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searching for Women's cinema 94 found (162 total)

alternate case: women's cinema

Anne Fontaine (681 words) [view diff] no match in snippet view article find links to article

an element of cruelty in them." While knowing that the movement of ‘women’s cinema’ worked as a counter to the classical Hollywood system, Fontaine didn't
Mala Sinha (2,426 words) [view diff] exact match in snippet view article find links to article
Maryada (1971) . She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range
Women Make Waves (437 words) [view diff] case mismatch in snippet view article find links to article
screenings every autumn in Taipei and two other major cities. In Chinese Women's Cinema: Transnational Contexts, edited by Lingzhen Wang, it is noted that the
Inas El-Degheidy (357 words) [view diff] exact match in snippet view article find links to article
often analyze women's struggles in society, she does not like the term "women's cinema". Inas El Degheidy was born in Cairo, one of eight children of a conservative
Naomi Kawase (1,628 words) [view diff] no match in snippet view article find links to article
domestic. Themes that are often associated with feminist practices and Women’s Cinema. However, Kawase herself does not classify as a feminist due to Japanese
Nuevo Cine Mexicano (1,702 words) [view diff] no match in snippet view article find links to article
that people were not familiar with, labeled as ‘women’s cinema’. The phenomenal growth of ‘women’s cinema’, not only meant that there would be an infinite
Claire Johnston (118 words) [view diff] case mismatch in snippet view article find links to article
and European auteur cinema). "Women's Cinema as Counter-Cinema" (1973) in: Claire Johnston (ed.), Notes on Women's Cinema, London: Society for Education
Huang Yu-shan (3,365 words) [view diff] case mismatch in snippet view article find links to article
Wang, Chinese Women’s Cinema, Transnational Contexts. New York (Columbia Univ. Press) 2011, p.140. Lingzhen Wang, Chinese Women's Cinema: Transnational
I've Heard the Mermaids Singing (5,860 words) [view diff] exact match in snippet view article find links to article
'alternative women's cinema', and Mermaids failed her test". De Lauretis wrote that the recognition of Mermaids as "an exemplary film of women's cinema is ground
Brenda Longfellow (670 words) [view diff] case mismatch in snippet view article find links to article
Brenda; Marchessault, Janine (1992). Gendering the Nation: Canadian Women's Cinema (pp. 3-14) University of Toronto Press. ISBN 978-0802041203 "Brenda
List of Moroccan women artists (131 words) [view diff] case mismatch in snippet view article find links to article
February 26, 2016. Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Bloomington, IN: Indiana University Press – via Questia (subscription
2017 National Society of Film Critics Awards (323 words) [view diff] case mismatch in snippet view article find links to article
Dawson City: Frozen Time – Bill Morrison (32) One Way or Another: Black Women's Cinema, 1970–1991, curated by the Brooklyn Academy of Music Cinématek. Special
Nancy Kates (1,325 words) [view diff] no match in snippet view article find links to article
South by Southwest Film Festival, the Boston International Festival of Women’s Cinema, and the Minneapolis-St. Paul International Film Festival among others
Cameron Bailey (316 words) [view diff] case mismatch in snippet view article find links to article
The Films of Jennifer Hodge de Silva. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto. pp. 94–108. Cameron Bailey (1990).
Debra Zimmerman (517 words) [view diff] no match in snippet view article find links to article
Harvard University and Smith College. She has keynoted conferences on women’s cinema at SUNY Stony Brook and University of Sunderland, England. Zimmerman
Huang Shuqin (1,354 words) [view diff] no match in snippet view article find links to article
women." Kang, Kai. "Beyond New Waves: Gender and Sexuality in Sinophone Women‘s Cinema from the 1980s to the 2000s." PhD Dissertation, University of California
Aerlyn Weissman (1,237 words) [view diff] case mismatch in snippet view article find links to article
"Querying or 'Queering' the Nation: The Lesbian Postmodern and Canadian Women's Cinema." Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques
A Different Image (430 words) [view diff] no match in snippet view article find links to article
Madeline Anderson, Berkeley Art Museum, 2016 One Way or Another: Black Women’s Cinema, 1970-1991, Brooklyn Academy of Music, 2017 The Black Film Center/Archive
Cinema of Mexico (5,441 words) [view diff] no match in snippet view article find links to article
that people were not familiar with, labeled as ‘women’s cinema’. The phenomenal growth of ‘women’s cinema’, not only meant that there would be an infinite
Sam & Me (337 words) [view diff] case mismatch in snippet view article find links to article
Light: Canadianizing Race and Nation." In Gendering the Nation: Canadian Women's Cinema, edited by Kay Armatage, Kass Banning, Brenda Longfellow, and Janine
Sahara Love (144 words) [view diff] case mismatch in snippet view article find links to article
2018. Bell & Williams p.20 Bell, Melanie & Williams, Melanie. British Women's Cinema. Routledge, 2010. Low, Rachel. The History of British Film: Volume IV
Nelly Kaplan (2,402 words) [view diff] no match in snippet view article find links to article
Quarterly, 32.3 (1979): 46-9. Johnston, Claire. “Women’s cinema as counter cinema”. Notes on Women’s Cinema. London: Society for Education in Film and Television
Bu Liao Qing (1947 film) (128 words) [view diff] case mismatch in snippet view article
Century. Routledge. ISBN 9781315499239. Wang, Lingzhen (2011). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231156752
Disha (125 words) [view diff] case mismatch in snippet view article find links to article
Cannes-cinema.com. Retrieved 5 August 2012. Bombay and the Village in 1990s Women's Cinema, Rashmi Sawhney, Journal: Film Studies, ISSN 1469-0314, Volume 11, 2007
Kathleen Shannon (2,085 words) [view diff] case mismatch in snippet view article find links to article
(1986-1990)". In Armatage, Kay; et al. (eds.). Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press. p. 43. Anderson, Elizabeth (1999)
Diane Kurys (893 words) [view diff] exact match in snippet view article find links to article
ambivalence toward feminism and dislike of the "woman director" or "women's cinema" label has played a part in her lack of feminist film study scholarship
Rachida Krim (306 words) [view diff] case mismatch in snippet view article find links to article
Retrieved 2019-03-27. Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. pp. 232. Cauhape, Veronique (2010-04-16)
Mireille Eid (Astore) (952 words) [view diff] case mismatch in snippet view article
her memories and her current life". It was selected to feature in the Women's Cinema from Tangiers to Tehran Film Festival and was included on the third
Liu Miaomiao (director) (325 words) [view diff] exact match in snippet view article
(2017). "Rescuing female desire from revolutionary history: Chinese women's cinema in the 1980s". Asian Journal of Women's Studies. Taylor and Francis
Hu Mei (507 words) [view diff] exact match in snippet view article find links to article
(2017). "Rescuing female desire from revolutionary history: Chinese women's cinema in the 1980s". Asian Journal of Women's Studies. Taylor and Francis
Marisa Sistach Peret (1,151 words) [view diff] exact match in snippet view article find links to article
the Academy Awards. Rashkin stated that the works created a genre of "women's cinema" that took women characters beyond objectification. She further remarked
The Sleeping Child (149 words) [view diff] no match in snippet view article find links to article
womanly gaze on male emigration." Martin, Florence (2011). Screens and Veils: Maghrebi Women’s Cinema. Indiana University Press. The Sleeping Child on IMDb
Twice as Nice (423 words) [view diff] case mismatch in snippet view article find links to article
– 1986, Film Society Lincoln Center, 2015 One Way Or Another, Black Women's Cinema, 1970–1991, Brooklyn Academy of Music, 2017 "Twice As Nice". Film Society
Alice Diop (355 words) [view diff] case mismatch in snippet view article find links to article
2016 : FIFF-Festival International de Films de Femmes (Festival of Women's Cinema) - Créteil (France) - Prix du public - Meilleur court métrage français
Kay Armatage (1,061 words) [view diff] no match in snippet view article find links to article
Shipman and Silent Cinema and co-edited Gendering the Nation: Canadian Women’s Cinema. Through her academic writing, Armatage has said she hopes to help close
Seoul International Women's Film Festival (5,220 words) [view diff] case mismatch in snippet view article find links to article
Biopolitics and Body Politics, Fantastic Women's Cinema: Women in Paraxis, Curtain Call, 97-07 Women's Cinema in Korea, Documentary Ock Rang Award, Media
F. R. Crawley (935 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Cinema of China (12,040 words) [view diff] exact match in snippet view article find links to article
(2017). "Rescuing female desire from revolutionary history: Chinese women's cinema in the 1980s". Asian Journal of Women's Studies. 23 (1): 49–65. doi:10
List of Italian films of 1966 (788 words) [view diff] case mismatch in snippet view article find links to article
Crnkovich 2017, p. 196. Bell, Melanie; Williams, Melanie (2009). British Women's Cinema. Routledge. ISBN 978-1135231934. Balio, Tino (2010). The Foreign Film
Cinema of Canada (3,760 words) [view diff] case mismatch in snippet view article find links to article
The Globe and Mail, January 14, 2016. Gendering the Nation: Canadian Women's Cinema, ed. by Kay Armatage, Janine Marchessault, Brenda Longfellow, University
Sanaa Hamri (1,848 words) [view diff] exact match in snippet view article find links to article
often overlooked in "both contemporary black cinema and contemporary women's cinema" because they sometimes fall in the "broad chick-flick category".[page needed]
Anne Claire Poirier (430 words) [view diff] case mismatch in snippet view article find links to article
Longfellow; Janine Marchessault (1999). Gendering the Nation: Canadia Women's Cinema. University of Toronto Press. p. 8. "Canadian Film Encyclopedia - Anne
Selma Baccar (820 words) [view diff] case mismatch in snippet view article find links to article
Spectatorship: Flower of Oblivion (Tunisia, 2006)". Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. pp. 183–209. ISBN 978-0-253-00565-6. Rebecca
Laetitia Masson (936 words) [view diff] case mismatch in snippet view article find links to article
Kate. The Body and the Screen: Female Subjectivities in Contemporary Women's Cinema;: Bloomsbury, 2017. McFadden, Cybelle H. Gendered Frames, Embodied Cameras:
Ruan Lingyu (1,612 words) [view diff] case mismatch in snippet view article find links to article
July 2011. Retrieved 30 October 2017. Wang, Lingzhen (2011). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 978-0-231-15675-2
Four Women (1975 film) (286 words) [view diff] case mismatch in snippet view article
Spelman College Museum of Fine Art, 2007 One Way or Another: Black Women's Cinema, BAMcinematek, 2016 L.A. Rebellion: Creating a New Black Cinema Exhibit
Fatima Jebli Ouazzani (216 words) [view diff] case mismatch in snippet view article find links to article
Ouazzani, Women Make Movies. Florence Martin (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. pp. 230–1. ISBN 0-253-22341-5.
Ai Xia (580 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-1-137-31238-9. Wang, Yiman (2011). Wang, Lingzhen (ed.). Chinese Women's Cinema: Transnational Contexts. New York: Columbia University Press. p. 238
Yasmine Kassari (219 words) [view diff] case mismatch in snippet view article find links to article
Sleeping Child) Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. pp. 161–182. Hillauer, Rebecca (2005). "Kassari
Peng Xiaolian (1,335 words) [view diff] no match in snippet view article find links to article
Xiaolian. “My Shanghai, My Films” in S. Louisa Wei and Yang Yuanying, Women’s Cinema: Dialogues with Chinese and Japanese Female Directors. Shanghai: Eastern
Laura Jones (screenwriter) (710 words) [view diff] exact match in snippet view article
1990s and is "very active in encouraging women's (and alternative) women's cinema". Laura Jones has won the Australian Writer’s Guild Award three times
Karen Greenlee (1,228 words) [view diff] case mismatch in snippet view article find links to article
Armatage, Kay; et al., eds. (26 June 1999). Gendering the Nation: Canadian Women's Cinema. University of Toronto Press. p. 272. ISBN 978-0802041203. Today Greenlee
Riddles of the Sphinx (766 words) [view diff] case mismatch in snippet view article find links to article
Lucy (Winter 1989). "Shot/Countershot: An intertextual Approach to Women's Cinema". Journal of Film and Video. XLI (4). "Riddles of the Sphinx (1977)"
Clara Law (1,291 words) [view diff] case mismatch in snippet view article find links to article
One's Way Home: Clara Law's Letters to Oz." In: Wang, Lingzhen. Chinese Women's Cinema: Transnational Contexts. Columbia University Press, 13 August 2013.
Direct cinema (3,039 words) [view diff] case mismatch in snippet view article find links to article
Documentary Film and Video. N.J.: Prentice Hfall, 1989. Claire Johnston, "Women's Cinema as Counter-Cinema" (1975) in: Sue Thornham (ed.), Feminist Film Theory
Willie Dunn (662 words) [view diff] case mismatch in snippet view article find links to article
Documentary Practice of Alanis Obomsawin". Gendering the Nation: Canadian Women's Cinema. University of Toronto Press. p. 83. ISBN 978-0-8020-7964-0. "2020 Prism
Ticket of No Return (318 words) [view diff] case mismatch in snippet view article find links to article
ISBN 9780804739955. p. `57. Judith Mayne, The Woman at the Keyhole: Feminism and Women's Cinema. Indiana University Press, 1990. ISBN 9780253115041. p. 142. David Morgan
Hana Makhmalbaf (908 words) [view diff] case mismatch in snippet view article find links to article
doi:10.1080/09528820903488885. ISSN 0952-8822. White, Patricia (2015). Women's Cinema, World Cinema: Projecting Contemporary Feminisms. Durham: Duke University
Boo Ji-young (583 words) [view diff] exact match in snippet view article find links to article
equal to men directors, rather than categorizing women directors as "women's cinema" when they make films. Cart 2014 ( Director and Scriptwriter ) Myselves :
Forbidden Love: The Unashamed Stories of Lesbian Lives (2,918 words) [view diff] case mismatch in snippet view article find links to article
Brenda; Marchessault, Janine, eds. (1999). Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press. doi:10.3138/9781442675223. ISBN 9781442675223
Jennifer Hodge de Silva (739 words) [view diff] case mismatch in snippet view article find links to article
The Films of Jennifer Hodge de Silva. Gendering the Nation: Canadian Women's Cinema]. Toronto: University of Toronto. pp. 94–108. ISBN 0802041205. Cameron
Qing Chang Ru Zhan Chang (90 words) [view diff] case mismatch in snippet view article find links to article
Routledge. ISBN 9781134690879. Wang, Lingzhen (2011-08-30). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231527446
Alanis Obomsawin (3,341 words) [view diff] case mismatch in snippet view article find links to article
Obomsawin". In Banning, Kass (ed.). Gendering the Nation : Canadian Women's Cinema. Toronto, Canada: University of Toronto Press. p. 78. National Film
Annette Kuhn (2,337 words) [view diff] exact match in snippet view article find links to article
1994), in which Kuhn defined a variant of fictional realism as "new women's cinema" which targeted a working woman audience of the mid-1970s; and The Power
Michal Aviad (1,742 words) [view diff] no match in snippet view article find links to article
Article 2 Raz, “Conditions of Visibility: Trauma and Contemporary Israeli Women’s Cinema,” Signs: Journal of Women in Culture and Society, (2016). Jenny & Jenny
Miserable at Middle Age (1,296 words) [view diff] case mismatch in snippet view article find links to article
Francis, p. 304. ISBN 0-415-15168-6. Wang, Lingzhen (2011). Chinese Women's Cinema. New York: Columbia University Press. p. 258. "Eileen Chang, 74, Chinese
Raja Amari (1,262 words) [view diff] case mismatch in snippet view article find links to article
26 June 2012. Martine, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Bloomington, Indiana: Indiana University Press. p. 114. ISBN 978-0-253-35668-0
Stella F. Simon (887 words) [view diff] case mismatch in snippet view article find links to article
93–105. Maule, Rosanna, and Catherine Russell. “Another Cinephilia: Women's Cinema in the 1920s.” Framework: The Journal of Cinema and Media, vol. 46,
Lucrecia Martel (5,337 words) [view diff] case mismatch in snippet view article find links to article
(2017). "Intimacy and Distance – Domestic Servants in Latin American Women's Cinema: La mujer sin cabeza and El niño pez/The Fish Child". In Martin, Deborah;
Not Bad for a Girl (1,080 words) [view diff] no match in snippet view article find links to article
Portland, OR April 1996 4th Annual Boston International Festival of Women’s Cinema, Brattle Theatre, Cambridge, MA April/May 1996 One Reel Film Festival
Incident at Restigouche (731 words) [view diff] case mismatch in snippet view article find links to article
Documentary Practice of Alanis Obomsawin". Gendering the Nation: Canadian Women's Cinema. University of Toronto Press. p. 83. ISBN 0-8020-7964-4. (interview)
Julie Yeh Feng (322 words) [view diff] case mismatch in snippet view article find links to article
Contrasts Across the Print-Screen Divide". In Wang, Lingzhen (ed.). Chinese Women's Cinema: Transnational Contexts. New York: Columbia University Press. p. 258
Judith Crawley (706 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Kalthoum Bornaz (757 words) [view diff] case mismatch in snippet view article find links to article
York: Scribner, 1997. Martin, Florence. Screens and Veils: Maghrebi Women's Cinema. Indiana University Press, 2011. 227-28 Les Cinémas D'Afrique: Dictionnaire
Ginette Vincendeau (1,330 words) [view diff] exact match in snippet view article find links to article
Gabin", Screen, Vol. 26, No. 6, November-December 1985, pp. 18-38. "Women's cinema, Film theory and Feminism in France", Screen, Vol. 28, No. 4, Autumn
Peekaboo (film) (631 words) [view diff] no match in snippet view article
AWARD / WINNER BEST EDITING / WINNER AUDIENCE AWARD – 18th World of Women’s Cinema Festival, Sydney, Australia, 2012 WINNER BEST FILM JUDGED BY INDUSTRY
Barbara Zecchi (1,379 words) [view diff] exact match in snippet view article find links to article
Massachusetts in 2011, with the aim of increasing the visibility of women's cinema. The term of her coinage "gynocine" is an alternative to the limiting
China News Weekly (844 words) [view diff] no match in snippet view article find links to article
petitioners (访民) are mentally ill". Lingzhen Wang (30 August 2011). Chinese Women’s Cinema: Transnational Contexts. Columbia University Press. pp. 419–. ISBN 978-0-231-52744-6
Dionne Brand (5,231 words) [view diff] case mismatch in snippet view article find links to article
Kass; Longfellow, Brenda (January 1999). Gendering the Nation: Canadian Women's Cinema. ISBN 9780802079640. Butling, Pauline; Rudy, Susan (2005). Poets Talk:
Hou Yao (952 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-0-19-976560-7.CS1 maint: ref=harv (link) Wang, Lingzhen (2013). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 978-0-231-52744-6
Evelyn Spice Cherry (1,265 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Xie Caizhen (312 words) [view diff] case mismatch in snippet view article find links to article
Wiley-Blackwell. ISBN 978-1444330298. Wang, Lingzhen (2011). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231527446
Women in documentary film (685 words) [view diff] no match in snippet view article find links to article
Illinois Press. ISBN 9780252030062. Wang, Lingzhen (2011-08-30). Chinese Women’s Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231527446
Women in documentary film (685 words) [view diff] no match in snippet view article find links to article
Illinois Press. ISBN 9780252030062. Wang, Lingzhen (2011-08-30). Chinese Women’s Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231527446
Doris Zinkeisen (3,394 words) [view diff] exact match in snippet view article find links to article
Sarah Street. "3". In Melanie Bell, Melanie Williams (ed.). British women's cinema. 2009: Routledge. p. 36. ISBN 978-0-415-46696-7.CS1 maint: location
Jane Marsh Beveridge (2,829 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Air Cadets (film) (1,542 words) [view diff] case mismatch in snippet view article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Martha Ansara (2,545 words) [view diff] case mismatch in snippet view article find links to article
de Femmes) where her films were screened in a tribute to Australian Women's Cinema. In 2003, as a long-time member of the Australian Directors Guild, Ansara
Proudly She Marches (1,281 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Women Are Warriors (1,803 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
La Picasa International Film Festival (529 words) [view diff] case mismatch in snippet view article find links to article
were also two additional series of short films out of competition, "Women's Cinema" and "Homage to Mexican Cinema". The FICILP has six categories in competition:
Inside Fighting Canada (1,372 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Federal Women's Film Program (1,275 words) [view diff] case mismatch in snippet view article find links to article
Banning; Brenda Longfellow (eds.). Gendering the Nation : Canadian Women's Cinema. ISBN 9781442675223. OCLC 1013937336. National Film Board of Canada
Huang Ching-cheng (7,136 words) [view diff] case mismatch in snippet view article find links to article
of Taiwan." See: Chuan-ying Yen, ibidem. See: Lingzhen Wang, Chinese Women's Cinema: Transnational Contexts. New York (Columbia University Press) 2011,