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searching for Chicago Opera Company 19 found (190 total)

Tino Pattiera (449 words) [view diff] exact match in snippet view article find links to article

was a guest artist in several European cities, and joined the Chicago Opera Company for the 1920/21 season. On 31 January 1925, the Dresden premiere

Adolph Bolm (790 words) [view diff] exact match in snippet view article find links to article

staged The Birthday of the Infanta, his first large ballet for the Chicago Opera Company, with music by John Alden Carpenter, and danced by Bolm and Ruth

Tito Schipa (1,262 words) [view diff] exact match in snippet view article find links to article

rondine. In 1919, Schipa traveled to the United States, joining the Chicago Opera Company. He remained with the Chicago company until 1932, whereupon he appeared

Ruggero Leoncavallo (2,260 words) [view diff] exact match in snippet view article find links to article

(Bruson, Giacomini, et al., Cond.Viotti) Zingari in Philadelphia, (Chicago Opera Company, 1912) Free scores by Ruggero Leoncavallo at the International Music

List of dancers (5,766 words) [view diff] exact match in snippet view article find links to article

never seen it. Annetta Pelucchi (20th-century), dancer with the Chicago Opera Company Pepita de Oliva (1830–1871), Romani Spanish dancer who performed

Clotilde Bressler-Gianoli (460 words) [view diff] exact match in snippet view article find links to article

title role in Ambroise Thomas's Mignon. As part of the Philadelphia-Chicago Opera Company she appeared in Massenet's Thaïs and Charpentier's Louise with Mary

KYW (AM) (3,223 words) [view diff] exact match in snippet view article

Insull, and the cooperation of Mary Garden, director general of the Chicago Opera Company, KYW's initial broadcasts consisted of the opera company's entire

San Francisco Opera (4,711 words) [view diff] exact match in snippet view article find links to article

and Italy. For five years, he worked to build the chorus of the Chicago Opera Company. Merola heard of him and, over the telephone, invited him to San

Marguerite Namara (1,236 words) [view diff] exact match in snippet view article find links to article

1910 to 1926, she sang with the Boston Opera Company, with the Chicago Opera Company (succeeding Mary Garden in Thaïs), with the Metropolitan Opera,

Mario Ancona (1,051 words) [view diff] case mismatch in snippet view article find links to article

reaching its height in Europe, and Ancona was singing with the Chicago opera company at the time. In retirement, he devoted himself to teaching. He died

Nancy Plummer Faxon (472 words) [view diff] exact match in snippet view article find links to article

Company in 1938 as a soloist. She also sang in the chorus of the Chicago Opera Company. From 1955 to 1980, she was a soprano in the professional choir

Giacomo Rimini (816 words) [view diff] exact match in snippet view article find links to article

Figaro and Rosina in Il barbiere di Siviglia together with the Chicago Opera Company among many other performances. Although Rimini primarily worked

Arthur Middleton (bass-baritone) (1,097 words) [view diff] exact match in snippet view article

assumption came not with the Metropolitan Opera but rather with the Chicago Opera Company; he created the role of Ramatzin in Henry Hadley's opera Azora,

Miguel Sandoval (composer) (2,490 words) [view diff] exact match in snippet view article

radio station, WOR. He also conducted operatic performances for the Chicago Opera Company at the Hippodrome in New York, the Century Grand Opera in Providence

Orson Welles theatre credits (7,018 words) [view diff] exact match in snippet view article find links to article

theatre and always has been." Welles played child roles in the Chicago Opera Company until he became so heavy that singers complained about lifting him

Women's rights historic sites in New York City (6,995 words) [view diff] exact match in snippet view article find links to article

African-American Father, made her New York City debut when the Chicago Opera Company appeared at the New York Hippodrome. Ladies' Mile Historic District

Vitaphone Varieties (1,549 words) [view diff] exact match in snippet view article find links to article

1928 Leo Carrillo 2379 (LA) Charles Hackett, Leading Tenor of the Chicago Opera Company - Schubert's "Who Is Sylvia" © July 1, 1928 Charles Hackett

Florence Louise Pettitt (5,996 words) [view diff] case mismatch in snippet view article find links to article

pioneering contribution. In the depths of the great depression, the Chicago opera company stopped touring in Boston. This cancellation and the creation of

José Ruben (7,725 words) [view diff] exact match in snippet view article find links to article

Cassidy, Claudia (June 30, 1946). "Here's the Program for the Chicago Opera Company". Chicago Tribune. Chicago, Illinois. p. 78 – via Newspapers.com