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searching for Musical nationalism 45 found (101 total)

alternate case: musical nationalism

Chacarera (1,086 words) [view diff] no match in snippet view article find links to article

The Chacarera is a dance and music that originated in Santiago del Estero, Argentina. It is a genre of folk music that, for many Argentines, serves as
National symbols of Bangladesh (1,350 words) [view diff] no match in snippet view article find links to article
This article contains Bengali text. Without proper rendering support, you may see question marks, boxes, or other symbols. The national symbols of Bangladesh
Manuel Saumell (721 words) [view diff] exact match in snippet view article find links to article
first to cultivate Cuban musical nationalism, and is of similar standing to Glinka who initiated Russian musical nationalism with A Life for the Tsar
Music of Mexico (6,069 words) [view diff] case mismatch in snippet view article find links to article
and Vaughan, "Mestizaje and Musical Nationalism in Mexico", p. 96 Velázquez and Vaughan, "Mestizaje and Musical Nationalism in Mexico", pp. 100, 103 B
Arnold van Wyk (2,955 words) [view diff] no match in snippet view article find links to article
Arnoldus Christiaan Vlok van Wyk (26 April 1916 – 27 March 1983) was a South African art music composer, one of the first notable generation of such composers
Francisco Llácer Pla (301 words) [view diff] exact match in snippet view article find links to article
Marco wrote: Llácer Pla offers a new, suggestive vision of a form of musical nationalism from a new, progressive perspective. A professor at the Valencia
Kundiman (1,476 words) [view diff] case mismatch in snippet view article find links to article
to shed tears." Dr. Francisco Santiago, the "Father of Filipino Musical Nationalism", declared in 1931 that the kundiman "is the love song par excellence
Malcolm MacDonald (music critic) (1,207 words) [view diff] exact match in snippet view article
Swiss Composers, and another on Scottish composers to a symposium on musical nationalism in Great Britain and Finland. He also compiled catalogues of the
Felipe Padilla de León (853 words) [view diff] case mismatch in snippet view article find links to article
(2019). "Zeitgeist through the Eyes of Felipe P. De Leon (1912-1992): Musical Nationalism and the Cultural Environment of the 1930s" (PDF). Unitas Journal
Brazilian art (3,018 words) [view diff] exact match in snippet view article find links to article
Brecheret; and music by Heitor Villa-Lobos, the leader of a new musical nationalism, among many others. The Week not only introduced to a wider public
Harpsichord Concerto (Falla) (1,122 words) [view diff] case mismatch in snippet view article
Paris-Sorbonne. ISBN 2-84050-142-2. Mayer-Serra, Otto. 1943. "Falla's Musical Nationalism". The Musical Quarterly 29, no. 1 (January): 1–17. Nommick, Yvan
Redes (soundtrack) (614 words) [view diff] case mismatch in snippet view article
(Winter 2009): 127–144. Mayer-Serra, Otto. "Silvestre Revueltas and Musical Nationalism in Mexico". The Musical Quarterly 27, no. 2 (April 1941): 123–145
Song of Norway (film) (1,436 words) [view diff] case mismatch in snippet view article
February 6, 1970. p. 2. Stewart, James (June 20, 2016). "Timeline: Musical Nationalism". Vermont Public Radio. Vermont Public Radio. Retrieved October 29
Alcancías (740 words) [view diff] case mismatch in snippet view article find links to article
University of Arizona. Mayer-Serra, Otto. 1941. "Silvestre Revueltas and Musical Nationalism in Mexico". The Musical Quarterly 27, no. 2 (April): 123–145. Paraskevaídis
Homenaje a Federico García Lorca (738 words) [view diff] case mismatch in snippet view article find links to article
(Autumn–Winter): 278–296. Mayer-Serra, Otto. 1941. "Silvestre Revueltas and Musical Nationalism in Mexico". The Musical Quarterly 27, no. 2 (April): 123–145. Sanchez-Gutierrez
List of compositions by Viktor Kosenko (2,840 words) [view diff] exact match in snippet view article find links to article
may be considered post-romantic, containing eclectic elements of musical nationalism. Although a particular folk song has never been directly cited in
Cuauhnáhuac (2,202 words) [view diff] exact match in snippet view article find links to article
clear that Mexican critics, performers, and the public favoured a musical nationalism based on popular rather than imagined pre-Columbian styles. When
Colorines (819 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-970-18-8409-6. Mayer-Serra, Otto (April 1941). "Silvestre Revueltas and Musical Nationalism in Mexico". Musical Quarterly. 27 (2): 123–145. doi:10.1093/mq/XXVII
Gerard Béhague (1,331 words) [view diff] case mismatch in snippet view article find links to article
Publishers (distributor). Béhague, Gerard H. (1971), "The Beginnings of Musical Nationalism in Brazil", Detroit: Information Coordinators, Inc. Béhague, Gerard
Sensemayá (938 words) [view diff] case mismatch in snippet view article find links to article
October 2015). Mayer-Serra, Otto. 1941. "Silvestre Revueltas and Musical Nationalism in Mexico." Musical Quarterly 27:123–45. Rodríguez, Nilo. 1974. "Guillén
Silvestre Revueltas (1,766 words) [view diff] case mismatch in snippet view article find links to article
University of Oregon. Mayer-Serra, Otto. 1941. "Silvestre Revueltas and Musical Nationalism in Mexico." The Musical Quarterly 27:123–145. Moreno Rivas, Yolanda
Cloudy Sunday (393 words) [view diff] case mismatch in snippet view article find links to article
of the Hellenic Diaspora. 3 (4): 17–28. Ordoulidēs, Nikos (2021). Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music. New
Juan Bautista Plaza (281 words) [view diff] case mismatch in snippet view article find links to article
Marie Elizabeth Labonville (12 July 2007). Juan Bautista Plaza and Musical Nationalism in Venezuela. Indiana University Press. ISBN 978-0-253-11696-3. Retrieved
Classical guitar (7,906 words) [view diff] exact match in snippet view article find links to article
miniatures. This was part of late 19th century mainstream European musical nationalism. Albéniz and Granados were central to this movement; their evocation
El Curruchá (336 words) [view diff] case mismatch in snippet view article find links to article
Marie Elizabeth Labonville (12 July 2007). Juan Bautista Plaza and Musical Nationalism in Venezuela. Indiana University Press. ISBN 978-0-253-11696-3. Retrieved
Fortaleza (6,908 words) [view diff] exact match in snippet view article find links to article
classical music in Brazil, a pioneer in the development of the country's musical nationalism, and therefore considered the "founder of Brazilian music". The Alberto
Cristóbal Oudrid (8,685 words) [view diff] exact match in snippet view article find links to article
premiered at Teatro de la Cruz in 1847. As a founding father of Spanish musical nationalism, he was instrumental in bringing the zarzuela to a national status
Ventanas (Revueltas) (1,340 words) [view diff] case mismatch in snippet view article
University of Arizona. Mayer-Serra, Otto. 1941. "Silvestre Revueltas and Musical Nationalism in Mexico". The Musical Quarterly 27, no. 2 (April): 123–145. Saavedra
Héctor Campos Parsi (1,002 words) [view diff] case mismatch in snippet view article find links to article
2010. Diaz Diaz, Edgardo. “Puerto Rican Affirmation and Denials of Musical Nationalism: the cases of Hector Campos Parsi and Rafael Aponte Ledeé,” in Latin
Jesús Guridi (1,398 words) [view diff] exact match in snippet view article find links to article
inspiration of the melodies. He was one of the main creators of the musical nationalism in Euskadi and Spain. These are some of his most important works:
Riccardo Bartoloni (391 words) [view diff] case mismatch in snippet view article find links to article
2020. Labonville, Marie Elizabeth (2007). Juan Bautista Plaza and Musical Nationalism in Venezuela. Indiana University Press. pp. 50–51. ISBN 9780253116963
Luis Cluzeau Mortet (226 words) [view diff] exact match in snippet view article find links to article
1888 Uruguay Died September 28, 1957(1957-09-28) (aged 68) Genres Musical nationalism Occupation(s) Musician, Composer, Director and Professor Instrument(s)
Esquinas (1,462 words) [view diff] case mismatch in snippet view article find links to article
University of Arizona. Mayer-Serra, Otto. 1941. "Silvestre Revueltas and Musical Nationalism in Mexico". Musical Quarterly 27, no. 2 (April): 123–45.
El retablo de maese Pedro (3,162 words) [view diff] case mismatch in snippet view article find links to article
also available on CD. Mayer-Serra, Otto (January 1943). "Falla's Musical Nationalism". The Musical Quarterly. XXIX (1): 1–17. doi:10.1093/mq/XXIX.1.1
Woodland Sketches (2,195 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-0-52145-4292. Crawford, Richard (1996). "Edward MacDowell: Musical Nationalism and an American Tone Poet". Journal of the American Musicological
Badajoz (9,691 words) [view diff] exact match in snippet view article find links to article
Cristóbal Oudrid (1825–1877), one of the founding fathers of Spanish musical nationalism, was born in Badajoz, son of the resident military bandmaster. Rosa
Guillermo Morphy (883 words) [view diff] exact match in snippet view article find links to article
aesthetic principles, including his regenerationist agenda and his musical nationalism. He also extended invitations to some of the most relevant international
Music of the United States (15,008 words) [view diff] exact match in snippet view article find links to article
more refined or elegant, while others have pushed for a sense of musical nationalism that celebrates distinctively American styles. Modern classical music
Felipe de Jesús Villanueva Gutiérrez (680 words) [view diff] exact match in snippet view article find links to article
Villanueva Gutiérrez as one of the outstanding precursors of Mexican musical nationalism of century XIX. A time when the Mexican waltz was distinguished by
Latin American culture (10,422 words) [view diff] case mismatch in snippet view article find links to article
|title= (help) Marco Velázquez and Mary Kay Vaughan, "Mestizaje and Musical Nationalism in Mexico" in The Eagle and the Virgin: Nation and Cultural Revolution
Music of Cuba (28,144 words) [view diff] exact match in snippet view article find links to article
Ignacio Cervantes, whose forty-one danzas cubanas were a landmark in musical nationalism. This type of dance was eventually replaced by the danzón, which
Gabriel Pareyon (2,630 words) [view diff] exact match in snippet view article find links to article
Music Can Signify Politics in the Postmodern Era” (Helsinki, 2011): “Musical nationalism, and postmodern corporatism equally play a role in colonisation and
José Pablo Moncayo (4,908 words) [view diff] case mismatch in snippet view article find links to article
sobre el nacionalismo musical mexicano (Thoughts about the Mexican Musical Nationalism). Mexico City: Editorial Patria. Alcaraz, José Antonio. 1998a. En
Union–Miles Park (20,473 words) [view diff] case mismatch in snippet view article find links to article
Paul (2009). Robert Ward's 'The Crucible': Creating an American Musical Nationalism. Lanham, Md.: Scarecrow Press. ISBN 9780810863507. Krejci, William
Timeline of music in the United States (1880–1919) (14,177 words) [view diff] exact match in snippet view article
Conservatory in New York. He becomes a fierce advocate for cultural and musical nationalism, and is very interested in American music incorporating African American