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searching for Ragas & Talas 14 found (20 total)

alternate case: ragas & Talas

Baladeba Ratha (625 words) [view diff] case mismatch in snippet view article find links to article

songs in the tradition of Odissi music, employing unique traditional ragas & talas. His magnum opus Kisorachandrananda Champu is a cornerstone of the Odissi
Gaudiya Nritya (641 words) [view diff] case mismatch in snippet view article find links to article
expressed religious stories through songs written and composed to the ragas & talas of Gaudiya music by ancient poets, especially Vaishnavism. Gaudiya Nritya
Damodar Hota (525 words) [view diff] no match in snippet view article find links to article
1960s was groundbreaking in uncovering the historical roots, distinct ragas, talas, and lakshyanas of the music. A Top Grade artist of Doordarshan and All
Gita Govinda (1,713 words) [view diff] case mismatch in snippet view article find links to article
Puri, the Gitagovinda of Jayadeva is sung, set to traditional Odissi ragas & talas, such as Mangala Gujjari. Jayadeva mentions many ragas and talas unique
Odissi (6,456 words) [view diff] case mismatch in snippet view article find links to article
of Vaishnavism through songs written and composed according to the ragas & talas of Odissi music by ancient poets of the state. Odissi performances have
Jayadeva (1,544 words) [view diff] case mismatch in snippet view article find links to article
Puri, the Gitagovinda of Jayadeva is sung, set to traditional Odissi ragas & talas, such as Mangala Gujjari. This tradition has continued unbroken since
Champu (704 words) [view diff] case mismatch in snippet view article find links to article
of Radha and Krishna's romance in 34 Odissi songs set to different ragas & talas. The Champu is one of the most important works of Odissi music. Prahlādacharita
Mahari dance (834 words) [view diff] case mismatch in snippet view article find links to article
please him. The Gita Govinda is ritually sung according to traditional ragas & talas of Odissi music, the traditional classical music of the state of Odisha
Prahallada Nataka (1,166 words) [view diff] case mismatch in snippet view article find links to article
the songs are classical, based on Odissi music and employ traditional ragas & talas unique to the Odissi tradition. Dhyana-shlokas of the respective ragas
Odissi music (4,838 words) [view diff] case mismatch in snippet view article find links to article
deity, the Gitagovinda of Jayadeva is sung, set to traditional Odissi ragas & talas. This tradition has continued unbroken since the time of Jayadeva, who
Indian Music Experience Museum (475 words) [view diff] no match in snippet view article find links to article
Focuses on fundamental concepts of Hindustani classical music, including ragas, talas, and various gharanas Contemporary Expressions: Showcases modern Indian
Thanjavur Nayak kingdom (3,668 words) [view diff] no match in snippet view article find links to article
master in horse riding. In the field of music, Raghunatha created new ragas, talas, and melas like Jayanta sena (Ragam), Ramananda (Talam), Sargita vidya
Maithili language (4,033 words) [view diff] no match in snippet view article find links to article
Rāgatarangni, a significant treatise on the science of music, describing the rāgas, tālas, and lyrics prevalent in Mithila. During the Malla dynasty's rule Maithili
Indian classical music (6,589 words) [view diff] exact match in snippet view article find links to article
two thousand years, authentic sangita-shastras or treatises, unique Ragas & Talas and a distinctive style of rendition. The various aspects of Odissi