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before anybody knew Lakers guard Earvin "Magic" Johnson was HIV+. Rita Kempley, in her film review in The Washington Post, pointed to this scene as proof

by Original air date 89 1 "Hollywood" Jerry Paris Joe Glauberg & Walter Kempley September 13, 1977 (1977-09-13) 90 2 91 3 "Hollywood: Part 3" Jerry Paris

said the film "is so sharp and funny it should appeal to all ages". Rita Kempley of The Washington Post described it as "more fun than you ever thought

his mother, Marie, and even Elvis himself." The Washington Post's Rita Kempley wrote, "With such fruity writing, what do overacting and miscasting (Jay

pleasant moments when compared to the performance of Tom Arnold. Rita Kempley of The Washington Post, emphasizes that in contrast to the character of

that "the character [...] has been almost completely trimmed out." Rita Kempley of the Washington Post criticized the "melodrama and speechy, preachy dialogue"

too much time with the Aunt and not enough with the Scriptwriter." Rita Kempley, also of The Washington Post, was more positive about the film: "A tri-layered

She died on. 3 April 1716 aad he married secondly to Cassandra Pindar of Kempley, Gloucestershire. Pacey owned property in Boston. He was Mayor of Boston

plot." The Washington Post's film critics Rita Kempley and Desson Howe reviewed the film positively. Kempley said, "A riot from start to finish, Carrey's

charming children's crusade – a rewarding journey for all ages". Rita Kempley of the Washington Post said that "the movie is alternately grim and lyrical"

reviews from 19 critics, indicating "generally favorable reviews". Rita Kempley of The Washington Post wrote: "It's the individual characters, so carefully

chauvinist fiance with a good deal of arrogant charm. In contrast, Rita Kempley, staff writer at The Washington Post panned the film, writing, "Ally Sheedy

place on its list of the 15 Greatest Lesbian Movies of All Time. Rita Kempley of The Washington Post wrote "Go Fish hasn't got an agenda unless it's

Field is a movie that all too often reveals its origins as a play." Rita Kempley of The Washington Post wrote: "Sheridan seems out in left field here, undone

memories) as "especially annoying", apparently regarding it as comic. Rita Kempley of The Washington Post called the film "a tidy parable of '90s sanctimony"

air date 116 117 1 2 "Westward Ho!: Parts 1 and 2" Jerry Paris Walter Kempley September 12, 1978 (1978-09-12) The dude ranch operated by Marion's Uncle

a tense and suspenseful love story with Hitchcockian overtones." Rita Kempley in The Washington Post, on the other hand, called the movie "baffling."

contrast, Rita Kempley of The Washington Post compared Rob Roy negatively to the action films Death Wish (1974) and First Blood (1982). Kempley disliked the

Margot Kidder, and Maurice Godin. Writing in The Washington Post, Rita Kempley described it as "a suburban gothic fairy tale, a work of dark, conflicted

but less ambitious films, yet it could have been so much better." Rita Kempley of The Washington Post called it "stupefyingly idiotic ... a calamity of

surveyed by CinemaScore gave the film a grade "A−" on scale of A to F. Rita Kempley, writing for The Washington Post, called it "pure joy, a lemon-fresh spoof

called it "muddled" and criticized the number of product placements. Rita Kempley of The Washington Post wrote that the film does not live up to Stallone's

sergeant — you want to wipe that stupid grin off Sandler's face". Rita Kempley of The Washington Post said the film was trying to be "A more kid-friendly

complex logistics of movie making, nor inflated to justify them". Rita Kempley of The Washington Post thought the film was "an endearing adaptation" and

their Eclipse series, and 2009's AK 100: 25 Films by Akira Kurosawa. Rita Kempley of The Washington Post called One Wonderful Sunday "stylistically excessive

which "continues to delight." In her review in The Washington Post, Rita Kempley, giving it a mixed review, wrote that the film "isn't as passionate as

impact of the scenes shot on location in Vietnam, are all striking.“ Rita Kempley of The Washington Post found the transformation of Camille from a naive

"clearly Cosby, as star, producer and idea man, is the auteur here." Rita Kempley of The Washington Post stated: "Cosby looks woebegone all movie long. He

its ambitions reach much beyond that", and gave it a 2-star rating. Rita Kempley of The Washington Post described the film as 'Steven Brill, who has a small

episode of Twin Peaks without the self-conscious weirdness". Meanwhile, Rita Kempley criticized the film, writing: "As tales of sex and sinfulness go, Soderbergh's

CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Rita Kempley of The Washington Post called it "your worst nightmare" but stated that

Angeles Times. Part VI, p. 1. Kempley, Rita (May 28, 1982). "'Rocky III': Punched Out". The Washington Post. Weekend, p. 13. Kempley, Rita (May 28, 1982). "'Rocky

2019-12-16. "Sling Blade - Official Site". Miramax. Retrieved 2021-01-01. Kempley, Rita (March 23, 1996). "Who Is That Guy?". Washington Post. Pristin, Terry

New England pastimes, even suffering begins to look picturesque." Rita Kempley of The Washington Post described the film as "thirtysomething in needlepoint"

it as "gooey sentiment and melodrama", playing on Gibson's name. Rita Kempley from the Washington Post dismissed the film as "A pablum of schmaltz and

virtues it has existed in the sociological sphere, not the aesthetic." Rita Kempley of The Washington Post said, "Part soap opera and part propaganda, this

never quite materialize". In her review for the Washington Post, Rita Kempley wrote, "What's meant to be a cohesive family portrait, a suffering American

by CinemaScore gave Beethoven a grade of A. The Washington Post's Rita Kempley praised the film as a "a waggish tale of canine chicanery, an uproarious

grotesque topical humor, sexual innuendo and rock ‘n’ roll sound bites." Rita Kempley of The Washington Post wrote negatively of the film and said De Mornay

you can get beyond that bogus ape look." The Washington Post critic Rita Kempley called it "a heart-yanking family yarn that resembles a simian adaptation

Times praised the performances, but thought the film predictable. Rita Kempley of The Washington Post denounced the film, saying "Jagged Edge is not entertainment

boys and "maybe the 16-year olds, if they aren't yet too fussy". Rita Kempley of The Washington Post wrote, "Unbelievably, John Hughes, the maker of

courtroom cliches, surrounding a good performance that doesn't fit." Rita Kempley of The Washington Post called the film "a consistent character study, paced

Post critics Rita Kempley and Paul Attanasio both enjoyed the film, despite its perceived sentimentalism and lack of originality. Kempley wrote, "Even though

you can get beyond that bogus ape look." The Washington Post critic Rita Kempley called it "a heart-yanking family yarn that resembles a simian adaptation

viewers: They'll wish it were better, yet still be glad it was made." Rita Kempley wrote in The Washington Post: "Jane Smiley's novel A Thousand Acres has

to match Atom Egoyan...". However, not all reviews were positive. Rita Kempley of The Washington Post said, "[Egoyan's] approach remains far too cerebral

nuances. And it wants all of these things to happen at the same time." Rita Kempley of The Washington Post was even more harsh, writing, "Eliot called April

Bound, the Wachowskis were compared by many to the Coen Brothers. Rita Kempley for The Washington Post went so far as to call them "Coen Brothers clones"

brothers to films like East of Eden and Giant. On the other hand, Rita Kempley of The Washington Post stated that the film's "yarn doesn't so much sweep

so I hate to even stir the waters by detailing how inept it is." Rita Kempley of The Washington Post said, "(Screenwriter) Goldman ... just happens to

for a scintillating bad movie." In contrast, The Washington Post's Rita Kempley loved the film, calling it: "a heart-stopping, breathtakingly sumptuous

Washington Post was just as tough on Nava and Thomas. Film critic Rita Kempley said, "Hurt's role as a vengeful psycho churns up this laughable purple

previous three sequels but that the jokes were still "nothing special." Rita Kempley of The Washington Post called it a "fifth-rate rehash of the rather wonderful

characters express their pain as if they were writing greeting cards." Rita Kempley of The Washington Post wrote that "for all the moonlight and magic, the

will cross the screen and the emotional connection is restored." Rita Kempley of The Washington Post panned the film as "a cynical, sexist and shallow

unveil life's inner meaning as the tale trudges toward resolution." Rita Kempley, in her review for The Washington Post, wrote, "Ron Howard still thinks

is pleasurable. All that lingers from it is the color of money." Rita Kempley of The Washington Post noted, "The trouble is, we don't really much care

fine English farce about provincial seediness. It can't be done." Rita Kempley of The Washington Post observed, "The performers all seem to be relishing

puckishness into his role" and being "suitably manic and evil." And while Rita Kempley of The Washington Post wrote "what's most fascinating about it is Rae's

the satirical edge of a film like Elaine May's The Heartbreak Kid." Rita Kempley of The Washington Post called the film "a sluggish but thoughtful comedy"

enlivens scenes that are technologically driven and potentially deadly. —Rita Kempley, writing for The Washington Post Mick LaSalle, writing for the San Francisco

bombarded with questions about his inclusion as a character in the film. Rita Kempley of the Post also reported that the Cannes reception "recalled a hive of

smart as the kids in it." In her review for The Washington Post, Rita Kempley wrote, "Many of the scenes, already badly written, fail to fulfill their

by Original air date 89 1 "Hollywood" Jerry Paris Joe Glauberg & Walter Kempley September 13, 1977 (1977-09-13) 90 2 A couple of Hollywood talent scouts

was." On her review of the film, The Washington Post film critic Rita Kempley described Bodison as an "impressive non-actor". On his review, Hartford

plastic), you have reason enough to give 'Two of a Kind' a wide berth." Rita Kempley of The Washington Post wrote, "The acting's not all that bad, but the script

100, based on 15 critics, indicating "generally favorable" reviews. Rita Kempley of The Washington Post gave the film a positive review, but wrote of Cage's

Critics Association Awards in the category of "Most Promising Actor". Rita Kempley from The Washington Post wrote: "Book of Love is a mild-mannered foray

calling it "a lurid mess, a Southern gumbo simmering in Gothic cliche." Rita Kempley of The Washington Post criticized the film for playing up its "critical

Streep's performance is risky and masterful." In The Washington Post, Rita Kempley said, "Streep – yes, with another perfect accent – brings her customary

settings are pretty. The music is slick". In The Washington Post, Rita Kempley called the film "Barbra Streisand's latest folly" and added, "Although

divorced in 1915. Two years later, he married his second wife, Elizabeth Kempley Reynolds (1894–1974). Elizabeth Hapgood, who spoke fluent Russian, was

homosexuality in a "mainstream" comedy about "Middle America," which, Rita Kempley Howe wrote in The Washington Post, "manages to simultaneously flaunt and

performances from grownups Dianne Wiest, Kathy Baker and Alan Arkin." Rita Kempley, also writing for The Washington Post, praised the film: "Enchantment on

over-reaching attempt to give his family a perfect, old-fashioned Christmas." Rita Kempley of The Washington Post gave the film a positive review explaining that

called it "utterly flat." In her review for The Washington Post, Rita Kempley wrote: Sooner or later a man of invention will pollute paradise, a grand

young, undereducated parent". In her review for The Washington Post, Rita Kempley criticized Barrymore's performance: "Barrymore, a delightful comic actress

40% based on 20 reviews, with an average rating of 4.4/10. Critics Rita Kempley and Desson Howe of The Washington Post wrote positively of the film, citing

over the age of 6, the film is as much fun as wearing wet sneakers". Rita Kempley, for The Washington Post, gave it a mixed review (6/10) saying: "Short

coffee." In her review in The Washington Post, Rita Kempley called the film "mushy" and "pockey". Kempley reduces the director's efforts to "a gym teacher's

live-action cartoon, utterly implausible but no less enjoyable for that". Rita Kempley of The Washington Post wrote: "Blue Thunder hovers just this side of trash

with a taste for something off the beaten track—but not too far." Rita Kempley of The Washington Post called the film "a fast-paced, futuristic purée

"most of its takeoffs ... show no feel for genre and no genuine wit." Rita Kempley of The Washington Post called the film "wonderfully silly" and a "zippy

the film as "glam-opera" and "the MTV version of gothic romance". Rita Kempley of the Post recognized the "heavy drama", writing that the film "sets new

as good as any of these". In her review for The Washington Post, Rita Kempley wrote "Overall the film seems a little flat, a little stale. The clouds

of emotion that comes as a real surprise in these surroundings." Rita Kempley, in her review for The Washington Post, called the film, "noodle-headed

a sense of "real terror". In her review for the Washington Post, Rita Kempley wrote: "It seems [De Jarnatt]'s not committed to his story or his characters

means to be a . . . Marine." Another Washington Post staff writer, Rita Kempley, offered a different view, commenting that it was "always fun to see misguided

means to be a . . . Marine." Another Washington Post staff writer, Rita Kempley, offered a different view, commenting that it was "always fun to see misguided

personal best. It's great fun to ride along with him." Left impressed, Rita Kempley also writing in The Washington Post, surmised how the filmed contained

as good as any of these". In her review for The Washington Post, Rita Kempley wrote "Overall the film seems a little flat, a little stale. The clouds

coffee." In her review in The Washington Post, Rita Kempley called the film "mushy" and "pockey". Kempley reduces the director's efforts to "a gym teacher's

critics' reviews are positive, with an average rating of 3.8/10. Rita Kempley wrote in The Washington Post that "when it comes to yuletide cheer, All

yet another paired review of both films for The Washington Post, Rita Kempley dismissed them as 'pandering and exploitative'; she described Lambada as

audience wondering why they don't simply fall into each other's arms." Rita Kempley in The Washington Post wrote: "In its odyssey from stage to screen, Frankie

as though it were an old episode of Mystery Science Theater 3000." Rita Kempley of The Washington Post wondered why "there's no volcano in "Volcano"?.

Richard Corliss of Time referred to the film as "exuberantly original". Rita Kempley of The Washington Post gave a positive review, stating that it was "the

film premiered theatrically in New York City on October 12, 1989. Rita Kempley of The Washington Post gave the film a negative review and called it "an

is to know just how stirringly lovely a children's film can be. Rita Kempley of The Washington Post called the film Cuarón's "dazzling North American

turnings, or the whole project dies. And Wilby lets no one down." Rita Kempley in The Washington Post conceded that the film was "well acted" but found

I wanted them to live happily ever after. The sooner the better." Rita Kempley of The Washington Post wrote, "Director Michael Hoffman, whose idiosyncratic

Launched Her Career". The Hollywood Reporter. Retrieved 28 June 2021. Kempley, Rita (15 October 1989). "Everyday of Bill Forsyth". Washington Post. Retrieved

pictures of 1989. The reviewers at The Washington Post were unimpressed: Rita Kempley called the film "dumber-than-a-bowling-ball" and questioned its mass appeal;

A+ to F scale. The reviewers for The Washington Post were split: Rita Kempley enjoyed the film, saying that it had "the dismal irony of RoboCop and the

Critical reception for Jean de Florette was almost universally positive. Rita Kempley, writing for The Washington Post, compared the story to the fiction of

the leads, calling the buildup to their sex scene "excruciating". Rita Kempley, writing in The Washington Post, called the film "an implausible psycho

the full, complex picture until the final scene". His colleague, Rita Kempley, called the film "a magnificent melodrama that draws both tears and laughter

come very close to love". In her review for The Washington Post, Rita Kempley wrote "In this funny, philosophical salute to B-movies and the B-moguls

release in the United States. In her review in the Washington Post, Rita Kempley called it "a comedy of marvels great and small, proves a timely answer

and many of the jokes are recycled from his earlier, better work." Rita Kempley of The Washington Post called it "a pointless and untimely lampoon of Robin

barrel. Fashion is too self-conscious to be skewered so casually". Rita Kempley of The Washington Post called the film "a mess" that was "most compelling

a poem that doesn't quite sing, a painting with a color missing." Rita Kempley of The Washington Post called it "a reasonably enjoyable romantic thriller"

to fool everyone around her with his charismatic, good-guy facade. Rita Kempley, writing for The Washington Post, assessed the film a "sour, listless debunking

when the plot rapidly self-destructs." Washington Post reviewer Rita Kempley criticized the movie, arguing that it is anti-feminist. In 2006, the film

Talking Now runs feebly on the calculated steam of its forebears". Rita Kempley of The Washington Post wrote: "Take the 'dle' out of 'poodle' and you've

masquerading as bright comedy" and a comment on American consumerism, while Rita Kempley of The Washington Post considered it to be "deficit of dramatic tension"

"a troubling lack of focus". In her review in The Washington Post, Rita Kempley was equally unimpressed with Valmont, describing it as "sumptuous suds

gave it 3 out of 4, calling it "cute, crude and good-hearted movie". Rita Kempley of The Washington Post praised Eddie Murphy saying that after having been

but, like the rest of the proceedings, does little for the soul." Rita Kempley of The Washington Post opined that Lasse Hallström "ably brings the communities

rarity" for its subtle and hilarious sexual humor in a teen film. Rita Kempley of The Washington Post described it as "a sappy, sophomoric sex farce"

" Koontz was reportedly dissatisfied with the film. According to Rita Kempley of The Washington Post, "Koontz hates the movie so much he tried to force

there will be a new plague the likes of which we have never seen." Rita Kempley of The Washington Post also enjoyed the film's plot: "Outbreak is an absolute

mess—are priceless." Thomson's colleague at The Washington Post, Rita Kempley, was unimpressed with Tomei's performance: Tomei is lovely in her gamin

the middle of a thicket of Southern Gothic clichés and archetypes." Rita Kempley of The Washington Post described it as "Hannah and Her Sisters with a southern

although his style is more restrained and less elaborate than usual." Rita Kempley, also of The Washington Post, wrote, "Perhaps it shouldn't come as such

"heavy-handed sermon about karma" with "garish" special effects. Rita Kempley of The Washington Post called it "a brew of Hawthorne, Heathers and Hollywood

catalog.afi.com. Retrieved 26 March 2023. "Dancers". Box Office Mojo. Kempley, Rita (March 28, 1988). "'Dancers'". The Washington Post. Ebert, Roger

assessed it as "unnerving but also enthralling". For the same paper, Rita Kempley called it "every woman's nightmare turned into a creepy thriller", adding

script for its formulaic underdog story, with The Washington Post's Rita Kempley chiding the film for its attempt to cast Beverly Hills youth in the underdog

chiseled-in-stone wit of Howard Ashman's brilliant lyrics for those films." Rita Kempley of The Washington Post criticized Bluth's deviations from the original

retain its own share of thrills and suspense. The Washington Post's Rita Kempley commented that because Copycat "depicts the victimization of women through

by Lisa Bowman of ZDNet UK, James Berardinelli of ReelViews, and Rita Kempley of The Washington Post. Microsoft spokesman Jim Cullinan said, "From the

called the cast, including Rémy Girard and Pierre Curzi, "excellent". Rita Kempley of The Washington Post found most characters unlikable but wrote "The Decline

brooding, thoughtful tone than this genre usually calls for", while Rita Kempley and Michael O'Sullivan of The Washington Post criticized what they saw

you'll see the craftsmanship". In her review for the Washington Post, Rita Kempley described Melanie Griffith as "luminous as Marilyn Monroe, as adorable

Archived from the original on August 5, 2023. Retrieved June 15, 2023. Kempley, Rita (April 18, 1993). "Selling Women Short". The Washington Post. Archived

performances." Audiences surveyed by CinemaScore gave it a grade B+. Rita Kempley of The Washington Post was critical of the film, deeming it a "tedious"

Archived from the original on August 5, 2023. Retrieved June 15, 2023. Kempley, Rita (April 18, 1993). "Selling Women Short". The Washington Post. Archived

she said that she enjoyed the film and called it a "lovely film." Rita Kempley, in her review for the Washington Post, also saw similarities with Summer

its dance sequences barely sexier than a bowling tournament'. while Rita Kempley, in The Washington Post was to say 'heavy-handed and somewhat mean-spirited

from the lives of the core audience seems a foolish indulgence". Rita Kempley of The Washington Post wrote the film was "colorful, but unimaginatively

Lewis had a supporting role in Woody Allen's Husbands and Wives, with Rita Kempley of The Washington Post describing her portrayal of Rain—a "Lolita"-esque

pacing". Roger Ebert of the Chicago Sun-Times gave the film "2 stars". Rita Kempley of The Washington Post complimented Jerry Lee's performance. K-911 is a

the most indecently bad movies of the year," giving it a D grade. Rita Kempley of The Washington Post stated "the director has become one with the buffoons

Catalog". Retrieved 23 March 2020. "The Numbers". Retrieved 23 March 2020. Kempley, Rita (August 15, 1987). "'Disorderlies'". washingtonpost.com. Retrieved

the mad scientists, as Norris has "no screen presence to speak of." Rita Kempley of The Washington Post called Norris' martial arts "a curious footnote

praise for the makeup work creating the severed heads from the title. Rita Kempley of The Washington Post called it "Sheer torture, the very definition of

and dialogue and praising the visual effects and production values. Rita Kempley of The Washington Post called it "A purgatory of low-budget interplanetary

audience but offers little for any adult watching it with their kids." Rita Kempley of The Washington Post didn't like the film. She praised the animals' performances

limited theatrical release on November 6, 1992. In a negative review, Rita Kempley of The Washington Post called the film a "goopy bonding movie." Marjorie

have his name removed from the credits. "Title: Hideaway". www.isfdb.org. Kempley, Rita (March 4, 1995). "Hideaway". The Washington Post. Retrieved March

and Sturges while keeping this tale firmly in the here and now." Rita Kempley of The Washington Post wrote, "Thanks to director Keva Rosenfeld, a documentary

The wake lasts 1 1/2 hours, and then we can leave the theater." Rita Kempley of The Washington Post called the film "made by, for, and about dummies"

Jerry Davis, Frank Fox, Marty Roth, Mel Diamond, Barry Blitzer, Walter Kempley, Ray Singer, Dick Chevillat, Fred Freeman, Garry Marshall, Wilton Schiller

Ebert, Roger (August 16, 1996). "Kansas City". Retrieved July 31, 2020. Kempley, Rita (August 16, 1996). "'Kansas City': All Over the Map". The Washington

year's Smooth Talk. In her review of Talk for The Washington Post, Rita Kempley wrote, "The [film's] mood grows progressively darker as Treat Williams

release in 1987, the film was generally well received by critics. Rita Kempley, writing in The Washington Post suggested "It's all rather Arthurian, with

Chuck at his worst; but who wants to argue?" In a review written by Rita Kempley of The Washington Post, Norris was described as pleasant galoot that lacked

of Pecos Bill, John Henry, and Paul Bunyan. In a negative review, Rita Kempley of The Washington Post wrote: "Mickey's minions herein transform three

Post in 2002, following the retirement of the Post's previous critic Rita Kempley. She has also written features for Working Woman and Self magazine. In

and scenes, all infused with an uncomfortable sense of déjà vu". Rita Kempley of The Washington Post praised Meg Ryan as the "summer's Melanie Griffith

1987). "Stage: Steve Tesich's 'Division Street'". The New York Times. Kempley, Rita. "'Eyewitness'". The Washington Post. Vallance, Tom (30 December

found a way to construct a drama exploring their personalities". Rita Kempley of The Washington Post called the film "a tense, scary, perversely creepy

"opens strongly" but soon "lapses into an exercise in foolishness." Rita Kempley of The Washington Post wrote: "The scariest thing about this hokey bombast

the midst of 95 minutes of gunfire, explosions and Gothic excess." Rita Kempley of The Washington Post wrote: "Aside from the affable Schneider and the

Sun-Times called the film "intelligent, moving and beautifully acted." Rita Kempley of The Washington Post described it as "a high-class tear-jerker" and a

and Brazilian music. Walker originally garnered polarized reviews. Rita Kempley wrote that "it's gross as it is muddled as it is absurd" in her review

Archaeological Society, Bristol, 1960. (Editor with Irvine Gray) St. Mary's Church, Kempley, and its paintings. John Bellows, Gloucester, 1961. Dymock, Gloucestershire

1996. She credited the organization with helping to improve her health. Kempley, Rita (24 May 1985). "'Rambo': Pumping Iron, Spraying Blood". The Washington

received largely unfavorable reviews from critics, with some, such as Rita Kempley of The Washington Post, singling out Russell's acting as a primary fault

Archived from the original on October 23, 2012. Retrieved September 14, 2010. Kempley, Rita (August 28, 1987). "The Big Time of Ellen Barkin; Acclaimed as an

child to wily adolescent corporate raider to morally appalled adult". Rita Kempley wrote in The Washington Post that the film "is at its weakest when it preaches

Canadian Hydrographers' Association. The Association. 1994. p. 47. Michael Kempley (18 February 2006). "See you at Rosie's". The Daily Telegraph. Retrieved

Collection:Washington's Prize Possessions". The Washington Post. Rita Kempley (23 August 1982). "Sculpture Under the Sun". The Washington Post. Gary

and execution can triumph over content. That's what happens here." Rita Kempley of The Washington Post wrote that Scott "approaches this prickly action

viewing the film's second half as more confusing and disjointed. Rita Kempley of The Washington Post wrote, "it's as if they borrowed bits of every war

January 2, 1899 Preceded by Sophronius S. Landt Succeeded by Charles E. Kempley Member of the Wisconsin State Assembly from the Adams district In office

"boasts reasonably solid production values and fine character voices". Rita Kempley of The Washington Post praised the film as "a gorgeously drawn myth made

at the start of the film and some DVD releases.[citation needed] Rita Kempley, reviewing for The Washington Post, praised Dalton's performance, naming

and "was steadfastly on Team Rocky while Clubber hated them both." Rita Kempley of the New York Times compares Creed's appearance to Sugar Ray Seales and

makes it special." However, in her review for The Washington Post, Rita Kempley criticized some of the performances: "Downey brings a lot of energy to

"COMMITTED – 1851 – 1880". The New York Times. Retrieved February 10, 2017. Kempley, Rita (October 21, 1988). "'Bat 21'". The Washington Post. Kramer, Gary

darkly captivating roue who's seen it all". The Washington Post's Rita Kempley said "Cruise brings a wicked wit to the ghoulish role" of Lestat. The Chicago

"COMMITTED – 1851 – 1880". The New York Times. Retrieved February 10, 2017. Kempley, Rita (October 21, 1988). "'Bat 21'". The Washington Post. Kramer, Gary

American Tail should engage kids in an important part of U.S. history". Rita Kempley of The Washington Post called it "a bright-eyed tale of Jewish triumphs

Archived from the original on December 6, 2020. Retrieved December 6, 2020. Kempley, Rita (June 18, 1982). "A Fizzled 'Firefox'". The Washington Post. Archived

Calendar. Yale University. Archived from the original on January 21, 2009. Kempley, Rita (June 7, 2003). "Too Too Divine: Movies' 'Magic Negro' Saves the

inexperienced actors, but her writing talents are much sketchier." Rita Kempley of The Washington Post wrote, "Nair's film has been compared to Hector

and sex, and it is just as explicit and vulgar, if not more so." Rita Kempley of The Washington Post wrote, "Patti Rocks may be an acquired taste. You

"emotional turnaround" performance. In her review for the Washington Post, Rita Kempley praised Schwartzman's performance for winning "sympathy and a great deal

CinemaScore gave the film an average grade of "A-" on an A+ to F scale. Rita Kempley of The Washington Post praised the film, saying that "this little charmer

the first mainstream Hollywood production to depict drag queens. Rita Kempley of The Washington Post wrote that in comparison to previous films that

Perkins and the Vicious Stalker. San Francisco Chronicle. January 13, 1995. Kempley, Rita. Weekend at the Movies; "Remember My Name". The Washington Post.

271 "藤原釜足". TV Drama Database (in Japanese). Retrieved 26 August 2023. Kempley, Rita (29 June 1984). "At Last, Kurosawa's Uncut 'Hidden Fortress'". The

heartland hokum". San Francisco Examiner. Retrieved 5 July 2023. Rita Kempley (12 May 1995). "'Gordy'". The Washington Post. Retrieved 5 July 2023. The

inspirationalism," but conceded to Klimov's "unquestionable talent." Rita Kempley, of The Washington Post, wrote that "directing with an angry eloquence

bleeding heart has made you cringe in the past." In another such review, Rita Kempley wrote: "Quick, somebody cancel Alan Alda's subscription to Ms. The Schwarzenegger

CinemaScore gave the film an average grade of "A" on an A+ to F scale. Rita Kempley, writing in The Washington Post, said actor Washington gave a "zealous

"AFI|Catalog". "Some Girls (1988) - Box Office Mojo". www.boxofficemojo.com. Kempley, Rita. "Some Girls(R)". www.washingtonpost.com. "Opens Today". Manila Standard

Gets the Axe". BBC News. 17 October 2000. Retrieved 2 November 2007. Rita Kempley (7 January 1997). "'Kingpin': Bowl-You-Over Yucks". The Washington Post

doesn't have the sort of charisma to get kids to truly root for him." Rita Kempley of The Washington Post gave the film a negative review, calling it a "mushy

surveyed by CinemaScore gave the film a grade C+ on scale of A to F. Rita Kempley of The Washington Post wrote: "Caddyshack II, a feeble follow-up to the

film has an approval rating of 55% based on reviews from 11 critics. Rita Kempley of The Washington Post wrote, "[The film] 1969, the directorial debut of

Married to the Mob – The Mob, to Have and to Hold". The New York Times. Kempley, Rita (August 19, 1988). "'Married to the Mob' (R)". The Washington Post

puts it, Behold a pale horse: and his name that sat on him was Death. Kempley, Rita (June 28, 1985). "'Pale Rider,' Stale Trail". Washington Post. Gene

criticized for removing scenes related to the World Trade Center. Rita Kempley of The Washington Post said "if we erase the towers from our art, we erase

the rest 20,000 leagues." In her review for The Washington Post, Rita Kempley wrote that the film "asks us to believe that the drowned return to life

their syndicated television program, Siskel and Ebert and the Movies. Rita Kempley of The Washington Post praised the film's director, writing that "Glimcher

2013, by Anchor Bay Entertainment. "Vital Signs (1990)". Box Office Mojo. Kempley, Rita (13 April 1990). "REVIEW". The Washington Post. Retrieved 21 September

IMDB. Archived from the original on 9 May 2021. Retrieved 31 May 2021. Kempley, Rita. "'Wind' (PG-13)". Washington Post. Archived from the original on

How you gonna keep them down on the farm after they've seen Simba?" Rita Kempley of the Washington Post called the film a "peculiar, seemingly pro-vegan

October 2017. Brief Lives revival"Aubrey". Retrieved 18 October 2017. Kempley, Rita (15 October 1982). "'Churchill': A Game Try". The Washington Post

Maynard of Mr. Showbiz described the film as "crude and witless". Rita Kempley of The Washington Post wrote that "your own final destination just might

Aykroyd worked best when he shared a central role with another star. Rita Kempley said that his relationship with Murphy was just as enjoyable as his one

Irreconcilable Pangs of Exile". Los Angeles Times. Retrieved 29 October 2015. Kempley, Rita (26 February 1988). "'Anna' (PG-13)". Washington Post. Retrieved

average". The Chicago Sun-Times' Roger Ebert and The Washington Post's Rita Kempley panned the film, calling it "a mess" and "a shambles", respectively. The

57–68. doi:10.1080/1369681032000169267. JSTOR 3181385. S2CID 191490169. Kempley, Rita (1 March 1991). "From Africa, A 'Camp' of Tragic Heroes". The Washington

the film suffers during her prolonged absence in the later stages." Rita Kempley of The Washington Post said, "Packed with cheap sentiment and puerile romanticism

Lynch down but never out". In her review for The Washington Post, Rita Kempley described the film as a "perversely moving, profoundly self-indulgent prequel"

variety, and to plot turns that are better described than seen". Rita Kempley of The Washington Post called it an "amateurish directorial debut, a smutty

'Sisters' Exits Elegantly". The New York Times. Retrieved June 8, 2013. Kempley, Rita (February 7, 1997). "'Dante's Peak': Lava Among the Ruins". The Washington

(Published 2000)". The New York Times. ISSN 0362-4331. Retrieved 2020-12-18. Kempley, Rita. "Iran's 'Woman,' on the Verge". The Washington Post. Wikimedia Commons

Star Tracks of His Father". Los Angeles Times. Retrieved 9 July 2010. Kempley, Rita (February 15, 1991). "'Cadence'". The Washington Post. washingtonpost

"Let the Music Do the Talking". Chicago Reader. Retrieved July 13, 2020. Kempley, Rita (August 16, 1996). "'Kansas City': All Over the Map". Washington

film and said "This isn't a great movie, but it sure is a nice one." Rita Kempley (May 28, 1993). "'Made in America'". Washington Post. Retrieved May 16

(2000) - Ricky Tognazzi | Cast and Crew | AllMovie, retrieved 2022-08-29 Kempley, Rita (1993-08-20). "'SUNDAY' LOVELY 'SUNDAY'". Washington Post. ISSN 0190-8286

screen comedy. Keaton's performance was well received by critics, and Rita Kempley of The Washington Post wrote, "As the frumpy Lenny, Keaton eases smoothly

of Old-Time Radio. Oxford University Press, US. ISBN 978-0-19-507678-3. Kempley, Rita (1995-05-12). "'Gordy'". Washington Post. Retrieved 2020-05-25. "Movie

action films on effects rather than actors. The Washington Post's Rita Kempley wrote that Nimoy's direction was competent, but his background in television

draws us in, subtly and gracefully, and casts a lingering charm." Rita Kempley of The Washington Post described the film as "a sensitive coming-of-age

public service announcement about embracing diversity. Sonically, Rita Kempley of The Washington Post found "Colors of the Wind" akin to music from Busby

draws us in, subtly and gracefully, and casts a lingering charm." Rita Kempley of The Washington Post described the film as "a sensitive coming-of-age

Linda Harling 2006 Zagreb  United States Nicole Allaire Janet Raab Reya Kempley  France Solveig Bibard Christine Chuard Isabelle Grigorian Denmark Charlotte

 102. It's magic, a 2003 article about Richard Curtis from The Guardian Kempley, Rita (21 September 1990). "The Tall Guy". The Washington Post. Retrieved

five catchy songs." Likewise, fellow Washington Post film critic Rita Kempley praised the songs and animation, and called it a "happy adaptation of the

Archived from the original on June 28, 2021. Retrieved June 30, 2021. Kempley, Rita (April 3, 1992). "Review: Beethoven". Washington Post. Retrieved

buddy cop genre with the aliens inserted in as just a new rendition, Rita Kempley of The Washington Post said, "Alien Nation wants to be In the Heat of the

'Gremlins' Director Reflects on His Biggest Hits". The New York Times. Kempley, R. (July 1, 1987). "Dennis Quaid, poised for takeoff; after years of big

marvel. Likewise, the music also received a mixed response, with Rita Kempley of The Washington Post writing, "Like the other songs by Disney veteran

had mixed reviews for Dalton's performance. The Washington Post's Rita Kempley praised Dalton for his campy style, and the Deseret News' Jeff Vice wrote

criticized for removing scenes related to the World Trade Center. Rita Kempley of The Washington Post said "if we erase the towers from our art, we erase

The New York Times cited Lowe's performance as "arresting", while Rita Kempley of The Washington Post felt that Lowe's character of Rory was "played with

It reached #79 on the US Billboard Hot 100 and #72 on Cash Box. Rita Kempley of The Washington Post said, "The gender-bender "He's My Girl" is all cross-dressed

than a popcorn holiday romp". In her review for The Washington Post, Rita Kempley gave the film five stars out of five, and praised the cast, in particular

effects rather than cohesive storytelling for the pivotal climax. Rita Kempley, writing in The Washington Post, did not like the film's main premise,

weirder with age?". The Guardian. ISSN 0261-3077. Retrieved May 23, 2024. Kempley, Rita (November 21, 1997). "'Midnight in the Garden of Good and Evil' (R)"

Kirkland Reflects on the Oscar Race for Best Actress". The Huffington Post. Kempley, Rita (February 26, 1987). "Anna". Washington Post. Retrieved March 28

(May 4, 1990). "Short Time". RogerEbert.com. Retrieved March 9, 2021. Kempley, Rita (May 4, 1990). "'Short Time' The Homily Squad". The Washington Post

(1992). Leonard Maltin's Movie and Video Guide. Signet. ISBN 9780451170682. Kempley, Rita (September 21, 1992). "Captain Ron". The Washington Post. Retrieved

2 million on an otherwise slow film-going weekend". Los Angeles Times. Kempley, Rita (December 25, 1994). "Nell". The Washington Post. Retrieved January

has been gnawing away on some dark shelf of the national psyche. Rita Kempley in The Washington Post wrote, "Quoting everyone from Shakespeare to Hitler

exactly what one wants from a movie about a sensualist of genius." Rita Kempley of The Washington Post also gave the film a negative review, describing

nobody sees them, nobody remembers them." Washington Post film critic Rita Kempley's negative reaction to the film caused her to question Ron Howard's judgement

with the action" and he is "lucky enough to have a flashy part". Rita Kempley of The Washington Post calls the film a "muddled revenge fantasy" and criticizes

David Deere 242 13.9 Conservative Craig Morgan 213 12.3 Conservative Nick Kempley 152 8.7 Turnout 1,738 31.6 Labour hold Independent hold Labour win (new

funhouse ride that has you laughing and screaming at the same time." Rita Kempley also of The Washington Post called it "a fiendishly stylish journey that

Archived from the original on March 4, 2016. Retrieved January 28, 2016. Kempley, Rita (July 1, 1992). "A League of Their Own". The Washington Post. Archived

Archived from the original on 8 April 2008. Retrieved 24 September 2008. Kempley, Rita (30 October 1987). "Hope and Glory". The Washington Post. Retrieved

Utley 1909 1914 S. M. Marsh 1915 1917 Lewis R. Kirby 1918 1922 Chester C. Kempley 1923 1926 Unknown 1927 1931 Thomas Whelan 1931 1938 James B. Abbey 1938

to Laverne & Shirley. 144 2 "Chachi Sells His Soul" Jerry Paris Walter Kempley September 18, 1979 (1979-09-18) Feeling that the guys treat him like a

February 12, 1989. Accessed at the Times Union website, June 11, 2012. Kempley, Rita (March 25, 1988). "Biloxi Blues". The Washington Post. Washington

character of Nomi was widely panned as unsympathetic and "irritating". Rita Kempley of The Washington Post wrote, "Like the bimbo she plays, Berkley's minimal

the hard-knocks school that had dominated Italy's postwar cinema." Rita Kempley, Washington Post. Tullio Cicciarelli of Il Lavoro nuovo saw the film as

"Current Theater News at". Theatermania. Retrieved November 24, 2013. Kempley, Rita (June 21, 1996). "The Hunchback of Notre Dame (G)". Washington Post

sometimes deemed excessive, in the words of The Washington Post's Rita Kempley, due to Grant's "comic overreactions—the mugging, the stuttering, the fluttering

shameless it verges on camp parody." In The Washington Post, critic Rita Kempley stated: "From bathhouse chanteuse to Lemon Joy diva, from self-proclaimed

November 22, 2020. Heathers at Rotten Tomatoes; last accessed on May 5, 2007. Kempley, Rita (April 14, 1989). "Heathers". The Washington Post. Archived from

by plodding script and a handful of too broadly drawn characters." Rita Kempley of The Washington Post called it "a deeply banal farce" with "one-dimensional

English-language role by far. The support ensemble is excellent." Rita Kempley of The Washington Post said, "Used People wants to be Moonstruck with matzo

REVIEW: KIDS; Growing Up Troubled, In Terrifying Ways". The New York Times. Kempley, Rita (August 25, 1995). "'Kids' (NR)". Washington Post. Retrieved August

made Bagdad Café". The Guardian. 28 August 2018. Retrieved 19 April 2022. Kempley, Rita (6 May 1988). "Bagdad Cafe". The Washington Post. Retrieved 19 April

Academy' With No Entrance Rules". The New York Times. Retrieved 2020-02-26. Kempley, Rita (23 March 1984). "'Police Academy': Arresting Comedy". Washington

"Zambezia". University College of Rhodesia. 3 May 1996 – via Google Books. Kempley, Rita (9 April 1993). "'Neria' (NR)". The Washington Post. Retrieved 15

2012-03-08. Stratton, David (1994-02-23). "The Last Seduction". Variety. Rita Kempley (1994-11-18). "The Last Seduction". The Washington Post. Retrieved 2012-03-08

boundary Greenway road  B4215  Roman Road Dymock Dymock Partnership Project Kempley road Railway avoided tunnel Accommodation bridge, Boyce Court 48" Gas pipeline

 160–163. Brantly 2002, p. 161. Scott 2009. Gagné 2008, pp. 226, 228. Kempley 1988. Gagné 2008, pp. 229–230. Gagné 2008, p. 232. Canby 1988. BBC News

performance as being "suitably intense, but to such little effect". Rita Kempley of The Washington Post wrote that Angel Heart "is over-stylized, and we're

also showcased Wenders' taste for rock music. The Washington Post's Rita Kempley credited Wenders and Handke for crafting a "whimsical realm of myth and

performance as being "suitably intense, but to such little effect". Rita Kempley of The Washington Post wrote that Angel Heart "is over-stylized, and we're

"The Witches of Eastwick". RogerEbert.com. Retrieved April 19, 2022. Kempley, Rita (June 12, 1987). "The Witches of Eastwick (R)". The Washington Post

Film". The Salt Lake Tribune. p. C1. Retrieved 2023-01-26 – via ProQuest. Kempley, Rita (1992-01-31). "Alan & Naomi". The Washington Post. Maughan, Shannon

and The Atlanta Constitution. May 6, 1989. Retrieved December 9, 2007. Kempley, Rita (November 9, 1990). "Kevin Costner in the Land of 'Wolves'; The Director:

against director De Palma and cowriter Avrech's insipid narrative." Rita Kempley of The Washington Post described the film as a horror comedy, but said

Archived from the original on September 18, 2019. Retrieved March 27, 2020. Kempley, Rita (April 3, 1987). "Blind Date". The Washington Post. Archived from

of a dragon. Unfortunately, such moments are few and far between". Rita Kempley of The Washington Post gave the film a positive review, calling it a "splendidly

Archived from the original on August 3, 2020. Retrieved May 14, 2020. Kempley, Rita (January 12, 1997). "Laura Dern's Liberal Lust". The Washington Post

Rita Hayworth and Marilyn Monroe. Writing for The Washington Post, Rita Kempley described Pfeiffer as "slinky and cynical, more Bacall than Bacall. Like

au. Archived from the original on 6 July 2011. Retrieved 1 August 2011. Kempley, Rita. "Black Robe". Washingtonpost.com. Retrieved 18 July 2018. "'Rectify':

Archived from the original on 5 December 2020. Retrieved 28 September 2023. Kempley, Rita (21 November 1997). "'Midnight in the Garden of Good and Evil' (R)"

Archived from the original on July 23, 2015. Retrieved January 12, 2015. Kempley, Rita (August 1, 1992). "'Bebe's Kids'". The Washington Post. Archived

something here, and I don't have a clue what it is". Desson Howe and Rita Kempley, both writing for The Washington Post, offered largely negative reviews

geared to kids at all: It's so adult that it's massively boring." Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but

KENNETH TURAN - LA Times, November 12, 1993] ‘My Life’ (PG-13) By Rita Kempley - Washington Post, November 12, 1993 David J. Fox (November 15, 1993).

describing it as "a cross between Star Wars and the smell of ass". Rita Kempley of The Washington Post wrote: "A million monkeys with a million crayons

revelation of Sex, Lies, and Videotape, proves a fine, sexy foil." Rita Kempley of The Washington Post said, "Like Ghost and Pretty Woman, this romance

Julia and Julia perversely entertaining." In the Washington Post, Rita Kempley described the film as "peculiar" and added "The unstable Julia must have

Comics Feature (12/13). New Media Publishing: 21. September–October 1981. Kempley, Rita (August 22, 1992). "'Christopher Columbus: The Discovery'". The Washington

Prison Guard Hans Howes as Police Sergeant Kristine Seeley as Groupie Kempley, Rita (May 3, 1991). "Rich Girl (R)". Washington Post. Retrieved June 30

1996). "'Bottle Rocket'". www.washingtonpost.com. Retrieved July 20, 2022. Kempley, Rita (June 21, 1996). "'Eraser,' Rubbing Them Out Right and Left". www

piece" blending "elegance with intimacy". For The Washington Post, Rita Kempley found the story more cheerful than past Bergman productions, highlighting

claimed that Rubén Blades gives "the only genuinely comic performance." Rita Kempley of The Washington Post called it "a human rehash of the city-mouse/country-mouse

Manhattan: an irresistible tribute to Broadway dreamers". The Guardian. Kempley, Rita (June 27, 1987). "'Dragnet'". The Washington Post. Retrieved May

Archived from the original on March 7, 2015. Retrieved April 28, 2015. Kempley, Rita (October 1, 1999). "'The Adventures of Elmo in Grouchland' (G)".

dreadnought British spinsters for whom false pride is a virtue, not a sin." Rita Kempley of The Washington Post thought Sturridge "seems less like a driven director

Archived from the original on 13 May 2009. Retrieved 28 February 2012. Kempley R (9 August 2003). "The Grin Before They Bear It; Peek-a-Boo: Prenatal

Sullivan 910 21.0 N/A Green Ryan Allain 560 12.9 N/A Liberal Democrats Justin Kempley 536 12.4 N/A Liberal Democrats Loreta Alac 496 11.5 N/A Liberal Democrats

31, 2024. "Festival Diary". Evening Standard. 11 November 1987. p. 22. Kempley, Rita (15 October 1989). "Everyday of Bill Forsyth". Washington Post. Retrieved

Commission in 1947. Lord Ammon was predeceased by his only son Charles Kempley Ammon (1907–1909) and the peerage became extinct on his death in April

on February 22, 2016. Spine Tingler! The William Castle Story at IMDb Kempley, Rita (January 29, 1993). "Movies; 'Matinee': In the Glow of the Atomic

Book may have been more effective had its story stayed on one page." Rita Kempley from The Washington Post was more favorable, stating that "the narrative

Archived from the original on February 17, 2020. Retrieved March 1, 2020. Kempley, Rita (November 8, 1998). "Hand-to-Heart Combat". The Washington Post.

"Festival de Cannes 1990". Cannes Film Festival. Retrieved 17 October 2011. Kempley, Rita (August 29, 1992). "'Twin PeaksL Fire Walk With Me' (R)". The Washington

Music, and Effects. Rutgers University Press. p. 107. ISBN 9780813575513. Kempley, Rita (16 November 1990). "'Vincent & Theo' (PG-13)". The Washington Post

be ineffectual and unmenacing even when they are on the warpath." Rita Kempley of the Washington Post wrote that the movie set a standard as far beneath

surveyed by CinemaScore gave the film a grade "B−" on scale of A to F. Rita Kempley of The Washington Post described it as "outrageously profane" and "wildly

Film That Examines Women Bodybuilders". Si.com. Retrieved April 27, 2016. Kempley, Rita (June 6, 1985). "'Pumping Iron II': The Ladies Turn". Washington

and in 1921 donated £500 for the laying-out of the recreation grounds at Kempley Meadows in Okehampton, including a bowling green, on condition that the

hard to be exciting, but the movie scarcely lives up to its title." Rita Kempley of The Washington Post gave the film a scathing review, calling it "Rebel

YouTube. November 25, 2015. Retrieved October 30, 2019. Criterion Collection Kempley, Rita (August 4, 1995). "Safe". The Washington Post. Retrieved October

Archived from the original on December 25, 2020. Retrieved August 15, 2019. Kempley, Rita (April 3, 1993). "THE AMATEUR AUTEUR". Washington Post. ISSN 0190-8286

that the characters will not immediately vanish into obscurity." Rita Kempley from The Washington Post wrote "It's less like a film by Demme than the

turn the picture back on because the film "was better that way". Rita Kempley of The Washington Post said it was "an awkwardly directed, badly drawn

wrote that it "spoofs the James Bond formula in tiresome fashion". Rita Kempley of The Washington Post called it "insipid, tiresome and full of gross kids"

The film received mixed reviews. Writing for The Washington Post, Rita Kempley wrote that Houston was merely "playing herself", but came out "largely

1, 2021. Feed (1992) at IMDb Blood in the Face, Washington Post, Rita Kempley, May 17, 1991. Retrieved August 17, 2021. "Blood in the Face". haymarketbooks

2007-03-11. "Rosalie Goes Shopping Review". TV Guide. Retrieved 2008-01-09. Kempley, Rita (March 23, 1990). "Rosalie Goes Shopping". Washington Post. Retrieved

Fourth Estate (First ed.). London, England: HarperCollins. ISBN 0002253186. Kempley, Rita (19 December 1997). "'TOMORROW NEVER DIES': JAMES BOND ZIPS INTO

Selena confront each other in the latter's mountain-top castle." Both Rita Kempley and Paul Attanasio of The Washington Post gave it positive marks. John

Film That Examines Women Bodybuilders". Si.com. Retrieved April 27, 2016. Kempley, Rita (June 6, 1985). "'Pumping Iron II': The Ladies Turn". Washington

1878.10851837. —— (1889). "Description of the Paintings in the Church of Kempley, near Ross". Archaeologia. 46: 187–194. doi:10.1017/S0261340900006093.

Archived from the original on September 5, 2014. Retrieved September 1, 2014. Kempley, Rita (March 9, 1990). "'Joe Versus the Volcano' (PG)". The Washington

Archived from the original on October 30, 2015. Retrieved October 30, 2015. Kempley, Rita (November 17, 1989). "'All Dogs Go to Heaven' (G)". New York Times

CinemaScore gave the film an average grade of "C−" on an A+ to F scale. Rita Kempley of The Washington Post called the film "a schlocky, sluggish shoot-em-up"

Archived from the original on July 26, 2010. Retrieved October 24, 2019. Kempley, R., 1994. ‘True Lies’ (R) Archived 2011-12-11 at the Wayback Machine.

Archived from the original on June 29, 2013. Retrieved 27 June 2013. Kempley, Rita (23 June 1989). "'Honey, I Shrunk the Kids': Review". The Washington

"Domestic 1995 Weekend 38". Box Office Mojo. "Angus". Rotten Tomatoes. Kempley, Rita (September 15, 1995). "Angus". The Washington Post. Retrieved March

1994). "Blue Sky". Variety. Variety Media. Retrieved February 22, 2018. Kempley, Rita (September 16, 1994). "'Blue Sky'". The Washington Post. Retrieved

Goldberg whenever the latter turns up to steal any and every scene she wants. Kempley, Rita. "'Stella': Chiffon in the Sun". The Washington Post. Archived from

of Ambiguity", Quarterly Review of Film and Video. 25:2, pp. 132–143. Kempley, Rita (12 October 1997). "Agnieszka Holland: a war on stupidity". The Washington

County Dist. Representative Party Residence 09 Adams & Marquette Charles H. Kempley Rep. Packwaukee 12 Ashland & Iron Frank Logan Rep. Hurley Barron Kapp Rasmussen

called it one of the worst films of 1989. Washington Post staff writer Rita Kempley wrote that the movie was "tacky and moribund", plagiarizing heavily from

described it as "a Cinderella story of major proportions". A review by Rita Kempley in The Washington Post said the film is "rough around the edges, brimming

average grade of "B" on an A+ to F scale. The Washington Post critic Rita Kempley described Barton Fink as "certainly one of the year's best and most intriguing

After': Sadly Disappointing". Los Angeles Times. Retrieved 2012-05-29. Rita Kempley, Happily Ever After’, The Washington Post, May 29, 1993 "Film review: Happily

.". Empire. Taubin, Amy (November 1997). "L.A. Lurid". Sight & Sound. Kempley, Rita (September 21, 1997). "Guy Pearce Cuts Through the Chase". The Washington

Archer, ARRC Lieutenant Colonel Edward Graham St John Brockman Captain Kempley McKnight Alexander Buchan-Smith Acting Lieutenant Colonel Douglas John

culte ?". L'Éclaireur Fnac (in French). Fnac. Retrieved 23 April 2023. Kempley, Rita (31 January 1997). "Empty-Handed 'Thieves'". The Washington Post

for not trivializing it or inventing an easy ending. Conversely, Rita Kempley for The Washington Post called the film pretentious and Araki a "cinematic

"How to Make Love to a Negro Without Getting Tired". The Washington Post. Kempley, Rita (July 6, 1990). "How to Make Love to a Negro Without Getting Tired"

(Interview). Interviewed by Will Harris. The Onion. Retrieved December 31, 2018. Kempley, Rita (November 7, 1994). "Double Dragon: The Movie". The Washington Post

Poland Sylwia Bogacka Karolina Kowalczyk Alicja Ziaja  United States Reya Kempley Sandra Fong Rhonda Bright Eva Friedel Sonja Pfeilschifter Beate Gauss 2014

More Playing Dead for American Indian Filmmaker Sherman Alexie" by Rita Kempley, The Washington Post, July 3, 1998 "Sherman Alexie on Living Outside Cultural

Archived from the original on April 17, 2020. Retrieved August 1, 2020. Kempley, Rita (March 5, 1993). "Mad Dog and Glory (R)". The Washington Post. Archived

Is Of Two Different Animals". Chicago Tribune. Retrieved 28 March 2018. Kempley, Rita (December 8, 1993). "Bank Robber". Washington Post. Retrieved 28

Title Directed by Written by Original air date 0 "Legs" Alan Rafkin Walter Kempley & Marty Nadler May 19, 1978 (1978-05-19) 1 "The Odd Family" John Thomas

fierce longing in gentle Edward; it's a terrific performance", while Rita Kempley of The Washington Post wrote that he "brings the eloquence of the silent

(1994-04-01). "Zero Patience". Austin Chronicle. Retrieved 2007-11-25. Kempley, Rita (1994-06-10). "Zero Patience". Washington Post. Retrieved 2007-11-25

has little to do with history, sociology, or even common sense." Rita Kempley, also writing for The Washington Post, criticized for viewing "the black

Variety. Hollywood, CA. Archived from the original on February 24, 2016. Kempley, Rita (July 20, 1990). "'SEALs': Missiles And Muscles". Washington Post

Archived from the original on September 7, 2014. Retrieved September 6, 2014. Kempley, Rita (December 6, 1991). "'STAR TREK VI': ENERGIZED". The Washington Post

Harbach Dwight Hemion Sylvester L. Weaver Jr. Written by Head writer: Walter Kempley (1963–1967) Hank Bradford (1969–1975) Marshall Brickman (1969–1970) Raymond

April 30, 2011. Retrieved May 13, 2012. See, e.g., King (2002), pp. 185–7; Kempley, Rita (October 14, 1994). "Pulp Fiction (R)". The Washington Post. Archived

from Sydney". Video Librarian. Vol. 22, no. 1. Retrieved 5 April 2021. Kempley, Rita; Harrington, Richard (9 June 1994). "New on Video". The Washington

Project and Western Australian Electoral Commission. ISBN 0-7309-8409-5. Hal Kempley Colebatch at University of NSW. Retrieved 6 April 2020 Colebatch, Hal G

Archived from the original on 16 January 2013. Retrieved 18 February 2013. Kempley, Rita (18 November 1989). "'Spices' (NR)". The Washington Post. Retrieved

American audiences to the wacky Italian actor Roberto Benigni in Down by Law. Kempley, Rita (October 3, 1986). "Down by Law". The Washington Post. Retrieved

57–68. doi:10.1080/1369681032000169267. JSTOR 3181385. S2CID 191490169. Kempley, Rita (1 March 1991). "From Africa, A 'Camp' of Tragic Heroes". The Washington

Ordway III (as Fredrick Ordway), Joseph P. Allen (as Joe Allen), Guy Gardner, Rita Kempley, Francis Slakey, Anne Foerst, Ray Kurzweil, Steven M. Wise.

of Minnesota Press. p. 147. ISBN 978-0816639281. last call at maud's. Kempley, Rita (October 29, 1993). "'Last Call at Maud's'". The Washington Post

Tolkien: A Biography. New York: Ballantine Books. ISBN 978-0-04-928037-3. Kempley, Rita (2001-12-19). "Frodo Lives! A Spirited 'Lord of the Rings'". The

Archived from the original on October 29, 2017. Retrieved May 6, 2020. Kempley, Rita (October 23, 1993). "'Jamon Jamon' (NR)". The Washington Post. Archived

its title and content". Los Angeles Times. Retrieved 21 December 2011. Kempley, Rita (30 August 1991). "'The Pope Must Die' (R)". The Washington Post

Archived from the original on December 8, 2008. Retrieved August 14, 2008. Kempley, Rita (June 19, 1992). "Batman Returns". The Washington Post. Archived

Archived from the original on October 22, 2021. Retrieved November 5, 2022. Kempley, Rita (September 22, 1995). "Seven (R)". The Washington Post. Archived

charm and buoyancy that made the first "Act" a mass-appeal hit." Rita Kempley of The Washington Post called it "Shamelessly contrived pap." Ty Burr of

Archived from the original on 18 February 2022. Retrieved 14 February 2022. Kempley, Rita (28 February 1999). "Here & Now". Washington Post. Archived from

support these allegations. After Ince's death, District Attorney Chester C. Kempley of San Diego conducted an inquiry and issued a public statement which declared

it also covers the ancient parishes of Bromesberrow, Dymock, Huntley, Kempley, Longhope, Oxenhall, Pauntley, Preston, and Taynton. A History of the County

non-holiday weekend ticket sales". Los Angeles Times. Retrieved 24 July 2010. Kempley, Rita (15 July 1994). "'True Lies' (R)". The Washington Post. Retrieved

clarinet soloist Henry Lowther – flugelhorn and trumpet soloist Lindsay Kempley – French horn soloist Daniel West – tenor trombone and bass trombone soloist

Archived from the original on May 14, 2021. Retrieved March 31, 2021. Kempley, Rita (July 23, 1982). "The Movie According to Garp". The Washington Post

ISBN 9781597974899. Retrieved October 23, 2014. Reitzes, David (2001). "Wo was Ferrie". Kempley, Rita (March 27, 1992). "'RUBY': THE LIKABLE LOSER". The Washington Post

Archived from the original on April 14, 2022. Retrieved April 1, 2022. Kempley, Rita (November 7, 1997). "Starship Troopers: A Slew Of Beauties Bash Big

(21 February 2012). "Commitment to Israel-Palestine, Part 2". HuffPost. Kempley, Rita (17 September 1982). "Mooning Over MacArthur". The Washington Post

BRITANNIA : Tilting at Titles". LA Times. Retrieved 21 December 2011. Kempley, Rita (30 August 1991). "'The Pope Must Die' (R)". Washington Post. Retrieved

Archived from the original on July 5, 2020. Retrieved January 8, 2020. Kempley, Rita (July 17, 1987). "RoboCop (R)". The Washington Post. Archived from

world from an evil vegetarian who brainwashes animals to kill people. Rita Kempley at The Washington Post noted the large number of Coca-Cola product placements

Archived from the original on August 9, 2020. Retrieved November 4, 2021. Kempley, Rita (June 1, 1990). "Total Recall (R)". The Washington Post. Archived

Archived from the original on October 6, 2014. Retrieved August 25, 2022. Kempley, Rita (November 25, 1992). "'Aladdin'". The Washington Post. Bradshaw,

Times. Archived from the original on 2008-05-11. Retrieved 2017-09-12. Kempley, Rita (1999-12-25). "'Galaxy Quest': Set Phasers on Fun". Washington Post

Archived from the original on September 5, 2014. Retrieved September 1, 2014. Kempley, Rita (March 9, 1990). "'Joe Versus the Volcano' (PG)". The Washington

classic Hollywood actresses Rita Hayworth and Marilyn Monroe, while Rita Kempley of The Washington Post compared Pfeiffer to Lauren Bacall. Pfeiffer won

from the original on September 10, 2015. Retrieved September 10, 2015. Kempley, Rita (November 2, 1985). "SUPERMAN". The Washington Post. Retrieved December

Legacy, Cont'd - The Atlantic". The Atlantic. Retrieved 8 February 2022. Kempley, Rita (15 September 1995). "'An Awfully Big Adventure'". The Washington

Chapter 1: 'A New View'"". Starlog. No. 48. pp. 25–9 – via Internet Archive. Kempley, Rita (May 27, 1983). "A Triumphal 'Return of the Jedi'". The Washington

that stars Matt Damon and Edward Norton and opens nationally on Friday." Kempley, Rita. "Snake Eyes: A Bad Bet", The Washington Post, August 7, 1998. Accessed

Scenes In Hollywood". The Brazosports Facts. Retrieved 11 April 2022. Kempley, Rita (November 20, 1987). "Barfly". The Washington Post. Retrieved 1 August

Dust: The Making of an African American Woman's Film." The New Press. Kempley, Rita. (February 28, 1992) "Daughters of the Dust," The Washington Post

Nishizaki Passes Away". Anime News Network. Retrieved November 7, 2010. Kempley, Rita (November 17, 1989). "'All Dogs Go to Heaven' (G)". New York Times

(2002-11-03). "The Collector". PopMatters. Retrieved 2007-12-19. Rita Kempley (1993-12-22). "Six Degrees of Separation". The Washington Post. Retrieved

Hanks and Meg Ryan's Classic Rom-Com". Variety. Retrieved March 14, 2022. Kempley, Rita (June 25, 1993). "Movies". The Washington Post. Retrieved March 21

muerte (Apartment Zero) Cinenacional.com 'Apartment Zero' (R), by Rita Kempley 11 April 1989, The Washington Post "Apartment Zero". Rotten Tomatoes. Archived

"Hold Me Thrill Me Kiss Me: Review". TV Guide. 1993. Retrieved 2013-06-08. Kempley, Rita (1993-09-17). "'Hold Me, Thrill Me, Kiss Me'". The Washington Post

Archived from the original on March 26, 2019. Retrieved May 23, 2019. Kempley, Rita (November 17, 1995). "'The American President' (PG-13)". The Washington

spokanehistorical.org. Spokane Historical. Retrieved September 4, 2022. Kempley, Rita (16 April 1993). "Benny & Joon". The Washington Post. Retrieved 2

2003 ([1] Tom Steele, "Janis Joplin" Out Magazine, August, 2005, p. 28 Kempley, Rita. "'Last Call at Maud's' (NR)". www.washingtonpost.com. Retrieved

somehow still very funny". The Sydney Morning Herald. Retrieved 2023-01-31. Kempley, Rita (August 4, 1999). "'Dick' (PG-13)". The Washington Post. Retrieved

from the original on January 7, 2015. Retrieved January 5, 2015. Rita Kempley (August 10, 1988). "Clean and Sober". Washington Post. Retrieved January

Dike (L) Andrew Gutter (R) Eller Beck (L) Haw Beck (R) Embsay Beck (R) Kempley Beck (R) Rowton Beck Heugh Gill Rams Gill Water Lane Beck (R) Owlet House

Archived from the original on December 25, 2020. Retrieved August 24, 2020. Kempley, Rita. "The Great White Hype". The Washington Post. Archived from the original

Archived from the original on September 26, 2020. Retrieved May 27, 2020. Kempley, Rita (October 27, 1995). "Copycat". The Washington Post. Archived from

29". Chicago Sun-Times. Archived from the original on January 3, 2021. Kempley, Rita (January 27, 1989). "'Physical Evidence'". The Washington Post. Archived

"'Geronimo An American Legend'". Washington Post. Retrieved January 14, 2022. Kempley, Rita (March 25, 1994). "'The Paper' (R)". Washington Post. Retrieved January

adulterous affair. 14 14 "Buddy, Can You Spare a Job?" James Komack Walter Kempley December 26, 1961 (1961-12-26) 14 Rob rejects a job offer as head writer

19, 1988). "Review/Film; Trials of a Movie Maker". The New York Times. Kempley, Rita (February 10, 1989). "'Beer Drinker s Guide to Fitness and Filmmaking'"

characters from the Labyrinth appear in her room to celebrate with her. Rita Kempley of The Washington Post identified Sarah as "the ingénue, a resourceful

from the original on September 29, 2019. Retrieved September 29, 2019. Kempley, Rita (September 18, 1992). "'Husbands and Wives'". The Washington Post

Monmouthshire, Wales. Newent PLU Bromsberrow, Corse, Dymock, Hartpury, Highleadon, Kempley, Newent, Oxenhall, Pauntley, Preston, Rudford, Taynton, Tibberton, Upleadon

wise to their plan. 9 9 "McHale's Paradise Motel" Sidney Lanfield Walter Kempley December 6, 1962 (1962-12-06) While out on a recon mission, McHale and

Thing (1985). The role also earned him a Drama Desk Award nomination. Kempley, Rita (9 November 1990). "'Reversal of Fortune' (R)". The Washington Post

McKellen confronted him in the most Ian McKellen way possible". PinkNews. Kempley, Rita (23 April 1993). "'This Boy's Life' (R)". The Washington Post. Holden

Ebert, Roger (16 March 1990). "The Handmaid's Tale". RogerEbert.com. Kempley, Rita (25 October 1991). "'The Butcher's Wife' (PG-13)". Washington Post