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searching for Abstraction-Création 13 found (317 total)

Berardo Collection Museum (1,146 words) [view diff] no match in snippet view article find links to article

The Berardo Collection Museum (in Portuguese: Museu Colecção Berardo) was a museum of modern and contemporary art in Belém, a district of Lisbon, Portugal

Osvaldo Licini (90 words) [view diff] exact match in snippet view article find links to article

around 1930 after his encounter with the Parisian Circle et Carré and Abstraction-Création groups. He was elected Mayor of Monte Vidon Corrado in 1946 and the

Fritz Glarner (456 words) [view diff] exact match in snippet view article find links to article

had begun as early as 1929 in Paris, where he was a member of the Abstraction-Création group. Glarner took up Mondrian's motif of arranging simplified colors

Jean Gorin (1,605 words) [view diff] exact match in snippet view article find links to article

Gorin joined the Association Abstraction-Création. In 1936 Gorin helped edit the last issue of the Abstraction-Création—Art Non-Figuratif almanac, for

John Joseph Wardell Power (934 words) [view diff] exact match in snippet view article find links to article

the subject. In 1934, a solo show of his work was held in Paris by Abstraction-Création. He lived in London, Paris, Brussels, and Bournemouth, before moving

István Beöthy (516 words) [view diff] exact match in snippet view article find links to article

1930: Galerie Bonaparte, Paris 1931: Salon Kovács Á., Budapest 1934: Abstraction-Création, Paris 1942: Centre d'Etudes Hongroises, Paris 1946: Galerie Denise

Gerome Kamrowski (1,459 words) [view diff] exact match in snippet view article find links to article

been students of Hans Hofmann, and were also associated with the Abstraction-Création group in Paris. It was from these peers that Kamrowski was introduced

Lucio Fontana (2,359 words) [view diff] exact match in snippet view article find links to article

abstract and expressionist painters. In 1935 he joined the association Abstraction-Création in Paris and from 1936 to 1949 made expressionist sculptures in ceramic

Daniel Robbins (art historian) (2,824 words) [view diff] no match in snippet view article

Robbins, Pierre Georgel, Anne Varichon, Somogy, 1998 Albert Gleizes: Abstraction création 1928–1933, Somogy, 1998 The Drawings of John Butler Yeats, 1839–1922

Sophie Taeuber-Arp (3,104 words) [view diff] exact match in snippet view article find links to article

a standard-bearer of non-figurative art, and its successor, the Abstraction-Création group (1931–34). Taeuber-Arp also provided the cover art for the

List of works by Albert Gleizes (2,540 words) [view diff] exact match in snippet view article find links to article

Jeunesse (suite), Régénération, Paris, no. 49, 50, 53, 1934. [Expose] Abstraction-Création, Art Non Figuratif, Paris, no. 3, 1934, p. 18 Agriculture et Machinisme

Kurt Schwitters (7,390 words) [view diff] case mismatch in snippet view article find links to article

Merzbau were reproduced in the journal of the Paris-based group abstraction-création in 1933-34, and were exhibited in MoMA in New York in late 1936.

Alexander Calder (8,873 words) [view diff] exact match in snippet view article find links to article

1928 at the Weyhe Gallery in New York City. He exhibited with the Abstraction-Création group in Paris in 1933. In 1935, he had his first solo museum exhibition