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searching for Rast (Turkish makam) 8 found (33 total)

Kemani Tatyos Ekserciyan (484 words) [view diff] no match in snippet view article find links to article

are the peşrevs in the Karcığar, Suznak, Rast makams (melodic form), the saz semais in the Hüseyni, Süznak, Rast makams and more than fifty songs in various

Turkish ney (1,024 words) [view diff] no match in snippet view article find links to article

the "pitch" (akord) of a ney is determined by the tone produced by its rast perde. For example, some refer to the note generated with all holes closed

Medhal (135 words) [view diff] no match in snippet view article find links to article

Medhal is an instrumental form in Turkish makam music or Ottoman classical music. The first piece in Medhal form was composed by Ali Rıfat Çağatay. Most

Buhurizade Mustafa Itri (476 words) [view diff] no match in snippet view article find links to article

Salât-ı Ümmiye Dilkeşhâveran Gece Salâtı Mâye Cuma Salâtı Segâh Mevlevi Ayini Rast Darb-ı Türkî Naat ve Sofyan Tevşih Nühüft Durak; Nühüft İlahî Nühüft Tevşih;

Tanburi Büyük Osman Bey (548 words) [view diff] no match in snippet view article find links to article

Nühüft Peşrev, [12], [13], [14] Nühüft Peşrev Devrikebir (28/4) Rast Saz Semaisi Rast Saz Semai Aksak Semai (10/8) Revnaknüma Saz Semaisi Revnaknüma Saz

53 equal temperament (2,922 words) [view diff] no match in snippet view article find links to article

Sayan. The name of this comma is Holder koması in Turkish. For instance, the Rast makam (similar to the Western major scale, or more precisely to the justly-tuned

Arabic maqam (2,409 words) [view diff] no match in snippet view article find links to article

Maqam Melisma Pizmonim The Weekly Maqam Taqsim Raga Harmonic minor Turkish makam Persian dastgah Touma 1996, pp. 38, 203 Touma 1996, p. 38 Touma 1996

Âşık Veysel (16,615 words) [view diff] no match in snippet view article find links to article

works prominently feature the descending melodic progression found in Turkish makam music. Refrains were ubiquitous in Veysel's poetry, musically characterized