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searching for Joseph Maddrey 8 found (15 total)

alternate case: joseph Maddrey

Lance Henriksen (2,343 words) [view diff] exact match in snippet view article find links to article

Joseph Maddrey (co-authors) with Tom Mandrake (artist); a motion-comic video was also made by Dark Horse Comics) (2012) – Lance Henriksen and Joseph Maddrey
Millennium Group (1,446 words) [view diff] exact match in snippet view article find links to article
Back to Frank Black: A Return to Chris Carter's Millennium, author Joseph Maddrey found that the changing nature of the Group's aims and methods seemed
Cerro Pelon Ranch (1,413 words) [view diff] exact match in snippet view article find links to article
Galisteo Basin ranch on market for $75M". The Santa Fe New Mexican. Joseph Maddrey, The Quick, the Dead and the Revived: The Many Lives of the Western
The Wolf Man (1941 film) (4,249 words) [view diff] exact match in snippet view article
European forces." In his 2004 book Nightmares in Red, White and Blue, Joseph Maddrey wrote that the resolution of The Wolf Man "is not reassuring in the
A Song for Simeon (4,104 words) [view diff] exact match in snippet view article find links to article
imagines only the death wind that will bear him away". According to writer Joseph Maddrey, "A Song for Simeon" shares themes with his more famous conversion poem
The Cat and the Canary (1927 film) (3,888 words) [view diff] exact match in snippet view article
McFarland, 2004), p. 2, ISBN 0-7864-1922-9. Miller, Horror Spoofs, pp. 2–3. Joseph Maddrey, Nightmares in Red, White, and Blue: The Evolution of the American Horror
Darkest Night (film) (3,588 words) [view diff] exact match in snippet view article
especially about family, according to the famous American horror observer, Joseph Maddrey. For example, he explains the huge appeal of the Nightmare on Elm Street
Night of the Living Dead (12,381 words) [view diff] exact match in snippet view article find links to article
completed film ultimately benefited from the decision, as film historian Joseph Maddrey describes the black-and-white filming as "guerrilla-style", resembling