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searching for Anatole Broyard 8 found (69 total)

The Realms of Gold (341 words) [view diff] exact match in snippet view article find links to article

issues. Reception of the novel was mixed. New York Times reviewer Anatole Broyard described the novel as "drenched with intelligence, that is not enough

The Man Who Lived at the Ritz (383 words) [view diff] exact match in snippet view article find links to article

was adapted into a 1988 television miniseries starring Perry King. Anatole Broyard wrote for The New York Times, "Toward the end ... the book turns into

The Sensuous Man (193 words) [view diff] exact match in snippet view article find links to article

name "Dr. A" (Isaac Asimov), a mild spoof "BOOKS OF THE TIMES", by Anatole Broyard The New York Times, July 18, 1984] M (February 1971). The Sensuous

Harry McPherson (1,874 words) [view diff] exact match in snippet view article find links to article

McPherson's insider view of the nation's capital from 1956 to 1969. Anatole Broyard of The New York Times described the book as "fascinating to read" and

Nancy Hayfield (305 words) [view diff] case mismatch in snippet view article find links to article

Irony in the Afternoon: Motion Equals Sanity Description Excels, ANATOLE BROYARD. New York Times; December 6, 1980: 21. A housewife fights her way back

Carol Tavris (2,368 words) [view diff] exact match in snippet view article find links to article

The Skeptic Zone #97". For Good Reason. Retrieved February 21, 2015. Anatole Broyard (February 19, 1983). "Books of the Times". The New York Times. Retrieved

Hope Cooke (2,068 words) [view diff] exact match in snippet view article find links to article

Times, February 3, 1991. "Books Of The Times; An Adult Fairy Tale" by Anatole Broyard, The New York Times, February 28, 1981. H.R. 6855 and S. 1699; 90 Stat

Conflict-of-interest editing on Wikipedia (9,309 words) [view diff] exact match in snippet view article find links to article

Roth, Philip (September 2012). "An Open Letter to Wikipedia About Anatole Broyard and 'The Human Stain'". The New Yorker. Archived from the original