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searching for Lydia Mendoza 8 found (315 total)

Azteca Records (293 words) [view diff] exact match in snippet view article find links to article

known as Dueto Azteca." Strachwitz, Chris; Nicolopulos, James (1993). Lydia Mendoza: A Family Autobiography. Houston, TX: Arte Público Press, University

Jaula de oro (song) (411 words) [view diff] exact match in snippet view article

2013 film The Golden Dream. Yolanda Broyles-González La Historia de Lydia Mendoza: Norteno Tejano Legacies Page 189 - 2003 "This explains, for example

Music from The American Epic Sessions: Original Motion Picture Soundtrack (2,910 words) [view diff] exact match in snippet view article find links to article

"One Hour Mama" Porter Grainger Rhiannon Giddens 3:06 10. "Mal Hombre" Lydia Mendoza Ana Gabriel 3:35 11. "El Cascabel" Lorenzo Barcelata Los Lobos 2:24

Yolanda Broyles-Gonzalez (404 words) [view diff] exact match in snippet view article find links to article

Her most recent book is Lydia Mendoza’s Life in Music/La Historia de Lydia Mendoza and focuses on her as a traditional performer of tejano music. Broyles-Gonzalez's

Óscar Martínez (musician) (1,640 words) [view diff] exact match in snippet view article

Guerero, Los Unicos, Ruben and Alfonso Ramos, Tony “Ham” Guerrero, Lydia Mendoza, Freddie Martinez and Manny Guerra were also honored that evening. •

Rosita Fernández (1,564 words) [view diff] exact match in snippet view article find links to article

work as a middle-class performer over becoming an elite, this made her Lydia Mendoza more stardom. Rosita Fernandez was a conservatist for the cultures of

Murder of José Campos Torres (3,399 words) [view diff] exact match in snippet view article find links to article

2017. Mendoza, Lydia; Nicolopulos, James; Strachwitz, Chris (1993). Lydia Mendoza a Family Autobiography (in Spanish). Houston, Tex.: Arte Público. p

The American Epic Sessions (6,063 words) [view diff] exact match in snippet view article find links to article

performance in Spanish by Ana Gabriel on a song originally done by Lydia Mendoza; Taj Mahal’s powerhouse take on Charley Patton’s “High Water Everywhere”;