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searching for The Blasting Room 48 found (156 total)

Building a Better Me (137 words) [view diff] exact match in snippet view article find links to article

Goldentrack studio in San Diego but vocals were produced and recorded at the Blasting Room studios in Fort Collins, Colorado by Descendents and ALL guitarist

Street Dogs (Street Dogs album) (94 words) [view diff] exact match in snippet view article

It was released on August 31, 2010. The band recorded the album at the Blasting Room in February 2010. The track "Rattle and Roll" was released on the

The Lost Broken Bones (366 words) [view diff] exact match in snippet view article find links to article

Hadag Nahash. Like their previous album, it was also recorded at the Blasting Room in Colorado and produced by punk drummer and producer Bill Stevenson

Joey Cape's Bad Loud (album) (141 words) [view diff] exact match in snippet view article

albums: Bridge and Doesn't Play Well with Others. It was recorded at the Blasting Room in Fort Collins, Colorado with producers Bill Stevenson, Jason Livermore

Wake the Dead (288 words) [view diff] exact match in snippet view article find links to article

on February 22, 2005. Bill Stevenson recorded it over 13 days at the Blasting Room in Fort Collins, Colorado. The album's main hit, the title track "Wake

Symptoms (Useless ID album) (626 words) [view diff] exact match in snippet view article

with rapper Muki in 2010. It is the third album the band recorded at the Blasting Room in Fort Collins, Colorado, with producers Bill Stevenson and Jason

State Is Burning (516 words) [view diff] exact match in snippet view article find links to article

releases by the band. It is the fourth album the band recorded at the Blasting Room in Fort Collins, Colorado, recorded December 3–19, 2015, with producers

The Revenge of the Fifth (348 words) [view diff] exact match in snippet view article find links to article

It was mixed by Andrew Berlin and mastered by Jason Livermore at the Blasting Room in Fort Collins, Colorado. It is the first album to feature Casey

Head Injuries (band) (254 words) [view diff] exact match in snippet view article

To Get Buck Tour". The group recorded its next album, "Bail", at The Blasting Room, in Fort Collins, Colorado with Andrew Berlin and Bill Stevenson.

To the Nines (Only Crime album) (181 words) [view diff] exact match in snippet view article

Blair – bass Bill Stevenson – drums Recorded in February, 2004 at The Blasting Room, Fort Collins, Colorado Produced, engineered, mixed, and mastered

California Sounds (444 words) [view diff] exact match in snippet view article find links to article

only analog gear. Mastering was later done by Jason Livermore of the Blasting Room. Unlike his previous solo album that was recorded with a full band

We Don't Want the Airwaves (423 words) [view diff] exact match in snippet view article find links to article

Wreck Chords. The EP was recorded between December 3–9, 2015, at the Blasting Room in Fort Collins, Colorado, during the sessions for the band's eighth

Joe Principe (1,533 words) [view diff] exact match in snippet view article find links to article

of the Counter Culture, and recorded their fourth studio album at the Blasting Room studio in Fort Collins, Colorado with producers Bill Stevenson and

Descendents discography (975 words) [view diff] exact match in snippet view article find links to article

Archived from the original on 2010-02-06. Retrieved 2010-01-31. "The Blasting Room". Allmusic. Retrieved 2010-01-31. "Rock Against Bush Vol. 1". Fat

Only Crime (808 words) [view diff] exact match in snippet view article find links to article

drug/alcohol-free aesthetics and lifestyle. [citation needed]When Russ was in the Blasting Room with Good Riddance to record Bound By Ties of Blood and Affection

Sustain (album) (170 words) [view diff] exact match in snippet view article

Doubletime Studios, San Diego, CA Mixed and mastered by Jason Livermore at The Blasting Room, Fort Collins, CO Artwork and design by Jonas Kleiner, Cover Photo

Ishay Berger (681 words) [view diff] exact match in snippet view article find links to article

taking off to record their new album at the Blasting Room in Fort Collins, Colorado. The band entered the Blasting Room on February 2, 2011, to begin recording

The Cup of Pestilence (437 words) [view diff] exact match in snippet view article find links to article

feature Michael Dallinger on bass guitar. The album was recorded at The Blasting Room in Fort Collins, Colorado, which is known for its high-quality punk

I Wanna Be a Warhol (137 words) [view diff] exact match in snippet view article find links to article

Shame Is True Released February 5, 2013 Recorded October 2012 Studio The Blasting Room, Fort Collins, Colorado Genre Punk rock Length 3:07 Label Heart &

Broken Wing (EP) (169 words) [view diff] exact match in snippet view article

by Alkaline Trio Released April 2, 2013 Recorded October 2012 at The Blasting Room, Fort Collins, Colorado Genre Punk rock Length 13:18 Label Heart &

Audience of One (song) (443 words) [view diff] exact match in snippet view article

Appeal to Reason Released March 3, 2009 Recorded January–June 2008 at The Blasting Room, Fort Collins, Colorado Length 4:06 Label Interscope Songwriter(s)

Brian Bonsall (765 words) [view diff] exact match in snippet view article find links to article

2014-06-02. Childers, Oakland L. (2015-10-27). "Lowjob Heading Into the Blasting Room With Jason Livermore". Westword. Retrieved 2016-04-10. "Brian Bonsall:

Look Forward to Failure (221 words) [view diff] exact match in snippet view article find links to article

and Chad Price. Tracks 2, 3, 4, and 6 were recorded and mixed at The Blasting Room in Fort Collins, CO on September 14–18, 1998. They were produced and

Comeback Kid (band) (1,025 words) [view diff] exact match in snippet view article

festival. Following the touring for Turn it Around, Comeback Kid entered the Blasting Room in Fort Collins, Colorado to begin recording their second album. In

Virulence (album) (176 words) [view diff] exact match in snippet view article

Dalbec – guitar Doni Blair – bass Bill Stevenson – drums Recorded at the Blasting Room, Fort Collins, Colorado, U.S. Produced by Only Crime Engineered by

Lagwagon (1,509 words) [view diff] exact match in snippet view article find links to article

their eighth album, Hang, with Bill Stevenson and Jason Livermore at The Blasting Room, Ft Collins, CO. The album was released on October 28, 2014, and debuted

Joey Cape's Bad Loud (370 words) [view diff] exact match in snippet view article find links to article

revealed that the trio recorded the album between March–April 2011 at the Blasting Room in Fort Collins, Colorado with producers Bill Stevenson, Jason Livermore

Shotstar (192 words) [view diff] exact match in snippet view article find links to article

Downfall Records, Sunset Alliance Recorded, produced, and engineered at Flying Blanket Studio by Bob Hoag, mastered by Jason Livermore at the Blasting Room.

The Life and Times (449 words) [view diff] exact match in snippet view article find links to article

own studio and in March 2008 they mixed it with Jason Livermore at the Blasting Room in Fort Collins, CO. It was announced on November 2, 2008, that the

Face to Face (punk band) (1,658 words) [view diff] exact match in snippet view article

that the band had signed with Fat Wreck Chords and was headed to the Blasting Room in Fort Collins, Colorado to begin recording their ninth album. This

My Shame Is True (868 words) [view diff] exact match in snippet view article find links to article

Trio Released April 2, 2013 (2013-04-02) Recorded October 2012 at The Blasting Room, Fort Collins, Colorado Genre Pop punk punk rock Length 40:00 Label

Yotam Ben Horin (2,533 words) [view diff] exact match in snippet view article find links to article

taking off to record their new album at the Blasting Room in Fort Collins, Colorado. The band entered the Blasting Room on February 2, 2011, to begin recording

War Profiteering Is Killing Us All (200 words) [view diff] exact match in snippet view article find links to article

written by The Suicide Machines Recorded and mixed in April 2005 at The Blasting Room in Fort Collins, Colorado Mixed by Jason Livermore and Bill Stevenson

Nightmare Revisited (448 words) [view diff] exact match in snippet view article find links to article

engineering by Andrew Berlin and Jason Allen Mixed by Jason Livermore at the Blasting Room, Ft. Collins, Colorado Recorded at Gravity Studios, Chicago, Illinois

Side Walk Slam (387 words) [view diff] exact match in snippet view article find links to article

26, 2024. The band worked with Bill Stevenson (Descendants/All) at the Blasting Room in Fort Collins, CO on all three studio albums for Tooth and Nail

Authority Zero (1,824 words) [view diff] exact match in snippet view article find links to article

the band announced on their Facebook page that they have entered the Blasting Room to complete their sixth record. In April 2017, album art and title

Before You Were Punk 2 (362 words) [view diff] exact match in snippet view article find links to article

Track 12 recorded and mixed by Bill Stevenson and Jason Livermore at The Blasting Room in Fort Collins, Colorado. Harmonica on track 1 performed by James

Tired of Not Being Away from Here (513 words) [view diff] exact match in snippet view article find links to article

Flying Blanket Recordings, and then mastered by Jason Livermore at the Blasting Room. Its artwork was done by Mel Kadel and its layout was completed by

Hot Water Music (2,812 words) [view diff] exact match in snippet view article find links to article

"Chuck Ragan of Hot Water Music on finally being able to record at the Blasting Room" Westwood, February 1, 2013. Grubbs, Eric (2008). Post. iUniverse

Alkaline Trio (4,950 words) [view diff] exact match in snippet view article find links to article

"We're going to go work with Bill [Stevenson] at Fort Collins at the Blasting Room. Bill and Jason [Livermore]. We've all wanted to work with Bill for

The Rumor (album) (1,074 words) [view diff] exact match in snippet view article

sent to Jason Livermore, one of Bob Hoag's close acquaintances, at the Blasting Room in Fort Collins, Colorado. Bob was enlisted to help in the mastering

Frenzal Rhomb (3,852 words) [view diff] exact match in snippet view article find links to article

CD, LP (vinyl) and digital download. It was once again recorded in The Blasting Room by Bill Stevenson. The album's first single, "Cunt Act," was released

Buck-O-Nine (3,042 words) [view diff] exact match in snippet view article find links to article

mixing sessions, they decided to have the entire album shipped to The Blasting Room in Fort Collins, Colorado for final mixing and mastering. In 2007

Jesse Solomon (musician) (913 words) [view diff] exact match in snippet view article

the album, which he recorded in just one week at Pig Pen Studios, the Blasting Room and the University of Northern Colorado recording facility. Solomon

Speakeasy Tiger (1,339 words) [view diff] exact match in snippet view article find links to article

studio to remaster the single off The Public entitled "Oil Rising" at The Blasting Room in Fort Collins, Colorado, with producer Lee Miles. The single was

Evildoers Beware! (219 words) [view diff] exact match in snippet view article find links to article

Beware! Studio album by Mustard Plug Released March 18, 1997 Recorded The Blasting Room, Ft. Collins, CO Genre Ska punk Length 37:55 Label Hopeless Records

Broadway Calls (2,780 words) [view diff] no match in snippet view article find links to article

Tuesday March 10, they headed to Ft. Collins, Colorado, to record in the "Blasting Room!!", armed with close to 20 songs. There they would record their second

My Body Sings Electric (1,352 words) [view diff] exact match in snippet view article find links to article

and the Epilogues. For the win the band received recording time at The Blasting Room, a cash prize of $1,000 and a slot on 2013's Not So Silent Night (the