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Find link is a tool written by Edward Betts .
searching for Eugène Carpezat 10 found (23 total)
alternate case: eugène Carpezat
Le Mage
(619 words)
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(Act II), Alfred Lemeunier (Act III), and Jean-Baptiste Lavastre and Eugène Carpezat (Acts IV and V). Since its premiere run of 31 performances Le Mage
Ascanio
(769 words)
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designed by Charles Bianchini and sets by Jean-Baptiste Lavastre and Eugène Carpezat (acts I; II, scene 2; and III), Auguste Alfred Rubé and Philippe Chaperon
Manon
(2,170 words)
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the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3),
Salammbô (Reyer)
(485 words)
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took place on 16 May 1892 with costumes by Eugène Lacoste and sets by Eugène Carpezat (Acts I and V), Auguste Alfred Rubé and Philippe Chaperon (Act II)
Armide (Gluck)
(1,021 words)
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Charles Bianchini and Charles Bétout; the sets were by Cambon's student Eugène Carpezat (Act I), Amable (Acts II and V), and Marcel Jambon and Alexandre Bailly
Cendrillon
(1,928 words)
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original production had sets designed by Lucien Jusseaume (Act I), Eugène Carpezat (Act II), Auguste Alfred Rubé (Act III, scene 2), and Marcel Jambon
Samson and Delilah (opera)
(3,637 words)
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Bianchini and sets by Amable and Eugène Gardy (acts 1 and 2), and Eugène Carpezat (act 3). The performance was lauded by critics and spectators alike
Thermidor (play)
(2,954 words)
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Comédie-Française with sets and costumes designed by the author, and executed by Eugène Carpezat , Philippe Chaperon, and others. In the next performance, on the 26th
Cyrano de Bergerac (play)
(7,040 words)
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and his associates Brard and Alexandre Bailly (Acts I, III and V), Eugène Carpezat (Act II), and Alfred Lemeunier (Act IV). The earliest touring production
Otello
(6,942 words)
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by Marcel Jambon (Act I); Amable [fr] and Eugène Gardy (Act II); Eugène Carpezat (Act III); and Auguste Alfred Rubé and Philippe Chaperon (Act IV).