view article

and Gordon Stoker helped mold the genre of country music known as "The Nashville Sound", singing backup harmonies to such artists as Patsy Cline and Jim

Red Headed Stranger (4,212 words) [view diff] exact match in snippet view article find links to article

albums, many produced by Chet Atkins, but his recordings were given the Nashville Sound treatment, orchestration that Nelson felt was largely unnecessary

Earl Scruggs (8,730 words) [view diff] exact match in snippet view article find links to article

Fans". The Tennessean. p. 12. Sullivan, Phil (August 5, 1962). "The Nashville Sound/Scruggs Recovering". The Tennessean. p. 5F. Goldsmith, Thomas (October

The Woman in Me (album) (2,433 words) [view diff] case mismatch in snippet view article

album, even though he feared that Twain would deviate too much from the Nashville sound. Twain and Lange continued their songwriting after their wedding

Columbia Country Classics (193 words) [view diff] exact match in snippet view article find links to article

Americana" — Covering folk, historical and saga songs. "Vol. 4: The Nashville Sound" — Chronicling the rise of country pop through the 1950s through

Music history of the United States in the 1950s (3,089 words) [view diff] case mismatch in snippet view article find links to article

Sunny Mountain Boys. The 1950s also saw the popular dominance of the Nashville sound in country music. Country's Nashville sound was slick and soulful

History of Nashville, Tennessee (6,084 words) [view diff] exact match in snippet view article find links to article

City–County Consolidation (Vanderbilt UP, 1966) Hemphill, Paul. The Nashville Sound: Bright Lights and Country Music (U of Georgia Press, 2015). Houston

Fabrangen Fiddlers (778 words) [view diff] case mismatch in snippet view article find links to article

backgrounds include elements of bluegrass -- a 'purer' country idiom than the Nashville sound -- jazz, hillbilly, blues, and, of course, the swirling 'cry' of

Deaths in March 2009 (8,076 words) [view diff] exact match in snippet view article find links to article

6, 2011. Hank Locklin, 91, dies; country singer helped usher in 'the Nashville Sound' "Anna Manahan, Tony-Winning Irish Actress, Is Dead at 84". The New

Jan Howard (7,752 words) [view diff] exact match in snippet view article find links to article

female lyrics provided by Harlan...She brought feminine spunk to the Nashville Sound." "Evil on Your Mind" (1966) Howard's biggest hit as a solo artist

East Tennessee (13,261 words) [view diff] case mismatch in snippet view article find links to article

international breakthrough of the genre, and the development of the Nashville sound and rockabilly. East Tennessee culture has been represented in several

2000s in music (22,308 words) [view diff] exact match in snippet view article find links to article

Music and others. Country pop, a subgenre which has its roots in the Nashville Sound of the late 1950s – early 1960s, continued to flourish in popularity

Don Cusic (2,361 words) [view diff] exact match in snippet view article find links to article

Wosahla, Steve (June 30, 2019). "Don Cusic Chases Down History And The Nashville Sound". americanahighways.org. Retrieved December 16, 2019. Del Fiorentino

Jimmy Walker (country musician) (880 words) [view diff] case mismatch in snippet view article

honky-tonk sound that dominated the country field before the rise of the Nashville sound. Meanwhile, Walker returned to the WWVA Jamboree in 1953 remaining

Christian Troubadours (278 words) [view diff] exact match in snippet view article find links to article

Gospel (Hymntone Records) Filled With Praise (Heart Warming Records) The Nashville Sound Extra, Tell The News Something For Everybody Down To Earth (Heritage

Untamed (Cam album) (2,482 words) [view diff] case mismatch in snippet view article

production, but Jeff Bhasker and Tyler Johnson take sweet liberties with the Nashville sound. Listen to the album through headphones to hear a new fill, lick

Lenny Dee (organist) (1,921 words) [view diff] case mismatch in snippet view article

instruments, that were produced by Owen Bradley and developed into the Nashville sound and country pop of the 1970s and 1980s. He was nearly always backed

Willie Cantu (356 words) [view diff] case mismatch in snippet view article find links to article

its rock music energy, making the band's sound more lively than the Nashville sound that was common in country music at the time. He was the band's youngest

Little Junior (album) (505 words) [view diff] no match in snippet view article

honest-to-goodness honky-tonker or whether he's going to drift into the Nashville-sound trap." The Boston Globe called Stewart's voice "a devastating instrument

House of Love (Dottie West song) (408 words) [view diff] exact match in snippet view article

writer Robert K. Oermann who called "House of Love" an "example[s] of the Nashville Sound at its finest." 7 inch vinyl single "House of Love" – 2:06 "Love

2017 in American music (6,585 words) [view diff] exact match in snippet view article find links to article

progressive folk progressive rock Incorruptible Iced Earth Heavy metal The Nashville Sound Jason Isbell Americana alternative country Woodstock Portugal. The

Timeline of the Bill Clinton presidency (1998) (45,178 words) [view diff] case mismatch in snippet view article

statement on the death of Tammy Wynette, crediting her with defining "the Nashville sound that helped to make American country western music popular all over

List of 2022 deaths in popular music (5,160 words) [view diff] exact match in snippet view article find links to article

Friskics-Warren, Bill (October 11, 2022). "Anita Kerr, an Architect of the Nashville Sound, Dies at 94". The New York Times. Retrieved October 11, 2022. Reed