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Longer titles found: Sasha Frere-Jones bibliography (view)

searching for Sasha Frere-Jones 39 found (142 total)

Triple Canopy (online magazine) (2,006 words) [view diff] exact match in snippet view article

down the Internet’ has come to seem prescient.” The New Yorker's Sasha Frere-Jones commented that "Triple Canopy may be a journal of high intellectual

NIAD Art Center (727 words) [view diff] exact match in snippet view article find links to article

Center's March exhibitions takes place Saturday". Richmond Standard. "Sasha Frere-Jones on Marlon Mullen". www.artforum.com. April 2019. Retrieved 2019-08-08

Phenomena (song) (147 words) [view diff] exact match in snippet view article

and Bone (2015). Show Your Bones Review. Billboard. 2006. pp. 45. Sasha Frere-Jones (6 February 2006). "Positive Attitude: The Yeah Yeah Yeahs' new album"

Magic Dance (1,037 words) [view diff] exact match in snippet view article find links to article

traditional nursery rhymes and feature comic goblin/gnome voices. Sasha Frere-Jones of the Los Angeles Times described the song as Bowie "essentially

Private Life: The Compass Point Sessions (701 words) [view diff] exact match in snippet view article find links to article

wrote that the song "Bullshit" was the "major lost" in the album. Sasha Frere-Jones from SPIN magazine gave the album a favorable review and wrote that

Cobrastyle (1,152 words) [view diff] exact match in snippet view article find links to article

"100 Best Songs of 2008". 19 January 2009. Retrieved 9 June 2013. Sasha Frere-Jones (5 July 2010). "Robyn says konichiwa Australia!". The New Yorker.

Release the Bats (891 words) [view diff] exact match in snippet view article find links to article

categorized the track as a "deep rolling bass-led cacophony," while Sasha Frere-Jones of New Yorker argued that its "rhythm section vamps around a menacing

Postmodern Platos (570 words) [view diff] no match in snippet view article find links to article

remixed by the High Llamas, John McEntire, Sean Lennon, Amon Tobin, and Sasha-Frere Jones (as Gene to Gene). Zé was surprised that his music was so appreciated

Atossa Araxia Abrahamian (465 words) [view diff] exact match in snippet view article find links to article

citizenship can be bought and sold: Atossa Araxia Abrahamian talks to Sasha Frere-Jones". Los Angeles Times. Majumdar, Megha (December 11, 2015). "The Rumpus

Prisencolinensinainciusol (1,550 words) [view diff] exact match in snippet view article find links to article

vita. Rizzoli. ISBN 978-88-17-03392-3. Retrieved 3 January 2024. Sasha Frere-Jones blog at newyorker.com (28 April 2008) Language Log post (25 October

Ghislain Poirier (1,392 words) [view diff] exact match in snippet view article find links to article

Wayback Machine, The Dance Current, Summer 2006. Del Signore, J: "Sasha Frere-Jones: New Yorker Pop Critic" Archived 26 March 2009 at the Wayback Machine

Perfume Genius (1,898 words) [view diff] exact match in snippet view article find links to article

His Tormentors, At Last". The New Yorker. Retrieved June 26, 2015. Sasha Frere-Jones (September 22, 2014). "Growth Spurt". The New Yorker. Retrieved June

Ellen Willis (1,763 words) [view diff] exact match in snippet view article find links to article

Willis, Ellen (2011). "Foreword". Out of the Vinyl Deeps. Foreword by Sasha Frere-Jones. University of Minnesota Press. p. xiii. ISBN 9780816672837. "Q&A:

Keren Ann (812 words) [view diff] exact match in snippet view article find links to article

Commons has media related to Keren Ann. Official website Interview, The Observer, 3 April 2011 "A Clear View", New Yorker profile by Sasha Frere-Jones

Gone (Kanye West song) (2,830 words) [view diff] exact match in snippet view article

finalizing that the "six dynamic minutes long" song is universal. Sasha Frere-Jones, at The New Yorker, praised the chemistry between West and Brion,

Adam Curtis (2,513 words) [view diff] exact match in snippet view article find links to article

Fenstermaker for Dissent The Paranoid Style in Adam Curtis – 2021 article by Sasha Frere-Jones for The New York Review of Books Adam Curtis at IMDb Sam Knight: Adam

Blank Forms (2,015 words) [view diff] exact match in snippet view article find links to article

Han Oh". The New York Times. ISSN 0362-4331. Retrieved 2020-06-24. "Sasha Frere-Jones on Patty Waters". artforum.com. 23 September 2019. Retrieved 2020-06-24

Crack the Skye (2,520 words) [view diff] exact match in snippet view article find links to article

"ambitious vision and vivid execution". The New Yorker pop music critic Sasha Frere-Jones lists it as one of his favorite albums of the year on his personal

So Excited (Janet Jackson song) (2,476 words) [view diff] exact match in snippet view article

of Jackson. It's streetwise, lighthearted and easily digestible". Sasha Frere-Jones, writer from The New Yorker was enthusiastic with the song, calling

Talking to the Moon (2,696 words) [view diff] exact match in snippet view article find links to article

Li from The Harvard Crimson felt the song has an "electro twist". Sasha Frere-Jones wrote for The New Yorker the single relies on a "gorgeous wall of

Remix (6,570 words) [view diff] exact match in snippet view article find links to article

popularize rapper as a featured act through her post-1995 songs. Sasha Frere-Jones, editor of The New Yorker commented in referencing to the song's remix:

Austin, Nichols and Company Warehouse (4,598 words) [view diff] exact match in snippet view article find links to article

Retrieved October 31, 2019. BrooklynVegan Staff (January 12, 2015). "Sasha Frere-Jones leaving New Yorker to join [Rap] Genius (whose offices are inside

Miranda Lambert (8,166 words) [view diff] exact match in snippet view article find links to article

August 23, 2011, which debuted at No. 1 on Billboard's country chart. Sasha Frere-Jones of The New Yorker said the trio "is good enough to recall those transcendent

15 Step (1,204 words) [view diff] exact match in snippet view article find links to article

review for the BBC called the song "astoundingly uplifting", while Sasha Frere-Jones of The New Yorker noted how Yorke would "dance across the stage in

List of artists who have covered Van Morrison songs (2,876 words) [view diff] exact match in snippet view article find links to article

original on 23 June 2009. Retrieved 16 October 2009. "Just Fine: Sasha Frere-Jones: The New Yorker". The New Yorker. 20 January 2009. Retrieved 17 September

Enya (album) (3,309 words) [view diff] exact match in snippet view article

Retrieved 26 March 2007. "Where HipHop and Libertarianism Meet: "Sasha Frere-Jones in New Yorker"". 28 June 2004. Retrieved 26 March 2007. "Nicholas

Jack Stewart (artist) (2,582 words) [view diff] exact match in snippet view article

title Graffiti Kings: New York City Mass Transit Art of the 1970s. Sasha Frere-Jones wrote in The New Yorker: "Stewart began documenting graffiti as soon

Déjà Vu (Beyoncé song) (6,542 words) [view diff] exact match in snippet view article

Ryan Dombal claimed that "this time [Beyoncé] out-bolds the beat". Sasha Frere-Jones of The New Yorker deemed the lyrics as a "perplexing view of memory"

Mya (singer) (12,357 words) [view diff] exact match in snippet view article

being highlighted and described as "very special". Writing for Slate, Sasha Frere-Jones acknowledged although Mya's breathy voice suggests smallness, she

Mariah Carey (22,490 words) [view diff] exact match in snippet view article find links to article

"dog-whistle high notes". She once described herself as an alto singer. Sasha Frere-Jones of The New Yorker adds her timbre on "Vision of Love" possesses various

Fantasy (Mariah Carey song) (6,641 words) [view diff] exact match in snippet view article

popularizing rap as a featuring act through her post-1995 songs. Sasha Frere-Jones, editor of The New Yorker commented in referencing to the song's remix

Yeezus (10,715 words) [view diff] exact match in snippet view article find links to article

their own befuddlement on Twitter and Facebook". The New Yorker's Sasha Frere-Jones suggests that Yeezus may be preferred over any of West's previous

Infinity on High (8,580 words) [view diff] exact match in snippet view article find links to article

band's rise to fame and the pressure of maintaining a loyal fanbase. Sasha Frere-Jones of The New Yorker commented that "The only top-ten acts that talk

Sir Lucious Left Foot: The Son of Chico Dusty (8,546 words) [view diff] exact match in snippet view article find links to article

his lyrics as "playful, but his flow is stern and unpredictable". Sasha Frere-Jones of The New Yorker describes the album's mood as "decidedly upbeat"

Moodring (6,312 words) [view diff] exact match in snippet view article find links to article

shrewdly bridge the gap between pop/R&B and street-level hip hop." Sasha Frere-Jones, writing for Slate, called Moodring the "most consistent R&B album

Born to Die (11,006 words) [view diff] no match in snippet view article find links to article

mysterious than that; the extraordinary, resilient power of pop music". Sasha Frere Jones of The New Yorker came out in defense of the artist as well, writing:

List of homicides in California (4,727 words) [view diff] exact match in snippet view article find links to article

police say Cheri Jo Bates case still unsolved". The Pres-Enterprise. Sasha Frere-Jones (March 28, 2019). "The Chaos of Altamont and the Murder of Meredith

List of albums awarded 10 by Pitchfork (3,212 words) [view diff] exact match in snippet view article find links to article

Goldberg Variations 1982 2 April 2017 Optimo EP Liquid Liquid 1983 Sasha Frere-Jones — 4 June 2017 Supreme Clientele Ghostface Killah 2000 Jeff Weiss —

Cultural impact of Mariah Carey (8,845 words) [view diff] exact match in snippet view article find links to article

remix of "Fantasy", "R&B and hip-hop were the best of step siblings." Sasha Frere-Jones, editor of The New Yorker commented that because of Carey, "it became