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searching for Norman Bryson 21 found (27 total)

Still Life with Lemons, Oranges and a Rose (420 words) [view diff] exact match in snippet view article find links to article

The human beings to whom they apparently belong have no place here. Norman Bryson writes: Lemons, Oranges, Cup and a Rose shows a visual field so purified

Michael Ann Holly (609 words) [view diff] exact match in snippet view article find links to article

(Editor, with Norman Bryson and Keith Moxey) Visual Theory: Painting and Interpretation. (Harper Collins, 1991). (Editor, with Norman Bryson and Keith Moxey)

Parkett (767 words) [view diff] exact match in snippet view article find links to article

Klauss Kertess, G. Roger Denson, T. J. Clark, Hans-Ulrich Obrist, Norman Bryson, and Laura Cottingham. Since its inception, the editor-in-chief of Parkett

Joachim Beuckelaer (1,439 words) [view diff] exact match in snippet view article find links to article

England Private Collections, Univ of Massachusetts Press, 1983, pp. 16–19 Norman Bryson, Looking at the Overlooked: Four Essays on Still Life Painting, Reaktion

Perceptual art (465 words) [view diff] exact match in snippet view article find links to article

it forms an innate relationship between the artist and philosopher. Norman Bryson discussed perceptualism in terms of optical truth, as opposed to constructivist

Juan Sánchez Cotán (1,243 words) [view diff] exact match in snippet view article find links to article

to a degree that no other seventeenth-century painter would surpass. Norman Bryson describes Sánchez Cotán's spare representations as abstemious images

CINOA Prize (378 words) [view diff] exact match in snippet view article find links to article

Aitken, France: Les Peintres et le Théatre autour de 1900 à Paris 1980 - Norman Bryson, England: Paintings as Signs: Word and Image in French Painting of the

Susanne Kappeler (405 words) [view diff] exact match in snippet view article find links to article

Frauenoffensive, 1994. ISBN 978-3-88104-246-8 Teaching the Text co-ed. with Norman Bryson. Routledge, 1983. ISBN 978-0-7100-9412-4 Writing and Reading in Henry

Mark Cheetham (305 words) [view diff] exact match in snippet view article find links to article

University Press (Cambridge New Art History and Criticism series, ed. Norman Bryson), 1991. La Mémoire Postmoderne: Essai sur l’art canadien postmoderne

Shipping (fandom) (6,079 words) [view diff] exact match in snippet view article

Among the Women." New York Times Sunday Book Review, November 16, 1986. Norman Bryson; Michael Ann Holly & Keith P. F. Moxey (1994). "Feminism, Psychoanalysis

Sue Golding (620 words) [view diff] exact match in snippet view article find links to article

(Maastricht) from 1998-2003, working with artist Steve McQueen, art historian Norman Bryson and philosopher-artist Sarat Marharaj. Publication. Archived.janvaneyck

Kirk/Spock (4,283 words) [view diff] exact match in snippet view article find links to article

Cultures. {{cite journal}}: Cite journal requires |journal= (help) Norman Bryson; Michael Ann Holly; Keith P. F. Moxey (1994). "Feminism, Psychoanalysis

Gao Jianfu (1,065 words) [view diff] exact match in snippet view article find links to article

Greenwood Press. pp. 8–9. ISBN 978-0-313-32153-5. Minglu, Gao, and Norman Bryson. Inside Out: New Chinese Art. San Francisco: San Francisco Museum of

Emmanuelle (1974 film) (3,017 words) [view diff] exact match in snippet view article

2011. p.305 Shipka, 2011. p.306 Shipka, 2011. p.215 Joshua S. Mostow; Norman Bryson; Maribeth Graybill (2003). Gender and power in the Japanese visual field

Homosexuality in Japan (6,600 words) [view diff] exact match in snippet view article find links to article

gender of wakashu and the grammar of desire", in Joshua S. Mostow; Norman Bryson; Maribeth Graybill, Gender and power in the Japanese visual field, University

Cutie Honey (6,349 words) [view diff] exact match in snippet view article find links to article

Evolution of the Shōjo in 1990s Visual Culture". In Joshua S. Mostow; Norman Bryson; Maribeth Graybill (eds.). Gender and Power in the Japanese Visual Field

Paula Modersohn-Becker (4,472 words) [view diff] exact match in snippet view article find links to article

dissertation, Harvard University, 1993 (readers: Konrad Oberhuber and Norman Bryson). UMI 93–31,015 Diane Radycki: "Pictures of Flesh: Modersohn-Becker

History of rape (6,384 words) [view diff] exact match in snippet view article find links to article

14-15. Staples, From Good Goddess to Vestal Virgins, p. 164, citing Norman Bryson, "Two Narratives of Rape in the Visual Arts: Lucretia and the Sabine

Ink wash painting (10,123 words) [view diff] exact match in snippet view article find links to article

original on 10 January 2015. Retrieved 27 January 2015. Gao Minglu, and Norman Bryson. Inside Out: New Chinese Art. San Francisco: San Francisco Museum of

Asakawa brothers (576 words) [view diff] exact match in snippet view article find links to article

ceramics". The Japan Times. Retrieved 2024-02-21. Joshua S. Mostow, Norman Bryson, Maribeth Graybill.Gender and power in the Japanese visual field. University

Sexuality in ancient Rome (34,866 words) [view diff] exact match in snippet view article find links to article

for sheep in 1.3.45; by Propertius, 2.34b. Staples, p. 164, citing Norman Bryson, "Two Narratives of Rape in the Visual Arts: Lucretia and the Sabine