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Longer titles found: Spinning Song: Duck Baker Plays the Music of Herbie Nichols (view), Live (Roswell Rudd and Duck Baker album) (view)

searching for Duck Baker 29 found (84 total)

alternate case: duck Baker

Maggie Boyle (820 words) [view diff] no match in snippet view article find links to article

Maggie Boyle (24 December 1956 – 6 November 2014) was an English, London-born folk singer, who also played flute, whistle and bodhrán. Margaret Boyle was

Dirty Linen (magazine) (776 words) [view diff] exact match in snippet view article

editor for Guitar Player. Chris Nickson Bill Nevins Paul Hartman (editor) Duck Baker Cliff Furnald (former writer) now runs Roots World, Hollow Ear, and CD

Lee Konitz in Harvard Square (201 words) [view diff] exact match in snippet view article find links to article

released as a 10-inch LP on George Wein's Storyville label. In JazzTimes, Duck Baker wrote "You don’t have to be a hard core fan to recognize that Konitz at

Change of Pace (223 words) [view diff] exact match in snippet view article find links to article

the accustomed to set them apart". AllMusic awarded the album 3 stars. Duck Baker in the May 2000 JazzTimes referred to it as a great album revealing the

Dig-It (Lee Konitz and Ted Brown album) (327 words) [view diff] exact match in snippet view article

in 1999 and released on the Danish SteepleChase label. In JazzTimes, Duck Baker wrote: "A less known figure, Brown is nevertheless a wonderful player;

Soapsuds, Soapsuds (339 words) [view diff] exact match in snippet view article find links to article

challenging music which includes three of his originals". In JazzTimes, Duck Baker wrote: "The most significant dividing line in Ornette’s chronology might

Momentum, Willisau 1988 (266 words) [view diff] exact match in snippet view article find links to article

surprises and fine interplay. A sleeper that is well worth picking up". Duck Baker in JazzTimes stated "There are moments of real beauty on the best duets

Like Rays (236 words) [view diff] exact match in snippet view article find links to article

could usefully be reviewed as Ken's record." In his review for JazzTimes Duck Baker states "There are moments of subtle understatement as well as bursting

Soul Search (274 words) [view diff] exact match in snippet view article find links to article

craftsmanship and cultivated improvisational speak." In his review for JazzTimes, Duck Baker states "There are breath-taking moments on Soul Search when the two players

Life Rays (284 words) [view diff] exact match in snippet view article find links to article

quality. Sirone is magnificent whenever soloing..." Writing for JazzTimes, Duck Baker commented that Dickerson's "conception of melodic/percussive development

Soundtrack to Human Motion (315 words) [view diff] exact match in snippet view article find links to article

Motion... Watch this man closely and see what develops". In JazzTimes, Duck Baker wrote that "Moran has plenty of pianistic ideas, and repeated listens

Tenderly (Joe Maneri album) (282 words) [view diff] exact match in snippet view article

recorded in 1993 and released on the HatOLOGY label in 1999. In JazzTimes, Duck Baker wrote: "This is unhurried, uncluttered music that moves on its measured

Budd Johnson and the Four Brass Giants (306 words) [view diff] exact match in snippet view article find links to article

this a particularly memorable set. Highly recommended". In JazzTimes, Duck Baker observed "The soloing is inspired, the program is well chosen and Johnson’s

47th Street (album) (421 words) [view diff] exact match in snippet view article

exciting musical ideas while also remaining accessible". In JazzTimes, Duck Baker observed: "He adapts his playing, with a minimum of fine tuning, to a

Early Americans (353 words) [view diff] exact match in snippet view article find links to article

and timbre that merit the sunlight and scrutiny of a spare ensemble." Duck Baker of The Absolute Sound noted, "Bloom for her part sounds relaxed and masterful

John James (guitarist) (2,614 words) [view diff] exact match in snippet view article

Also on this record were a couple of tracks with American guitarist Duck Baker making his UK recording debut. The album was recorded at Livingston Studios

Organic Resonance (245 words) [view diff] exact match in snippet view article find links to article

find the two players on common ground." In a double review for JazzTimes Duck Baker notes that "There is enormous variety of feeling and approach not just

Countdown (Steve Kuhn album) (377 words) [view diff] exact match in snippet view article

recent hearing, and a joy to listen to more than just once". In JazzTimes, Duck Baker noted "Kuhn’s solos are fluid and interesting; he certainly favors long

The Last Wave (album) (362 words) [view diff] exact match in snippet view article

rock, or any conceivable industry hybrid." In a review for JazzTimes, Duck Baker stated: "The result is raucous, unique music that sounds like it's presented

The Year of the Elephant (376 words) [view diff] exact match in snippet view article find links to article

mute work, the judicious use of silence." In his review for JazzTimes Duck Baker notes that "Even though '70s Miles is a frequent departure point for The

Prataksis (369 words) [view diff] exact match in snippet view article find links to article

Turetzky. The album was released in 1997 by Golia's Nine Winds Records. Duck Baker of JazzTimes wrote, "For free-form fans, this is a great date that unfolds

Humility in the Light of the Creator (498 words) [view diff] exact match in snippet view article find links to article

lend their talents to the already boiling creative pool". JazzTimes' Duck Baker noted "most listeners will have heard enough of the chanting style of

Saturn, Conjunct the Grand Canyon in a Sweet Embrace (339 words) [view diff] exact match in snippet view article find links to article

machinations of the creative process." In a double review for JazzTimes Duck Baker notes that "There is enormous variety of feeling and approach not just

Utterance (album) (333 words) [view diff] exact match in snippet view article

subsumed into something altogether more linear." The JazzTimes review by Duck Baker stated: "The measured pace is certainly an intelligent response to the

Bert Jansch discography (1,518 words) [view diff] exact match in snippet view article find links to article

Anne Briggs, Davey Graham, Wizz Jones, John Renbourn, Ralph McTell, Duck Baker, Brownie McGhee, and others 2014: Guitar Artistry of Bert Jansch: Conundrum

Prophecy (Fred Hopkins and Diedre Murray album) (440 words) [view diff] exact match in snippet view article

bassist Fred Hopkins... His depth and focus keep the band grounded." Duck Baker of Jazz Times commented: "The group sound is very tight, as Murray's compositions

Conversations with Tony Oxley (346 words) [view diff] exact match in snippet view article find links to article

a way that is quite rare." Writing for The New York City Jazz Record, Duck Baker commented: "When the two musicians are in sync the music seems to flow

Turlough O'Carolan (3,702 words) [view diff] exact match in snippet view article find links to article

This allows strings to ring out and results in a more harp-like sound. Duck Baker has recorded many Carolan songs in drop D tuning. El McMeen performs almost

El McMeen (1,040 words) [view diff] exact match in snippet view article find links to article

Fingerstyle Guitar Book (Mel Bay,95217BCD;co-author w/Stefan Grossman and Duck Baker) Mel Bay Master Anthology of Fingerstyle Guitar Solos, Volume 1 (Mel Bay