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Memory Machines: The Evolution of Hypertext by Belinda Barnet
augmented reality, Benoit Mandelbrot, Bill Duvall, British Empire, Buckminster Fuller, Claude Shannon: information theory, collateralized debt obligation, computer age, conceptual framework, Douglas Engelbart, Douglas Engelbart, game design, hiring and firing, Howard Rheingold, HyperCard, hypertext link, information retrieval, Internet Archive, John Markoff, linked data, mandelbrot fractal, Marshall McLuhan, Menlo Park, nonsequential writing, Norbert Wiener, publish or perish, Robert Metcalfe, semantic web, Steve Jobs, Stewart Brand, technoutopianism, Ted Nelson, the scientific method, Vannevar Bush, wikimedia commons
When Nelson and van Dam set out to create a hypertext system, they decided that their model of association would be personalized, with fewer restrictions. ‘HES was also single-user and personal because there was only one graphics display at Brown – ours […] Unimaginable today’ (van Dam 2011). The Hypertext Editing System was SEEING AND MAKING CONNECTIONS 97 designed for personal text editing, information retrieval and nonsequential writing. This is one of the differences between ours and Engelbart’s system. That system imposes a hierarchical tree structure upon all textual contents, in contrast to our unstructured ‘string’ of text approach. While many benefits accrue from this automatic structuring, it does reflect an arguable theory of human thought. (Carmody et al. 1969, 301) Theories and models of human thought aside, I have been arguing that NLS’s hierarchical structure was based as much on the fact that the system itself was multiuser, and that it was the centrepiece of (the first) large-scale software engineering project, as it was on Engelbart’s conception of the structure of language and thought.
The Internet Is Not the Answer by Andrew Keen
"Robert Solow", 3D printing, A Declaration of the Independence of Cyberspace, Airbnb, AltaVista, Andrew Keen, augmented reality, Bay Area Rapid Transit, Berlin Wall, bitcoin, Black Swan, Bob Geldof, Burning Man, Cass Sunstein, citizen journalism, Clayton Christensen, clean water, cloud computing, collective bargaining, Colonization of Mars, computer age, connected car, creative destruction, cuban missile crisis, David Brooks, disintermediation, disruptive innovation, Donald Davies, Downton Abbey, Edward Snowden, Elon Musk, Erik Brynjolfsson, Fall of the Berlin Wall, Filter Bubble, Francis Fukuyama: the end of history, Frank Gehry, Frederick Winslow Taylor, frictionless, full employment, future of work, gig economy, global village, Google bus, Google Glasses, Hacker Ethic, happiness index / gross national happiness, income inequality, index card, informal economy, information trail, Innovator's Dilemma, Internet of things, Isaac Newton, Jaron Lanier, Jeff Bezos, job automation, Joi Ito, Joseph Schumpeter, Julian Assange, Kevin Kelly, Kickstarter, Kodak vs Instagram, Lean Startup, libertarian paternalism, lifelogging, Lyft, Marc Andreessen, Mark Zuckerberg, Marshall McLuhan, Martin Wolf, Metcalfe’s law, move fast and break things, move fast and break things, Nate Silver, Nelson Mandela, Network effects, new economy, Nicholas Carr, nonsequential writing, Norbert Wiener, Norman Mailer, Occupy movement, packet switching, PageRank, Panopticon Jeremy Bentham, Paul Graham, peer-to-peer, peer-to-peer rental, Peter Thiel, plutocrats, Plutocrats, Potemkin village, precariat, pre–internet, RAND corporation, Ray Kurzweil, ride hailing / ride sharing, Robert Metcalfe, Second Machine Age, self-driving car, sharing economy, Silicon Valley, Silicon Valley ideology, Skype, smart cities, Snapchat, social web, South of Market, San Francisco, Steve Jobs, Steve Wozniak, Steven Levy, Stewart Brand, TaskRabbit, Ted Nelson, telemarketer, The Future of Employment, the medium is the message, the new new thing, Thomas L Friedman, Travis Kalanick, Tyler Cowen: Great Stagnation, Uber for X, uber lyft, urban planning, Vannevar Bush, Whole Earth Catalog, WikiLeaks, winner-take-all economy, working poor, Y Combinator
By the end of the 1980s, the Internet had connected 800 networks, 150,000 registered addresses, and several million computers. But this project to network the world wasn’t quite complete. There was one thing still missing—Vannevar Bush’s Memex. There were no trails yet on the Internet, no network of intelligent links, no process of tying two items together on the network. The World Wide Web In 1960, a “discombobulated genius” named Ted Nelson came up with the idea of “nonsequential writing,” which he coined “hypertext.”40 Riffing off Vannevar Bush’s notion of “information trails,” Nelson replaced Bush’s reliance on analog devices like levers and microfilm with his own faith in the power of digital technology to make these nonlinear connections. Like Bush, who believed that the trails on his Memex “do not fade,”41 the highly eccentric Nelson saw himself as a “rebel against forgetting.”42 His lifelong quest to create hypertext, which he code-named Xanadu, was indeed a kind of rebellion against forgetfulness.
Possiplex by Ted Nelson
Any sufficiently advanced technology is indistinguishable from magic, Bill Duvall, Brewster Kahle, Buckminster Fuller, cuban missile crisis, Donald Knuth, Douglas Engelbart, Douglas Engelbart, HyperCard, Jaron Lanier, John Markoff, Kevin Kelly, Marc Andreessen, Marshall McLuhan, Murray Gell-Mann, nonsequential writing, pattern recognition, post-work, RAND corporation, semantic web, Silicon Valley, Steve Jobs, Stewart Brand, Ted Nelson, Thomas Kuhn: the structure of scientific revolutions, Vannevar Bush, Zimmermann PGP
But if we can have parallel document structure,* the different event-streams can be in different text streams, coupled sideways; this structure should make clear all the relationships to the reader. * I am not sure that the genre of parallel documents occurred to me in the 1960-1 period. • The Manifest Destiny of Literature Obviously, writings like this would be far superior to ordinary writings on paper, and nobody would want the old forms or writing any more. But of course the old writings themselves could be brought forward as re-usable content for this new genre. Nonsequential writing—the term “hypertext” had not yet been coined—was obviously the manifest destiny of literature. I foresaw a sweeping new genre of writing with many forms of connection; and of course that was the genre in which I would want to create all my own works of the future. Any reader who still thinks these ideas have any resemblance to the World Wide Web should probably take a hot bath. But it was vital that this new literary genre would have to be simple, clean, elegant and powerful.