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searching for Women's cinema 116 found (477 total)

alternate case: women's cinema

Mala Sinha (2,271 words) [view diff] exact match in snippet view article find links to article

Maryada (1971) . She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range
For Film's Sake (534 words) [view diff] no match in snippet view article find links to article
For Film's Sake (FFS), formerly World of Women’s Cinema (WOW) Film Festival and known as the WOW Film Festival, is a film festival showcasing films made
Inas El-Degheidy (351 words) [view diff] exact match in snippet view article find links to article
often analyze women's struggles in society, she does not like the term "women's cinema". Inas El Degheidy was born in Cairo, one of eight children of a conservative
Nuevo Cine Mexicano (1,755 words) [view diff] exact match in snippet view article find links to article
that people were not familiar with, labeled as ‘women's cinema’. The phenomenal growth of ‘women's cinema’, not only meant that there would be an infinite
Naomi Kawase (2,032 words) [view diff] case mismatch in snippet view article find links to article
domestic. Themes that are often associated with feminist practices and Women's Cinema. However, Kawase herself does not classify as a feminist due to Japanese
Women Make Waves (554 words) [view diff] case mismatch in snippet view article find links to article
predecessor of Women Make Waves Int'l Film Festival Taiwan. In Chinese Women's Cinema: Transnational Contexts, edited by Lingzhen Wang, it is noted that the
Anne Fontaine (1,071 words) [view diff] exact match in snippet view article find links to article
an element of cruelty in them." While knowing that the movement of "women's cinema" worked as a counter to the classical Hollywood system, Fontaine didn't
Huang Yu-shan (3,357 words) [view diff] case mismatch in snippet view article find links to article
Wang, Chinese Women’s Cinema, Transnational Contexts. New York (Columbia Univ. Press) 2011, p.140. Lingzhen Wang, Chinese Women's Cinema: Transnational
Brenda Longfellow (672 words) [view diff] case mismatch in snippet view article find links to article
Brenda; Marchessault, Janine (1992). Gendering the Nation: Canadian Women's Cinema (pp. 3–14) University of Toronto Press. ISBN 978-0802041203 "Brenda
List of Moroccan women artists (236 words) [view diff] case mismatch in snippet view article find links to article
on 2016-03-05. Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Bloomington, IN: Indiana University Press. pp. 251–252. ISBN 978-0-253-35668-0
I've Heard the Mermaids Singing (5,862 words) [view diff] exact match in snippet view article find links to article
'alternative women's cinema', and Mermaids failed her test".: 58  De Lauretis wrote that the recognition of Mermaids as "an exemplary film of women's cinema is
International Women's Film Festival in Salé (330 words) [view diff] exact match in snippet view article find links to article
Association under the patronage of King Mohammed VI with the aim of promoting women's cinema and highlighting women in cinema, the festival was created in 2004 and
2017 National Society of Film Critics Awards (416 words) [view diff] case mismatch in snippet view article find links to article
Dawson City: Frozen Time – Bill Morrison (32) One Way or Another: Black Women's Cinema, 1970–1991, curated by the Brooklyn Academy of Music Cinématek. Special
Nancy Kates (1,325 words) [view diff] no match in snippet view article find links to article
South by Southwest Film Festival, the Boston International Festival of Women’s Cinema, and the Minneapolis-St. Paul International Film Festival among others
Nelly Kaplan (2,460 words) [view diff] no match in snippet view article find links to article
Quarterly, 32.3 (1979): 46-9. Johnston, Claire. “Women’s cinema as counter cinema”. Notes on Women’s Cinema. London: Society for Education in Film and Television
Debra Zimmerman (530 words) [view diff] no match in snippet view article find links to article
Harvard University and Smith College. She has keynoted conferences on women’s cinema at SUNY Stony Brook and the University of Sunderland, England. Zimmerman
Cinema of Mexico (5,858 words) [view diff] exact match in snippet view article find links to article
that people were not familiar with, labeled as 'women's cinema'. The phenomenal growth of 'women's cinema', not only meant that there would be an infinite
Hu Mei (director) (487 words) [view diff] exact match in snippet view article
(2017). "Rescuing female desire from revolutionary history: Chinese women's cinema in the 1980s". Asian Journal of Women's Studies. 23 (1). Taylor and
Sahara Love (147 words) [view diff] case mismatch in snippet view article find links to article
2018. Bell & Williams p.20 Bell, Melanie & Williams, Melanie. British Women's Cinema. Routledge, 2010. Low, Rachel. The History of British Film: Volume IV
Aerlyn Weissman (1,255 words) [view diff] case mismatch in snippet view article find links to article
"Querying or 'Queering' the Nation: The Lesbian Postmodern and Canadian Women's Cinema." Canadian Journal of Film Studies / Revue canadienne d'études cinématographiques
Huang Shuqin (1,429 words) [view diff] no match in snippet view article find links to article
Chinese) Kang, Kai. "Beyond New Waves: Gender and Sexuality in Sinophone Women‘s Cinema from the 1980s to the 2000s." PhD Dissertation, University of California
Cameron Bailey (492 words) [view diff] case mismatch in snippet view article find links to article
The Films of Jennifer Hodge de Silva. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto. pp. 94–108. Cameron Bailey (1990).
Mireille Eid (Astore) (948 words) [view diff] case mismatch in snippet view article
her memories and her current life". It was selected to feature in the Women's Cinema from Tangiers to Tehran Film Festival and was included on the third
Claire Johnston (film theorist) (121 words) [view diff] case mismatch in snippet view article
and European auteur cinema). "Women's Cinema as Counter-Cinema" (1973) in: Claire Johnston (ed.), Notes on Women's Cinema, London: Society for Education
Kathleen Shannon (2,088 words) [view diff] case mismatch in snippet view article find links to article
(1986-1990)". In Armatage, Kay; et al. (eds.). Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press. p. 43. Anderson, Elizabeth (1999)
Liu Miaomiao (director) (322 words) [view diff] exact match in snippet view article
(2017). "Rescuing female desire from revolutionary history: Chinese women's cinema in the 1980s". Asian Journal of Women's Studies. 23 (1). Taylor and
Cinema of Poland (3,055 words) [view diff] case mismatch in snippet view article find links to article
retrieved 2023-11-22 Stachówna, Grażyna (2003). "A Wormwood Wreath: Polish Women's Cinema". The New Polish Cinema. Janina Falkowska, Marek Haltof (eds.). Trowbridge:
Anne Claire Poirier (433 words) [view diff] case mismatch in snippet view article find links to article
Longfellow; Janine Marchessault (1999). Gendering the Nation: Canadia Women's Cinema. University of Toronto Press. p. 8. "Canadian Film Encyclopedia - Anne
Mala Sinha filmography (343 words) [view diff] exact match in snippet view article find links to article
Maryada (1971) . She was known as the "daring diva" and "torch bearer of women's cinema" for essaying strong female centric and unconventional roles in a range
A Different Image (432 words) [view diff] case mismatch in snippet view article find links to article
Madeline Anderson, Berkeley Art Museum, 2016 One Way or Another: Black Women's Cinema, 1970–1991, Brooklyn Academy of Music, 2017 The Black Film Center/Archive
Bu Liao Qing (1947 film) (130 words) [view diff] case mismatch in snippet view article
Century. Routledge. ISBN 9781315499239. Wang, Lingzhen (2011). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231156752
Norwich Women's Film Weekend (2,743 words) [view diff] exact match in snippet view article find links to article
other women's film festival in the UK and forms part of the history of women's cinema and feminism more generally, and also the history of culture and the
F. R. Crawley (972 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Norwich Women's Film Weekend (2,743 words) [view diff] exact match in snippet view article find links to article
other women's film festival in the UK and forms part of the history of women's cinema and feminism more generally, and also the history of culture and the
Seoul International Women's Film Festival (6,144 words) [view diff] case mismatch in snippet view article find links to article
Biopolitics and Body Politics, Fantastic Women's Cinema: Women in Paraxis, Curtain Call, 97-07 Women's Cinema in Korea, Documentary Ock Rang Award, Media
Marisa Sistach Peret (1,154 words) [view diff] exact match in snippet view article find links to article
the Academy Awards. Rashkin stated that the works created a genre of "women's cinema" that took women characters beyond objectification. She further remarked
Sam & Me (612 words) [view diff] case mismatch in snippet view article find links to article
Brenda; Marchessault, Janine (eds.). Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press. p. 293. ISBN 978-0802041203.
Rachida Krim (309 words) [view diff] case mismatch in snippet view article find links to article
Retrieved 2019-03-27. Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. pp. 232. Cauhape, Veronique (2010-04-16)
Kay Armatage (1,069 words) [view diff] no match in snippet view article find links to article
Shipman and Silent Cinema and co-edited Gendering the Nation: Canadian Women’s Cinema. Through her academic writing, Armatage has said she hopes to help close
Selma Baccar (816 words) [view diff] case mismatch in snippet view article find links to article
Spectatorship: Flower of Oblivion (Tunisia, 2006)". Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. pp. 183–209. ISBN 978-0-253-00565-6. Rebecca
Sanaa Hamri (1,925 words) [view diff] exact match in snippet view article find links to article
often overlooked in "both contemporary black cinema and contemporary women's cinema" because they sometimes fall in the "broad chick-flick category".[page needed]
Laetitia Masson (955 words) [view diff] case mismatch in snippet view article find links to article
Kate. The Body and the Screen: Female Subjectivities in Contemporary Women's Cinema;: Bloomsbury, 2017. McFadden, Cybelle H. Gendered Frames, Embodied Cameras:
Yasmine Kassari (225 words) [view diff] case mismatch in snippet view article find links to article
Sleeping Child) Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. pp. 161–182. Hillauer, Rebecca (2005). "Kassari
Diane Kurys (2,121 words) [view diff] exact match in snippet view article find links to article
ambivalence toward feminism and dislike of the "woman director" or "women's cinema" label has played a part in her lack of feminist film study scholarship
Ai Xia (581 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-1-137-31238-9. Wang, Yiman (2011). Wang, Lingzhen (ed.). Chinese Women's Cinema: Transnational Contexts. New York: Columbia University Press. p. 238
The Sleeping Child (155 words) [view diff] case mismatch in snippet view article find links to article
male emigration." Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. The Sleeping Child at IMDb v t e v t e
Twice as Nice (429 words) [view diff] case mismatch in snippet view article find links to article
– 1986, Film Society Lincoln Center, 2015 One Way Or Another, Black Women's Cinema, 1970–1991, Brooklyn Academy of Music, 2017 "Twice As Nice". Film Society
Peng Xiaolian (1,319 words) [view diff] no match in snippet view article find links to article
Xiaolian. “My Shanghai, My Films” in S. Louisa Wei and Yang Yuanying, Women’s Cinema: Dialogues with Chinese and Japanese Female Directors. Shanghai: Eastern
Laura Jones (screenwriter) (808 words) [view diff] exact match in snippet view article
and has been "very active in encouraging women's (and alternative) women's cinema". Laura Jones has won the Australian Writer’s Guild Award three times
Clara Law (1,524 words) [view diff] case mismatch in snippet view article find links to article
One's Way Home: Clara Law's Letters to Oz." In: Wang, Lingzhen. Chinese Women's Cinema: Transnational Contexts. Columbia University Press, 13 August 2013.
Direct cinema (3,048 words) [view diff] case mismatch in snippet view article find links to article
Documentary Film and Video. N.J.: Prentice Hfall, 1989. Claire Johnston, "Women's Cinema as Counter-Cinema" (1975) in: Sue Thornham (ed.), Feminist Film Theory
Karen Greenlee (1,425 words) [view diff] case mismatch in snippet view article find links to article
Armatage, Kay; et al., eds. (26 June 1999). Gendering the Nation: Canadian Women's Cinema. University of Toronto Press. p. 272. ISBN 978-0802041203. Today Greenlee
L'Amante du Rif (322 words) [view diff] case mismatch in snippet view article find links to article
2021-11-17. Martin, Florence (2011-10-13). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-00565-6. Jeune Afrique (in
Boo Ji-young (591 words) [view diff] exact match in snippet view article find links to article
equal to men directors, rather than categorizing women directors as "women's cinema" when they make films. Cart 2014 ( Director and Scriptwriter ) Myselves :
Four Women (1975 film) (291 words) [view diff] case mismatch in snippet view article
Spelman College Museum of Fine Art, 2007 One Way or Another: Black Women's Cinema, BAMcinematek, 2016 L.A. Rebellion: Creating a New Black Cinema Exhibit
Abderrahim Mettour (121 words) [view diff] case mismatch in snippet view article find links to article
2021-11-15. Martin, Florence (2011-10-13). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-00565-6. Maddy-Weitzman, Bruce;
Riddles of the Sphinx (773 words) [view diff] case mismatch in snippet view article find links to article
Lucy (Winter 1989). "Shot/Countershot: An intertextual Approach to Women's Cinema". Journal of Film and Video. XLI (4). "Riddles of the Sphinx (1977)"
Willie Dunn (771 words) [view diff] case mismatch in snippet view article find links to article
Documentary Practice of Alanis Obomsawin". Gendering the Nation: Canadian Women's Cinema. University of Toronto Press. p. 83. ISBN 978-0-8020-7964-0. "2020 Prism
Raja Amari (1,262 words) [view diff] case mismatch in snippet view article find links to article
26 June 2012. Martine, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Bloomington, Indiana: Indiana University Press. p. 114. ISBN 978-0-253-35668-0
Alanis Obomsawin (3,911 words) [view diff] case mismatch in snippet view article find links to article
Obomsawin". In Banning, Kass (ed.). Gendering the Nation : Canadian Women's Cinema. Toronto, Canada: University of Toronto Press. p. 78. National Film
Hana Makhmalbaf (918 words) [view diff] case mismatch in snippet view article find links to article
1080/09528820903488885. ISSN 0952-8822. S2CID 143949100. White, Patricia (2015). Women's Cinema, World Cinema: Projecting Contemporary Feminisms. Durham: Duke University
Annette Kuhn (2,342 words) [view diff] exact match in snippet view article find links to article
1994), in which Kuhn defined a variant of fictional realism as "new women's cinema" which targeted a working woman audience of the mid-1970s;: 175  and
Fatima Jebli Ouazzani (296 words) [view diff] case mismatch in snippet view article find links to article
Women Make Movies. Florence Martin (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. pp. 230–1. ISBN 0-253-22341-5. v t e v t
Hana Makhmalbaf (918 words) [view diff] case mismatch in snippet view article find links to article
1080/09528820903488885. ISSN 0952-8822. S2CID 143949100. White, Patricia (2015). Women's Cinema, World Cinema: Projecting Contemporary Feminisms. Durham: Duke University
Disha (film) (131 words) [view diff] case mismatch in snippet view article
Cannes-cinema.com. Retrieved 5 August 2012. Bombay and the Village in 1990s Women's Cinema, Rashmi Sawhney, Journal: Film Studies, ISSN 1469-0314, Volume 11, 2007
Ruan Lingyu (3,120 words) [view diff] case mismatch in snippet view article find links to article
July 2011. Retrieved 30 October 2017. Wang, Lingzhen (2011). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 978-0-231-15675-2
Annette Kuhn (2,342 words) [view diff] exact match in snippet view article find links to article
1994), in which Kuhn defined a variant of fictional realism as "new women's cinema" which targeted a working woman audience of the mid-1970s;: 175  and
Imane Mesbahi (312 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-977-424-943-3. Martin, Florence (2011-10-13). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-00565-6.
Forbidden Love: The Unashamed Stories of Lesbian Lives (2,997 words) [view diff] case mismatch in snippet view article find links to article
Brenda; Marchessault, Janine, eds. (1999). Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press. doi:10.3138/9781442675223. ISBN 9781442675223
Abdelmajid R'chich (322 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-2-84586-060-5. Martin, Florence (2011-10-13). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-00565-6. Rodríguez, Víctor
Jennifer Hodge de Silva (727 words) [view diff] case mismatch in snippet view article find links to article
The Films of Jennifer Hodge de Silva. Gendering the Nation: Canadian Women's Cinema]. Toronto: University of Toronto. pp. 94–108. ISBN 0802041205. Cameron
List of Italian films of 1966 (1,055 words) [view diff] case mismatch in snippet view article find links to article
Crnkovich 2017, p. 196. Bell, Melanie; Williams, Melanie (2009). British Women's Cinema. Routledge. ISBN 978-1135231934. Balio, Tino (2010). The Foreign Film
Julie Yeh (339 words) [view diff] case mismatch in snippet view article find links to article
Contrasts Across the Print-Screen Divide". In Wang, Lingzhen (ed.). Chinese Women's Cinema: Transnational Contexts. New York: Columbia University Press. p. 258
Kalthoum Bornaz (757 words) [view diff] case mismatch in snippet view article find links to article
York: Scribner, 1997. Martin, Florence. Screens and Veils: Maghrebi Women's Cinema. Indiana University Press, 2011. 227-28 Les Cinémas D'Afrique: Dictionnaire
Judith Crawley (706 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Not Bad for a Girl (1,084 words) [view diff] case mismatch in snippet view article find links to article
Portland, OR April 1996 4th Annual Boston International Festival of Women's Cinema, Brattle Theatre, Cambridge, MA April/May 1996 One Reel Film Festival
Miserable at Middle Age (1,289 words) [view diff] case mismatch in snippet view article find links to article
Francis, p. 304. ISBN 0-415-15168-6. Wang, Lingzhen (2011). Chinese Women's Cinema. New York: Columbia University Press. p. 258. "Eileen Chang, 74, Chinese
Chiens errants (184 words) [view diff] case mismatch in snippet view article find links to article
2021-11-28 Martin, Florence (2011-10-13). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-00565-6. "Les Films de la
Lucrecia Martel (5,513 words) [view diff] case mismatch in snippet view article find links to article
(2017). "Intimacy and Distance – Domestic Servants in Latin American Women's Cinema: La mujer sin cabeza and El niño pez/The Fish Child". In Martin, Deborah;
Not Bad for a Girl (1,084 words) [view diff] case mismatch in snippet view article find links to article
Portland, OR April 1996 4th Annual Boston International Festival of Women's Cinema, Brattle Theatre, Cambridge, MA April/May 1996 One Reel Film Festival
Michal Aviad (1,768 words) [view diff] no match in snippet view article find links to article
Article 2 Raz, “Conditions of Visibility: Trauma and Contemporary Israeli Women’s Cinema,” Signs: Journal of Women in Culture and Society, (2016). Jenny & Jenny
Dionne Brand (5,630 words) [view diff] case mismatch in snippet view article find links to article
Kass; Longfellow, Brenda (January 1999). Gendering the Nation: Canadian Women's Cinema. University of Toronto Press. ISBN 9780802079640. Butling, Pauline;
Incident at Restigouche (837 words) [view diff] case mismatch in snippet view article find links to article
Documentary Practice of Alanis Obomsawin". Gendering the Nation: Canadian Women's Cinema. University of Toronto Press. p. 83. ISBN 0-8020-7964-4. (interview)
La braise (film) (222 words) [view diff] case mismatch in snippet view article
ISBN 978-0-253-21898-8. Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-22341-8. Armes, Roy (2005)
La Zerda ou les chants de l'oubli (568 words) [view diff] case mismatch in snippet view article find links to article
November 2021. Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-22341-8. Vogl, Mary B. (2003)
Hou Yao (920 words) [view diff] case mismatch in snippet view article find links to article
University Press. ISBN 978-0-19-976560-7. Wang, Lingzhen (2013). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 978-0-231-52744-6
Stella F. Simon (887 words) [view diff] case mismatch in snippet view article find links to article
93–105. Maule, Rosanna, and Catherine Russell. “Another Cinephilia: Women's Cinema in the 1920s.” Framework: The Journal of Cinema and Media, vol. 46,
Qing Chang Ru Zhan Chang (93 words) [view diff] case mismatch in snippet view article find links to article
Routledge. ISBN 9781134690879. Wang, Lingzhen (30 August 2011). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231527446
Women in documentary film (732 words) [view diff] case mismatch in snippet view article find links to article
Illinois Press. ISBN 9780252030062. Wang, Lingzhen (2011-08-30). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231527446
Peekaboo (film) (625 words) [view diff] case mismatch in snippet view article
AWARD / WINNER BEST EDITING / WINNER AUDIENCE AWARD – 18th World of Women's Cinema Festival, Sydney, Australia, 2012 WINNER BEST FILM JUDGED BY INDUSTRY
Evelyn Spice Cherry (1,265 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Barbara Zecchi (1,394 words) [view diff] exact match in snippet view article find links to article
Massachusetts in 2011, with the aim of increasing the visibility of women's cinema. The term of her coinage "gynocine" is an alternative to the limiting
Women's Wiles (621 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-0-230-10073-2. Martin, Florence (2011-10-13). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-00565-6. Young, Deborah (1999-08-30)
Nina Niovilla (814 words) [view diff] case mismatch in snippet view article find links to article
publisher (link) Stachówna, Grażyna (2003). "A Wormwood Wreath: Polish Women's Cinema". The New Polish Cinema. Janina Falkowska, Marek Haltof (eds.). Trowbridge:
Doris Zinkeisen (3,659 words) [view diff] exact match in snippet view article find links to article
Street (2010). "3". In Melanie Bell, Melanie Williams (ed.). British women's cinema. Routledge. p. 36. ISBN 978-0-415-46696-7. "Doris Zinkeisen". BFI.[permanent
Xie Caizhen (388 words) [view diff] case mismatch in snippet view article find links to article
Wiley-Blackwell. ISBN 978-1444330298. Wang, Lingzhen (2011). Chinese Women's Cinema: Transnational Contexts. Columbia University Press. ISBN 9780231527446
Jane Marsh Beveridge (2,838 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Martha Ansara (2,485 words) [view diff] case mismatch in snippet view article find links to article
de Femmes) where her films were screened in a tribute to Australian Women's Cinema. In 2003, as a long-time member of the Australian Directors Guild, Ansara
Proudly She Marches (1,283 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
The Newsreel (6,006 words) [view diff] case mismatch in snippet view article find links to article
March 5, 2015. McGarry, Eileen (Summer 1975). "Documentary Realism and Women's Cinema" (PDF). Women & Film. Persistence of Vision, Inc. 2 (7): 50. Make-Out
Air Cadets (film) (1,541 words) [view diff] case mismatch in snippet view article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Women Are Warriors (1,810 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Ovida Delect (1,609 words) [view diff] case mismatch in snippet view article find links to article
Editions Flammarion. 1993. p. 89. Vincendeau, G. (1 December 1987). "Women's Cinema, Film Theory and Feminism in france". Screen. 28 (4): 4–19. doi:10.1093/screen/28
La Nouba des femmes du Mont Chenoua (660 words) [view diff] case mismatch in snippet view article find links to article
2021-11-28 Martin, Florence (2011-10-13). Screens and Veils: Maghrebi Women's Cinema. Indiana University Press. ISBN 978-0-253-00565-6. Vogl, Mary B. (2003)
Alexis Krasilovsky (1,701 words) [view diff] no match in snippet view article find links to article
Women won the Best International Documentary Award at the World of Women’s Cinema (WOW) Film Festival (Sydney, Australia). She won the "Best of the Fest"
La Picasa International Film Festival (529 words) [view diff] case mismatch in snippet view article find links to article
were also two additional series of short films out of competition, "Women's Cinema" and "Homage to Mexican Cinema". The FICILP has six categories in competition:
Inside Fighting Canada (1,368 words) [view diff] case mismatch in snippet view article find links to article
Longfellow and Janine Marchessault, eds. Gendering the Nation: Canadian Women's Cinema. Toronto: University of Toronto Press, 1999. ISBN 978-0-8020-4120-3
Long Live the Missus! (4,764 words) [view diff] case mismatch in snippet view article find links to article
Contrasts Across the Print-Screen Divide". In Wang, Lingzhen (ed.). Chinese Women's Cinema: Transnational Contexts. New York: Columbia University Press. pp. 255–273
Chen Bo'er (3,562 words) [view diff] case mismatch in snippet view article find links to article
History and Culture Review. 18: 21–50. Wang, Lingzhen (2011). Chinese Women's Cinema: Transnational Contexts. New York: Columbia University Press. pp. 27–28
Marta Flantz (482 words) [view diff] case mismatch in snippet view article find links to article
Retrieved 2023-05-05. Stachówna, Grażyna (2003). "A Wormwood Wreath: Polish Women's Cinema". The new Polish cinema. Janina Falkowska, Marek Haltof (eds.). Trowbridge:
Killing Time (1979 film) (451 words) [view diff] case mismatch in snippet view article
2024. Brody, Richard (February 3, 2017). "Forgotten Treasures of Black Women's Cinema". The New Yorker. Retrieved February 21, 2024. Killing Time at IMDb
Fronza Woods (2,086 words) [view diff] case mismatch in snippet view article find links to article
Craig (2017-02-03). "Rewriting Film History with Two Decades of Black Women's Cinema". Hyperallergic. Retrieved 2017-11-01. Dargis, Manohla (2017). "A Film
Huang Ching-cheng (7,017 words) [view diff] case mismatch in snippet view article find links to article
of Taiwan." See: Chuan-ying Yen, ibidem. See: Lingzhen Wang, Chinese Women's Cinema: Transnational Contexts. New York (Columbia University Press) 2011,
F-Sides (720 words) [view diff] exact match in snippet view article find links to article
Antonescu, Melissa (13 July 2020). "F-SIDES – The film club dedicated to women's cinema". Films in Frame. Retrieved 3 March 2023. "Cultura în pandemie: Concerte
List of Moroccan artists (546 words) [view diff] case mismatch in snippet view article find links to article
on 2016-03-05. Martin, Florence (2011). Screens and Veils: Maghrebi Women's Cinema. Bloomington, IN: Indiana University Press. pp. 251–252. ISBN 978-0-253-35668-0
Women's film festival (1,020 words) [view diff] exact match in snippet view article find links to article
ISBN 9781906678043. "Living Archive - November 1973: The first international women's cinema conference". Arsenal – Institut für Film und Videokunst e.V. Retrieved