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searching for Jazz Standard (jazz club) 46 found (62 total)

alternate case: jazz Standard (jazz club)

Ornithology (composition) (235 words) [view diff] no match in snippet view article

"Ornithology" is a jazz standard by bebop alto saxophonist Charlie Parker and trumpeter Benny Harris. Its title is a reference to Parker's nickname, "Bird"
Our Delight (413 words) [view diff] no match in snippet view article find links to article
"Our Delight" is a 1946 jazz standard, composed by Tadd Dameron. It is considered one of his best compositions along with "Good Bait", "Hot House", "If
Birdland (New York jazz club) (2,240 words) [view diff] no match in snippet view article
Birdland is a jazz club started in New York City on December 15, 1949. The original Birdland, which was located at 1678 Broadway, just north of West 52nd
Lullaby of Birdland (643 words) [view diff] no match in snippet view article find links to article
"Lullaby of Birdland" is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss (under the pseudonym "B. Y. Forster")
Stablemates (jazz standard) (362 words) [view diff] no match in snippet view article
New Miles Davis Quintet, released in 1956. It is widely regarded as a jazz standard and has been recorded by many notable jazz artists. According to his
Everybody Loves My Baby (1,087 words) [view diff] no match in snippet view article find links to article
Loves My Baby, but My Baby Don't Love Nobody but Me", is a popular and jazz standard song composed by Spencer Williams in 1924. Lyrics were written by Jack
Malika Zarra (477 words) [view diff] no match in snippet view article find links to article
Blue Note Jazz Club, The Jazz Standard, Joe's Pub, Sob's (opening for Sara Tavares), Smoke Jazz Club, Brooklyn Academy of Music, Chorus Jazz Club, Porgy
Nature Boy (5,610 words) [view diff] no match in snippet view article find links to article
Vaughan, which were also successful. It ultimately became a pop and jazz standard, with many artists interpreting the song, including Tony Bennett and
Festival of New Trumpet Music (714 words) [view diff] no match in snippet view article find links to article
August 2005, provided a week-long celebration of Lester Bowie at the Jazz Standard and an expansion of educational and performance opportunities for students
Roger Kellaway (973 words) [view diff] no match in snippet view article find links to article
Retrieved February 2, 2019. Nastos, Michael G. "Roger Kellaway: Live at the Jazz Standard". AllMusic. Retrieved February 2, 2019. Collar, Matt. "Roger Kellaway:
Walter Melrose (401 words) [view diff] no match in snippet view article find links to article
him royalties for his compositions. He and his brother published the jazz standard "Tin Roof Blues" composed by the New Orleans Rhythm Kings" in 1923.
Ornette Coleman (3,243 words) [view diff] no match in snippet view article find links to article
November 1959, his quartet began a controversial residency at the Five Spot jazz club in New York City and he released the influential album The Shape of Jazz
Billie Holiday (13,456 words) [view diff] no match in snippet view article find links to article
Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels
Noah Haidu (367 words) [view diff] no match in snippet view article find links to article
improvisations. His group appears regularly at New York jazz venues such as Smalls Jazz Club and Kitano Jazz. His recordings include Slipstream (his 2011 CD on Posi-Tone
Fred Hersch (2,470 words) [view diff] no match in snippet view article find links to article
seeing Sun Ra and his Intergalactic Arkestra at Gilly's, a now-closed jazz club in Dayton, Ohio. He recalls being in the audience when bandleader Art
Frank Morgan (musician) (2,061 words) [view diff] no match in snippet view article
released three albums worth of material from a three-night stand at the Jazz Standard in New York City in November, 2003. Morgan also participated in the
The Bad Plus (1,078 words) [view diff] no match in snippet view article find links to article
Tokyo includes a cover of Queen's "We Are the Champions" along with the jazz standard "My Funny Valentine". Suspicious Activity? contains a cover of the theme
Boris Kozlov (316 words) [view diff] no match in snippet view article find links to article
first with Brian Lynch and the second with Mingus Big Band (Live at Jazz Standard) in 2011. Kozlov has performed as musical director of the latter band
Chris McNulty (450 words) [view diff] no match in snippet view article find links to article
Newman, Gary Thomas, and Frank Wess. She has performed at Smoke Jazz Club (2002), Jazz Standard (2006, 2007), Sweet Rhythm (2005, 2006, 2007), The Blue Note
Jeri Brown (466 words) [view diff] no match in snippet view article find links to article
then worked mainly in the jazz scene of the Cleveland area, focused on jazz standard material, wrote lyrics and collaborated with composers such as Henry
Billy Harper (1,098 words) [view diff] no match in snippet view article find links to article
instant he was retaking the bandstand for the last set at Slug's Saloon, a jazz club on the Bowery in lower East Manhattan. Walking right alongside Lee Morgan
Billy Hart (1,012 words) [view diff] no match in snippet view article find links to article
1961 [1980] Wes Montgomery Live at Jorgies Jazz Club VGM 1961, 1968 [?] Wes Montgomery Live at Jorgies Jazz Club and More VGM 1963 Buck Clarke The Buck Clarke
Milt Jackson (1,183 words) [view diff] no match in snippet view article find links to article
from the Berklee College of Music. His composition "Bags' Groove" is a jazz standard ("Bags" was a nickname given to him by a bass player in Detroit. "Bags"
Feelin' Good at the Cadillac Club (1,643 words) [view diff] no match in snippet view article find links to article
sounds 'just like a flute.' From the frenetic pace of Toots Thielemans' jazz standard, "Bluesette," to the haunting approach of "Somewhere," Billy Paul runs
Conrad Herwig (1,365 words) [view diff] no match in snippet view article find links to article
(Sunnyside/Sue Mingus, 2005) Live in Tokyo (Sunnyside/Sue Mingus, 2006) Live at Jazz Standard (Sue Mingus, 2010) With Eddie Palmieri Palmas (Electra Nonesuch, 1994)
Wayne Escoffery (818 words) [view diff] no match in snippet view article find links to article
Band, I Am Three (Sue Mingus Music, 2005) Mingus Big Band, Live at Jazz Standard (Sue Mingus Music, 2010) Lonnie Plaxico, Rhythm & Soul (Sirocco Music
52nd Street (Manhattan) (2,371 words) [view diff] no match in snippet view article
called "52nd Street Theme" by Thelonious Monk became a bebop anthem and jazz standard. Virtually every great jazz player and singer of the era performed at
Jazz (20,084 words) [view diff] no match in snippet view article find links to article
most enduring Afro-Cuban jazz standards. "Manteca" (1947) is the first jazz standard to be rhythmically based on clave. According to Gillespie, Pozo composed
Miguel Zenón (3,477 words) [view diff] no match in snippet view article find links to article
Coleman (Miel Music, 2021): Recorded live in May 2019 at the Bird's Eye Jazz Club in Basel, Switzerland, along with saxophonist Ariel Bringuez, bassist
Lisa Fischer (2,726 words) [view diff] no match in snippet view article find links to article
returning to her solo career, Fischer sold out six consecutive shows at The Jazz Standard in New York City. In 2015, she, along with her musical director, the
Chet Baker (4,792 words) [view diff] no match in snippet view article find links to article
Chet dedicated his 1985 album Diane to Vavra, covering the familiar jazz standard "Diane." For a time, Vavra took refuge at a women's shelter due to Baker's
Mark Murphy (singer) (3,285 words) [view diff] no match in snippet view article
with the Jazz Journalists Association at the 2009 Jazz Awards, at the Jazz Standard (NYC) on June 16, 2009. 1956 Meet Mark Murphy (Decca) 1957 Let Yourself
Kirsten Dunst (9,214 words) [view diff] no match in snippet view article find links to article
written by Marc Shaiman. She recorded Henry Creamer and Turner Layton's jazz standard "After You've Gone" that was used in the end credits of The Cat's Meow
Gypsy jazz (4,342 words) [view diff] no match in snippet view article find links to article
due to his injury. Standard barre chords are not as common in gypsy jazz. Standard major and minor chords are almost never played, and are replaced by
Nina Simone (8,430 words) [view diff] no match in snippet view article find links to article
in royalties (notably for the 1980s re-release of her version of the jazz standard "My Baby Just Cares for Me") and never benefited financially from the
Charlie Parker (5,393 words) [view diff] no match in snippet view article find links to article
Examples include "Ornithology" (which borrows the chord progression of jazz standard "How High the Moon" and is said to be co-written with trumpet player
Susie Diamond (6,927 words) [view diff] no match in snippet view article find links to article
actress and sex symbol. The scene in which Susie seductively performs the jazz standard "Makin' Whoopee", for which The Fabulous Baker Boys continues to be
Sunnyside Records (84 words) [view diff] no match in snippet view article find links to article
SSC1342 Music for September Vadim Neselovskyi SSC1343 Live in New York at Jazz Standard Edward Simon Trio SSC1344 Journey to Journey Miho Hazama SSC1345 Mistery
Sarah Vaughan (6,184 words) [view diff] no match in snippet view article find links to article
recording of "Tenderly"—she was proud to be the first to have recorded that jazz standard—became an unexpected pop hit in late 1947. Her December 27, 1947, recording
Nanny Assis (567 words) [view diff] no match in snippet view article find links to article
as well as Jazz Forum Arts, Birdland, Zinc Bar, Blue Note Jazz Club, SOB's, Jazz Standard, Red Rooster Harlem, and Joe's Pub in New York City. In 2011
Bud Powell (8,170 words) [view diff] no match in snippet view article find links to article
compositions "Tempus Fugit" and "Celia", an up-tempo version of the jazz standard "Cherokee", "Get Happy", and "All God’s Chillun Got Rhythm". The first
Dave Brubeck (5,442 words) [view diff] no match in snippet view article find links to article
million copies. The single "Take Five" off the album quickly became a jazz standard, despite its unusual composition and its time signature: 5 4 time. Time
Candyman (Christina Aguilera song) (3,675 words) [view diff] no match in snippet view article
in a white sailor suit with cap. The performance included photos of jazz standard artists that appeared on the backdrop. She also performed "Candyman"
Bajaga i Instruktori (7,210 words) [view diff] no match in snippet view article find links to article
with Belgrade jazzers in Belgrade Youth Center jazz club and would eventually become a jazz standard in Yugoslavia. The band chose "Zažmuri" as a single
Timeline of music in the United States (1880–1919) (14,223 words) [view diff] no match in snippet view article
summit in Chicago. Ryles Jazz Club opens in Cambridge, Massachusetts. It will become the oldest and most renowned jazz club in Cambridge, and the second-most
List of songs about London (22,275 words) [view diff] no match in snippet view article find links to article
"Chelsea Boot" by The Shadows "Chelsea Bridge" by Billy Strayhorn (a jazz standard) "Chelsea By Night" by Bill Shepherd (arranger for the Bee Gees) "Chelsea