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searching for Rosemary Ashton 32 found (49 total)

The Leader (English newspaper) (306 words) [view diff] exact match in snippet view article

state farms and workshops) and Barbara Bodichon (on prostitution). Rosemary Ashton, G. H. Lewes: An unconventional Victorian (2000), pp. 88–9. Edward

John Chapman (publisher) (855 words) [view diff] exact match in snippet view article

(Subscription or UK public library membership required.) Alger 1901. Rosemary Ashton, The Smart Set, The Guardian, 4 November 2006 Adrian Desmond and James

On Receiving an Account (897 words) [view diff] exact match in snippet view article find links to article

for female affection and of what the loss of it meant." Similarly, Rosemary Ashton believes that the poem is "unremarkable as we might expect from an

To William Wordsworth (981 words) [view diff] exact match in snippet view article find links to article

conversation poem [...] the poem is extravagant in its very being." Rosemary Ashton believes that "Though of course the poem is an epitaph for the passing

Songs of the Pixies (1,213 words) [view diff] exact match in snippet view article find links to article

Coleridge was soon to be at home." At the end of the 20th-century, Rosemary Ashton believes, in regard to Song of the Pixies, that the "high point is

Institute of English Studies (671 words) [view diff] exact match in snippet view article find links to article

Senior research fellows of the institute include: Isobel Armstrong Rosemary Ashton Nicolas Barker John Barnard Peter Beal Michelle P. Brown Warren Chernaik

The Prelude (1,034 words) [view diff] exact match in snippet view article find links to article

public domain audiobook at LibriVox The Prelude, BBC Radio 4 discussion with Rosemary Ashton, Stephen Gill & Emma Mason (In Our Time, Nov. 22, 2007)

To Pitt (1,005 words) [view diff] exact match in snippet view article find links to article

as the government's response to those opposed to Pitt's actions. As Rosemary Ashton, the 20th-century Coleridge biographer, points out that, "Coleridge

Dejection: An Ode (1,640 words) [view diff] exact match in snippet view article find links to article

sources of imagery which fill his Notebooks and private correspondence: Rosemary Ashton believes that "Coleridge's special genius scarcely surfaced, though

Frost at Midnight (1,547 words) [view diff] exact match in snippet view article find links to article

resonance – sadness, poignancy, hope, joy – held in exquisite tension". Rosemary Ashton believes that the poem is "one of [Coleridge's] most delightful conversation

Religious Musings (1,736 words) [view diff] exact match in snippet view article find links to article

Coleridge's radicalism and his withdrawal from political concerns." Later, Rosemary Ashton claims that the poem "is little more than poeticized opinion, a blank

The Destiny of Nations (1,652 words) [view diff] exact match in snippet view article find links to article

Manfreds, Lucys, Michaels, and Mariners of a later-day Romanticism." Rosemary Ashton believes that "The chief, perhaps only, interest of the poem, or rather

This Lime-Tree Bower My Prison (1,608 words) [view diff] exact match in snippet view article find links to article

more powerfully than ever on the Quantocks imagery." According to Rosemary Ashton, "He had much to be pleased with. The poem perfects the 'plain style'

Philippa Fawcett (1,214 words) [view diff] exact match in snippet view article find links to article

2018. Ashton, Rosemary (13 November 2012). Victorian Bloomsbury by Rosemary Ashton. Yale University Press. ISBN 9780300154474. Retrieved 11 June 2018

Victorian literature (3,039 words) [view diff] exact match in snippet view article find links to article

(In Our Time, Nov. 14, 2002) Victorian Pessimism, BBC Radio 4 discussion with Dinah Birch, Rosemary Ashton & Peter Mandler (In Our Time, May 10, 2007)

Fanny McIan (558 words) [view diff] exact match in snippet view article find links to article

1995): 3-9. "Female School of Art," UCL Bloomsbury Project website. Rosemary Ashton, Victorian Bloomsbury (Yale University Press 2012): p. 240. F. Graeme

The Eolian Harp (2,178 words) [view diff] exact match in snippet view article find links to article

describes The Eolian Harp as Coleridge's "beautiful Conversation Poem". Rosemary Ashton believes that the poem "shows an exact eye for natural detail combined

Buckingham's rebellion (1,784 words) [view diff] no match in snippet view article find links to article

(Subscription or UK public library membership required.) Horrox, Rosemary. "Ashton, Sir Ralph". Oxford Dictionary of National Biography (online ed.)

Edmund Larken (923 words) [view diff] exact match in snippet view article find links to article

and Henrietta. Francis Hill (1974), Victorian Lincoln; Google Books. Rosemary Ashton, G. H. Lewes: An unconventional Victorian (2000), pp. 88–9. Archives

Caroline Bray (480 words) [view diff] exact match in snippet view article find links to article

George Eliot (Mary Ann Cross (née Evans)), National Portrait Gallery Rosemary Ashton, ‘Bray , Caroline (1814–1905)’, Oxford Dictionary of National Biography

Gordon S. Haight (332 words) [view diff] exact match in snippet view article find links to article

Gordon S. Haight (1901-1985). Contains tributes to Gordon S. Haight by Rosemary Ashton, William Baker, Gillian Beer, David Carroll, Joseph Wiesenfarth, Hugh

Charles Christian Hennell (969 words) [view diff] exact match in snippet view article find links to article

Remembrancer, vol. 11 (January to June 1846), pp. 347–401; archive.org. Rosemary Ashton, 142 Strand: A Radical Address in Victorian London (2006), p. 91. Sellers

Romantic literature in English (5,276 words) [view diff] exact match in snippet view article find links to article

Romantics, In Our Time, BBC Radio 4 discussion with Jonathan Bate, Rosemary Ashton and Nicholas Roe (Oct. 12, 2000) The Later Romantics, In Our Time,

Strand, London (5,134 words) [view diff] exact match in snippet view article find links to article

p. 753. Weinreb et al. 2008, p. 792. Weinreb et al. 2008, p. 277. "Rosemary Ashton". University College London. Archived from the original on 3 March

Eliza Ashurst Bardonneau (1,470 words) [view diff] exact match in snippet view article find links to article

James Gay manuscript collection held at Columbia University, New York. Rosemary Ashton (2000). G. H. Lewes: An unconventional Victorian. Pimlico. pp. 88–9

Matilda Hays (2,177 words) [view diff] exact match in snippet view article find links to article

from the original on 8 February 2012. Retrieved 10 December 2013. Rosemary Ashton (2000). G. H. Lewes: An unconventional Victorian. Pimlico. pp. 88–9

Sophia Elizabeth De Morgan (1,319 words) [view diff] exact match in snippet view article find links to article

Morgan. Cambridge University Press. p. 17. ISBN 978-1-108-02745-8. Rosemary Ashton (13 November 2012). Victorian Bloomsbury. Yale University Press. p

Middlemarch (6,766 words) [view diff] exact match in snippet view article find links to article

novel that evokes the past in relation to the present". The critic Rosemary Ashton notes that the lack of attention to this side of the novel may indicate

Charles Babbage (12,207 words) [view diff] exact match in snippet view article find links to article

University of Chicago Press. p. 193 note 43. ISBN 978-0-226-67524-4. Rosemary Ashton (2000). G. H. Lewes: An Unconventional Victorian. Pimlico. p. 128.

Hale White (2,069 words) [view diff] exact match in snippet view article find links to article

S2CID 162039705 – via Project MUSE. Ashton, Rosemary (4 November 2006). "Rosemary Ashton on Victorian publisher John Chapman". the Guardian. Rintoul, M. C.

Conversation poems (4,619 words) [view diff] exact match in snippet view article find links to article

of the most intricately structured of all the Conversation Poems". Rosemary Ashton argued in 1997 that the poem is "one of [Coleridge's] most delightful

Kubla Khan (11,871 words) [view diff] exact match in snippet view article find links to article

English literature than "Kubla Khan" and The Ancient Mariner." In 1996, Rosemary Ashton claimed that the poem was "one of the most famous poems in the language"