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Longer titles found: Kelefa Sanneh bibliography (view)

searching for Kelefa Sanneh 110 found (275 total)

Not Exotic (383 words) [view diff] exact match in snippet view article find links to article

Records in North Carolina. The album was well received by critics, and Kelefa Sanneh of The New York Times featured the band and album in the publication

Life (Yo Gotti album) (324 words) [view diff] exact match in snippet view article

than is usually heard on Memphis rap records". The New York Times' Kelefa Sanneh, reviewing his next album, described Life as "an uncelebrated gem".

Mixtape Messiah 3 (132 words) [view diff] exact match in snippet view article find links to article

Hop Police" and Mixtape Messiah 3". WordOfSouth.com. June 12, 2007. Kelefa Sanneh, "Critics' Choice", New York Times, July 23, 2007. Official website

There's More Where That Came From (1,876 words) [view diff] exact match in snippet view article find links to article

music blog list it #2 on the "Top Country Albums of the Decade" list. Kelefa Sanneh of the New York Times gave the album a positive review and wrote, "There's

Twentythree (394 words) [view diff] exact match in snippet view article find links to article

"November" and "Song for the Rich" were also on her four-song demo. Kelefa Sanneh (July 31, 2005), "The Week Ahead: July 31-Aug. 6; Pop/Jazz", The New

Super Bowl XLI halftime show (1,793 words) [view diff] exact match in snippet view article find links to article

of the song.[citation needed] The performance was widely acclaimed. Kelefa Sanneh of The New York Times wrote that the performance would "surely go down

Down for Life (album) (165 words) [view diff] exact match in snippet view article

'Flash' Juon (December 27, 2005). "D4L :: Down for Life". RapReviews. Kelefa Sanneh (January 12, 2006). "'Laffy Taffy': So Light, So Sugary, So Downloadable"

Roswell Rudd (766 words) [view diff] exact match in snippet view article find links to article

Machine. Association for Cultural Equity; accessed December 22, 2017. Kelefa Sanneh (February 18, 2004). "WORLD MUSIC REVIEW; When Cultures' Sounds Don't

Body Kiss (831 words) [view diff] exact match in snippet view article find links to article

turn to frequent collaborator R. Kelly for its contemporary sounds." Kelefa Sanneh, writing for The New York Times, felt that Body Kiss served as a sequel

Bob Larson (1,287 words) [view diff] no match in snippet view article find links to article

Conversation You Think It Is". Huffington Post. Retrieved 26 July 2012. Kelefa, Sanneh (18 Jan 2019). "Record Deal with the Devil". This American Life podcast

Daddy (Beyoncé song) (1,393 words) [view diff] exact match in snippet view article

powerful message. By contrast, Allison Stewart of The Washington Post and Kelefa Sanneh of The New York Times both called "Daddy" a "creepy bonus track". Similarly

Love Behind the Melody (745 words) [view diff] exact match in snippet view article find links to article

a step-back-and-listen-to-him-blow disc." The New York Times critic Kelefa Sanneh called DeVaughn "a slow-jam specialist with a mellow voice and a restrained

Gangsta Blues (416 words) [view diff] exact match in snippet view article find links to article

from government, the current quality of modern music, love & politics. Kelefa Sanneh of The New York Times described the music as "acoustic-guitar laments

Music of Oregon (1,741 words) [view diff] exact match in snippet view article find links to article

here, listen to 'No Nostalgia'". The Oregonian. Retrieved 2011-05-08. Kelefa Sanneh (November 9, 2003). "PLAYLIST; Elliot Smith's Legacy and Pink's Big

Moodring Tour (1,548 words) [view diff] exact match in snippet view article find links to article

In a mixed review of her concert at the House of Blues in New York, Kelefa Sanneh of the New York Times opined, “As a singer, Mýa is a great dancer, and

John Lewis: A Life (467 words) [view diff] exact match in snippet view article find links to article

post-civil-rights story the depth of attention it deserves... Numerous interviews." Kelefa Sanneh of The New Yorker wrote: "Appropriately weighty... Less hagiographic

Tales of a Librarian (503 words) [view diff] exact match in snippet view article find links to article

com. Archived from the original on 2007-05-09. Retrieved 2006-11-12. Kelefa Sanneh (2003-12-05). "Tales of a Librarian". The New York Times. "A Tori Amos

Whatever U Like (1,746 words) [view diff] exact match in snippet view article find links to article

team on a night that was full of many different varieties of hookups." Kelefa Sanneh of The New York Times agreed with Kaufman describing the performance

Poison Idea (2,025 words) [view diff] exact match in snippet view article find links to article

(Second ed.). Guinness Publishing. pp. 279/80. ISBN 0-85112-656-1. Kelefa Sanneh (February 9, 2006). "Requiem for a Hero of Punk". The New York Times

Lacrymosa (song) (1,716 words) [view diff] exact match in snippet view article

Lacrimosa, describing it as a "dynamic rocker". The New York Times's Kelefa Sanneh regarded the song as "grandiose even by the album's standards" and "an

Jennifer Lopez & Marc Anthony en Concierto (1,234 words) [view diff] exact match in snippet view article find links to article

Falta" was not performed at the Honda Center in Anaheim, California Kelefa Sanneh (The New York Times) gave the tour a mixed review. Although he praised

Avenue D (band) (1,376 words) [view diff] exact match in snippet view article

review of one of their 2002 concerts in The New York Times, journalist Kelefa Sanneh commented, "The concert also featured no fewer than four white female

Speakerphone (song) (1,624 words) [view diff] exact match in snippet view article

electronic, and funk song. Writing for the New York Times News Service, Kelefa Sanneh called it a "meta-dance song intoxicated with itself". Likening the

Break Down Here (775 words) [view diff] exact match in snippet view article find links to article

was added to GAC-TV's playlists during the week of February 29, 2004. Kelefa Sanneh of The New York Times described the song favorably, calling it "one

Everything I'm Not (860 words) [view diff] exact match in snippet view article find links to article

and has been certified gold over 35,000 units shipped in Australia. Kelefa Sanneh from The New York Times named it amongst some of the excellent songs

Family (LeAnn Rimes album) (1,405 words) [view diff] exact match in snippet view article

songwriting and dubbed Family "the best, most cogent album of her career". Kelefa Sanneh of The New York Times complimented her "gentle belting-out" and commented

No Es Que Te Extrañe (1,586 words) [view diff] exact match in snippet view article find links to article

from Sputnikmusic simply called it "great." The New York Times editor Kelefa Sanneh positively viewed the track's theme as "fearless". Jeff Benjamin, writer

Break It Off (1,725 words) [view diff] exact match in snippet view article find links to article

is "totally juiced" and that she provides good competition for Paul. Kelefa Sanneh for The New York Times praised the song, and described it as Rihanna's

Big Poppa (1,125 words) [view diff] exact match in snippet view article find links to article

19, 2021). "'Our music charts are still kind of segregated': critic Kelefa Sanneh on pop, fandom and race". The Guardian. ISSN 0261-3077. Retrieved January

Celebrity Tour (2,153 words) [view diff] exact match in snippet view article find links to article

Timberlake riffs with the band guitarist received mixed reviews, with Kelefa Sanneh of The New York Times saying, "'Gone', a fluttery slow jam sung by Justin

Yo (Excuse Me Miss) (1,235 words) [view diff] exact match in snippet view article

the MTV Australia Awards. In her review of parent album Chris Brown, Kelefa Sanneh from The New York Times wrote: "[Brown] sounds enthusiastic but polite

Caught Up (Usher song) (1,445 words) [view diff] exact match in snippet view article

as one of Usher's best moments in the album, together with "Burn". Kelefa Sanneh of The New York Times called it a "thunderous song" from the album,

If Only You Were Lonely (1,452 words) [view diff] exact match in snippet view article find links to article

arrangements by Hawthorne Heights and David Bendeth. Personnel per booklet. Kelefa Sanneh (February 27, 2006). "Critics' Choice: New CD's". The New York Times

Dr. Dog (3,031 words) [view diff] exact match in snippet view article find links to article

James after an MMJ show. Soon after, The New York Times music critic Kelefa Sanneh praised the group's album Easy Beat in a December 2004 article, leading

Song 4 Mutya (Out of Control) (1,725 words) [view diff] exact match in snippet view article

her best, and praised it as a "massive hit full of 1980s thrills". Kelefa Sanneh of The New York Times described it as a "glorious chronicle of romantic

Gregory Alan Thornbury (1,466 words) [view diff] exact match in snippet view article find links to article

positive mention in an article in The New Yorker magazine written by Kelefa Sanneh. Books written or edited by Gregory Alan Thornbury include: Recovering

8 Diagrams (2,360 words) [view diff] exact match in snippet view article find links to article

old sounds into his old sounds, he just sticks with his old sounds". Kelefa Sanneh of The New York Times criticized the album's production as well, but

Glasslands Gallery (2,470 words) [view diff] no match in snippet view article find links to article

Gallery. Vimeo. SHFT. November 6, 2010. Retrieved October 25, 2015. Kelefa, Sanneh (June 18, 2007). "Preppie Afro-Pop and Other Odd Blends". New York Times

Outrageous (song) (2,166 words) [view diff] exact match in snippet view article

it's [sic] repetitiveness, it's still kind of funky and pervasive". Kelefa Sanneh of The New York Times called it "[a] composition that cruises along

The Girl Is Mine (3,142 words) [view diff] exact match in snippet view article find links to article

will.i.am had turned "The Girl Is Mine" into a "hapless dance number". Kelefa Sanneh of Blender wrote that "will.i.am contributes beats (why?) and rhymes

Me Against the Music (7,123 words) [view diff] exact match in snippet view article find links to article

melody of the song and adds a clattering backbeat and Punjabi shouts. Kelefa Sanneh of The New York Times called the remix "excellent", noting that it is

Wow (Kylie Minogue song) (2,016 words) [view diff] exact match in snippet view article

single "Holiday", but added "Wow" is "Holiday" on studio steroids". Kelefa Sanneh from The New York Times had said that "Wow"; "updates 80s-era Madonna"

Lovers and Friends (song) (2,693 words) [view diff] exact match in snippet view article

Rock introduction is the "lead-in". Writing for The New York Times, Kelefa Sanneh critiqued that the previous song is a Rick Rubin produced "head-banging

Chain Letter (album) (1,618 words) [view diff] exact match in snippet view article

unconvincing posturing leave her a few steps short of R&B diva status." Kelefa Sanneh, writing fpor The New York Times, remarked: "Somehow, it all sounds

Human Nature (Michael Jackson song) (2,952 words) [view diff] exact match in snippet view article

song "set down a blueprint for what would become known as adult R&B". Kelefa Sanneh of Blender described the "soft-serve balladry" of the song as a "silk-sheets

Be (Common album) (2,671 words) [view diff] exact match in snippet view article

the while staying beautifully soulful and funky." The New York Times' Kelefa Sanneh felt that Be was "certainly a triumph, but if it isn't quite the all-time

Tattoo (Jordin Sparks song) (1,882 words) [view diff] exact match in snippet view article

that reminded him of Beyoncé's "Irreplaceable". This was echoed by Kelefa Sanneh of The New York Times, who said "it sounds like a cousin of Beyoncé’s

Country pop (6,055 words) [view diff] exact match in snippet view article find links to article

from hip-hop, but Hunt's borrowings are softer and sneakier,' noted Kelefa Sanneh." Jon Caramanica said: "Think of all the ways dissenters have tried

Hide and Seek (Imogen Heap song) (3,294 words) [view diff] exact match in snippet view article

one of the earliest music videos in this format. The New York Times's Kelefa Sanneh wrote that the video "resembles a glamorous dance-pop video, except

Does This Look Infected? (2,526 words) [view diff] exact match in snippet view article find links to article

Infected?"". E! Online. Archived from the original on December 16, 2002. Kelefa Sanneh. "Sum 41 Does This Look Infected?". Rolling Stone. Archived from the

Jordin Sparks (album) (2,133 words) [view diff] exact match in snippet view article

consistent disc of polished pop" that includes "more misses than hits." Kelefa Sanneh from The New York Times felt that Jordin Sparks "sounds like a mirror-image

Even If It Kills Me (2,519 words) [view diff] exact match in snippet view article find links to article

adulthood with this set of near-perfect pop." The New York Times reviewer Kelefa Sanneh commended the record. "Together they made an album that sounds like

Only U (3,068 words) [view diff] exact match in snippet view article find links to article

excess of 'baby's' for her to sing. 'Only U' is...worth a listen." Kelefa Sanneh of The New York Times was mixed, writing that the song "revolves around

Time Crisis with Ezra Koenig (3,076 words) [view diff] exact match in snippet view article find links to article

Boat in the Dock (October 9, 2021) Episode 159. Grateful Genres with Kelefa Sanneh (October 24, 2021) Episode 160. NFT Week with Despot (November 7, 2021)

The Reminder (2,367 words) [view diff] exact match in snippet view article find links to article

Besnard Lakes, Chad VanGaalen, and eventual winner Patrick Watson. Kelefa Sanneh of The New York Times ranked The Reminder at #1, and Jon Pareles ranked

Chapter II (Ashanti album) (1,886 words) [view diff] exact match in snippet view article

reviews, indicating "mixed or average" reviews. The New York Times writer Kelefa Sanneh remarked that Chapter II "isn't perfect, but once you edit out the skits

Stereolab (6,626 words) [view diff] exact match in snippet view article find links to article

and the record as a whole as "Complex and catchy, bold and beatific." Kelefa Sanneh commented in Rolling Stone that Margerine Eclipse was "full of familiar

If It's Lovin' that You Want (2,546 words) [view diff] exact match in snippet view article find links to article

hook that, albeit monotonous, cannot miss." A reviewer of Take40 and Kelefa Sanneh of The New York Times were brief in their reviews of "If It's Lovin'

Montgomery Gentry (5,378 words) [view diff] exact match in snippet view article find links to article

have an edge to their sound, and I think we got a little too soft." Kelefa Sanneh of The New York Times gave a mixed review, saying that it was more "touchy-feely"

Just Lose It (2,357 words) [view diff] exact match in snippet view article find links to article

fart noises, which, with the best will in the world, won't suffice." Kelefa Sanneh of The New York Times wrote that song "unfolds as a series of puzzlingly

Mockingbird (Eminem song) (2,376 words) [view diff] exact match in snippet view article

I-love-my-daughter ode 'Mockingbird'" isn't the most exciting thing according to Kelefa Sanneh. Stylus Magazine was negative: "Encore dutifully deploys the obligatory

U Got It Bad (2,811 words) [view diff] exact match in snippet view article find links to article

the spectre of first love with passion, honesty and some raw beats." Kelefa Sanneh from The New York Times cited "U Got It Bad" as 2001's "best slow jam

Confessions Part II (2,921 words) [view diff] exact match in snippet view article find links to article

furthered called it the "wimpiest" song on the theme of the album. Kelefa Sanneh of The New York Times called it a "tricky infidelity narrative". "Confessions

Chemistry (Girls Aloud album) (3,019 words) [view diff] exact match in snippet view article

The Independent. Independent Print Limited. Retrieved 14 April 2010. Kelefa Sanneh (22 December 2005). "Stealth sounds that missed the charts but merit

It's About Time (Christina Milian album) (2,791 words) [view diff] exact match in snippet view article

the ballads next time out in order to be considered a true force." Kelefa Sanneh of The New York Times said that although "Dip It Low" was one of the

The Rising Tied (2,828 words) [view diff] exact match in snippet view article find links to article

hailed the record as "consistently gripping and surprisingly fun." Kelefa Sanneh of The New York Times felt that The Rising Tied was "a proper (though

Burning Up (Madonna song) (5,319 words) [view diff] exact match in snippet view article

depicted scenes of war and sex which, according to The New York Times' Kelefa Sanneh, looked like they were filmed with a camcorder and were reminiscent

JoJo (singer) (7,429 words) [view diff] exact match in snippet view article

choruses". Pegging JoJo as "a teen-pop star with an R&B singer's voice", Kelefa Sanneh of The New York Times continued, "she can outsing much of the competition

Krishnaism (8,893 words) [view diff] exact match in snippet view article find links to article

ISBN 0-306-80747-5. Schweig 2005. What Does Tulsi Gabbard Believe?, Kelefa Sanneh, The New Yorker, Oktober 30, 2017. Tulsi Gabbard Had a Very Strange

Music of the Sun (4,819 words) [view diff] exact match in snippet view article find links to article

Music of the Sun received generally mixed reviews from music critics. Kelefa Sanneh of The New York Times viewed that the album's combination of dancehall

Get Rich or Die Tryin' (4,686 words) [view diff] exact match in snippet view article find links to article

of only 19 rap albums to receive a perfect rating from XXL magazine. Kelefa Sanneh of The New York Times wrote that 50 Cent is "an appealing, mischievous

Curtis (50 Cent album) (4,470 words) [view diff] exact match in snippet view article

Cent is for the first time "letting guests sing most of the hooks". Kelefa Sanneh of The New York Times commented that "his mush-mouthed delivery is still

Ring the Alarm (6,054 words) [view diff] exact match in snippet view article find links to article

"Ring the Alarm" as a "shrill tantrum of green-eyed monsterdom", and Kelefa Sanneh of The New York Times described it as a "canny display of emotional

Doctor's Advocate (4,942 words) [view diff] no match in snippet view article find links to article

2011-07-23 at the Wayback Machine. The Source. Retrieved on 2010-12-29. Kelefa, Sanneh. Review: Doctor's Advocate Archived 2016-01-14 at the Wayback Machine

Super Bowl XXXVIII halftime show controversy (13,329 words) [view diff] exact match in snippet view article find links to article

Jackson – Damita Jo". BBC. March 30, 2004. Retrieved November 29, 2013. Kelefa Sanneh (March 28, 2004). "Two Lessons At the School For Scandal". The New York

Best of Both Worlds Tour (6,442 words) [view diff] exact match in snippet view article find links to article

stated that Cyrus was unable to duplicate the energy of Hannah Montana. Kelefa Sanneh of The New York Times expected to be let down by the concert after the

Super Bowl XXXVIII halftime show controversy (13,329 words) [view diff] exact match in snippet view article find links to article

Jackson – Damita Jo". BBC. March 30, 2004. Retrieved November 29, 2013. Kelefa Sanneh (March 28, 2004). "Two Lessons At the School For Scandal". The New York

By the Way (6,410 words) [view diff] exact match in snippet view article find links to article

2003, to a sold-out crowd and an enthusiastic response from critics. Kelefa Sanneh of The New York Times reported that "on Tuesday night, the [Red Hot

Just a Girl (6,317 words) [view diff] exact match in snippet view article find links to article

girl because that's all that you'll let me be!" The New York Times's Kelefa Sanneh found this as Stefani either "addressing her fans [and] joking about

Rihanna (22,281 words) [view diff] exact match in snippet view article find links to article

demonstrates the influence of Rihanna's musical heritage of the Caribbean. Kelefa Sanneh of the New York Times complimented its combination of dancehall and

The High Road (JoJo album) (3,942 words) [view diff] exact match in snippet view article

surprising and memorable pit stops along the way." In a mixed review, Kelefa Sanneh of The New York Times felt that "[n]othing else on The High Road [.

Beat It (7,275 words) [view diff] exact match in snippet view article find links to article

"parroting the lyrics of "Beat It" back to a recorded Jackson". Blender's Kelefa Sanneh also noted that the Black Eyed Peas singer traded lines with Jackson

When Your Heart Stops Beating (4,979 words) [view diff] exact match in snippet view article find links to article

DeLonge's new project, Angels & Airwaves' We Don't Need to Whisper, and Kelefa Sanneh of The New York Times described it as "zippier and catchier" than Whisper

Electronic dance music (16,780 words) [view diff] exact match in snippet view article find links to article

careers as DJs and producers. According to New York Times journalist Kelefa Sanneh, Aaliyah's 2000 single "Try Again" "helped smuggle the innovative techniques

Hardcore punk (17,971 words) [view diff] exact match in snippet view article find links to article

states that the term refers to "an extreme: the absolute most Punk". Kelefa Sanneh states that the term "hardcore" referred to an attitude of "turning

Confessions (Usher album) (8,561 words) [view diff] exact match in snippet view article

savvy without coming off as too desperate. Sorta like Usher himself." Kelefa Sanneh of The New York Times said that near the end, the songwriting "fails"

Re-Invention World Tour (8,993 words) [view diff] exact match in snippet view article find links to article

soulless" by the Manchester Evening News' Paul Taylor. The New York Times' Kelefa Sanneh said that the "re-invention" tag had proved "over-ambitious", as Madonna

Fantasy (Mariah Carey song) (6,639 words) [view diff] exact match in snippet view article

for the 1995 hit "Fantasy (Remix)," it was a surprise, and a smash. —Kelefa Sanneh of The New York Times commenting on the influence and impact of the

Love. Angel. Music. Baby. (7,532 words) [view diff] exact match in snippet view article find links to article

to little more than sly channeling of Lisa Lisa at a disco revival." Kelefa Sanneh of The New York Times viewed it as a "clever and sometimes enticing

Under My Skin (Avril Lavigne album) (4,967 words) [view diff] exact match in snippet view article

darkened her sound without sacrificing her platinum-plated melodies". Kelefa Sanneh of Rolling Stone praised Lavigne's vocals, "blankness is what makes

Since U Been Gone (8,673 words) [view diff] exact match in snippet view article find links to article

the performance was Clarkson's most memorable live performances while Kelefa Sanneh of The New York Times thought Clarkson's performance was very solid

Everytime (7,557 words) [view diff] exact match in snippet view article find links to article

only song that she appeared to sing unaccompanied by backing tapes". Kelefa Sanneh of Blender called it the best performance of the show. "Everytime" was

The Way I Are (5,257 words) [view diff] exact match in snippet view article find links to article

not care about any of that, and jokes that she can pay him to strip. Kelefa Sanneh of The New York Times described the track as a "swirling electronic

A Girl Like Me (Rihanna album) (7,838 words) [view diff] exact match in snippet view article

"Pon de Replay", there's more of the same here." In a negative review, Kelefa Sanneh of The New York Times wrote that apart from "SOS", "Unfaithful", and

Britney Jean (7,419 words) [view diff] exact match in snippet view article find links to article

from the original on December 13, 2013. Retrieved November 16, 2013. Kelefa Sanneh (October 29, 2007). "'Miss Bad Media Karma' Sings, Too". The New York

Cassie (album) (4,305 words) [view diff] exact match in snippet view article

continuing that it "deftly flirts with adult themes but in a youthful way". Kelefa Sanneh of The New York Times said that the album "mastered R&B-lite songs over

Good Girl Gone Bad (10,413 words) [view diff] exact match in snippet view article find links to article

perhaps edgier and more risqué" than Rihanna's previous material. Kelefa Sanneh of The New York Times wrote that the album "sounds as if it were scientifically

Good Morning Revival (6,710 words) [view diff] exact match in snippet view article find links to article

of Revival, they do it as well as ever". The New York Times reviewer Kelefa Sanneh called it "a mystifyingly inept CD that includes some of the worst lyrics

Greatest Hits: My Prerogative (7,455 words) [view diff] exact match in snippet view article find links to article

personal. If only she had continued to prove worthy of that heroic task." Kelefa Sanneh of The New York Times said: "Listening to her hits all at once, you

By the Way Tour (890 words) [view diff] exact match in snippet view article find links to article

May 20, 2003 concert the Madison Square Garden, which was reported by Kelefa Sanneh of The New York Times as an "extraordinary two-hour performance," and

Tucker Carlson (31,246 words) [view diff] exact match in snippet view article find links to article

Carlson "one of the world's great contrarians". Touching upon this, Kelefa Sanneh, writing for The New Yorker said that one of Carlson's gifts is to make

LGBTQ rights in Jamaica (13,418 words) [view diff] exact match in snippet view article find links to article

Archived from the original on 11 November 2013. Retrieved 11 May 2013. Kelefa Sanneh (6 September 2004). "Critic's Notebook, Dancehall's Vicious Side: Antigay

The Open Door (10,497 words) [view diff] exact match in snippet view article find links to article

on her band's sophomore effort". Reviewing for The New York Times, Kelefa Sanneh wrote that it is "no surprise" that after Moody's departure "Evanescence

Hip-hop culture (21,404 words) [view diff] exact match in snippet view article find links to article

Archived from the original on April 4, 2016. Retrieved March 29, 2016. Kelefa Sanneh, "The Rap Against Rockism." 2004. "The Negative Influence of Gangster

American Life (13,059 words) [view diff] exact match in snippet view article find links to article

than what it delivers, and that it is better in theory than practice. Kelefa Sanneh from Blender awarded the album three stars out of five. "Just as disjointed

One in a Million (Aaliyah album) (10,221 words) [view diff] exact match in snippet view article

from everything that had come before". Briefly discussing the album, Kelefa Sanneh of The New York Times said Timbaland's "computer-programmed beats fitted

Damita Jo (album) (10,841 words) [view diff] exact match in snippet view article

"outpaced recent debuts by Madonna, Jennifer Lopez and Christina Aguilera". Kelefa Sanneh from The New York Times noted that the record was "even sleeker and

List of Jewish American businesspeople in retail (7,512 words) [view diff] exact match in snippet view article find links to article

campaign posters". J. The Jewish News of Northern California. Nov 6, 1998. Kelefa Sanneh (Aug 3, 2009). "Party of One". The New Yorker. Debra Rubin (Apr 8, 2013)

Cultural impact of Mariah Carey (8,837 words) [view diff] exact match in snippet view article find links to article

for the 1995 hit "Fantasy (Remix)," it was a surprise, and a smash. —Kelefa Sanneh of The New York Times commenting on the influence and impact of the

List of 1980s albums considered the best (9,009 words) [view diff] exact match in snippet view article find links to article

'Misplaced Childhood'". Ultimate Classic Rock. Retrieved 2024-11-13. Kelefa Sanneh (2021). Major Labels. Canongate. p. 268. ISBN 9781838855932. Rowley