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searching for The Mbari Club 8 found (11 total)

alternate case: the Mbari Club

Demas Nwoko (1,481 words) [view diff] case mismatch in snippet view article find links to article

subject matter in most of his works. In the 1960s, he was a member of the Mbari club of Ibadan, a committee of burgeoning Nigerian and foreign artists. He
African Writers Conference (936 words) [view diff] exact match in snippet view article find links to article
Expression", it was sponsored by the Congress for Cultural Freedom and the Mbari Club in association with the Department of Extra-Mural Studies of Makerere
Mbari (art) (387 words) [view diff] exact match in snippet view article
creativity in the world and custodian of the moral order in human society." The Mbari Club — a cultural centre for writers and artists co-founded in 1961 by Ulli
Jimmy Johnson (actor) (229 words) [view diff] exact match in snippet view article
Johnson worked with Wole Soyinka in the Orisun Theatre Company and at the Mbari Club, a centre for cultural activity that attracted writers, artists and
J. P. Clark (1,380 words) [view diff] exact match in snippet view article find links to article
tradition. Clark's dramatic work includes Song of a Goat – premiered at the Mbari Club in 1961 – a tragedy cast in the Greek classical mode in which the impotence
Sonny Okosun (1,315 words) [view diff] exact match in snippet view article find links to article
Nigeria Television Station.[citation needed] Okwerri was a member of the Mbari Club, the movement started by Ulli Beier, with J. P. Clark and Wole Soyinka
Amos Tutuola (1,840 words) [view diff] exact match in snippet view article find links to article
Nigeria as a storekeeper. Tutuola also became one of the founders of the Mbari Club, the writers' and publishers' organization. In 1979, he held a visiting
Ibrahim El-Salahi (2,364 words) [view diff] exact match in snippet view article find links to article
on Western influences. In the 1960s, he was briefly associated with the Mbari Club in Ibadan, Nigeria. In an interview with Sarah Dwider, a curator at