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searching for Recitative 219 found (1222 total)

alternate case: recitative

Athalia (Handel) (962 words) [view diff] exact match in snippet view article

to Majesty alone a foe? 1 3 Recitative Athalia O Mathan, aid me to control the wild confusion of my soul! 1 3 Recitative Mathan Why shrinks that mighty

major) Duet recitative: Nu, Mieke, gib dein Guschel immer her (A major) Aria (soprano): Ach, es schmeckt doch gar zu gut (A major) Recitative (bass): Der

the Prophets) 8. Recitative & Chorus — Sie aber stürmten auf ihn ein; Steiniget ihn! (Then they ran upon him; Stone him!) 9. Recitative & Chorale — Und

It was first performed on 16 March 1764 at Covent Garden, London. The recitatives are presumably the work of Smith, while the arias are largely borrowed

ye afflicted children Soprano, Alto, Tenor, Bass Largo 4/4 C minor 1 3 Recitative Well may your sorrows Israelitish man (Tenor) 4/4 1 4 Duet From this dread

October 1765 70 61c "A Berenice ... Sol nascente" (Score/Crit. report) Recitative and aria (Licenza) for soprano and orchestra unknown 28 February 1767

betreten Recitative (Evangelist, Jesus): Und nahm zu sich Petrus und Jakobus und Johannes Chorale: Was mein Gott will, das g'scheh allzeit Recitative (Evangelist

Lute, Lyrichord and other Instruments" HWV 294 for performance after the recitative Timotheus, plac'd on high in Part I; a concerto grosso in C major in 4

instrumental overture of three movements (fast-slow-fast) and then a series of recitatives containing dialogue interspersed with arias expressing the emotions of

Sinfonia Recitative (tenor): Wer sucht die Pracht, wer wünscht den Glanz Duet aria (tenor and bass): Seele suchst du dein Vergnügen Recitative (bass):

arms that beauty glows 6 Recitative Virtue Away, mistaken wretch, away! 7 Air Virtue This manly youth's exalted mind 8 Recitative Virtue Rise, youth! exalt

zertrümmert die Gruft Recitative (bass): Ja! ja! Die Stunden sind nunmehro nah Aria (bass): Wie will ich lustig lachen Recitative (tenor): Gefürcht'ter

Gottes" (Only consider, child of God) as a secco recitative ending in an arioso, the typical style of recitatives during the Weimar period. It adopts canonic

Wellen, und murmelt gelinde Recitative (bass): O glückliche Veränderung Aria (bass): Schleuß des Janustempels Türen Recitative (tenor): So recht! beglückter

Act Scene Recitative/Aria Characters Act 1 Scene 1 Recitative: Prence Lo so: vi devo Bajazet, Andronico Aria: Del destin non dee lagnarsi Bajazet Scene

that most of its music, including the music of its opening chorus and recitatives, was parodied in Part VI of the Christmas Oratorio. BWV 248 VI is scored

(chorus) First part Overtura Recitative: Popoli di Betulia (Ozia) Aria #1: D'ogni colpa la colpa maggiore (Ozia) Recitative: E in che sperar? (Cabri, Amital)

the music of the Shepherd Cantata could be reconstructed. The missing recitatives were added by musicologist Hermann Keller. It is not known if the two

lebendig" Recitative: "Du hast gesiegt" Aria: "Soll ich vor dir, Herr" Duet: "So sind wir nun mit ihm begraben" Aria: "Geerbte Schuld" Recitative: "Nimm

scheinenden Lichter Recitative (Providentia): Preißwuerdigster August Aria (Providentia): Nenne deinen August: Gott! Recitative (Fama): O! schoener Tag

mein Wort halten Aria (soprano): Komm, komm, mein Herze steht dir offen Recitative (alto): Die Wohnung ist bereit Aria (bass): Ich gehe hin und komme wieder

fugue theme is the perfect illustration of the heroic struggle". The bass recitative in E minor describes the importance of the victory over Satan, but exudes

wise at length 1.14. Recitative: Of many millions the populous rout 1.15. Aria: Jehovah is my shield, my glory 1.16. Recitative: Fools or madmen stand

Introduction: "Found a peanut!" 5. Recitative: "Ah, dear husband"     Aria: "Stay with me" 6. Recitative: "Suzanna" 7. Recitative: "Dog!"     Aria: "Perfidy,

poet wrote a text centered in symmetry around a recitative, framed by two duets, two more recitatives and two equal chorus movements. The lack of a closing

der muntern Trompeten Recitative (tenor): Die stille Pleiße spielt Aria (tenor): Augustus' Namenstages Schimmer Duet recitative (soprano and bass): Augustus'

couplets: "Quand une femme est si jolie" (When a woman is so pretty) (Gérald) Recitative: "Nous commettons un sacrilège" (We are committing sacrilege) (Gérald)

Movement Title Characters Synopsis 1 Recitative: Schweigt stille Narrator The narrator tells the audience to quiet down and pay attention, before introducing

for alto, accompanied by two flutes and muted strings, is framed by recitatives, while the two outer movements are performed by the chorus and a festive

Saiten Recitative (tenor): Wen treibt ein edler Trieb zu dem, was Ehre heißt Aria (tenor): Zieht euren Fuß nur nicht zurücke Duet recitative (bass and

between the phrases of the chorale, the cello plays recitative-like passages, which resemble the recitative of the Fantasia in the Chromatic Fantasia and Fugue

from the tomb. The bass voice announces the resurrection of Jesus in a recitative and continues in an aria, both accompanied only by the continuo. The aria

keyboard (with scattered figured bass markings). The cantata contains three recitative-aria pairings. A typical performance of the work takes almost eleven minutes

tenor with continuo) Recitative: Ich liebe dich zwar noch! (in B flat major/C major, for soprano I and tenor with continuo) Recitative: Ich, der ich sonst

neues Lied Chorale and recitative (alto, tenor, bass): Herr Gott, dich loben wir Aria (alto): Lobe, Zion, deinen Gott Recitative (bass): Herr, wenn dein

grosso made up of two violins, a viola, and continuo. In Ero e Leandro, Recitatives alternate with arias, as was normal at the period for not only cantatas

aria: Vergnügte Pleißenstadt Duet recitative: So angenehm auch mein Revier Aria (soprano): Angenehme Hempelin Recitative (alto): Erspare den Verdruss Aria

eight movements: Recitative: Der Himmel dacht' auf Anhalts Ruhm und Glück Aria: Traget ihr Lüffte den Jubel von hinnen Duet recitative: Die Klugheit auf

Flattergeister Recitative (alto): O unglückselger Stand verkehrter Seelen Aria (tenor): Der schädlichen Dornen unendliche Zahl Recitative (soprano): Von

surrounding a central recitative. One (RV 638) has a central aria flanked by two recitatives; another (RV 640) has just two movements – recitative then aria – and

and coloraturas standing for "mit Gewalt" ("with force"). The tenor recitative, "Mein lieber Jesu du, wenn ich Verdruß und Kummer leide, so bist du meine

Seele rühmt und preist" Recitative "Denn seh' ich mich und auch mein Leben an" Aria "Gott hat sich hoch gesetzet" Recitative "O wass vor grosse Dinge

the middle section, and "Laudamus te" to the last section. The first recitative begins as a secco, but develops to an arioso on the words "Herr, so du

alleged instances of xenoglossy. Two types of xenoglossy are distinguished. Recitative xenoglossy is the use of an unacquired language incomprehensibly, while

einen Strahl Recitative (soprano): Dein Sachsen, dein bestürztes Meißen Aria (soprano): Verstummt, verstummt, ihr holden Saiten! Recitative (alto): Der

versions with Chorus 4 Recitative soprano, alto, tenor, bass O kalter Männer Sinn 5 Aria soprano Seele, deine Spezereien 6 Recitative alto, tenor, bass Hier

arias, are parodied from the secular work. Bach recomposed the five recitatives, and added a chorale as conclusion of the first half of the cantata.

The cantata begins with an aria followed by two recitative-aria pairings, after which a final recitative is performed before an instruction to repeat ("Da

bassoon and a pair of horns. The song is unhurried and delicate, in little recitative-like sections. The dynamic indicated is little more than a soft pianissimo

Heuchelei sei Recitative (tenor): Das heutge Christentum ist leider schlecht bestellt Aria (tenor): Falscher Heuchler Ebenbild Recitative (bass): Wer so

Gelübde (parody of BWV 120/2) Recitative: Ach! du geliebte Gottesstadt Aria: Treu im Glauben (parody of BWV 120/4) Recitative: Wohlan, du heilige Gemeinde

solo motets.[citation needed] The motet consists of three parts (Aria; Recitative; Aria), followed by a concluding Alleluia. A full performance of the piece

figured bass markings in the second movement). The cantata contains three recitative-aria pairings. A typical performance of the work takes about fifteen and

armer Mensch, ich Sündenknecht ("I, wretched man, a servant to sin") Recitative: Ich habe wider Gott gehandelt ("I have offended against God") Aria: Erbarme

interest in Canada and abroad. Characteristics of Inuit music include recitative-like singing, complex rhythmic organization, a relatively small melodic

rühmet Gottes Liebe Recitative (alto): Gelobet sei der Herr Gott Israel Duet aria (soprano, alto): Gottes Wort, das trüget nicht Recitative (bass): Des Weibes

musical style or tradition of a community, particularly the chant used for recitative prayers such as the Amidah. This is distinct from textual nusach, the

simplicity. Sinfonia Recitative: Falsche Welt, dir trau ich nicht Aria: Immerhin, immerhin, wenn ich gleich verstoßen bin Recitative: Gott ist getreu Aria:

kingdom of God", which Salomon Franck had already used for the first recitative of Weinen, Klagen, Sorgen, Zagen. The three following movements deplore

a relya/lira (a Ukrainian variety of hurdy-gurdy). Dumas are sung in recitative, in the so-called "duma mode", a variety of the Dorian mode with a raised

through Mendelssohn's last year. The completed portions include a tenor recitative relating Christ's birth, two choruses "Wo ist der neugeborne?" ("Where

many effects possible by changing the pitch of the drum while playing. "Recitative" is a dramatic, slow piece that consists of three different elements:

soprano and keyboard (with figured bass markings). The cantata contains two recitative-aria pairings. The use of silence (with musical rests) is notable in the

certain man had two sons No. 4. bass recitative and Aria: My son, attend to my words No. 5. Soprano recitative: And the younger son No. 6. Tenor solo

Jauchzet, ihr erfreuten Stimmen Recitative (bass): Auf, du geliebte Lindenstadt Aria (soprano): Heil und Segen Recitative (tenor): Nun, Herr, so weihe selbst

immer wieder aufgehen Recitative (bass): Dem Freudenlicht gerechter Frommen Aria (bass): Rühmet Gottes Güt und Treu Recitative (soprano): Wohlan, so knüpfet

performed at one of the ceremonies of the Utile Dulci with her own written recitative and aria. In 1795, she was elected as a member into the Swedish Royal

Act I Chorus: "Nobles of Castilian birth." Recitative and Solos: "Oh, beautiful land of Spain." Recitative Solo and Chorus: "From Peru's majestic mountains

Trumpet Involuntary II. Aria: "When Hyperion" III. Recitative: "And Lo!" IV. Ground: "Dying" V. Recitative: "And in a vision" VI. Aria: "Running" "Unbegun"

musical style or tradition of a community, particularly the chant used for recitative prayers such as the Amidah. Nusach primarily means "text" or "version"

III Recitative (Léonor, Stradella) "C'est donc vous, Stradella" Nocturne (Léonor, Stradella) "A demain les delices supremes" Scene IV Recitative (Spadoni

III Recitative (Léonor, Stradella) "C'est donc vous, Stradella" Nocturne (Léonor, Stradella) "A demain les delices supremes" Scene IV Recitative (Spadoni

declamation, saying "And afterwards I will send out many hunters ...". The recitative "Wie leichtlich könnte doch der Höchste uns entbehren" (How easily could

Rosenmüller) Recitative and arioso (bass): Nun, Herr, regiere meinen Sinn (18 measures) Chorale: Hier ist das rechte Osterlamm (16 measures) Both recitatives are

erlösen Recitative (alto): O Schmerz, o Elend, so mich trifft Chorale: Solls ja so sein Aria (alto): Ach, lege das Sodom der sündlichen Glieder Recitative (tenor):

However by the end of the 17th century some tonos had begun to include recitative and aria sections, as the cantada, Spanish form of the cantata became

Cythère assiégée (1775) and transformed it into an opera ballet. He added recitative sections to Favarts's textual basis, re-designed sections and added his

Come (bass recitative) – text from Luke 23:33 The Mystery of the Divine Humiliation (hymn) He Made Himself of No Reputation (bass recitative) – text from

recitative interlaced with da capo arias. Within this format Sacchini introduced strong dramatic music to suit the libretto: stromentato recitative is

"Popoli di Tessaglia!", K. 316, recitative and aria for soprano and orchestra "Crudele? – Non mi dir, bell idol mio", recitative and aria for Donna Anna from

theatres closed. Davenant managed to obtain this by calling the production "recitative music", music being still permissible within the law. When published in

Billis gives Nurse Nellie Forbush her laundry. The song also has a sung recitative between the verses and the Chorus. A comic version of this song was performed

I'm lost" Recitative: "Boy!" Aria: "Now is the season" Recitative: "Gesundheit!" Duet: "Woe" Recitative: "Hark!" Aria: "Look at me" Recitative: "That's

keyboard (with scattered figured bass markings). The cantata contains two recitative-aria pairings. A typical performance of the work takes about eight minutes

closing chorale, while a sequence of three arias alternating with two recitatives is scored intimately. Bach used the music from the choral movement for

added between the choral introduction of the Mad Scene and Ophélie's recitative and aria. In 1863 the director of the Opéra, Émile Perrin, wrote in a

Vincenzo Gonzaga in Mantua. All the music is lost apart from the extended recitative known as "Lamento d'Arianna" ("Ariadne's Lament"). The libretto, which

conventions, a more harmonically interesting structure for the secco recitative, and more involved counterpoint; traits that have helped return Falstaff

μαντινάδα), plural mantinades (μαντινάδες) is the art of musical declamation (recitative) in form of a narrative or dialogue, sung in the rhythm of accompanying

Christo nennet Recitative (bass): Wir hören zwar, was selbst die Liebe spricht Aria (alto): Nur durch Lieb und durch Erbarmen Recitative (tenor): Ach,

Mozart composed seven of the ten numbers of the first act, plus some recitative, as well a sketch for a further aria; the extant music amounts to about

similar in form to what has been defined as traditional African song: "a recitative or chants with a short chorus. The soloist gives the melody while a chorus

sections. Pars 1 Corale Alla rovescio Recitative (tenor) Arioso (bass) Duettino (soprano and alto) Recitative (tenor) Scherzo Pars 2 Tema seriale con

Aria of Arsace, "Dalla fatal procella" Act I, scene 10 - Accompanied recitative for Calliroe and Tarsile, "Ah no, Tarsile" Act I, scene 10 - Duet for

(Bluegrass Cantata), S. 6 string Recitative and Aria: "Blaues Gras" Recitative: "O" Aria: "Du Bist Im Land" Recitative: "O" Duet: "Ich Sehe" Chorale: "Ich

bass line for a given melody. Aria "Warum betrübst du dich", BWV 516 Recitative "Ich habe genug" and aria "Schlummert ein, ihr matten Augen" (solo), BWV

the first chorus, the dance of the Polovtsy, Yaroslavna's Lament, the recitative and song of Vladimir Galitsky, Konchak's aria, the arias of Konchakovna

questa sera grandissima" - "Una domina? Una nipote?" (Don Anchise) arie & recitative for bass and orchestra (1775?), for P. Anfossi's "La finta giardiniera"

descendant Medea and so he lets forth his brightest light. In the following recitative, Amore chides Sole because no one has asked her for permission for this

no overture or chorus and only a single dance. The score consists of recitative, arias and vocal ensembles. French musicologist Sylvie Bouissou completed

similar in form to what has been defined as traditional African song: "a recitative or chants with a short chorus. The soloist gives the melody while a chorus

with a spoken recitative, before singing the two verses. He repeated the second half of the first verse the second time around. The Recitative goes: "The

(alto): Murre nicht, lieber Christ Chorale: Was Gott tut, das ist wohlgetan Recitative (tenor): Wo die Genügsamkeit regiert Aria (soprano): Genügsamkeit ist

singing more than "Claudio Monteverdi [or] any other musician in the recitative style..." Occhi io vissi di voi Vatteme pur Lascivia Her music has been

recitative of Selena, "Dov'è, ah dov'è, son io" Act II, scene 7 - Cavatina of Selena, "Adorata mia speranza" Act II, scene 9 - Accompanied recitative

da ich zur Hochzeit gehe Recitative (tenor): O großes Hochzeitfest Aria (soprano): Jesu, Brunnquell aller Gnaden Recitative (alto): Mein Jesu, laß mich

best known for his long work, Testimony: The United States (1885–1915), Recitative (1934–1979). The term Objectivist was coined for him.[citation needed]

den Herrn, meine Seele Recitative (soprano): Ach, daß ich tausend Zungen hätte! Aria (tenor): Meine Seele, auf, erzähle Recitative (alto): Gedenk ich nur

hybrid" that provided an important model for his contemporaries. French [Recitative] Ils s'éloignent enfin; j'ai cru le reconnaître: Mon cœur n'a point trompé

which was developing in Florence at the end of the 16th century, the new recitative style (stile recitativo) from which developed monody, the first music

steh mit einem Fuß im Grabe Recitative (bass): Mein Angst und Not Aria (alto): Herr, was du willt, soll mir gefallen Recitative (bass): Und willst du, dass

performed after the sermon. Chorus: Herr, deine Augen sehen nach dem Glauben Recitative (bass): Wo ist das Ebenbild, das Gott uns eingepräget Aria (alto): Weh

Magdalena Bach, BWV 830: Gavotte Cantata BWV 205 ("Aeolus placated"): Bass recitative ("Ja! Ja! Die Stunden sind nunmehro nah") and Aria ("Wie will ich lustig

first recitative (No. 14) is unusually long with 43 lines of text and tells of Jesus' encounter with the disciples at Emmaus. The other two recitatives contain

together with "his exuberant choral writing and his fluid treatment of recitative and aria". Zaïde was first performed, under the direction of the composer

Adagio) in E♭ minor – Recitative „Jehova, du, mein Vater!“ – Aria (Allegro) „Meine Seele ist erschüttert!“ in c minor 2. Recitative „Erzittre, Erde, Jehovahs

recitative for Megacle, "Che intesi, eterni Dei?," and cavatina, "Cara non dubitar" [a non-Metastasian text] Act I, scene 10 - Accompanied recitative

suche mit Verlangen Recitative (soprano, bass): Mein Mahl ist zubereit' Aria (soprano): Ich bin herrlich, ich bin schön Recitative (soprano, bass): Mein

the same musicians. Aria (alto): Jesus schläft, was soll ich hoffen? Recitative (tenor): Herr! warum trittest du so ferne? Aria (tenor): Die schäumenden

Unglauben Recitative (tenor): Des Herren Hand ist ja noch nicht verkürzt Aria (tenor, strings): Wie zweifelhaftig ist mein Hoffen Recitative (alto): O

(soprano): Meine Seele dürstet nach Gott (For my soul thirsteth for God) Recitative and aria (soprano): Meine Tränen sind meine Speise (My tears have been

mormorio (Arianna) Scene 7: Recitative: Lieto ritorno all'alma mia (Teseo) Scene 7: Aria: D'aura gioconda (Onaro) Scene 7: Recitative dopa l'aria: Di dolcissimi

end of the instruction period he wrote a kind of examination piece, the recitative and aria K. 294 "Alcandro, lo confesso/Non sò, d'onde viene". As Mozart

not allowed it to be performed. That there was a considerable amount of recitative leading up to the Quintet text, following the Cavatina Lisetta (No. 4)

eighth movements. Aria (tenor, strings): Mein liebster Jesus ist verloren Recitative (tenor): Wo treff ich meinen Jesum an Chorale: Jesu, mein Hort und Erretter

Movement Type Key sig. Time sig. Tempo Bars Text (Italian) Notes 1 Recitative 4 4 9 Dalla guerra amorosa or che ragion mi chiama oh miei pensieri fuggite

choristers. The Gospel readings, set as a secco recitative for the Evangelist, complemented with recitatives and turba choruses by the characters and groups

haul" No.2. Recitative, Song and Chorus – Il Marinajo and Sailors – "'Tis the mid-watch of night … The wave at her bows is afire" No.3. Recitative – La Sposina

Ach, Jesus ist verloren Aria (alto): Saget mir, beliebte Felder Duet recitative and arioso (tenor and bass): Sei, kummervolles Herz, getrost Chorus: Ändert

und Munde Aria (tenor): So preiset den Höchsten, den König des Himmels Recitative (bass): Auf Gottes Preis muss alle Freude zielen Aria (alto): Sich in

exposition. There is a long recitative section at the beginning of this movement's recapitulation (foreshadowing the oboe recitative in the first movement of

เจรียงเบริญ IPA: [cəriə̯ŋ brəːɲ]) is a type of Khmer vocal music or epic recitative practiced by the Khmers indigenous to Northeast Thailand. From the Khmer

"Arpeggio", i.e. they require a spread chord. The third part is entitled Recitative and includes a variety of ornamented, enriched, highly expressive melodies

inner movements are set for soloists, in a sequence of aria – chorale – recitative – aria. Bach scored the work for four vocal soloists (soprano (S), alto

very fast) "Das obligate Rezitativ", Bewegte Achtel ("The Obbligato Recitative", busy quavers) The Five Pieces further develop the notion of "total chromaticism"

Hospital Recitative Tenor Basso continuo 4/4 3 Ach, wo hol ich Armer Rat? Aria Bass Basso continuo D minor 4/4 4 O Jesu, lieber Meister Recitative Soprano

tendency to smooth away consonants in the interests of suave tone", and her recitatives suffered accordingly. As Emilia, Nucci Condò sang with a voice so like

music, ‘cantala’, where one line overlaps the other in contra-melody, recitative prose songs as in Roti (1942), besides he was the first one to start extensively

Aria of Dircea, "Padre, perdona, o pene" Act I, scene 14 - Accompanied recitative for Timante, "Sposa mio ben" Act I, scene 14 - Aria of Timante, "La dolce

his Orchestra. Each version included slight variations in the spoken recitative, which was accompanied by Boldi's "Chanson Bohemienne", rather than Harmati's

I think thereupon" was transposed into D minor and split into a solo recitative followed by a unison tenor and bass chorus on the text "For I went with

accentualism, or oratorical chant, an interpretation which applies a style of recitative singing.[citation needed] Jesuit Jan Vollaerts was a strong proponent

of Italian verse, accurate declamation and flexible harmonic rhythm in recitative, ... drawing the necessary distinction between vocal and instrumental

People...Recitative" "And The Glory Of The Lord...Chorus" "Behold...Recitative" "Pastoral Symphony" "And The Angel Said unto Them...Recitative" "Glory

adopted from Alessandro Scarlatti's da capo aria form. It follows a recitative-aria-recitative-aria format. It is written for soprano voice in soprano clef accompanied

sequence of autonomous numbers (numeros) much like choruses, arias and recitative in Italian than French baroque opera. The operatic effect was a part of

of Semira, "Se del fiume altera l'onda" Act II, scene 9 - Accompanied recitative for Artabano, Mandane, and Arbace, "Io gelo" Act II, scene 9 - Aria of

the lieutenant Zuniga. Lyrics in parentheses are sung by the chorus. [recitative] Quand je vous aimerai ? Ma foi, je ne sais pas, Peut-être jamais, peut-être

Aria of Fulvia, "Caro padre, a me non dei" Act I, scene 6 - Accompanied recitative for Massimo, "Che sventura è la mia" Act I, scene 6 - Aria of Massimo

Mendelssohn-Bartholdy (op. 115 n. 1). Johann Sebastian Bach used the verse in a recitative of his cantata O Ewigkeit, du Donnerwort, BWV 60. Wikimedia Commons has

for Galatea. Instead of a repetition of the first stanza, Rolli has a recitative between Galatea and Polifemo before commencing the second verse. Rolli

overture and opening arias of each work. Act I, scene 1 – Accompanied recitative for Amenofi and Sammete, "E Sammete non torna" Act I, scene 1 – Aria of

steht!" Recitative "O seht sie nah' und näher treten!" Aria with chorus "O Himmel, welch' Entzücken!" Recitative "Das Auge schaut" Recitative and quartet

nomination for Best Latin Jazz Album. The album contains "an eight-section recitative scored for alto saxophone (Will Vinson), tenor saxophone (Seamus Blake)

8 – Aria of Porsenna, "Sai che piegar si vede" Scene 10 – Accompanied recitative for Orazio, "Che crudel sacrifizio" Scene 10 – Aria of Orazio, "Saper

opera have increased in frequency. Poulenc's writing for the voice is recitative-like in style, representing the natural inflections of speech and, in

g. in the first and fifth songs), and there is also extensive use of recitative, most obviously in the cello-baritone duet of the fourth song. The piece

Accompanied recitative for Ersilia, "Dove m'ascondo?" Act II, scene 6 - Aria of Ersilia, "Basta così, vincesti" Act II, scene 7 - Accompanied recitative for Romolo

Hoffnung erfülle euch Aria (alto): Glaub' und Hoffnung, Trost und Stärke Recitative (soprano): Weil wir nichts ohne dich vermögen Aria (soprano): Ihr Christen

che vi suonino' (Lisotta's recitative and aria from Act I) 'Alfin son sola ... Sola e mesta fra tormenti' (Eurilla's recitative and rondo from Act II) Wikimedia

breath praise the Lord (soprano and semi-chorus) Sing ye Praise (tenor recitative and aria) All ye that cried unto the Lord (chorus) I waited for the Lord

tone with a sinusoidal waveform Reciting tone, such as Psalm tone and recitative, as in Gregorian chants Tonality, a system of music based on a key "center"

link you can listen to the voice of Ivan Kozlovsky: Vladimir Dubrovsky's Recitative and Romance О дай мне забвенье - O dai mne zabvenye (O give me oblivion)

is the longest section, at nearly two minutes. In Section II, named "Recitative I", morbid measures for the electric organ are soon lightened by the guitar

Variations and Theme ('The Bonnie Earl o' Moray') for cello and piano (1974) Recitative and Air: In Memoriam Shostakovich for violin and piano (1976 arrangement

Miscellaneous Talk] Recitative]. 乐器圈 (in Chinese). 2015-04-20. Retrieved 7 April 2023. "[宣叙调和咏叹调区别]宣叙调的简介" [[Difference between recitative and aria] Introduction

Miscellaneous Talk] Recitative]. 乐器圈 (in Chinese). 2015-04-20. Retrieved 7 April 2023. "[宣叙调和咏叹调区别]宣叙调的简介" [[Difference between recitative and aria] Introduction

Francesca Cuzzoni respectively. Handel composed eight arias and two recitatives accompagnati for each singer, thus making full use of their vocal capabilities

terrenæ / Ah! non conturbate", recitative, aria, recitative "Alta gloria, cara vita! / Anhelo spe costante", aria, recitative "O auræ serenaæ / Ardeno suspiro

preparation for the third movement." The third movement begins with a recitative for the soloist, out of which a largo theme develops. The orchestra is

überwunden der Löwe Aria (bass): Gott stürzt den Hochmut des wütenden Drachen Recitative (soprano): Mensch, willt du nicht dein Heil verscherzen Aria (alto): Wenn

- Accompanied recitative for Bellerofonte, "Dell'indomita belva," with aria, "Di quei sassi" Act II, scene 14 - Accompanied recitative for Minerva, "Calma

revival in Znojmo took place in summer 2011. Act I, scene 2 - Accompanied recitative for Motezuma, "Dove son? Che m'avvene?," with cavatina, "Ah, numi tiranni"

of Licastro, "Chi d'un l'eterno affetto" Act I, scene 11 – Accompanied recitative for Adrasto, "Ah, chi provò del mio più acerbo affanno" Act I, scene 11

second Graham Foundation grant in 2016 for Methexis: The Algorithmic Recitative, a collaboration with Farzin Lotfi-Jam which was exhibited at MOCAD in

with chorus: "Howdy There" (5:32) 5. Recitative: "It Wasn't Long" (0:28) 6. III. My Heart (4:02) 7. Recitative: "When Oedipus Heard" (1:01) 8. VI. Chorale

the tone pleasant. The words are delivered as well as possible, both in recitative and the airs. I doubt whether Mr. Cummings be a great singer, yet he is

chorale fantasia in the opening movement, as an oboe line in an alto recitative, and in a four-part setting as the closing chorale. Reich, Werner (2001)

cut down to 3 minutes for the single, resulting in omitting the slower recitative Introduction, the omission of the first verse: "People say he won't come"

Nicola Francesco Haym. Today, the role is also often sung by countertenor. Recitative Vani sono i lamenti è tempo, o Sesto, ormai di vendicar il padre si svegli

"With changes in her voice which bring Miss Holiday's singing closer to recitative has come an occasional timidity about altering a melody where before there

French drama with ballet, the French song tradition, and a new form of recitative. Armide was one of Lully's last operas and is therefore extremely developed

basso continuo. The cantata has four movements: Chorus Tenor aria Alto recitative Bass aria Accepting the attribution to Bach, the Bach Gesellschaft published

Bardic schools during the mid 17th-century. It was a complex form of recitative designed to be chanted to the accompaniment of a harp. This poetry was

1947-64 [5]) Violin Concerto (1949, revised 1960) ([6]) Passacaglia, Recitative and Fugue for piano and orchestra (1957; played by John Ogdon in concert

05/06 (7): 12. Somei Satoh (Zen-On Contemporary Composers) Somei Satoh page from Lovely Music, Ltd. site Recitative recorded by Guy Klucevsek v t e v t e

Kōwakamai (幸若舞) is a Japanese recitative dance, originating in the 15th century and popular during the Sengoku and early Edo periods (late 16th to early

orchestra. Result: second prize. Recitative: Quel trouble te poursuit, malheureuse Herminie! Aria: Ah! si de la tendresse Recitative: Que dis-je? Aria: Arrête

Aria of Dircea, "Padre, perdona, o pene" Act I, scene 14 - Accompanied recitative for Timante, "Infelice Dircea" Act I, scene 14 - Cavatina of Timante,

recitative, once again in the operatic style. This is taken very freely with the clarinet and orchestra taking turns in playing. After the recitative

orchestra and then "constantly worked" in the soprano part. The only recitative, "Wir beten zu dem Tempel an" (We pray at your temple), is first accompanied

purify" 2:52 8. "Recitative-Alto: Behold, a virgin shall conceive" 0:31 9. "Air-Alto & Chorus: O thou that tellest" 6:15 10. "Recitative/Bass: For behold

Varner, Simone 4. Cavatine – Erneville 5. Recitative and Duet – Adelina and Erneville 6. Aria – Simone 7. Recitative and Aria – Adelina 8. Finale Lanza A.

with limbs as unwearied as their voices. One of their number leads in recitative, and the whole company respond in the chorus. The subject of the song

towards the end of 1994. In early 1995, Edsel released the single "Number 5 Recitative" on the label Jade Tree, although it was later re-recorded for the band's

— Recitative and Song (Levko, Hanna, Chorus) No.6 — Hopak (Kalenik, Maidens) No.7 — Trio and Chorus (Mayor, Levko, Hanna, Lads) No.8 — Recitative and

opera's underlying drama with its music." These composers abandoned the "recitative and set-piece structure" of earlier Italian opera. Instead, the operas

concertos, recitative and dialogue experiments (some of which look up to late Baroque works - for example, by using unprepared dissonance in the recitative Dum

Impromptu: Andante lento - 2 4. Originally the third movement was a 'Recitative and Aria'. There is another section marked 'quasi cadenza', again written

influences include four-part hymn and gospel music. There are also "quasi-recitative sections" and blues influenced parts of the cantata. Ballad focuses on

text of A Song for All Seas, All Ships is taken up ('Today a rude brief recitative..'). The second movement takes as its text On the Beach at Night Alone

The song parodies elements of opera with bombastic choruses, sarcastic recitative, and distorted Italian operatic phrases. Lyrical references include Scaramouche

multi-sectional works which include fugal writing, rhetorical flourishes, recitative, and aria-like movements as part of their structure. Beyond the Baroque

Gilbert and Sullivan and boasting a varied score including extensive recitative, choral commentary, marches, pastiches, elaborate contrapuntal passages

- 2:55 "Parallels" - 4:58 "Fire Dance" - 6:51 "Ritual Prayer" - 7:12 "Recitative" - 11:17 Keith Jarrett – piano Manfred Eicher – producer Kimion Oikawa

 1710). Meine Seele rühmt und preist First movement Fourth movement (Recitative) and fifth movement (Aria) Sung by Max Meili; conducted by Curt Sachs;

repeated throughout the composition. In the second movement, the viola plays recitative-like passages to chords in the piano. Towards the end, the well-known

Handel used in an overture written in Italy and a trio sonata 3 Adagio A recitative-like piece 4 Allegro Begins similarly to one of Handel's recorder sonata

also in aspects of the orchestration such as the theme of the trombone recitative at the Introduction. The roles of Roméo and Juliette are represented by

Biblical text from the Old Testament (OT) Recitative Aria Biblical text from the New Testament (NT) Aria Recitative Chorale: one or more stanzas from a Lutheran

strident brass. This theme intensifies throughout the opening movement, recitative. The next movement, adagio, features a sweeter sound in the strings with

(found in most other movements) makes the third movement come across as a recitative. The fourth movement of the cantata depicts a sea voyage bringing Nicolas

by Peter Askim (b. 1971); published by American Viola Society 2008 – Recitative for viola solo (2007) by Scott Slapin (b. 1974); published by Liben Music

two No. Title Writer(s) Length 1. "Prelude 970519"   0:39 2. "Iron Man Recitative" Ted Hughes, Townshend 3:39 3. "Tough Boys"   3:11 4. "Did You Steal My

diringah. The sections that make up the mugham composition are improvised recitative with melody, which determine the musical-poetic content of the work. These

K.480 for insertion into Francesco Bianchi's La villanella rapita 9 Recitative and aria "This is the one I'm seeking" Father "Alcandro, lo confesso"

Chorus: Also hat Gott die Welt geliebt Aria (soprano): Mein gläubiges Herze Recitative (bass): Ich bin mit Petro nicht vermessen Aria (bass): Du bist geboren

Told Despair Memory Dream Interlude Duet of Mr and Mrs Van Daan Thieves Recitative I Think of Peter On the Russian Front Razzia Loneliness Passacaglia Finale

Sepulchre No. 36 Recitative (Soprano) – Where have they laid Him No. 37 Aria (Soprano) – Lord, why hidest thy face? No. 38 Recitative – Why weepest thou