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The A. W. Mellon Lectures in the Fine Arts Painting and Reality – 1955 Etienne Gilson 1957, 1968 35:4 The A. W. Mellon Lectures in the Fine Arts Art andArt and Illusion (367 words) [view diff] exact match in snippet view article find links to article
theory and history by Ernst Gombrich, derived from the 1956 A. W. Mellon Lectures in the Fine Arts. The book had a wide impact in art history, but also inAndré Grabar (1,214 words) [view diff] case mismatch in snippet view article find links to article
at Dumbarton Oaks from 1950 to 1964. In 1961 he gave the A. W. Mellon lectures in the Fine Arts at the National Gallery of Art in Washington, DC, publishedJonathan Brown (art historian) (1,292 words) [view diff] no match in snippet view article
Connoisseurs: Collecting Art in Seventeenth-Century Europe, 1995. (A.W. Mellon Lectures in the Fine Arts, 1994) ISBN 069104497X (editor) Picasso and the SpanishMary Miller (art historian) (1,164 words) [view diff] exact match in snippet view article
book in the Americas. January 18, 2017 - news.yale.edu "A. W. Mellon Lectures in the Fine Arts". National Gallery of Art. Retrieved 18 December 2019. "SeniorKirk Varnedoe (1,480 words) [view diff] no match in snippet view article find links to article
published posthumously and was based on notes from his A.W. Mellon lectures in the Fine Arts, which he delivered at the National Gallery of Art in WashingtonRichard Wollheim (1,945 words) [view diff] no match in snippet view article find links to article
ISSN 0090-5917. Danto, Arthur C. (2002). "Richard Wollheim". The A.W. Mellon lectures in the fine arts : fifty years. Washington, D.C. : National Gallery of ArtSembiyan Mahadevi (1,169 words) [view diff] no match in snippet view article find links to article
life of sacred bronzes from Chola India, 855-1280. The A.W. Mellon lectures in the fine arts. Princeton, New Jersey: Princeton university press. pp. 105–107John Pope-Hennessy (1,434 words) [view diff] exact match in snippet view article find links to article
Baroque Sculpture, 1963 The Portrait in the Renaissance, the A. W. Mellon Lectures in the Fine Arts, Phaidon 1963 Renaissance Bronzes from the Samuel H. KressIbn Muqla (1,560 words) [view diff] no match in snippet view article find links to article
ISBN 978-9774244766. Grabar, Oleg (1992). The Mediation of Ornament. The A.W. Mellon Lectures in the Fine Arts. Vol. XXXV. Princeton, NJ: Princeton University Press. KennedyJohn Shearman (1,525 words) [view diff] case mismatch in snippet view article find links to article
Connect: Art and the Spectator in the Italian Renaissance, A. W. Mellon lectures in the Fine Arts 1988 Bollingen Series 35, 37. Princeton, NJ: Princeton UniversityKathleen Raine (2,263 words) [view diff] exact match in snippet view article find links to article
Raine". The Scotsman. 17 July 2003. Retrieved 8 July 2021. "A. W. Mellon Lectures in the Fine Arts". www.nga.gov. Retrieved 26 August 2023. MacQuarrie, KirstenMario Praz (2,342 words) [view diff] no match in snippet view article find links to article
The Parallel Between Literature and the Visual Arts. The A.W.Mellon Lectures in the Fine Arts 1967. (1967) Praz, Mario, ed. English Miscellany: A SymposiumMind–body interventions (2,925 words) [view diff] no match in snippet view article find links to article
Zimmer, H.R.; Campbell, J. (1951). Philosophies of India. A.W. Mellon lectures in the fine arts. Princeton University Press. p. 217. ISBN 978-0-691-01758-7Thomas Howard, 14th Earl of Arundel (2,202 words) [view diff] no match in snippet view article find links to article
Connoisseurs: Collecting Art in Seventeenth-century Europe. A.W. Mellon lectures in the fine arts. Princeton University Press. ISBN 978-0-691-04497-2. RetrievedJacques Barzun (3,336 words) [view diff] exact match in snippet view article find links to article
1993: ISBN 0-226-03851-3. 1974 The Use and Abuse of Art (A. W. Mellon Lectures in the Fine Arts) . Princeton University Press. ISBN 0-691-01804-9. 1975Pieter Bruegel the Elder (6,532 words) [view diff] exact match in snippet view article find links to article
and Bruegel: From Enemy Painting to Everyday Life (The A. W. Mellon Lectures in the Fine Arts), 2016, Princeton Jos Koldeweij; Matthijs Ilsink, HieronymusPostmodern art (6,324 words) [view diff] no match in snippet view article find links to article
ISBN 978-0-15-666370-0 Pictures of Nothing: Abstract Art since Pollock (A.W. Mellon Lectures in the Fine Arts), Kirk Varnedoe, 2003 Art of the Postmodern Era: From theTerracotta Army (8,314 words) [view diff] no match in snippet view article find links to article
Things: Module and Mass Production in Chinese Art. The A.W. Mellon Lectures in the Fine Arts. Princeton, NJ: Princeton University Press. ISBN 978-0-691-00957-5Late modernism (6,084 words) [view diff] no match in snippet view article find links to article
ISBN 0-15-666370-8 Pictures of Nothing: Abstract Art since Pollock (A.W. Mellon Lectures in the Fine Arts), Kirk Varnedoe, 2003 Art of the Postmodern Era: From theKenneth Clark (8,229 words) [view diff] exact match in snippet view article find links to article
Lecture for 1954 The Nude: A Study in Ideal Form (1956) A. W. Mellon Lectures in the Fine Arts, delivered in 1953 Looking at Pictures (1960 and 1972) RuskinWestern painting (14,990 words) [view diff] no match in snippet view article find links to article
ISBN 0-15-666370-8 Pictures of Nothing: Abstract Art since Pollock (A.W. Mellon Lectures in the Fine Arts), Kirk Varnedoe, 2003 O'Connor, Francis V. Jackson PollockHistory of painting (25,793 words) [view diff] no match in snippet view article find links to article
OCLC 165852 Pictures of Nothing: Abstract Art since Pollock (A.W. Mellon Lectures in the Fine Arts), Kirk Varnedoe, 2003 The Triumph of Modernism: The ArtHistory of the nude in art (43,537 words) [view diff] case mismatch in snippet view article find links to article
Clark, Kenneth (1990). The nude: a study in ideal form. The A. W. Mellon lectures in the fine arts (8. print ed.). Princeton, NJ: Princeton University Pr.