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Léon Ehrhart
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composition. In 1874, he won the Premier Grand Prix de Rome with the cantata Acis et Galatée with a libretto by Eugène Adenis. At this time, he composed the "musicalÉdouard François Zier (507 words) [view diff] exact match in snippet view article find links to article
Papillonne by Zénaïde Fleuriot. He died in Thiais on 19 January 1924. Acis et Galatée, Acis and Galatea hide from Polyphemus 1877 Aphrodite: mœurs antiquesThierry Grégoire (493 words) [view diff] exact match in snippet view article find links to article
Federico Maria Sardelli Gluck - Armide Conductor: Marc Minkowski Lully - Acis et Galatée - Conductor: Marc Minkowski Cavalli - Requiem - Conductor: FrançoiseJean Conte (258 words) [view diff] exact match in snippet view article find links to article
that year, Conte won the Premier Grand Prix de Rome with the cantata Acis et Galatée after Camille du Locle. During his stay at the Villa Medici in RomeLev Ivanov (917 words) [view diff] exact match in snippet view article find links to article
Drigo. Imperial Mariinsky Theatre, 27 January [O.S. 15 January] 1895. Acis et Galatée (en. Acis and Galatea). Ballet-mythologique in one act. Music by AndreiLouis Duport (439 words) [view diff] exact match in snippet view article find links to article
in 1837 and retired from artistic activity. He died in Paris. 1805: Acis et Galatée (Opéra de Paris) 1806: Figaro, with Jean-Baptiste Blache (Opéra deJean-Paul Fouchécourt (983 words) [view diff] exact match in snippet view article find links to article
of Hippolyte et Aricie by Rameau, Titon et l’Aurore by Mondonville, Acis et Galatée by Lully and Resurrezione by Handel. He has also collaborated withMichel Fokine (1,447 words) [view diff] exact match in snippet view article find links to article
of choreography. In 1905, he created his first full-length ballet, Acis et Galatée, which was performed by his students and based on a Sicilian legendChaconne (2,509 words) [view diff] exact match in snippet view article find links to article
(1683); another from the opera Roland (1685); another from the opera Acis et Galatée (1686) Marin Marais (1656–1728): Chaconne in G major for two violasPaul Paray (1,279 words) [view diff] exact match in snippet view article find links to article
by P. May Choral Os Justi, Offertorium for chorus and organ (1903) Acis et Galatée, Cantata (1910) Jeanne d'Arc, Oratorio (1913); words by Gabriel MontoyaCatterino Cavos (2,304 words) [view diff] exact match in snippet view article find links to article
Auguste Poireau (ru: «Торжество России, или Русские в Париже») (1814) Acis et Galatée (ru: «Ацис и Галатея»), choreographer Charles Didelot (1816) CarlosList of 17th-century chaconnes (1,062 words) [view diff] exact match in snippet view article find links to article
Act 2 of the opera Acis et Galatée (Paris, 1686) Schneider 1981, LWV 73:32 Marc Minkowski, Musiciens du Louvre, Lully: "Acis et Galatée" (CD, DG Arkiv, 2006)Gustave Boulanger (6,364 words) [view diff] exact match in snippet view article find links to article
Tronche. Ulysse reconnu par Euryclée (study), 1849, Musée Magnin, Dijon. Acis et Galatée, 1848, Musée d'Art et d'Histoire de Narbonne. Le Repas des Dieux, afterMarc-Antoine Charpentier (9,423 words) [view diff] exact match in snippet view article find links to article
d'Harcourt, H.498 (Pierre Corneille) L'Inconnu, H.499 (Donneau de Visé) Acis et Galatée, (H.499) (Jean de La Fontaine) (incomplete) (lost) Le Bavolet, H.499List of works by James Pradier (2,460 words) [view diff] exact match in snippet view article find links to article
Salon of 1840, the only work Pradier submitted that year. "Polyphème, Acis et Galatée" Geneva, Musée d’art et d’histoire 1841 The Geneva museum held a plaster