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searching for The Blasting Room 47 found (152 total)

alternate case: the Blasting Room

Building a Better Me (137 words) [view diff] exact match in snippet view article find links to article

Goldentrack studio in San Diego but vocals were produced and recorded at the Blasting Room studios in Fort Collins, Colorado by Descendents and ALL guitarist
The Feel Good Record of the Year (547 words) [view diff] exact match in snippet view article find links to article
band No Use for a Name. It was recorded in Fort Collins, Colorado at the Blasting Room with the producers Bill Stevenson & Jason Livermore (Descendents,
Wake the Dead (190 words) [view diff] exact match in snippet view article find links to article
on February 22, 2005. Bill Stevenson recorded it over 13 days at the Blasting Room in Ft. Collins, Colorado. The album's main hit, the title track "Wake
Street Dogs (Street Dogs album) (94 words) [view diff] exact match in snippet view article
It was released on August 31, 2010. The band recorded the album at the Blasting Room in February 2010. The track "Rattle and Roll" was released on the
Joey Cape's Bad Loud (album) (137 words) [view diff] exact match in snippet view article
albums: Bridge and Doesn't Play Well with Others. It was recorded at the Blasting Room in Fort Collins, Colorado with producers Bill Stevenson, Jason Livermore
Symptoms (Useless ID album) (631 words) [view diff] exact match in snippet view article
with rapper Muki in 2010. It is the third album the band recorded at the Blasting Room in Fort Collins, Colorado, with producers Bill Stevenson and Jason
The Lost Broken Bones (366 words) [view diff] exact match in snippet view article find links to article
Hadag Nahash. Like their previous album, it was also recorded at the Blasting Room in Colorado and produced by punk drummer and producer Bill Stevenson
State Is Burning (516 words) [view diff] exact match in snippet view article find links to article
releases by the band. It is the fourth album the band recorded at the Blasting Room in Fort Collins, Colorado, recorded between December 3–19, 2015, with
Head Injuries (band) (254 words) [view diff] exact match in snippet view article
To Get Buck Tour". The group recorded its next album, "Bail", at The Blasting Room, in Fort Collins, Colorado with Andrew Berlin and Bill Stevenson.
The Revenge of the Fifth (348 words) [view diff] exact match in snippet view article find links to article
It was mixed by Andrew Berlin and mastered by Jason Livermore at the Blasting Room in Fort Collins, Colorado. It is the first album to feature Casey
California Sounds (444 words) [view diff] exact match in snippet view article find links to article
only analog gear. Mastering was later done by Jason Livermore of the Blasting Room. Unlike his previous solo album that was recorded with a full band
To the Nines (Only Crime album) (184 words) [view diff] exact match in snippet view article
Blair – bass Bill Stevenson – drums Recorded in February, 2004 at The Blasting Room, Fort Collins, Colorado, USA Produced, engineered, mixed, and mastered
We Don't Want the Airwaves (430 words) [view diff] exact match in snippet view article find links to article
Wreck Chords. The EP was recorded between December 3–9, 2015, at the Blasting Room in Fort Collins, Colorado, during the sessions for the band's eighth
Descendents discography (912 words) [view diff] exact match in snippet view article find links to article
Archived from the original on 2010-02-06. Retrieved 2010-01-31. "The Blasting Room". Allmusic. Retrieved 2010-01-31. "Rock Against Bush Vol. 1". Fat
Joe Principe (1,546 words) [view diff] exact match in snippet view article find links to article
of the Counter Culture, and recorded their fourth studio album at the Blasting Room studio in Fort Collins, Colorado with producers Bill Stevenson and
I Wanna Be a Warhol (130 words) [view diff] exact match in snippet view article find links to article
Shame Is True Released February 5, 2013 Recorded October 2012 at The Blasting Room, Fort Collins, Colorado Genre Punk rock Length 3:07 Label Heart &
Sustain (album) (170 words) [view diff] exact match in snippet view article
Doubletime Studios, San Diego, CA Mixed and mastered by Jason Livermore at The Blasting Room, Fort Collins, CO Artwork and design by Jonas Kleiner, Cover Photo
Broken Wing (EP) (166 words) [view diff] exact match in snippet view article
by Alkaline Trio Released April 2, 2013 Recorded October 2012 at The Blasting Room, Fort Collins, Colorado Genre Punk rock Length 13:18 Label Heart &
Only Crime (810 words) [view diff] exact match in snippet view article find links to article
drug/alcohol-free aesthetics and lifestyle.[citation needed]When Russ was in the Blasting Room with Good Riddance to record Bound By Ties of Blood and Affection
Ishay Berger (680 words) [view diff] exact match in snippet view article find links to article
taking off to record their new album at the Blasting Room in Fort Collins, Colorado. The band entered the Blasting Room on February 2, 2011, to begin recording
Evildoers Beware! (124 words) [view diff] exact match in snippet view article find links to article
Beware! Studio album by Mustard Plug Released March 18, 1997 Recorded The Blasting Room, Ft. Collins, CO Genre Ska punk Length 37:55 Label Hopeless Records
Audience of One (song) (448 words) [view diff] exact match in snippet view article
Appeal to Reason Released March 3, 2009 Recorded January–June 2008 at The Blasting Room, Fort Collins, Colorado Genre Alternative rock Length 4:06 Label Interscope
Brian Bonsall (750 words) [view diff] exact match in snippet view article find links to article
2016-10-31. Childers, Oakland L. (2015-10-27). "Lowjob Heading Into the Blasting Room With Jason Livermore". Westword. Retrieved 2016-04-10. "Brian Bonsall:
Comeback Kid (band) (1,007 words) [view diff] exact match in snippet view article
festival. Following the touring for Turn it Around, Comeback Kid entered the Blasting Room in Fort Collins, Colorado to begin recording their second album. In
Shotstar (192 words) [view diff] exact match in snippet view article find links to article
Downfall Records, Sunset Alliance Recorded, produced, and engineered at Flying Blanket Studio by Bob Hoag, mastered by Jason Livermore at the Blasting Room.
Joey Cape's Bad Loud (370 words) [view diff] exact match in snippet view article find links to article
revealed that the trio recorded the album between March–April 2011 at the Blasting Room in Fort Collins, Colorado with producers Bill Stevenson, Jason Livermore
Virulence (album) (176 words) [view diff] exact match in snippet view article
Dalbec – guitar Doni Blair – bass Bill Stevenson – drums Recorded at the Blasting Room, Fort Collins, Colorado, U.S. Produced by Only Crime Engineered by
Look Forward to Failure (279 words) [view diff] exact match in snippet view article find links to article
and Chad Price. Tracks 2, 3, 4, and 6 were recorded and mixed at The Blasting Room in Fort Collins, CO on September 14–18, 1998. They were produced and
Lagwagon (1,469 words) [view diff] exact match in snippet view article find links to article
their eighth album, Hang, with Bill Stevenson and Jason Livermore at The Blasting Room, Ft Collins, CO. The album was released on October 28, 2014, and debuted
Face to Face (punk band) (1,663 words) [view diff] exact match in snippet view article
that the band had signed with Fat Wreck Chords and was headed to the Blasting Room in Fort Collins, Colorado to begin recording their ninth album. This
War Profiteering Is Killing Us All (200 words) [view diff] exact match in snippet view article find links to article
written by The Suicide Machines Recorded and mixed in April 2005 at The Blasting Room in Fort Collins, Colorado Mixed by Jason Livermore and Bill Stevenson
My Shame Is True (854 words) [view diff] exact match in snippet view article find links to article
Trio Released April 2, 2013 (2013-04-02) Recorded October 2012 at The Blasting Room, Fort Collins, Colorado Genre Pop punk punk rock Length 39:59 Label
Yotam Ben Horin (2,449 words) [view diff] exact match in snippet view article find links to article
taking off to record their new album at the Blasting Room in Fort Collins, Colorado. The band entered the Blasting Room on February 2, 2011, to begin recording
The Life and Times (561 words) [view diff] exact match in snippet view article find links to article
own studio and in March 2008 they mixed it with Jason Livermore at the Blasting Room in Fort Collins, CO. It was announced on November 2, 2008, that the
Nightmare Revisited (462 words) [view diff] exact match in snippet view article find links to article
engineering by Andrew Berlin and Jason Allen Mixed by Jason Livermore at the Blasting Room, Ft. Collins, Colorado Recorded at Gravity Studios, Chicago, Illinois
Before You Were Punk 2 (362 words) [view diff] exact match in snippet view article find links to article
Track 12 recorded and mixed by Bill Stevenson and Jason Livermore at The Blasting Room in Fort Collins, Colorado. Harmonica on track 1 performed by James
Tired of Not Being Away from Here (513 words) [view diff] exact match in snippet view article find links to article
Flying Blanket Recordings, and then mastered by Jason Livermore at the Blasting Room. Its artwork was done by Mel Kadel and its layout was completed by
Authority Zero (1,739 words) [view diff] exact match in snippet view article find links to article
the band announced on their Facebook page that they have entered the Blasting Room to complete their sixth record. In April 2017, album art and title
Hot Water Music (2,642 words) [view diff] exact match in snippet view article find links to article
"Chuck Ragan of Hot Water Music on finally being able to record at the Blasting Room" Westwood, February 1, 2013. Grubbs, Eric (2008). Post. iUniverse
Alkaline Trio (4,427 words) [view diff] exact match in snippet view article find links to article
"We're going to go work with Bill [Stevenson] at Fort Collins at the Blasting Room. Bill and Jason [Livermore]. We've all wanted to work with Bill for
Frenzal Rhomb (3,516 words) [view diff] exact match in snippet view article find links to article
CD, LP (vinyl) and digital download. It was once again recorded in The Blasting Room by Bill Stevenson. The album's first single, "Cunt Act," was released
The Rumor (album) (1,065 words) [view diff] exact match in snippet view article
sent to Jason Livermore, one of Bob Hoag's close acquaintances, at the Blasting Room in Fort Collins, Colorado. Bob was enlisted to help in the mastering
Speakeasy Tiger (1,234 words) [view diff] exact match in snippet view article find links to article
studio to remaster the single off The Public entitled "Oil Rising" at The Blasting Room in Fort Collins, Colorado, with producer Lee Miles. The single was
Buck-O-Nine (2,991 words) [view diff] exact match in snippet view article find links to article
mixing sessions, they decided to have the entire album shipped to The Blasting Room in Fort Collins, Colorado for final mixing and mastering. In 2007
Broadway Calls (2,729 words) [view diff] no match in snippet view article find links to article
Tuesday March 10, they headed to Ft. Collins, Colorado, to record in the "Blasting Room!!", armed with close to 20 songs. There they would record their second
Jesse Solomon (musician) (919 words) [view diff] exact match in snippet view article
the album, which he recorded in just one week at Pig Pen Studios, the Blasting Room and the University of Northern Colorado recording facility. Solomon
My Body Sings Electric (1,347 words) [view diff] exact match in snippet view article find links to article
and the Epilogues. For the win the band received recording time at The Blasting Room, a cash prize of $1,000 and a slot on 2013's Not So Silent Night (the