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Find link is a tool written by Edward Betts .
searching for Sappho and Phaon 11 found (20 total)
alternate case: sappho and Phaon
Sapho and Phao
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in 1632. Lyly dramatised the ancient Greek legend of the romance of Sappho and Phaon , drawing on Ovid's "Letter from Sappho to Phaon", from the Heroides
Percy MacKaye
(1,015 words)
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dramatic work. He wrote the plays The Canterbury Pilgrims in 1903, Sappho and Phaon in 1907, Jeanne D'Arc in 1907, The Scarecrow in 1908, Anti-Matrimony
Bertha Kalich
(1,927 words)
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the role of Etty in The Kreutzer Sonata and the title role in his Sappho and Phaon especially for Kalich. These productions made it out of the Yiddish
Mary Robinson (poet)
(6,649 words)
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suicide, rationalisation, empiricism and relationship to sensibility in Sappho and Phaon : In a Series of Legitimate Sonnets. During the 1790s, Robinson was
Gladys Hulette
(956 words)
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mother was an opera star. Hulette was among the principal players in Sappho and Phaon which had its first performance in Providence, Rhode Island on October
Hazel MacKaye
(939 words)
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Square theater company of Winthrop Ames and appearing in her brother's Sappho and Phaon and Jeanne D'Arc (both 1907) and Mater (1908). She worked as an instructor
Elegiac Sonnets
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1796, she emphasized her own adherence to formal rules in the title Sappho and Phaon : In a Series of Legitimate Sonnets.: 13 Smith's sonnets were influenced
English Romantic sonnets
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sonnet as the only 'legitimate' form. In the preface to her sequence Sappho and Phaon : in a series of legitimate sonnets (1796), Robinson denounced the undisciplined
Sonnet
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form. This led to Mary Robinson's fighting preface to her sequence Sappho and Phaon , in which she asserted the legitimacy of the Petrarchan form as used
Robert Levy (producer)
(698 words)
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Who Owns Broadway George Cohan 15 April 1918 1910 New York Theatre Sappho and Phaon Percy MacKaye 22 April 1918 1907 Lyric Theatre His Honor the Mayor
Sappho
(10,014 words)
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classical composers have also been inspired by Sappho. The story of Sappho and Phaon began to appear in opera in the late 18th century, for example in Simon