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Longer titles found: Ptolemy's intense diatonic scale (view)

searching for Diatonic scale 97 found (311 total)

alternate case: diatonic scale

Primary triad (446 words) [view diff] exact match in snippet view article find links to article

begin on the first, fourth, and fifth degrees (respectively) of the diatonic scale, otherwise symbolized: I, IV, and V (again, respectively). Primary triads

better avoided. In major-key tonality the avoid note is the fourth diatonic scale step, or 11th, which is a minor ninth above the 3rd of the chord, and

role). Three of these four kinds of triads are found in the major (or diatonic) scale. In popular music and 18th-century classical music, major and minor

two consecutive degrees of the [diatonic] scale can have no tones in common. All other chords [in the diatonic scale] have common tones. Common tones

more rows of buttons, with each row producing the notes of a single diatonic scale. The buttons on the bass-side keyboard are most commonly arranged in

the diatonic scale, however the required length he proposed for the intact bone caused it to be rejected by other researchers (see diatonic scale below)

Western diatonic scale. Madenda/Sorog: da mi na ti la da [1 2 3 4 5 1], nearly similar to fa mi do si la fa [4’ 3’ 1’ 7 6 4] in the Western diatonic scale. Madenda

consists of a tube with a whistle and finger holes, typically producing a diatonic scale. The oldest known Latvian bone stabule dates back to 3,000–2,000 BCE

thin wooden dividers. These dividers are between the reeds, for the diatonic scale notes. The brass reed tongues are mounted on reed shoes, with each tongue

the apricot tree or cane and have or eight finger holes, producing a diatonic scale. The Armenian musicologist Komitas believed that the sring was the most

it is two octaves. It is referred to as a fifteenth because, in the diatonic scale, there are 15 notes between them if one counts both ends (as is customary)

has two rows of buttons on the right side, which play the notes of a diatonic scale, and at least two rows of buttons on the left side, which play the primary

mixolydian. Bartók also uses the white-key and black-key collections (diatonic scale and its pentatonic complement) in no.6 of the Eight Improvisations,

a further distinguishment is thought unneeded, see table for Major Diatonic scale below) Roman numerals can be used to notate and analyze the harmonic

hexachord produces the diatonic hexachord (Babbitt 1987, 93). As with the diatonic scale, the chromatic hexachord is, "hierarchical in interval makeup," and

theory, a scale-step (German: Stufe) is a triad (based on one of the diatonic scale degrees) that is perceived as an organizing force for a passage of music

notations system used on the kolintang musical instrument is the diatonic scale. The diatonic scale is a scale consisting of 7 notes, the notes are Do, Re, Mi

accidentals) was added in parallel to the first row, which contained the diatonic scale. These harps were called arpa doppia or double harp and allowed for

direction (ascending or descending in pitch) and its adherence to the diatonic scale—that is, the sequence is diatonic if the pitches remain within the scale

octave The prefix octa-, denoting eight, refers to the eight notes of a diatonic scale; the association of the word with doubling is solely a matter of customary

only one required for reed-blown instruments in order to produce the diatonic scale for the second octave) not the octave, but the twelfth, or number 3

Machine Trembita's Natural Scale and Genesis of Folk Tunes Trembita's scale as the origination of chordal triads and heroic fanfares in the diatonic scale

beats, the melody rarely spans more than the first five notes of a diatonic scale and its short phrases tend to use descending patterns" (Cronshaw, 16)

upper sound-chest are two rows of iron staples, the upper giving the diatonic scale, and the lower the intermediate chromatic semitones. The instrument

adjust the actual resonant length of the chambers. The siku uses a diatonic scale. Siku ch'alla is tuned in E minor / G major, arka: D-F#-A-C-E-G-B and

models approaching an english horn to tiny instruments playing a high C diatonic scale. Typically the smaller the instrument, the more penetrating the tone

expands the range upwards, or upwards and downwards a few notes. For a diatonic scale, the lower two notes are in the fundamental mode of the reed, and the

"7x5" string configuration: each octave contains the seven notes of a diatonic scale on one set of strings and the five "accidentals" per octave on the other

Galician fingering pattern) progressively opening holes creates the diatonic scale. Using techniques like cross-fingering and half-holing, the chromatic

There are nine pipes and nine keys, which is sufficient for a C-major diatonic scale of one octave with an added B-flat. Medieval portative organs, so extensively

Sicily, consisting of 8 bells tuned according to the F#2 ascending major diatonic scale , all cast by the Colbachini foundry of Padua in 1929. The first, third

Baroque-Era Natural Trumpet The origin of triads and heroic fanfares in the diatonic scale Jean-Francois Maduef performing the 3rd movement from Brandenburg Concerto

Sicily, consisting of 8 bells tuned according to the F#2 ascending major diatonic scale , all cast by the Colbachini foundry of Padua in 1929. The first, third

does the minor chord. The major or minor triad may be used to form the diatonic scale and the 3:5:7 triad may be used to form the Bohlen–Pierce scale. The

narrower towards the end to form a mouthpiece. The unreeded salamuri has a diatonic scale of one octave; however, this range can be somewhat extended by overblowing

It rises about 70 m and contains a powerful concert of 3 bells on a diatonic scale of Reb3 major, cast by the Premiata Fonderia De Poli of Vittorio Veneto

strings for individual notes. Since the strings for notes not in the diatonic scale need not appear in the string bed, the resulting extra space is used

thirteenth chord is the highest possible diatonic inversion, since the diatonic scale has seven notes. (The "seventh" inversion of the dominant thirteenth

that were very close in pitch — closer than the smallest step of a diatonic scale — but not quite identical. In a tuning system without equivalent half

interval (here, a perfect fifth) from its key of C counterpart; on the diatonic scale, a G is a perfect fifth from C. The interval between keys can be used

686 cents (7 TET): The minor second is as wide as the major second, so the diatonic scale is a seven-note whole tone scale. This is the traditional tuning of

head. It has from five to nine (usually eight) strings producing a diatonic scale, played by plucking. In the late 20th century, instrument makers and

across from the three holes of the right pipe. The Adjaran chiboni has a diatonic scale. It can produce two-part chords and two-part tunes. The two parts are

found in diatonic accordions and concertinas. This tuning has the major diatonic scale in the middle and top octaves of the harmonica with two chords in the

means the apparent background source for his pitch language is the diatonic scale rather than the chromatic or microtonal scale. He frequently uses traditional

which are High D, & High E. The buttons 3-25 (or 27) are notes of a diatonic scale arranged in a zigzag way (like bayan). The left side differs even more

Pythagorean diatonic scale on C Play.

chromatic convictions, his uses of the tones ordinarily extraneous to the diatonic scale, with the consequent alteration of the harmonic character of his music

tones in unaccompanied melody, when perceived relative to a prevailing diatonic scale, can explain why leading tones in tonal music tend to rise rather than

tune the yatga in 7 notes per octave, or 7 notes and 3 half notes (diatonic scale). Some contemporary players yatga prefer to use an actual horsehair

the notes were represented by the initials of the seven tones of the diatonic scale. In doing this, she gave the name "ti" for the seventh scale degree

Note frequencies, four-octave C major diatonic scale, starting with C1.

exemplifies Bartók's use of arch form. The work opens with an ascending non-diatonic scale: D-E-F-G-A♭-B♭-C. This scale firmly establishes the tonal center of

the fourth and seventh degree missing for the completion of the major diatonic scale. The ringing of these bells are reserved for solemnities. On the bell

Rosh Hashana and Yom Kippur that is equally antique, but built on a diatonic scale and reminiscent of the morning service of the day. For the evenings

players to partially or fully cover the tap holes. In order to play the diatonic scale on a bansuri, one needs to find where the notes lie. For example, in

themes follow a cyclical structure touching on all the notes of the diatonic scale (Fa-F; La-A; Do-C; Mi-E; Sol-G; Si-B; Re-D; Fa-F; and Lab-A flat; Do-C;

Caterina Visconti The bell tower is home to a concert of 8 bells in diatonic scale major of La. The bells were fused in 1741 by the Milanese Bartolomeo

Ritual. The title refers to the assignment of syllables to steps of the diatonic scale (Do-Re-Mi, etc.). It alludes to the music of the spheres which Bubbles

olfaction can be described in ways that correlate to the musical notes on a diatonic scale. He is credited with creating an "odaphone," or a scale related to categorizing

only six notes, but "si" was added later as the seventh note of the diatonic scale. In Anglophone countries, "si" was changed to "ti" by Sarah Glover in

Scale of yangqin, the numbers indicate the notes in the diatonic scale, 1 = do, 2 = re etc.

for “St. John the Baptist”) was added shortly after to complete the diatonic scale. In Anglophone countries, "Si" was changed to "Ti" by Sarah Glover in

fingering in different keys. The piano keyboard has the seven notes of the diatonic scale on the white keys (CDEFGAB). These can be grouped into two groups with

Galician fingering pattern) progressively opening holes creates the diatonic scale. Using techniques like cross-fingering and half-holding, the chromatic

phthongoi βου, γα, and δι can be identified with the same phthongoi of the diatonic scale, while the others are moveable degrees of the mode. While this scale

later revised by Ptolemy (swapping the two tones) in his "syntonic diatonic" scale (συντονόν διατονικός, syntonón diatonikós, from συντονός + διάτονος)

overriding influence of Western music, many harpists tune to the Western diatonic scale, since fewer and fewer singers feel fully comfortable with the traditional

respect to the diatonic scale: Chrysanthos' approach had been only systematic with respect to the modification of the diatonic scale, but not with respect

cane, usually with seven finger holes and one thumb hole, producing a diatonic scale. One Armenian musicologist believes the sring to be the most characteristic

to allow different subsets of the full number to be rung still to a diatonic scale. All 13 bells were cast by Mears & Stainbank of Whitechapel Bell Foundry

and fifth diatonic scales. In such songs the principle of the fourth diatonic scale is working above the pedal drone, and the system of the fifth diatonic

solmization of overlapping hexachords, none of which included the entire diatonic scale (a system also used in Elizabethan England): see Solfège#Origin. Lowens

Mm. 1–3. Allegro impetuoso theme. All the notes belong to a diatonic scale, but there is no clearly discernible tonality.

full circle bells, the strike note of each bell must accord with the diatonic scale of the others, and to produce that the harmonics of each bell must be

to allow different subsets of the full number to be rung, still to a diatonic scale. By convention, the weights of the tenor bells are shown in the imperial

markings in the numbered system. But these accidentals are relative to the diatonic scale (1 2 3...) rather than the note names (C D E...). For example, even

music on the marimbas, which previously had been restricted to the diatonic scale. As a result, Guatemalan light music achieved an enormous dissemination

natural overtone series in which they do not achieve all the tones of the diatonic scale until they reach up almost to the height of "the rocket's red glare

notations not only to play traditional pélog or sléndro scales but also diatonic scale in 1938. Since then, angklung is often played together with other Western

for Saint John the Baptist) was added shortly after to complete the diatonic scale. In anglophone countries, "Si" was changed to "Ti" by Sarah Glover in

chiming bell, cast by the Rudhalls. Although this does not produce a diatonic scale of 19 notes, it does uniquely provide a choice of combinations: three

hung as numbers 1 to 3. Although the four bells were not tuned as a diatonic scale (C#, B, A and E), three full peals were rung on them. In 1995 the three

is written as a clarinet trill followed by a legato, 17 notes in a diatonic scale. During a rehearsal, Whiteman's virtuoso clarinetist, Ross Gorman, rendered

other words, theoretically they are formed by all the seven notes of a diatonic scale at once. Again, it is common to leave certain notes out. After the fifth

(1996). A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale: Implications for Aural Perception and Cognition. Ph.D. diss., State

so that different subsets of the full number can be rung, still to a diatonic scale. For instance, many 12-bell towers have a flat sixth, which if rung

line "trombone grosso," which goes down to pedal A, and a couple of diatonic scale passages from bottom C. German composer Johann Rudolf Ahle wrote some

of twelve bells, weighing nearly sixteen tons in all, tuned to the diatonic scale of C, having a span of an octave and a fifth. The largest bell, weighing

non-standard chord progressions and melodies that do not conform with one diatonic scale. A prominent example is "Black Hole Sun", which not only involves many

Daeng Soetigna tunes the traditional pentatonic angklung to play the diatonic scale. English composer Ralph Vaughan Williams begins an affair with writer

highest octaves shown. Tuning proceeds through 6+1⁄2 octaves using the C♭ diatonic scale Harp, Celtic 34 strings 34 courses[*] C2 D2 E2 F2 G2 A2 B2 [ . . . ]

thirteenth chords; thirteenth chords contain all seven notes of the diatonic scale. In closed position, extended chords contain dissonant intervals or

sharp notes (D, A, E, B). The circle of thirds is closely tied to the diatonic scale. Every note on the circle of thirds that starts a minor triad or minor

in three doubled pairs (12) plus two single. They are tuned to the diatonic scale of G major, from low F♯ to E, with an additional D♯. (This is along

large, weighing between 201 and 468 kg. They are tuned to a normal diatonic scale. Each bell is attached to a "headstock". None of the attachments are

the liturgy. It is certain that the chamamé was well suited for the diatonic scale and so it was incorporated. In the time of the colony the ladies of