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project created by Emily Lazar and Marc Silvestri. The conceptual project was formed by frontwoman, vocalist, and screamer Emily Lazar in New York in 2009Hyperview (album) (1,893 words) [view diff] exact match in snippet view article
following Floral Green (2012) and Spring Songs EP (2013). It was mastered by Emily Lazar and Richard Morales at The Lodge, in New York. Hyperview produced theThe Guards Themselves (421 words) [view diff] exact match in snippet view article find links to article
teenager, saying it's growing older. The Guards Themselves was mastered by Emily Lazar at her New York City mastering house at the lodge. Emily has worked withJonathan Alter (1,922 words) [view diff] exact match in snippet view article find links to article
available on HBO Max. Alter lives in Montclair, New Jersey, with his wife, Emily Lazar, a former executive producer of the Comedy Central show The Colbert ReportPrimetime Emmy Award for Outstanding Variety Series (1,016 words) [view diff] exact match in snippet view article find links to article
Meredith Bennett and Rich Dahm, co-executive producers; Tanya Bracco and Emily Lazar, supervising producers Comedy Central Real Time with Bill Maher BillGirl in the Movies (556 words) [view diff] exact match in snippet view article find links to article
organ David Goldstein – drums Austin Hoke – cello, string arrangements Emily Lazar – mastering Briana Lee – background vocals John McBride – string recordingHere I Am (Dolly Parton song) (605 words) [view diff] exact match in snippet view article
engineer David Goldstein – drums Austin Hoke – cello, string arrangements Emily Lazar – mastering Briana Lee – background vocals John McBride – string recordingRussian Spies / Occult Enemies (334 words) [view diff] exact match in snippet view article find links to article
Zirkel – recording engineer and mixing Rob Halstead – assistant engineer Emily Lazar and Joe LaPorta – mastering Steak Mtn. – art direction, design, typographyThe All-American Rejects (album) (1,507 words) [view diff] exact match in snippet view article
Tim O'Heir. He mixed the album at Mission Sound; it was mastered by Emily Lazar at The Lodge in New York City. In October, the band went on tour with4 Songs Live (161 words) [view diff] exact match in snippet view article find links to article
Is Gone (Hello Starling)" – 4:12 Produced by Jim Lockhart Mastered by Emily Lazar Mixed by Kevin Shirley Audio engineered by Mark McGrath "Josh RitterTed Sablay (811 words) [view diff] exact match in snippet view article find links to article
David. Ronnie Vannucci of The Killers Masters Solo Album “Big Talk” with Emily Lazar, Joe LaPorta at The Lodge SonicScoop "Killers Guitarist Dave KeuningDanse Macabre Remixes (256 words) [view diff] exact match in snippet view article find links to article
Compilation Jagz Kooner – Producer, Remixing Brad Laner – Producer, Remixing Emily Lazar – Mastering Jacques Lu Cont – Producer, Remixing Mike Mogis – Track EngineerIn Defense of the Genre (1,664 words) [view diff] exact match in snippet view article find links to article
Petersen. Wood mixed the recordings, before the album was mastered by Emily Lazar at The Lodge in New York City, with assistance from Joe LaPorta, in MarchThe House Carpenter's Daughter (268 words) [view diff] exact match in snippet view article find links to article
design, collages George Cowan – engineer Todd Vos – engineer, mixing Emily Lazar – mastering at The Lodge (New York City, New York) Sarah Register – masteringJealous (Sinéad O'Connor song) (391 words) [view diff] exact match in snippet view article
keyboards Ed Rockett – low whistle Caroline Dale – strings Andy Wright – programming Mark Price – programming Ash Howes – mixing Emily Lazar – masteringAdımı Kalbine Yaz (408 words) [view diff] exact match in snippet view article find links to article
Çolakoğlu (tracks: 1 to 8, 10), Suat Ateşdağlı (tracks: 11) Mastered By – Emily Lazar (tracks: 1), Joe LaPorta (tracks: 1) Mixed By – Levent Demirbaş (tracks:27th Producers Guild of America Awards (182 words) [view diff] exact match in snippet view article find links to article
Colbert, Tom Purcell, Jon Stewart, Meredith Bennett, Barry Julien, Emily Lazar, Tanya Michnevich Bracco, Paul Dinello, Matt Lappin Key & Peele (ComedyThe Spirit Music Jamia: Dance of the Infidel (286 words) [view diff] exact match in snippet view article find links to article
mixing Ari Raskin – programming, engineer, mixing Zeke Zima – engineer Emily Lazar – mastering William Miller – production assistant Brian Montgomery –Colorful You (57 words) [view diff] exact match in snippet view article find links to article
by Miguel Migs except where noted Dave Boonshoft – executive producer Emily Lazar – mastering Miguel Migs – arranger, producer Stuart Patterson – art direction26th Producers Guild of America Awards (297 words) [view diff] exact match in snippet view article find links to article
Stephen Colbert, Richard Dahm, Paul Dinello, Barry Julien, Matt Lappin, Emily Lazar, Tom Purcell, and Jon Stewart Jimmy Kimmel Live! (ABC) – David CraigPerch Patchwork (88 words) [view diff] exact match in snippet view article find links to article
Justin Past - Brass, Woodwind Josh Roth - Management Ryan Duggan - Design Emily Lazar - Mastering Jason Cupp - Producer, Engineer, Mixing Joe LaPorta - MasteringVelocity of Sound (416 words) [view diff] exact match in snippet view article find links to article
engineering Bryce Goggin - mixing (tracks 1, 2, 3, 4, 8, 10 and 11) Emily Lazar - mastering Dan Efram - package concept and design "The Apples in Stereo:Shadows on the Sun (255 words) [view diff] exact match in snippet view article find links to article
Engineer, Executive Producer, Mixing Sean Daley – Executive Producer Emily Lazar – Mastering Joe Mabbott – Engineer, Mixing Dan Monick – Photography BrentBrother, Sister (383 words) [view diff] exact match in snippet view article find links to article
Spider song sequencer Chris Crisman – photography Chad Johnson – A&R Emily Lazar – mastering Jason Powers – art direction, design, illustrations BradGasoline (Haim song) (1,146 words) [view diff] exact match in snippet view article
engineering Ariel Rechtshaid – production, engineering, guitar, programming Emily Lazar – mastering Tom Elmhirst – mixing Chris Rowe – engineering (remix only)These Systems Are Failing (814 words) [view diff] exact match in snippet view article find links to article
– vocals Additional personnel Clay Bair – engineering (choir vocal) Emily Lazar – mastering Mark Needham – mixing Ben O'Neill – mixing assistance ArtworkComfort Woman (album) (302 words) [view diff] exact match in snippet view article
engineer Chris Bittner – assistant engineer Ari Raskin – assistant engineer Emily Lazar – mastering Bob Power – mixing Sasha Victory – tracking Flem – art directionSon of Skip James (496 words) [view diff] exact match in snippet view article find links to article
photography Richard Gottehrer – executive producer Hollis King – art direction Emily Lazar – mastering Kazumi Matsumoto – graphic design "Son of Skip James - DionCherry (Lisa Shaw album) (193 words) [view diff] exact match in snippet view article
programming Mark Anthony Jones – guitar Jennifer Karr – vocals (background) Emily Lazar – mastering Jamie Odell – keyboards, programming, remixing Ricardo QuinonesFirst Born (Eyedea & Abilities album) (253 words) [view diff] exact match in snippet view article
DJ Abilities – production Chris Blood – recording, mixing, mastering Emily Lazar – mastering M. Ward – artwork, design Stress – layout "Eyedea & AbilitiesLogic Will Break Your Heart (479 words) [view diff] exact match in snippet view article find links to article
Braun at Melody Lane, NYC. Mixed by Gus Van Go and Werner F. Mastered by Emily Lazar at The Lodge, NYC. Managed by Adam "Bix" Berger. Art direction and designWe Shine (164 words) [view diff] exact match in snippet view article find links to article
drums Steve Fee – producer Jason Hoard – producer David Zaffiro – mixing Emily Lazar – mastering at The Lodge (New York, NY) Scott Brickell – management InDumplin' (soundtrack) (1,235 words) [view diff] exact match in snippet view article
vocals Alison Krauss - fiddle Betsy Lamb - viola Miranda Lambert - vocals Emily Lazar - mastering Briana Lee - background vocals Sam Levine - baritone saxImperfection (song) (905 words) [view diff] exact match in snippet view article
Spezia – orchestral engineering Gary Hedden – additional audio editing Emily Lazar – mastering engineer Chris Allgood – mastering assistance Reed, RyanSuper Taranta! (469 words) [view diff] exact match in snippet view article find links to article
by Victor Van Vugt and Eugene Hütz at Grace Studios, NY Mastered by Emily Lazar at The Lodge Design by: Cindy Heller Photos by: Bela Borsodi, KeetjaBack Numbers (219 words) [view diff] exact match in snippet view article find links to article
Agerbeek – design Matt Johnson – drums Michael Lavine – photography Emily Lazar – mastering Sean McCaul – vibraphone Britta Phillips – bass, keyboardsRooms of the House (534 words) [view diff] exact match in snippet view article find links to article
engineer, mixing, producer Amanda Adams – photography La Dispute – producer Emily Lazar – mastering Rich Morales – mastering assistant Adam Vass – artwork andLe Funk (299 words) [view diff] exact match in snippet view article find links to article
Conga, djembe (Reissue track 3) Joshua – Production (Reissue track 9) Emily Lazar – Remastering Jessica Linker – Vocals (Reissue track 1) Bob Mould – ProductionVoo Nocturno (196 words) [view diff] exact match in snippet view article find links to article
recording (estúdios do Olival) Cajó – mixing, recording (Bebop estúdios) Emily Lazar – mastering Mário Pereira – recording (MB estúdios) Ricardo Fonseca –ArrangingTime (798 words) [view diff] exact match in snippet view article find links to article
Street Sound, Los Angeles, California Andy West Design – art direction Emily Lazar – mastering at The Lodge, New York City, New York Jim Wright – photographyPanorama (La Dispute album) (478 words) [view diff] exact match in snippet view article
personnel Will Yip – producer, sound engineer, mixing La Dispute – producer Emily Lazar – mastering Vince Ratti – mixing Victor Mosquera – artwork Nick SteinhardtLoses Control (2,564 words) [view diff] exact match in snippet view article find links to article
Kolderie mixed the recordings at Camp Street, before they were mastered by Emily Lazar at The Lodge in New York City. Loses Control has been described as anA Blemish in the Great Light (241 words) [view diff] exact match in snippet view article find links to article
Portielje – bass saxophone arrangement on "Then Again" Chris Shaw – mixing Emily Lazar – mastering Chris Allgood – mastering Samuel Woywitka – engineer JacobPrimetime Emmy Award for Outstanding Talk Series (218 words) [view diff] exact match in snippet view article find links to article
Jon Stewart and Tom Purcell, executive producers; Meredith Bennett, Emily Lazar and Barry Julien, co-executive producers; Tanya Bracco, Paul DinelloResist (Midnight Oil album) (1,027 words) [view diff] exact match in snippet view article
additional keyboards Jim Moginie - additional engineering Chris Allgood & Emily Lazar - mastering Brereton, Greta (28 October 2021). "Midnight Oil call outNow I'm in It (609 words) [view diff] exact match in snippet view article find links to article
recording engineering Matt DiMona – assistant recording engineering Emily Lazar – mastering engineering Chris Allgood – assistant mastering engineeringJude Law and a Semester Abroad (654 words) [view diff] exact match in snippet view article find links to article
The original album recording from 2001 was remastered and mixed by Emily Lazar and Joe LaPorta, as part of the 2011 reissue of Your Favorite WeaponOut of the Vein (1,052 words) [view diff] exact match in snippet view article find links to article
Carmer – mixing Sarah Register – assistant engineer Sylvia Rhone – A&R Emily Lazar – mastering Sean Beresford, Jason Carmer, Judy Kirschner, and Dann MichaelStormy Weather: The Music of Harold Arlen (272 words) [view diff] exact match in snippet view article find links to article
Koonin – banjo, guitar, arranger, backing vocalist Ron Lawrence – viola Emily Lazar – mastering Ranee Lee – performer J.T. Lewis – drums Eric LiljestrandCalifornia Son (1,542 words) [view diff] exact match in snippet view article find links to article
dog barking/vocals (track 10) Tim Kvasnosky – additional engineering Emily Lazar – mastering Dave Levita – acoustic guitar Liam Lynch – art and designThe Bootleg of the Bootleg EP (541 words) [view diff] exact match in snippet view article find links to article
primary artist T.J. Graham – composer Charles "Chase" Jones – promoter Emily Lazar – mastering Block McCloud – featured artist, mixing, producer PumpkinheadPeter Doell (1,140 words) [view diff] exact match in snippet view article find links to article
"Mastering with the Masters. 7 Questions with Famed Mastering Engineers Emily Lazar, Peter Doell, and Bob Katz | Universal Audio". www.uaudio.fr (in French)Pokémon: The First Movie (soundtrack) (1,533 words) [view diff] exact match in snippet view article
Composer Rhett Lawrence - Composer, Engineer, Mixing, Producer, Programming Emily Lazar - Mastering John Loeffler - Executive Producer, Producer, Vocals (Background)Half-Light (album) (453 words) [view diff] exact match in snippet view article
(track 9) Dave Fridmann – mixing (track 2) Rob Orton – mixing (track 4) Emily Lazar – mastering Chris Allgood – mastering assistance Nick Rowe – engineering10:1 (150 words) [view diff] exact match in snippet view article find links to article
mutilation" Gram LeBron - rhodes piano, vocals Evan Farrell - bass, vocals Emily Lazar - mastering Jeff Kleinsmith - artwork, design Sendra, Tim. Review: 10:1You & Me (The Walkmen album) (824 words) [view diff] exact match in snippet view article
mixed by Chris Zane at Gigantic Studios, Manhattan, 2008. Mastered by Emily Lazar at The Lodge. Assistant mastering engineer – Joe LaPorta. All photographsOmni (album) (617 words) [view diff] exact match in snippet view article
Chiccarelli and Minus The Bear Mixed by Joe Chiccarelli Mastered by Emily Lazar and Joe Laporta Additional recording by Jake Snider and Alex Rose AdditionalThin Black Duke (473 words) [view diff] exact match in snippet view article find links to article
additional engineering, song arrangement consultation John Golden (with Golden Mastering) – vinyl mastering Emily Lazar (with The Lodge) – digital masteringFire in the Hole (album) (517 words) [view diff] exact match in snippet view article
(track 11) Bernard Grobman – guitar (track 5) Chris Conway – mixing Emily Lazar – mastering Sarah Register – additional mastering Charles "Chuck" WilsonGhost Notes (798 words) [view diff] exact match in snippet view article find links to article
handclapping Sophie Mark – handclapping Chick Wolverton – percussion Emily Lazar – mastering Ken Sluiter – engineer Brad Wood – engineer, mixing, orchestraJacket Full of Danger (278 words) [view diff] exact match in snippet view article find links to article
12, 15 Joan Wasser - cello Parker Kindred - drums Chris Isom - guitar Emily Lazar - mastering Nathan Brown - organ (Wurlitzer), piano Dan Myers - recordingSpend the Night (The Donnas album) (551 words) [view diff] exact match in snippet view article
engineers: Jesse Nichols, Michael Rosen Mixing: Chris Lord-Alge Mastering: Emily Lazar Assistant mastering engineer: Sarah Register Audio supervisor: ScottLP (Ambulance LTD album) (237 words) [view diff] exact match in snippet view article
by Jim Abbiss. Mix engineered by Simon "Barny" Barnicott. Mastered by Emily Lazar at the Lodge. A&R - Leonard B. Johnson Art direction by Benjamin WheelockForget (Twin Shadow album) (496 words) [view diff] exact match in snippet view article
Prince Language – producer, additional (on "Shooting Holes" and "Forget") Emily Lazar – mastering Joe LaPorta – mastering Samantha West – cover photographyPassive Me, Aggressive You (Remixes & B-Sides) (365 words) [view diff] exact match in snippet view article
– mixing (track: 4, disc 1) Jordan Arts – mixing (track: 4, disc 1) Emily Lazar – mastering (disc 1) Joe LaPorta – mastering (disc 1) Angus McNaughtonLatina (album) (1,467 words) [view diff] exact match in snippet view article
Composer Jacob Forever - Featured Artist Amerika Jimenez - Composer Emily Lazar - Mastering Lee Levin - Drums, Engineer Beatriz Cesar Llanes - VocalsThe Sunshine of Your Youth (256 words) [view diff] exact match in snippet view article find links to article
and mixed by Mark Needham Assistant Engineer: Will Brierre Mastered by Emily Lazar at The Lodge in NYC, assisted by Rich Morales Additional vocals on "OnTransmedia storytelling (3,701 words) [view diff] exact match in snippet view article find links to article
character plot lines September Mourning, the project was created by Emily Lazar in 2009 and spans upon comic books, music, NFTs, and more Scolari usesSo, It's Like That (1,074 words) [view diff] exact match in snippet view article find links to article
Messenger – engineering assistance Evan Magness – engineering assistance Emily Lazar – mastering Sarah Register – additional master engineering Bryan RackleffNever Give Up (Sia song) (891 words) [view diff] exact match in snippet view article
producer, tambura [tanpura], keyboards, drums, programming, percussion Emily Lazar – mastering "Never Give Up – Sia – Greg Kurstin". Deezer. Retrieved 21Trst (album) (595 words) [view diff] exact match in snippet view article
Postepski – performance, production (all tracks); mixing (tracks 5, 8) Emily Lazar – mastering Heba Kadry – mastering Damian Taylor – mixing (tracks 1–4I Can Change (Brandon Flowers song) (563 words) [view diff] exact match in snippet view article
Tennant – additional vocals Erica Canales – backing vocals Danielle Withers – backing vocals Emily Lazar – mastering Chris Allgood – assistant masteringHeartlines (1,534 words) [view diff] exact match in snippet view article find links to article
keyboards, engineer Chris Gallard – mixing engineer Ike Schultz – mixing engineer Manny Marroquin – mixing engineer Emily Lazar – mastering engineerWhite Crosses (album) (1,118 words) [view diff] exact match in snippet view article
assistant engineer Alan Moulder – mix engineer Darren Lawson – mix assistant Emily Lazar and Joe LaPorta – mastering Christopher Norris and Laura Jane Grace –Stage Four (764 words) [view diff] exact match in snippet view article find links to article
"Skyscraper" Production Brad Wood – production, engineering, mixing Emily Lazar – mastering Chris Allgood – assistant engineer Gotrich, Lars (June 20CexCells (1,100 words) [view diff] exact match in snippet view article find links to article
Goodridge – backing vocals (track 11) Joe LaPorta – mastering assistant Emily Lazar – mastering Morning Breath Inc. – art direction, design Nick 13 – backingFreewheelin' Woman (1,088 words) [view diff] exact match in snippet view article find links to article
– assistant engineer Chris Dugan – mixing Chris Allgood – mastering Emily Lazar – mastering The Lodge (New York, NY) – mastering location Jasper GrahamNot Giving Up on Love (1,470 words) [view diff] exact match in snippet view article find links to article
van Buuren Benno de Goeij Vocal production and backing vocals Olivia Nervo Miriam Nervo Vocals Sophie Ellis-Bextor Mastering Joe LaPorta Emily LazarI Am Not a Dog on a Chain (1,251 words) [view diff] exact match in snippet view article find links to article
Sluiter – mixing Chris Stewart – cover photo Jose Vergara – photography Emily Lazar – mastering engineering Chris Allgood – assistant mastering engineeringReality and Fantasy (953 words) [view diff] exact match in snippet view article find links to article
engineer, mixing Donal Hodgson – engineer, mixing Joe LaPorta – mastering Emily Lazar – mastering Sabrina Mellace – stylist Mimmo Di Maggio - Hair and MakeDeeper into Dream (1,028 words) [view diff] exact match in snippet view article find links to article
Georgeson Engineered by Ben Lee, Nic Johns, Lara Meyerratken Mastered by Emily Lazar & Joe LaPorta at The Lodge Original artwork and photography by LizzyWincing the Night Away (1,510 words) [view diff] exact match in snippet view article find links to article
City; The Aural Apothecary, Portland; Avast! 2, Seattle Mastered by Emily Lazar and Sarah Register at The Lodge, New York City Design and illustrationMene (song) (1,739 words) [view diff] exact match in snippet view article
engineer Claudius Mittendorfer – engineer Stephen Marcussen – mastering Emily Lazar – mastering ("Out of Range") Geslani, Michelle (13 April 2015). "BrandGod's Work (1,009 words) [view diff] exact match in snippet view article find links to article
assistant mixing Emily Lazar – mixed tracks 1 and 6 Chris Allgood – mixed tracks 1 and 6 Jay Marcovitz – mixed track 4 Emily Lazar – mastering ChrisSong Spells, No. 1: Cedarsmoke (328 words) [view diff] exact match in snippet view article find links to article
vocals Written, Produced and Mixed by Alex Brown Church Mastered by Emily Lazar at The Lodge NYC, assisted by Rich Morales Kickstarter: A very specialTell Me Where It Hurts (Garbage song) (2,511 words) [view diff] exact match in snippet view article
at Kung Foo Sound and GrungeIsDead, Los Angeles, California Mastered: Emily Lazar & Sarah Register (The Lodge) Mastering assistant: Joe LaPorta AdditionalAgainst Me! as the Eternal Cowboy (1,661 words) [view diff] exact match in snippet view article find links to article
the title The Original Cowboy. The recordings were mastered in 2009 by Emily Lazar and Joe LaPorta at The Lodge. Reflecting on the session, Grace remarkedHousehold Name (album) (823 words) [view diff] exact match in snippet view article
Capitti Fenton Lacquer cut by Chris Muth Mastered by Chris Allgood and Emily Lazar Photography - Daria Kobayashi Ritch Producer, mixed by, engineer, electricChutes Too Narrow (1,768 words) [view diff] exact match in snippet view article find links to article
"Saint Simon" Kevin Suggs – pedal steel guitar on "Gone for Good" Production Phil Ek – production, mixing Jesse LeDoux – design Emily Lazar – mastering57th Annual Grammy Awards (6,871 words) [view diff] exact match in snippet view article find links to article
producers; Greg Kurstin, Manny Marroquin and Jesse Shatkin, engineers/mixers; Emily Lazar, mastering engineer "Shake It Off" – Taylor Swift Max Martin and ShellbackSay Anything (band) (6,311 words) [view diff] exact match in snippet view article
TX. The album was mixed by mix engineer Brad Wood, and mastered by Emily Lazar. It returned to the collaborative nature of the band's earlier material23rd Annual Latin Grammy Awards (4,783 words) [view diff] exact match in snippet view article find links to article
Rodríguez, Liliana Saumet & Magdelys Savigne, songwriters; Chris Allgood & Emily Lazar, album mastering engineers Tinta y Tiempo – Jorge Drexler Rafa ArcauteSister Cities (album) (1,578 words) [view diff] exact match in snippet view article
Lonely" Production Joe Chiccarelli - producer Carlos de la Garza - mixing Emily Lazar - mastering Lars Fox and Nicholas Steinborn - additional engineeringComeback Kid (Bridget Kearney album) (436 words) [view diff] exact match in snippet view article
Interlude" Technical Produced by Dan Molad Mixed by Dan Molad Mastered by Emily Lazar at The Lodge Mastering Engineered by Rob Shelton at Altamira Sound, AlhambraThe Loneliest Time (song) (262 words) [view diff] exact match in snippet view article
Programming: Kyle Shearer Engineering: Kyle Shearer, James Krausse, Jared Fox Mixing: James Krausse Mastering: Emily Lazar Assistant mastering: Chris AllgoodLatin Grammy Award for Album of the Year (1,406 words) [view diff] exact match in snippet view article find links to article
Rodríguez, Liliana Saumet & Magdelys Savigne, songwriters; Chris Allgood & Emily Lazar, album mastering engineers) Tinta y Tiempo – Jorge Drexler (Rafa ArcauteSteady On: 30th Anniversary Acoustic Edition (487 words) [view diff] exact match in snippet view article find links to article
vocals Chris Allgood – assistant mastering Jordan Fann – art direction Emily Lazar – mastering at The Lodge, New York Jacob Sciba – recording Deidre Schoo –Born Cages (1,688 words) [view diff] exact match in snippet view article find links to article
Gerrish (Vampire Weekend, the Strokes, Hamilton Leithouser), mastered by Emily Lazar (Arcade Fire, the Killers, Lou Reed), with additional production andDavid Comes to Life (2,447 words) [view diff] exact match in snippet view article find links to article
Hounsell – Engineer Brian Kelly – Design, Layout Joe LaPorta – Mastering Emily Lazar – Mastering Erika Lobko – Model Frank Longo – Artwork, Design, LayoutNowhere To Be Found (1,103 words) [view diff] exact match in snippet view article find links to article
Memphis May Fire’s front man Matty Mullins in the song "Traverse" and Emily Lazar from September Mourning in the song "Closer". The band owns and directlyMemories...Do Not Open (2,807 words) [view diff] exact match in snippet view article find links to article
production, mixing, recording (1-4, 7-11) Chris Gehringer – mastering Emily Lazar – mastering (5) Chris Allgood – mastering assistant (5) Nicole "Coco"Garbage (album) (4,705 words) [view diff] exact match in snippet view article
DAT mixes. Despite the condition of the backups, mastering engineer Emily Lazar at The Lodge in New York City was able to reverse-engineer the missingHeroes & Thieves (3,205 words) [view diff] exact match in snippet view article find links to article
Time" mixed by Bill Botrell at The Pass, Los Angeles, CA) Mastered by: Emily Lazar, assisted by Joe LaPorta at The Lodge, NYC A&R: Jolene Cherry and IrvHurry Up and Wait (Soul Asylum album) (851 words) [view diff] exact match in snippet view article
cello on "If I Told You", "Social Butterfly", and "Silent Treatment" Emily Lazar – mastering Paul Moore – additional design, layout, photography George