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31 October 1760 – 10 May 1849), known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best

as a kind of ukiyo-e, often in woodblock print format. While rare, there are also extant erotic painted handscrolls which predate ukiyo-e. Translated

from wood pulp, and is used in many traditional arts. Origami, shodō, and ukiyo-e were all produced using washi. Washi was also used to make various everyday

çiɾoꜜɕiɡe]), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige

revitalized the traditional ukiyo-e art rooted in the Edo and Meiji periods (17th–19th century). It maintained the traditional ukiyo-e collaborative system

particularly when discussing elements of Edo period urban culture such as ukiyo-e and kabuki, and when making a comparison to the urban culture of the Edo/Tokyo

Ukiyo-e artists may be organized into schools, which consist of a founding artist and those artists who were taught by or strongly influenced by him.

in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books

"floating picture", implying "perspective picture") refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although

September 22, 1788), real name Sano Toyofusa, was a scholar, kyōka poet, and ukiyo-e artist of Japanese folklore. Born to a family of high-ranking servants

Toyokuni), was a Japanese ukiyo-e artist. He is considered the most popular, prolific and commercially successful designer of ukiyo-e woodblock prints in

Utagawa Toyoharu (歌川 豊春, c. 1735 – 1814) was a Japanese artist in the ukiyo-e genre, known as the founder of the Utagawa school and for his uki-e pictures

styles, and pressed with the same traditional wooden boards used to produce ukiyo-e prints. Stickers on shrines are often pasted in very obvious, easily seen

Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of

1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and composition. Ukiyo-e prints featured

Ryūkōsai Jokei (Japanese: 流光斎 如圭) was a painter, illustrator, and designer of ukiyo-e-style Japanese woodblock prints in Osaka, who was active from about 1777

春章; 1726 – 19 January 1793) was a Japanese painter and printmaker in the ukiyo-e style, and the leading artist of the Katsukawa school. Shunshō studied

(川又 常行, b. c. 1677) was a Japanese ukiyo-e artist and founder of the Kawamata school of art. Like many early ukiyo-e artists, Tsuneyuki and his school

Sawa Sekkyō (沢 雪喬, 沢 雪崎, or 沢 雪橋)was a designer of ukiyo-e Japanese woodblock prints in the late 18th and early 19th centuries. He was originally a pupil

Miyagawa Isshō (宮川 一笑, 1689 – 20 January 1780) was a Japanese painter in the ukiyo-e style, primarily depicting kabuki actors, geisha, sumo wrestlers, and

Toyohiro (歌川豊広, 歌川豐廣), birth name Okajima Tōjiro (1773–1828), was a Japanese ukiyo-e artist and painter. He was a member of the Utagawa school and studied

1843 – 27 May 1890) was a Japanese artist and illustrator specializing in ukiyo-e and nihonga. Eitaku was born 22 April 1843, a third son of Miura Kichisaburo

Keisai Eisen (渓斎 英泉, 1790–1848) was a Japanese ukiyo-e artist who specialised in bijin-ga (pictures of beautiful women). His best works, including his

 1725 – 8 July 1770) was a Japanese designer of woodblock print art in the ukiyo-e style. He was an innovator, the first to produce full-color prints (nishiki-e)

Shunkōsai Hokushū (春好斎　北洲), who is also known as Shunkō IV, was a designer of ukiyo-e style Japanese woodblock prints in Osaka who was active from about 1802

(葛飾 応為, c. 1800 – c. 1866), also known as Ei (栄) or Ei-jo, was a Japanese Ukiyo-e artist of the early 19th century Edo period. She was a daughter of Hokusai

parallel shin-hanga ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher

of Yokohama. The port of Yokohama was opened to foreigners in 1859, and ukiyo-e artists, primarily of the Utagawa school, produced more than 800 different

Harukawa Eizan (春川 栄山) was a Japanese designer of ukiyo-e style Japanese woodblock prints who was active in the 1790s. He is believed to have been a student

(Japanese: 春梅斎 北英; d. 1837), also known as Shunkō III, was a designer of ukiyo-e style Japanese woodblock prints in Osaka, and was active from about 1824

1798 – 14 April 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. He was a member of the Utagawa

was a Japanese painter in the ukiyo-e style. Founder of the Miyagawa school, he and his pupils are among the few ukiyo-e artists to have never created

Namazu logo (lower right of top photo) Ōtsu-e are regarded as precursors to ukiyo-e. And even referred to as norakura namazu ("good-for-nothing namazu") for

Gatōken Shunshi (画登軒 春芝) was a designer of ukiyo-e Japanese woodblock prints in Osaka who was active from about 1820 to 1828. He was a student of Shunkōsai

Kawamata Tsunemasa (川又 常正, birth and death dates unknown) was a Japanese ukiyo-e artist of the Kawamata school of art, active from the Genbun (1736–41)

Sandaime Utagawa Hiroshige, 1842 or 1843 – March 28, 1894) was a Japanese ukiyo-e artist who was a student of Utagawa Hiroshige. He was also referred to

1785) was a Japanese ukiyo-e print artist. He is sometimes said to have been the same person as Nishimura Shigenobu, a contemporary ukiyo-e artist and student

Kiyochika (小林 清親, 10 September 1847 – 28 November 1915) was a Japanese ukiyo-e artist, best known for his colour woodblock prints and newspaper illustrations

school (歌川派) was one of the main schools of ukiyo-e, founded by Utagawa Toyoharu. It was the largest ukiyo-e school of its period. The main styles were

Yasunori, was a Japanese painter and the founder of the Kaigetsudō school of ukiyo-e art. Though influential and prolific, it is probable that many of the

(歌川 国安, 1794–1832) was a Japanese artist best known for his prints in the ukiyo-e style as a member of the Utagawa school. Few details are known of Kuniyasu's

師宣; 1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. He consolidated

Gigadō Ashiyuki (戯画堂 芦幸) was a designer of ukiyo-e style Japanese woodblock prints in Osaka, who was active from about 1813 to 1833. He was a pupil of

(Japanese: 勝川 春好; 1743 – 1 December 1812) was a Japanese artist who designed ukiyo-e-style woodblock prints and paintings in Edo (modern Tokyo). He was a student

Utagawa Sadafusa was an ukiyo-e artist from the Edo period. Sadafusa was a disciple of Utagawa Kunisada, of Utagawa school, his style was similar to his

Chōki (Japanese: 栄松斎 長喜), also known as Momokawa Chōki, was a designer of ukiyo-e style Japanese woodblock prints who was active from about 1786 to 1808

Kiyochika (小林 清親, 10 September 1847 – 28 November 1915) was a Japanese ukiyo-e artist, best known for his colour woodblock prints and newspaper illustrations

The Torii school (鳥居派, -ha) was a school of ukiyo-e painting and printing founded in Edo. The primary producers of kabuki theater signboards and other

was a Japanese artist of the Torii school of ukiyo-e. Kiyohiro's date of birth is unknown, while Ukiyo-e Ruikō lists his death date as 1776. No other

Gigadō Ashiyuki (戯画堂 芦幸) was a designer of ukiyo-e style Japanese woodblock prints in Osaka, who was active from about 1813 to 1833. He was a pupil of

school (歌川派) was one of the main schools of ukiyo-e, founded by Utagawa Toyoharu. It was the largest ukiyo-e school of its period. The main styles were

Kikukawa Eizan (菊川 英山, 1787 – July 17, 1867) was a designer of ukiyo-e style Japanese woodblock prints. He first studied with his father, Eiji, a minor

Sadahide (五雲亭 貞秀), was a Japanese artist best known for his prints in the ukiyo-e style as a member of the Utagawa school. His prints covered a wide variety

Furuyama Moromasa (Japanese: 古山師政, act. ca. 1695-1748) was a Japanese ukiyo-e painter and print artist active during the 18th century. Few details of

Moronobu, who is generally considered to have founded the genre known as ukiyo-e. As no signed works by the Kanbun Master are known to survive (or to have

was a Japanese artist in the Shin-hanga movement. He trained under the ukiyo-e master Kobayashi Kiyochika for 19 years, and initially focused on works

of artists, he painted in an early form of what came to be known as the ukiyo-e style. Onstage, he went by the name Torii Shōshichi. Moving to Edo in

Nishimura Shigenaga (Japanese: 西村 重長; c. 1697 – 23 July 1756) was a Japanese ukiyo-e artist. Shigenaga was born c. 1697 in Edo (modern Tokyo). He worked as

Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker

or, rarely, paintings, of kabuki actors, particularly those done in the ukiyo-e style popular through the Edo period (1603–1867) and into the beginnings

Torii school of ukiyo-e painting, particularly Torii Kiyonobu I, and he likely learned from the examples of Torii Kiyomasa and the early ukiyo-e artist Hishikawa

Utagawa Kunisada III (歌川国貞) (1848–1920) was an ukiyo-e printmaker of the Utagawa school, specializing in yakusha-e (pictures of kabuki actors). He began

Yanagawa Shigenobu (柳川 重信, 1787–1832) was a Japanese artist in the ukiyo-e style. He was active in Edo from the Bunka period onward. His Osaka period

Yanagawa Nobusada was a designer of ukiyo-e Japanese woodblock prints in Osaka who was active from about 1822 to 1832. His teacher, Yanagawa Shigenobu

Shunshosai Hokuchō (春曙斎 北頂) (fl. 1822–1830) was a Japanese ukiyo-e woodblock print artist active in the Osaka area during the first half of the nineteenth

Hirosada II, also known as Sadahiro II, was a designer of ukiyo-e Japanese woodblock prints in Osaka. He was a student of Konishi Hirosada, and assumed

"Yume no Ukiyo ni Saite Mi na" (夢の浮世に咲いてみな, "Try to Bloom in a Dream about the Floating World") is a single by the Japanese idol group Momoiro Clover

(魚屋 北渓, 1780–1850) was a Japanese artist best known for his prints in the ukiyo-e style. Hokkei was one of Hokusai's first and best-known students and worked

Ippitsusai Bunchō (一筆斎文調, fl. 1755–1791) was a Japanese ukiyo-e artist, best known for his yakusha-e actor prints in narrow hosoban dimensions. Bunchō

Katsukawa Shunchō (勝川 春潮) was a Japanese designer of ukiyo-e style Japanese woodblock prints, who was active from about 1783 to about 1795. Although a

(小西 廣貞) (fl. c. 1819-1863) was the most prolific Osaka-based designer of ukiyo-e woodblock prints during the late Edo period. Like most producers of kamigata-e

Kitagawa Tsukimaro (喜多川 月麿, fl. c. 1794–1836) was a Japanese ukiyo-e artist. He was one of the most successful students of Kitagawa Utamaro (c. 1753 –

Chōkōsai Eishō (鳥高斎 栄昌, fl. 1790s) was a Japanese ukiyo-e artist. He also used the name Shōeidō (昌栄堂). Eishō's personal details are unknown. His works

Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Koryūsai was born in 1735 and worked as

Ryūsai Shigeharu (柳窗重春/柳斎重春) (1802–1853) was an Osaka-based Japanese ukiyo-e woodblock print artist active during the first half of the nineteenth century

Chōbunsai Eishi (鳥文斎 栄之, 1756–1829) was a Japanese ukiyo-e artist. His last name was Hosoda (細田). His first name was Tokitomi (時富). His common name was

(杉村 治平) was a Japanese ukiyo-e printmaker who flourished from approximately 1681 to 1703. He is noted by art historian and ukiyo-e collector Richard Lane

Utagawa Hiroshige, 1826 – 17 September 1869) was a Japanese designer of ukiyo-e art. He inherited the name Hiroshige II following the death in 1858 of

Nagasaki-e (Japanese: 長崎絵) is a genre of ukiyo-e woodblock prints, produced in Nagasaki during the Edo period, that depict the port city of Nagasaki,

(Japanese: 二代目 鳥居 清信 Nidaime Torii Kiyonobu; active 1725–1760) was a Japanese ukiyo-e artist. He headed the Torii artistic school from possibly as early as

清経, fl. mid-18th century) was a Japanese artist of the Torii school of ukiyo-e art. Kiyotsune's birth and death dates are unknown; his personal name

Japanese illustrator in the ukiyo-e style, the leading illustrator in Kyoto and Osaka around 1664–1689. Unlike many more famous ukiyo-e artists, who worked

Bijin) is a nishiki-e colour woodblock print from c. 1792–93 by Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753–1806). The triangular composition depicts

Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849). The series depicts Mount Fuji from different

v t e Ukiyo-e schools and artists General Ukiyo-e Japanese woodblock printing List of ukiyo-e terms Schools and artists of 17–19th centuries Asayama school

studio. Prints were made under his close supervision. Yoshida combined the ukiyo-e collaborative system with the sōsaku-hanga principle of "artist's prints"

Utagawa Kunimasu (歌川 国升) was a designer of ukiyo-e woodblock prints in Osaka who was active during the late Edo period. He was a leading producer of kamigata-e

Utagawa Kunimasa (歌川 国政, 1773 – December 26, 1810) was a Japanese ukiyo-e artist of the Utagawa school. He was originally from Aizu in Iwashiro Province

teahouse proprietor Asakusa Tamichi in 1833, Yoshiiku became a student of ukiyo-e artist Utagawa Kuniyoshi toward the end of the 1840s. His earliest known

"Sukenobu", was a Japanese printmaker from Kyoto. He was unusual for an ukiyo-e artist, as he was based in the imperial capital of Kyoto. He did prints

school who took over his gō (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head

Torii Kiyonaga (Japanese: 鳥居 清長; 1752 – June 28, 1815) was a Japanese ukiyo-e artist of the Torii school. Originally Sekiguchi Shinsuke, the son of an

Ōoka Shunboku (Japanese: 大岡 春卜, 1680–1763) was an ukiyo-e artist and painter who was known for his bird-and-flower paintings. Shunboku was born in the

Utagawa Toyokuni II (1777–1835), also known as Toyoshige, was a designer of ukiyo-e Japanese woodblock prints in Edo. He was the pupil, son-in-law and adopted

Utagawa Kunisada II (歌川国貞, 1823 – 20 July 1880) was a Japanese ukiyo-e print designer, one of three to take the name "Utagawa Kunisada". He headed the

painting styles, methods, and themes, which he painted as Kōkan, and his ukiyo-e prints, which he created under the name Harushige, but also producing

ōkubi-e (Japanese: 大首絵) is a Japanese portrait print or painting in the ukiyo-e genre showing only the head or the head and upper torso. Katsukawa Shunkō I

c. 1664 – 22 August 1729) was a Japanese painter and printmaker in the ukiyo-e style, who is renowned for his work on kabuki signboards and related materials

Torii Kiyomasu II (鳥居 清倍, c. 1720–1750) was a Japanese ukiyo-e painter and woodblock printmaker of the Torii school, a specialist, like the rest of the

Katsukawa Shun'ei (Japanese: 勝川 春英; 1762 – 13 December 1819) was a Japanese ukiyo-e artist. Shun'ei's real surname was Isoda (磯田), and his father was a landlord

corpse in the Kanda river. After working for a short time as a boy with ukiyo-e artist Utagawa Kuniyoshi, he received his formal artistic training in

Kitao Shigemasa (北尾 重政, 1739 – 8 March 1820) was a Japanese ukiyo-e artist from Edo. He was one of the leading printmakers of his day, but his works have

At the forefront of the shin-hanga ("new prints") movement, a revival of ukiyo-e, he designed fourteen woodblock prints which are regarded as masterpieces

a Japanese painter and printmaker of the Torii school, in the genre of ukiyo-e. Like the other Torii artists, his primary focus was on Kabuki billboards

the ukiyo-e art style. The woodblock prints of this genre have become so famous in the West as to become almost synonymous with the term "ukiyo-e", but

11, 1785) was a painter and printmaker of the Torii school of Japanese ukiyo-e art; the son of Torii Kiyonobu II or Torii Kiyomasu II, he was the third

promotes the study and appreciation of Japanese art. Founded in 1973 as the Ukiyo-e Society of America by collectors of Japanese prints, the Society's mission

v t e Ukiyo-e schools and artists General Ukiyo-e Japanese woodblock printing List of ukiyo-e terms Schools and artists of 17–19th centuries Asayama school

Utagawa Yoshitora (歌川 芳虎) was a designer of ukiyo-e Japanese woodblock prints and an illustrator of books and newspapers who was active from about 1850

Utagawa Kuniteru (Japanese: 歌川国輝; active 1818-1860) was an ukiyo-e artist in the tradition of the Utagawa school. Born in Edo (Tokyo), he studied under

The Kaigetsudō school (懐月堂派, -ha) was a school of ukiyo-e painting and printmaking founded in Edo around 1700–1714. It is often said that the various

Chikanobu (松野親信, fl. 1720s) was a Japanese painter of the Kaigetsudō school of ukiyo-e art. Believed to be one of the most popular painters of his time, his

moved to Tokyo in the middle to late 1890s. In Tokyo, he produced some ukiyo-e triptychs illustrating episodes of the Russo-Japanese War, but most of

extensive contact with the West, was in stark contrast to what had come before. Ukiyo-e artists had traditionally illustrated urban life and society – especially

 1710–1755) was a Japanese painter and print artist of the Kaigetsudō school of ukiyo-e art. He is also alternatively known as Hasegawa Eishun 長谷川永春, Baiōken

favored traditional Japanese subjects, such as Japanese textiles, kabuki, and ukiyo-e masterpieces. Kojima is best known for his series One Hundred Poetry Illustrations

Tōkaidō Gojūsan-tsugi), in the Hōeidō edition (1833–1834), is a series of ukiyo-e woodcut prints created by Utagawa Hiroshige after his first travel along

Benizuri-e (紅刷絵, "crimson printed pictures") are a type of "primitive" ukiyo-e style Japanese woodblock prints. They were usually printed in pink (beni)

Japanese art that was developed in the late 18th century. It is a genre of the ukiyo-e woodblock printing technique, and represents images of warriors and samurai

Shunsen (勝川 春扇), who is also known as Shunkō II, was a designer of books and ukiyo-e style Japanese woodblock prints. He was born in 1762 and designed prints

was printed. The best-known examples of bokashi are in the 19th-century ukiyo-e works of Hokusai and Hiroshige, in which the fading of Prussian blue dyes

The new format also absorbed most of the remaining talent and market for ukiyo-e style prints. Artist manuals or model books (edehon) were treasured by

An aka-e (赤絵 "red picture") is a type of ukiyo-e that is printed entirely or predominantly in red. Aka-e were said to be talismans against smallpox, especially

清忠) was a Japanese painter and woodblock printer of the Torii school of ukiyo-e artists. He followed his school's tradition of making prints of kabuki

"Father of ukiyo-e Torii Kiyonobu I 1664–1729 Printmaker Sukenobu 1682–1752 Ukiyo-e painter, Miyagawa school Miyagawa Shunsui fl. c. 1740-60s Ukiyo-e painter

have been a major factor in establishing pure landscape as a new genre of ukiyo-e print. Early adopters included Hokusai in his Thirty-six Views of Mount

their careers, such as changes of name and stage debuts of their sons. Ukiyo-e Woodblock printing Woodcut Frank Lloyd Wright was a collector of surimono

an art book entitled Bloody Ukiyo-e. While just as bloody and disturbing as the collection it is based on, Bloody Ukiyo-e also show cases a higher degree

portraits", are Japanese woodblock prints, particularly those done in the ukiyo-e style popular through the Edo period (1603–1867) and into the beginnings

Uchiwa-e (団扇絵) are a genre of Japanese ukiyo-e woodblock print, which appear on rigid, paddle-shaped hand fans known as uchiwa (団扇). Ovoid images matching

Fushiga is a genre of ukiyo-e woodblock prints depicting satirical pictures accompaniyed with text. Fushiga prints usually depicted ordinary people in

techniques and applied them to his painting. He gained an interest in making ukiyo-e prints through the artist Utagawa Toyoharu, who produced uki-e 'floating

the technique include: Torii Kiyonobu I (1664–1729) a member of the Torii ukiyo-e school used urushi-e. Torii Kiyomasu another member of the Torii school

Kappazuri (合羽摺), also known as kappa-zuri, kappazuri-e (合羽摺絵), and as katagamizuri-e (型紙摺絵), are Japanese prints printed in a single color (usually black)

Hirokage (歌川 広景), also known as Ichiyūsai Hirokage, was a Japanese designer of ukiyo-e woodblock prints, who was active from about 1855 to 1865. He was a pupil

Shunsen Natori (名取春仙, Natori Shunsen, February 7, 1886 – March 30, 1960) was a Japanese woodblock printer, considered by many to be the last master in

rare, and often faded, worn, or stained from exposure to soot and smoke. Ukiyo-e artist Koryūsai (1735–1790) designed many hashira-e depicting a wide variety

Edition (CD-ROM) (in Japanese). Japan: Hitachi digital Heibon-sha. 1998. "Ukiyo-e print technique that is not transmitted in the catalog". ARTISTIAN. Retrieved

printing books and other texts, as well as images, until the 19th century. Ukiyo-e is the best-known type of Japanese woodblock art print. Most European

Joge-e (上下絵) are special playful images that were often created in the Meiji era in Japan. These images can be viewed from the top, or the bottom. Each

and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers of Edo period Japan. Some medieval manuscripts are polyptychs

An ishizuri-e (石摺絵) is a Japanese woodblock print that mimics a stone rubbing. It has uninked images or text on a dark, usually black, background. The

(宮川 春水, fl. c. 1740s–1760s) was a Japanese painter and printmaker in the ukiyo-e style. He is sometimes known as Katsukawa Shunsui, having taught Katsukawa

Komochi-e (子持絵) or trick pictures are Japanese prints with movable printed paper flaps or other moveable parts. Multicolor komochi-e may be called “komochi

An ishizuri-e (石摺絵) is a Japanese woodblock print that mimics a stone rubbing. It has uninked images or text on a dark, usually black, background. The

In Japanese art, mitate-e (見立絵) is a subgenre of ukiyo-e that employs allusions, puns, and incongruities, often to parody classical art or events. The

substantial collections. In 1920, Kōjirō Matsukata bought a large number of ukiyo-e prints in Paris and brought them back to Japan. These 70 pieces reside

traditional subjects with a style influenced by Western art. Like many earlier ukiyo-e prints, Hasui's works were commonly landscapes, but displayed atmospheric

(Japanese: 木版画, moku hanga) is a technique best known for its use in the ukiyo-e artistic genre; however, it was also used very widely for printing illustrated

Museum, located in Asakusa, Tokyo, was owned by the company. It featured ukiyo-e and textile displays. Amuse inc was created in 1978 when it signed with

1900–1975, University of Hawaii Press, Honolulu, 1992, p. 139. Kamon, Yasuo, Tozaka, Koji, and Asahi, Akira, Shin Tokyo hyakkei, Heibonsha ukiyo-e.org

(甲胡　芳艶) and as Ichieisai Yoshitsuya (一英斎　芳艶), was a Japanese designer of ukiyo-e woodblock prints. Yoshitsuya was a student of Utagawa Kuniyoshi and, like

where she searched for a print maker who could teach her the traditional ukiyo-e method. Toward the end of her stay in Japan, she found a shop that reproduced

by continuing to paint. The painting was probably influenced by Japanese ukiyo-e woodblock prints like many of his works and those by other artists of

(狢)", thus he was also referred to as Danzaburou-mujina (団三郎狢). In the Ukiyo-e, its name was written as 同三狸." Together with the Shibaemon-tanuki of Awaji

also known as Ichiyōsai Yoshitaki (一養斎 芳滝), was a Japanese designer of ukiyo-e woodblock prints who was active in both Edo (Tokyo) and Osaka. He was

and dies. Like many kabuki plays, Okiku was a popular subject matter for ukiyo-e artists. In 1830, Katsushika Hokusai included her as one of the kaidan

illustrated books and ukiyo-e woodblock prints of many of the period's most famous artists. Tsutaya's is the best-remembered name of all ukiyo-e publishers. He

"The Modern Japanese Print: An Internal History of the Sosaku Hanga Movement", trans. U. Osamu and C. H. Mitchell in Ukiyo-e geijutsu, 11, 1965, p. 24.

Bīchi ~Laka Laka La~ (シャカビーチ〜Laka Laka La〜, Shaka Beach: Laka Laka La) and Ukiyo Crossing (浮世CROSSING) as well as a video of the filming process for their

related to Kuchi-e at Wikimedia Commons "Kuchi-e," or Literary Magazine Frontispieces Ukiyo-e Gallery Making a kuchi-e print Video by David Bull (34 mins)

seventeenth century for both books and art. The popular "floating world" genre of ukiyo-e originated in the second half of the seventeenth century, with prints

v t e Ukiyo-e schools and artists General Ukiyo-e Japanese woodblock printing List of ukiyo-e terms Schools and artists of 17–19th centuries Asayama school

people with the name include: Keisai Eisen (渓斎 英泉, 1790–1848), Japanese ukiyo-e artist Okuda Eisen (奥田 穎川, 1753–1811), Japanese potter Aizen (disambiguation)

a popular Kabuki play, Yotsuya Kaidan soon became a popular subject for ukiyo-e artists as well. In 1826, the same year the play opened at Sumiza Theater

Japanese artists, whose members designed paintings and woodblock prints in the ukiyo-e style from the late Edo period to the end of the Meiji period. The art-names

He was originally a wood sculptor and he carved the woodblocks for many ukiyo-e prints. The Edo meisho zue, an illustrated catalogue of the sights of

Teraoka (born 1936) is an American contemporary artist. His work includes Ukiyo-e-influenced woodcut prints and paintings in watercolor and oil. He is known

The Katsukawa school (勝川派, -ha) was a school of Japanese ukiyo-e art, founded by Miyagawa Shunsui. It specialized in paintings (nikuhitsu-ga) and prints

ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently

embarrassing public confrontation with the outspoken director. In October 2006 Ukiyo-e Cruel Story was shown as part of a Takechi retrospective, and it was released

Rokujūkyū-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige and Keisai Eisen. There are 71 total

v t e Ukiyo-e schools and artists General Ukiyo-e Japanese woodblock printing List of ukiyo-e terms Schools and artists of 17–19th centuries Asayama school

Japanese ukiyo-e woodblock designer Utagawa Hiroshige II (二代目歌川広重, 1829–1869), Japanese ukiyo-e designer Utagawa Kunimasa (歌川国政, 1773–1810), Japanese ukiyo-e

active c. 1700–1716) was a Japanese artist of the Kaigetsudō school of ukiyo-e art. He was the student and likely the son of the school's founder, Kaigetsudō

Koishikawa Ukiyo-e Art Museum (礫川浮世絵美術館, Koishikawa Ukiyo-e Bijutsukan) is located in Bunkyō, Tokyo, Japan. Its collection includes ukiyo-e genre paintings

affinity with the early paintings of ukiyo-e, but there is a disagreement among scholars as to whether they are ukiyo-e themselves or not. In Japan, it is

The Ukiyo-e Ōta Memorial Museum of Art (浮世絵 太田記念美術館, Ukiyo-e Ōta kinen bijutsukan) is a museum that opened in Shibuya, Tokyo, Japan, in January 1980. It

February 1898 – 8 May 1972) was the pseudonym of a Nihonga painter and ukiyo-e woodblock print artist in Taishō- and Shōwa-period Japan. He was one of

music arranged by Yasutaka Kume. It is accompanied by the B-side titled, " Ukiyo Odoribito " which was written and composed by TAKESHI. This single release

v t e Ukiyo-e schools and artists General Ukiyo-e Japanese woodblock printing List of ukiyo-e terms Schools and artists of 17–19th centuries Asayama school

arts and literature such as emakimono, jōruri, noh, kabuki, bunraku, and ukiyo-e. The tachi (Japanese long sword) "Dōjigiri" with which Minamoto no Yorimitsu

Bu (歌撰恋之部, "Anthology of Poems: The Love Section") is a series of five ukiyo-e prints designed by the Japanese artist Utamaro and published c. 1793–94

the 17th century to the 19th century in Japan, woodblock prints called ukiyo-e were mass-produced, which influenced European Japonisme and the Impressionists

Kyoko; Okumura, Masanobu et al. (editors). Teihon Ukiyo-e Shunga Meihin Shusei (The Complete Ukiyo-e Shunga), Tokyo, Kawade Shobo Shinsha. 26 volumes

had studied the Kanō school of painting; but his interest was drawn to ukiyo-e. He studied with a disciple of Keisai Eisen and then he joined the school

One Hundred Ghost Stories (百物語, Hyaku monogatari) is a series of ukiyo-e woodblock prints made by Katsushika Hokusai (1760–1849) in the Yūrei-zu genre

of the Ukiyo-e Ruikō (浮世絵類考, "Various Thoughts on Ukiyo-e") in 1790. the Ukiyo-e Ruikō is a collection of commentaries and biographies of ukiyo-e artists

CE). It is featured in artwork such as ukiyo-e prints, one example being the Lucky Gods' visit to Enoshima ukiyo-e print by Utagawa Yoshiiku in 1869 and

volumes from 1814. The book is a work of shunga (erotic art) within the ukiyo-e genre. The image depicts a woman, evidently an ama (a shell diver), enveloped

Both are superb examples of the Japanese art of ukiyo-e, "pictures of the floating world". Although ukiyo-e can depict anything from contemporary city life

CE). It is featured in artwork such as ukiyo-e prints, one example being the Lucky Gods' visit to Enoshima ukiyo-e print by Utagawa Yoshiiku in 1869 and

movements and began incorporating what he learned into his work. Japanese art, ukiyo-e, and woodblock prints also influenced his approach to composition and

1937) was an American artist who made woodblock prints, based upon Japanese ukiyo-e art and Arthur Wesley Dow's formula of three main elements: notan, a balance

Ryōgoku-bashi ue-shita) is a picture made up of six prints designed by the Japanese ukiyo-e artist Utamaro and published in c. 1795–96. The scene depicts numerous

the perspective of a literati painter. His style, in-between the Kanō and ukiyo-e, is said to have been "more poetic and less formalistic than the Kanō

women's physiognomy") are the titles of what may have been two series of ukiyo-e prints designed by the Japanese artist Utamaro and published c. 1792–93

working in a style that combines influences from traditional Japanese ukiyo-e prints and Western painting. He studied oil painting at Tama Art College

woodblock prints by the Japanese ukiyo-e artist Hokusai. Completed c. 1833–34 and containing eight prints, it was the first ukiyo-e series to approach the theme

The Japan Ukiyo-e Museum (日本浮世絵博物館, Nihon Ukiyo-e Hakubutsukan)(JUM) is a privately owned Japanese art museum in Matsumoto, Nagano Prefecture. It holds

(高名美人六家撰, "Renowned Beauties from the Six Best Houses") is a series of ukiyo-e prints designed by the Japanese artist Utamaro and published in c. 1795–96

Monogatari ~Ukiyo wa Tsurai yo~ Season 2 Mankyū March 26, 2017 (2017-03-26) March 26, 2017 (2017-03-26) 1 Sequel to Isobe Isobee Monogatari ~Ukiyo wa Tsurai

to a print by the Japanese ukiyo-e artist Kitagawa Utamaro. It depicts a woman looking through a clear glass comb. Ukiyo-e art flourished in Japan during

Kaigetsudō Anchi (壊月堂安知, c. 1700–1716), Japanese ukiyo-e artist Kaigetsudō Ando (壊月堂安度, c. 1671–1743), Japanese ukiyo-e artist Kailash Chandra Meher (born 1954)

Jūnitoki Tsuzuki (青楼十二時 続, "Twelve Hours in Yoshiwara") is a series of twelve ukiyo-e prints designed by the Japanese artist Utamaro and published in c. 1794

(霞織娘雛形, "Model Young Women in Mist") is a print series by the Japanese ukiyo-e artist Kitagawa Utamaro. The theme is of beautiful women seen through

his wood printing works and for his general contributions to the body of ukiyo-e artwork. Specifically, critics have noted his technical prowess and precision

"Eight Parlour Views") is a series of eight prints from 1766 by the Japanese ukiyo-e artist Suzuki Harunobu. They were the first full-colour nishiki-e prints

David Bull (born 11 November 1951) is a Canadian ukiyo-e woodblock printer and carver who heads the Mokuhankan studio in Asakusa, Tokyo. Born in Britain

The Ukiyo-e Ruikō (浮世絵類考, "Various Thoughts on Ukiyo-e") is a Japanese collection of commentaries and biographies of ukiyo-e artists. It did not appear

traditional ukiyo-e compositions, her subjects are drawn with a well defined flat line and are placed in a single plane of depth. The ukiyo-e principals

by Kajima Corporation. The site location was chosen mainly because the Ukiyo-e painter Katsushika Hokusai was born in the Sumida ward, and Edo culture

century her works have been illustrated by Japanese artists and well-known ukiyo-e woodblock masters. Murasaki Shikibu was born c. 973 in Heian-kyō, Japan

(針仕事, "Needlework", c. 1794–95) is a colour triptych print by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 – 1806). It depicts women working with

thousands of fine ukiyo-e prints. His collection was so well regarded that the authors of some of the pioneering European scholarly works on ukiyo-e used Vever's

respectively. These were produced in the late 18th century by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 – 1806) for the prominent merchant Zenno

The two ukiyo-e woodblock prints making up View of Tempōzan Park in Naniwa are half of a tetraptych by Osaka artist Gochōtei Sadamasu (fl. c. 1832–52)

generations. Komatsu infers that despite the depictions in Bakumatsu period ukiyo-e art leading to a resurfacing of the idea, these were all produced in an

of the empire and subject of much aesthetic praise, described in haiku, ukiyo-e, etc.[citation needed]Ito Osamu (1926) described it as more exquisitely

Hong Kong. In the 1980s he set up two Cantopop bands, Life Exhibition and Ukiyo-e 「浮世繪」. Later, Kubert Leung became a songwriter for singer Candy Lo. He

vengeful female ghosts returning to punish their wrong-doers. Kabuki, like ukiyo-e, was a populist art form, which aimed to satisfy the dramatic tastes of

self-expressive printmaking, in contrast to the commercial studio systems of ukiyo-e and shin-hanga. He initiated movements in folk arts and children's art

the kokkeibon genre, of which it is one of the masterpieces. Ukiyoburo (Ukiyo Bath) depicts the humor of daily life and culture through the conversations

36 hatago. Its total population was approximately 1,200 people. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831 to 1834 depicts a daimyō

The Japanese ukiyo-e artist Kitagawa Utamaro made a number of prints depicting ama divers—women whose work is to dive for shellfish or pearls—catching

cm, by Tsukioka Kogyo Born (1869-04-18)April 18, 1869 Tokyo, Japan Died February 25, 1927(1927-02-25) (aged 57) Nationality Japanese Known for Ukiyo-e

A woodblock print by ukiyo-e master Utagawa Kuniyoshi depicting famous rōnin Miyamoto Musashi having his fortune told

The Textile Culture and Ukiyo-e Art Museum – Amuse Museum (「布文化と浮世絵の美術館」アミューズミュージアム, Nuno Bunka to Ukiyoe no Bijutsukan Amyūzu Myūjiamu), or simply Amuse

created based on Sekien's abura-akago. In Ihara Saikaku's early Edo period ukiyo book the Honchō Nijū Fukō (本朝二十不孝), an oil lantern-drinking baby also appears

Japanese ukiyo-e artist Torii Kiyonobu I (鳥居清信, 1664–1729), Japanese ukiyo-e painter and print-maker Toriyama Sekien (鳥山石燕, 1712–1788), Japanese ukiyo-e artist

Kanō Hōgai (狩野 芳崖, February 27, 1828 – October 5, 1888) was a Japanese painter of the Kanō school. The son of the local daimyō's chief painter, he was

locally and internationally renowned for his woodblock prints, inspired by ukiyo-e, which he began making in the early 1960s and produced until his death

Musashino (武蔵野, c. 1798–99) is a triptych print by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 – 1806). It is a mitate-e parody picture that

Owari meisho zue (尾張名所図会, “Guide to famous Owari sites”) is an illustrated guide describing famous places, called meisho, and depicting their scenery in

Ukiyotei Company, Ltd. (Japanese: 有限会社　浮世亭, Hepburn: Yūgengaisha Ukiyo-tei) was a Japanese video game developer based in Yodogawa-ku. The company was

chine-collé to incorporate materials such as antique Japanese book pages, ukiyo-e and calligraphy into his prints. A selection of prints by Daniel Kelly

Bust portrait of Actor Kataoka Ichizō I is an ukiyo-e woodblock print belonging to the permanent collection of the Royal Ontario Museum, Canada. The print

sometimes Black Fuji (黒富士 Kurofuji) is a woodcut print by the Japanese ukiyo-e master Hokusai (1760–1849). It is one of the most famous prints from his

Musashino (武蔵野, c. 1798–99) is a triptych print by the Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 – 1806). It is a mitate-e parody picture that

Japanese poet and creator of the "floating world" genre of Japanese prose (ukiyo-zōshi). Born as Hirayama Tōgo (平山藤五), the son of a wealthy merchant in Osaka

A woodblock print by ukiyo-e master Utagawa Kuniyoshi depicting famous rōnin Miyamoto Musashi having his fortune told

Park in Kameido (亀戸梅屋舗, Kameido Umeyashiki) is a woodblock print in the ukiyo-e genre by the Japanese artist Hiroshige. It was published in 1857 as the

Screen", c. 1797) is a title given to a multicolour print by the Japanese ukiyo-e artist Kitagawa Utamaro. It depicts a young man and woman by a tsuitate

Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753–1806). It depicts a group of women within a mosquito net preparing for an overnight visit. Ukiyo-e art

which he would continue to use up until his death. Ukiyo-e Kyōden began his career by studying ukiyo-e or woodblock prints which typically depicted "the

Isobe Isobē Monogatari: Ukiyo wa Tsurai yo (磯部磯兵衛物語〜浮世はつらいよ〜, "Chronicle of Isobē Isobe: The Life is Hard") is a Japanese manga series written and illustrated

Edo meisho zue (江戸名所図会, "Guide to famous Edo sites") is an illustrated guide describing famous places, called meisho, and depicting their scenery in pre-1868

time, during the Edo period it was popular as a subject for ukiyo-e. For example, famous ukiyo-e artists Hiroshige and Hokusai both include it in their 36

Japan to produce a dye and a pigment that was used in many world-renowned Ukiyo-e woodcuts from the 18th and early 19th centuries. In the modern era the

series. The sights were depicted by Hiroshige in several different series of ukiyo-e pictures, as well as other artists. They are sometimes erroneously called

application, therefore, was not accepted". Hillier became interested in Japanese ukiyo-e art in the 1940s, when it was at a low ebb in terms of interest from the

under the name of bura-bura [ja] was depicted. They are also known from ukiyo-e such as Katsushika Hokusai's Oiwa-san from the One Hundred Ghost Stories

 1757 – 26 October 1820) was a Japanese artist and writer. He produced ukiyo-e prints and paintings, gesaku novels, and kyōka and haiku poetry. Shunman

甲州石班澤, Hepburn: Kōshū Kajikazawa) is a woodblock print by the Japanese ukiyo-e artist Hokusai. It was produced as one of the Thirty-six Views of Mount

Ishikawa Prefectural Museum of Art (石川県立美術館, Ishikawa Kenritsu Bijutsukan), also known as IPMA, is the main art gallery of Ishikawa Prefecture, Japan.

of actors to hold the name Ichikawa Danjūrō, he is depicted in countless ukiyo-e actor prints (yakusha-e), and is widely credited with ensuring Kabuki

0168-2997) in English, which provides results of research about various ukiyo-e artists, e.g. Utagawa Kunisada III. In addition to Andon and a quarterly

Nordfeldt has been credited with developing the technique, based upon Japanese ukiyo-e woodblock printing, though there is evidence that a lesser-known Provincetown

supersedes a 1980 compilation with a shorter, different track list and Japanese ukiyo-e cover designed by Richard Evans. The Best of Emerson, Lake & Palmer has

shikishiban (prints about 7 by 8 inches). Shōun is considered a bridge between ukiyo-e and shin-hanga. His career spans the Meiji (1868–1912), Taishō (1912–1926)

Hepburn: Fugaku hyakkei) is a series of three illustrated books by Japanese ukiyo-e artist Hokusai. It is considered one of Japan's most exceptional illustrated

Three Travellers before a Waterfall is an ukiyo-e woodblock print by Osaka-based late Edo period print designer Ryūsai Shigeharu (柳斎 重春) (1802–1853).

Actor Arashi Rikan II as Osome is an ukiyo-e woodblock print by Osaka print artist Ryūsai Shigeharu (柳斎 重春) (1802 – 1853). It depicts late Edo period

very often make appearances in Noh, kabuki, and jōruri theatre, and in ukiyo-e and other visual art forms. One example is that of the miyakodori, or

female lead in his Ukiyo-E Cruel Story (1968). Made after Takechi's imprisonment and high-profile trial over his 1965 film Black Snow, Ukiyo-e Cruel Story

nickname was "Ukiyo Matabei", which was assumed to link him to the ukiyo demimonde and the ukiyo-e genre of art. Works such as the Ukiyo-e Ruikō implied

Female Ghost is an ukiyo-e woodblock print dating to 1852 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. Female Ghost exemplifies

naginata. From Yoshitoshi's ukiyo-e series, Warriors Trembling with Courage. Samurai Takayama Ukon with a naginata. Ukiyo-e printed by Utagawa Yoshiiku

Tiger in the Snow is a hanging scroll (kakemono) painted by Japanese ukiyo-e artist Hokusai in 1849. It is one of the last works he produced in his long

Invoked by Princess Takiyasha (Japanese: 相馬の古内裏 妖怪がしゃどくろと戦う大宅太郎光圀) is an ukiyo-e woodblock triptych by Japanese artist Utagawa Kuniyoshi (1798–1861). Kuniyoshi

Hitoshi Iwaaki, a manga artist was his assistant. He has been called "the ukiyo-e master of Shōwa-era manga." Kamimura died on January 11, 1986, at age

to the more common film and historic mediums. Most shunga are a type of ukiyo-e, the main artistic genre of woodblock printing in Japan. Although scarce

Art in Tehran, Iran. In 1888 and 1889 Gauguin's enthusiasm for Japanese ukiyo-e woodcuts emerged. Japanese prints appeared in the background of his Apple

Fuji Across Lake Suwa (Shinsu Suwako) is a woodblock print by the Japanese ukiyo-e artist Hokusai. It was produced as one of the Thirty-six Views of Mount

are attributed to the Japanese ukiyo-e artist Kitagawa Utamaro, and the book's publication to Tsutaya Jūzaburō. Ukiyo-e art flourished in Japan during

Actress for Tracy Mann. The following year he started a production company, Ukiyo Films, with Zbigniew Friedrich. Over the next eight years the company produced

choice of oblique and partial views in a composition heavily influenced the ukiyo-e style, as well as the nihonga. The term yamato-e is found in Heian texts

Utamaro, Japanese printmaker and painter, especially of woodblock prints (ukiyo-e) (died 1806) January 9 – Lars Gallenius, Finnish painter (born 1658) July

experimented with a white-line woodcut technique based on the Japanese ukiyo-e woodblock prints. Nettie Blanche Lazzell was born on a farm near Maidsville

Sundai, Edo is a woodblock print by the Japanese ukiyo-e artist Hokusai. It was produced as the fifth print in the series Thirty-six Views of Mount Fuji

painter of historical subjects and portraits (died 1865) Hiroshige, Japanese ukiyo-e artist (died 1858) Charles C. Ingham, Irish portrait painter and later

Dekimachi-dori. It contains 10,000 exhibits of world currency. Utagawa Hiroshige's Ukiyo-e, "Fifty-three Stages of the Tokaido", also owns. With the aim of contributing

Eastern Capital Revisited by the Modern Print Artists". Ukiyo-e Art a Journal of the Japan Ukiyo-e Society (14). Merritt, Helen (1998). Modern Japanese

35°26′56.95″N 139°38′10.62″E / 35.4491528°N 139.6362833°E / 35.4491528; 139.6362833 Kanagawa Prefectural Museum of Cultural History (神奈川県立歴史博物館, Kanagawa

is a woodblock-printed book of shunga erotica by Hokusai made within the ukiyo-e genre. The series consists of three books, each of 30 pages, first published

Okumura Toshinobu (奥村 利信, birth and death dates unknown) was a Japanese ukiyo-e artist. He is the only known student of Okumura Masanobu; many of his

Amayo no Sanbai Kigen (雨夜三盃機嫌) is an illustrated book depicting forty-four Kamigata kabuki actors of the time. It was originally published in 1693 as a

Fan print with two bugaku dancers is an ukiyo-e woodblock print dating to sometime between the mid 1820s and 1844 by celebrated Edo period artist Utagawa

Dekimachi-dori. It contains 10,000 exhibits of world currency. Utagawa Hiroshige's Ukiyo-e, "Fifty-three Stages of the Tokaido", also owns. With the aim of contributing

Miyajima. Some of the episodes from this novel have been illustrated by famous ukiyo-e artists, such as Hiroshige in his One Hundred Views of Edo. As they make

collaboration with Japanese idol group Momoiro Clover Z entitled "Yume no Ukiyo ni Saite Mi na". Kiss discography Erlewine, Stephen Thomas. "Kiss: Biography

Views of Ōmi, became popular in its own right and was a major subject in ukiyo-e artwork. "Night rain on Xiaoxiang" (Xiāoxiāng yèyǔ 瀟湘夜雨), in Ping Island

Ukiyo-e of Kobayakawa Hideaki

Actor Nakamura Shikan II as Satake Shinjūrō is an ukiyo-e woodblock print by Osaka-based late Edo period print designer Shungyōsai Hokusei [ja] (fl. 1826–1827)

Amayo no Sanbai Kigen (雨夜三盃機嫌) is an illustrated book depicting forty-four Kamigata kabuki actors of the time. It was originally published in 1693 as a

Coloured woodblock print (ukiyo-e) of the Takarabune by Utagawa Hiroshige.

Matsubara. The anime's artstyle blended Western Impressionism and Japanese Ukiyo-e styles. Fashion designer Anna Sui collaborated on costume designs. Original

Kita, Sandy (1999). The Last Tosa: Iwasa Katsumochi Matabei, Bridge to Ukiyo-e. University of Hawaii Press. pp. 166 & 361. ISBN 978-0-8248-1826-5. v

Ashinaga and tenaga fishing, ukiyo-e by Utagawa Kuniyoshi

contemplation of Mount Fuji across Tago Bay became a popular view depicted by ukiyo-e artists, including Hiroshige and Utagawa Kuniyoshi. The American composer

painting techniques to a number of Japanese artists, possibly including the ukiyo-e artist Kobayashi Kiyochika. From 1865 he had Goseda Yoshimatsu and Kanō

Nobusada (柳川信貞, fl. 1822–1832), Japanese ukiyo-e woodblock print-maker Yanagawa Shigenobu (柳川重信, 1787–1832), Japanese ukiyo-e artist Yang Borun (楊伯潤, 1837–1911)

nishiki-e artist Kinoshita Daimon [ja] in the hope of reviving old sumo ukiyo-e works. He collaborated on the official ebanzuke. His portraits of wrestlers

(当時無理贔屓, "the favorite unequaled in those days"). He is depicted in countless ukiyo-e actor prints (yakusha-e), and unlike many actors who focus on one type

through a set of eight procedurally generated levels with a Japanese-styled ukiyo-e art style.[citation needed] While exploring the levels, the player has

backgrounds.[citation needed] Several prints in various versions of the ukiyo-e series The Fifty-Three Stations of the Tōkaidō depict meibutsu. These

Infinity — "Infinity" Gen Hoshino — "Sun" Momoiro Clover Z vs Kiss — "Yume no Ukiyo ni Saite Mina" OK Go — "I Won't Let You Down" Pharrell Williams — "Freedom"

(1925–2004), American painter Tōshūsai Sharaku (東洲斎写楽, 1794–1795), Japanese ukiyo-e print designer Sylvester Shchedrin (1791–1830), Russian painter Millard

being said, he painted Maple Viewers either a pioneering work that predated ukiyo-e, or one of the earliest examples of the movement. Louis-Frédéric (2002)

Eastern Capital Revisited by the Modern Print Artists". Ukiyo-e Art a Journal of the Japan Ukiyo-e Society (14). Statler, Oliver. Modem Japanese Creative

referred to as contemporary "bloody prints" muzan-e (a subset of Japanese ukiyo-e depicting violence or other atrocities.) Maruo himself featured in a 1988

In 1891, at the age of 13, Kaburaki was sent to become a pupil of the ukiyo-e artists Mizuno Toshikata and Taiso Yoshitoshi. His first job was as an

Danganronpa Another Episode: Ultra Despair Girls, Hiroko Hagakure 2015 Ukiyo no shishi, Ukiyo no rōshi, Otose Venus11 Vivid!, Rei Raido, Mei Hiiragi Puyopuyo

over 20 books. He was also known for amassing a collection of over 900 ukiyo-e prints and establishing Japan's first mountaineering society. World of

(connecting Edo with Nikkō) Nihonbashi (starting location) - Senju-juku Ukiyo-e print of Nihonbashi bridge by Hiroshige (from The Fifty-three Stations

through Fushimi, Hirakata and Moriguchi to central Osaka. Utagawa Hiroshige's ukiyo-e print of Ōtsu-juku dates from 1835–1838. The print depicts the main street

former band member Richard Swift. The album art is based on the Japanese Ukiyo-e triptych Takiyasha the Witch and the Skeleton Spectre. Overall, Heartworms

Katsuhiko Takahashi (高橋 克彦, Takahashi Katsuhiko, born 6 August 1947) is a Japanese writer of mystery, horror, science fiction and historical fiction. He

the early years of the 20th century, Matsukata Kojiro collected Japanese ukiyo-e woodblock prints which had been scattered throughout the world. The 1925

and ranking the courtesans and actors of the previous year. Along with ukiyo-e woodblock prints and other publications, hyōbanki were important elements

earthquakes were blamed on a giant catfish (Namazu) thrashing about.[by whom?] Ukiyo-e prints depicting namazu became very popular around this time. 1854 Iga-Ueno

with what Buddha's name?" Some have claimed Ōtsu-e as an ancestor of the ukiyo-e woodblock prints that replaced them nationally, but such printing techniques

kaidan increasingly became a subject for theater, literature and other arts. Ukiyo-e artist Maruyama Ōkyo created the first known example of the now-traditional

 1876–1889), also known under the art name Suiken Chikuyō (翠軒 竹葉), was a Japanese ukiyo-e print designer. Hasegawa's birth and death dates are unknown. He was active

 1792–93) is the title of what was likely a seven-print series by the Japanese ukiyo-e artist Kitagawa Utamaro. Only one print from the presumed series is known

a scene of a contest comparing skills. Works which depict this include ukiyo-e such as Utagawa Kuniyoshi's Kidōmaru and Tsukioka Yoshitoshi's Hakamadare

participate in the production of Hokusai's various works celebrating Mount Fuji. Ukiyo-e Edo period "Mr. Edmonds, the cataloguer at Sotheby’s before the Second

artist Kawamata Tsunemasa (川又 常正), Japanese ukiyo-e artist Kawamata Tsuneyuki (川又 常行, born c. 1677), Japanese ukiyo-e artist Yujiro Kawamata (川又 雄二郎, born

present themselves. For an ukiyo-e reproduction of the painting see Murasaki Shikibu Nikki Emaki n.d., pp. 12–14. For an ukiyo-e reproduction of the painting

Actor Ichikawa Ebijūrō as Samurai is an ukiyo-e Japanese woodblock print by Osaka-based late Edo period print designer Shunshosai Hokuchō (春曙斎 北頂) (fl

Atake (大はしあたけの夕立, Ōhashi atake no yūdachi) is a woodblock print in the ukiyo-e genre by the Japanese artist Hiroshige. It was published in 1857 as part

Ichikawa Omezō as a Pilgrim and Ichikawa Yaozō as a Samurai is an ukiyo-e woodblock print dating to around 1801 by Edo period artist Utagawa Toyokuni

Imao Keinen (今尾 景年, Kyoto 1845 – 1924) was a Japanese painter and print designer of the late 19th and early 20th centuries, part of the shin-hanga ("new

Katsukawa school, school of Japanese ukiyo-e art, founded by Miyagawa Shunsui Katsukawa Shunchō, designer of ukiyo-e style Japanese woodblock prints, active

of the forty-seven ronin, Oishi Yoshio is often given this description. Ukiyo-e print showing an andon being carried indoors An andon standing outdoors

Japan Ukiyo-e Association 1982, p. 53. Japan Ukiyo-e Association (1982). Genshoku Ukiyo-e Dai-Hyakka Jiten 原色 浮世絵大百科事典 第６巻 [Original Colour Grand Ukiyo-e

present themselves. For an ukiyo-e reproduction of the painting see Murasaki Shikibu Nikki Emaki n.d., pp. 12–14. For an ukiyo-e reproduction of the painting

Hikaru Museum (光記念館, Hikaru Kinenkan) is a museum in Takayama, Gifu Prefecture, Japan, comprising exhibition rooms for fine arts, archaeological research

Imao Keinen (今尾 景年, Kyoto 1845 – 1924) was a Japanese painter and print designer of the late 19th and early 20th centuries, part of the shin-hanga ("new

members Mokona and Tsubaki Nekoi. Some of their designs were inspired by ukiyo-e art style. The series' characters' interactions and personalities, as

chronology Singles from Amaranthus "Moon Pride" Released: July 30, 2014 "Yume no Ukiyo ni Saite Mi na" Released: January 28, 2015 ""Z" no Chikai" Released: April

Japan-based woodblock print artist known for a style that mixed the traditional ukiyo-e style and techniques developed by the artist himself. Jacoulet was born

Claremont Colleges Digital Library: Archived 2009-02-20 at the Wayback Machine Ukiyo-e, Accession No. 93.6.40. Brown, Delmer M. and Ichirō Ishida, eds. (1979)

degree (honours) in 1990 he moved to Paris until his interest in Japanese ukiyo-e prints took him to Japan in 1993. There he studied woodblock printmaking

earliest martial arts fighting games. It was inspired by Japanese culture (Ukiyo-e art, Akira Kurosawa films, and manga comics) and by early Disney animated

Sanjū-Rokkei) is the title of two series of woodblock prints by Japanese ukiyo-e artist Hiroshige, depicting Mount Fuji in differing seasons and weather

Chōshū may refer to: Nagato Province Urakusai Nagahide, a designer of ukiyo-e style Japanese woodblock prints Chōshū Domain, a feudal domain of Japan

as Takeda Harunobu early in life Baiōken Eishun (active c. 1710 – 1755), ukiyo-e painter of the Kaigetsudō school; used Takeda Harunobu as one of many

Eastern Capital Revisited by the Modern Print Artists". Ukiyo-e Art a Journal of the Japan Ukiyo-e Society (14). "The Independent Administrative Institution

Ukiyo-e pieces, in which colours tended to be softer Rozeal's work is very pigmented and colourful. This was a more contemporary adaptation of ukiyo-e

show The WORLD Heritage, respectively. "Ups and Downs" is the theme to an Ukiyo-e exhibition in the Bunkamura Museum in Tokyo. All music is composed by

Yomoshichi from the series Tales of Retainers of Unswerving Loyalty is an ukiyo-e woodblock print by Osaka-based late Edo period print designer Gosōtei

Ukiyo-e by Utagawa Yoshitsuya depicts the moment when Emperor Sutoku, who died in exile, became an onryō.

Man with a large odzutsu (Ukiyo-e art from Utagawa Kuniyoshi)

priesthood. Katsushika Hokusai published this view of the Ryōgoku Bridge as an ukiyo-e print. Nussbaum, Louis-Frédéric. (2005). "Manji" in Japan encyclopedia

Eijūdō Hibino at Seventy-one is an ukiyo-e woodblock print dating to around 1799 by Edo period artist Utagawa Toyokuni I. According to its inscription

Hiroshige ukiyo-e "Mikawa" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting the mountainous scenery around the temple of Hokai-ji, a popular

Hiroshige ukiyo-e "Kai" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting the Saruhashi, a bridge in what is now Ōtsuki, Yamanashi.

third unit of the Shinsengumi (b. 1844) November 28 – Kobayashi Kiyochika, ukiyo-e artist (b. 1847) List of Japanese films of the 1910s Asian and Pacific

(born 1969), Japanese fencer Suzuki Harunobu (鈴木 春信) (1725–1770), Japanese Ukiyo-e artist Harunobu Yonenaga (米長 晴信) (born 1965), Japanese politician Takeda

walk from Kusatsu Station on the JR West Biwako Line. Utagawa Hiroshige's ukiyo-e print of Kusatsu-juku dates from 1835 -1838. The print depicts a woman

and currently operates out of the Tokyo area. An obvious successor to the ukiyo-e artists of the Edo period in his choice of subject (see yakusha-e, lit

in 1648 and is still in business today, appears in Utagawa Hiroshige's ukiyo-e "Edo kōmei kaitei zukushi" (江戸高名会亭尽) and in the rakugo story performance

helmet of Minamoto, being partially devoured by the oni Shuten Douji. [1] An ukiyo-e by Yoshitoshi depicting Minamoto no Yorimitsu's retainers, Watanabe no

traditional performing arts and fine arts such as Noh, kyogen, kodan, kabuki, and ukiyo-e of later generations. From the end of the Heian period to the beginning

great masters of the Japanese genre called ukiyo-e. Van Gogh integrated some of the technical aspects of ukiyo-e into his work as his two 1887 homages to

Hokkei, Yashima Gakutei, and famed Ukiyo-e artist Kunisada also designed surimono for the group. Ukiyo-e Schools of ukiyo-e artists Edo period Japanese poetry

Two carps in a cascade ukiyo-e woodcut print by Katsushika Hokusai, Edo period

monochrome illustrations sumizuri-e, but the growth of the popularity of ukiyo-e brought with it demand for ever increasing numbers of colors and complexity

Samurai Roles from the series "Tales of Brave Warriors of Renown" is an ukiyo-e woodblock print diptych by Osaka-based late Edo period print designer

deriving from the iconography and aesthetic of Baroque with Japanese woodcuts (ukiyo-e), reinterpreted into a Pop style. In his paintings, men, women, and anthropomorphic

Flowering Plants). Two volumes of woodcut illustrations (1818).Includes 13 Ukiyo-e of insects which cause plant damage. One was Papilio xuthus which fed

period on. It also includes classic calligraphy, early modern paintings, ukiyo-e, and Western-style paintings. Works that have been designated Important

is a rare antique Japanese woodblock print art series. The title of the Ukiyo-e print series Edo-no-Hana Meisho-e translates into English as The Flowers

artistic, nature-inspired country on earth." He was particularly interested in ukiyo-e woodblock prints, to which he claimed he was "enslaved." Wright spent

nihonga style of watercolour painting Okumura Toshinobu (奥村 利信), Japanese ukiyo-e artist Tsunao Okumura (1903–1972), the president of Nomura Securities

advertising Amuse Museum Asakusa Textile Art Japanese Textile Culture and Ukiyo-e Art Museum Ancient Orient Museum Ikebukuro Art Artifacts of the ancient

are preserved as cultural heritage. They are also often the subjects of Ukiyo-e, such as in The Fifty-three Stations of the Tōkaidō by Hiroshige. Ai no

mouth, a high forehead, small eyes and rich black hair, as depicted in many ukiyo-e pictures. In the best-selling makeup instruction book "Miyako Customs

large scale animations which evoke traditional Japanese woodblock prints (ukiyo-e) while presenting a pointed, complex view of Japanese society. The name

Provinces (in Japanese 六十余州名所図会 Rokujūyoshū Meisho Zue) is a series of ukiyo-e prints by the Japanese artist Hiroshige (1797–1858). The series consists

in yamato-e e-maki. Its influence can be traced right up the Edo-period ukiyo-e or later. Works done in the hikime kagibana style show faces with essentially

Eastern Capital Revisited by the Modern Print Artists". Ukiyo-e Art A Journal of the Japan Ukiyo-e Society (14). Merritt, Helen; Bernd, Jesse (2001). Hiratsuka:

Ukiyo-e print by Hiroshige, Owari, from The Famous Scenes of the Sixty States (六十余州名所図会), depicting a festival at Tsushima Shrine

or Tsuki no Hyakushi (月百姿) in Japanese, is a collection of 100 ōban size ukiyo-e woodblock prints by Japanese artist Tsukioka Yoshitoshi printed in batches

self-portraits executed in large woodcuts. Inspired by the Japanese tradition of Ukiyo-e, his prints were linear in character, finely detailed, but with imagery

Sakan (左官) refers to the plasterwork of Japan. Along with woodblock prints, ukiyo-e, Japanese pottery and porcelain, Sakan is a genre of traditional Japanese

collections: American art, European paintings, Native American baskets, Japanese Ukiyo-e prints, and British Georgian silver. American Art One of the largest of

[citation needed] The store in Ueno at Shitaya Hirokoji was depicted in an ukiyo-e print from One Hundred Famous Views of Edo by Hiroshige II in 1856. With

Torii may refer to: Torii family, a samurai clan Torii school, a school of ukiyo-e artists Torii (surname), a Japanese surname Torii Hunter (born 1975),

Sanjurokkai Sen (新形三十六怪撰) by Tsukioka Yoshitoshi Gama Yōkai from the Saigama to Ukiyo Soushi Kenkyu Volume 2, special issue Kaii Tamababaki Narikama from the

Hiroshige ukiyo-e "Izu" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting Shuzen-ji

hanjimono (判じ物) was immensely popular during the Edo period. A piece by ukiyo-e artist Kunisada was "Actor Puzzles" (Yakusha hanjimono) that featured

after his arrival in Japan on De Liefde with his shipmate William Adams. Ukiyo-e artist Andō Hiroshige was born in the Yayosu barracks in the Yaesu area

Japanese ukiyo-e artist Hiroshige II (歌川広重 2代目) (1829–1869), Japanese ukiyo-e artist Hiroshige III (歌川広重 3代目) (1842 or 1843 – 1894), Japanese ukiyo-e artist

Japanese ukiyo-e painter Miyagawa Isshō (宮川一笑, 1689–1780), Japanese ukiyo-e painter Miyagawa Shunsui (宮川春水, fl. c. 1740s–1760s), Japanese ukiyo-e painter

The cultural developments of the times, including kabuki, bunraku, and ukiyo-e, and practices like sankin kōtai and pilgrimages to the Ise Shrine, feature

Back!!" which served as the first opening of Naruto: Shippuden Bousbir Ukiyo-e Avery, Anne Louise. Flowers of the Floating World: Geisha and Courtesans

2, 1936) was a Japanese painter. He was first known for his nihonga and ukiyo-e paintings. Although he was a praised figure at the height of his career

Hiroshige ukiyo-e "Kaga" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting fishing fires on Lake Renko

interest in painting everyday life of the Tosa school was influential on the ukiyo-e school of paintings and prints, especially on the aristocratic painter

Nakagawa-machi Batō Hiroshige Museum of Art (那珂川町馬頭広重美術館, Nakagawa-machi Batō Hiroshige Bijutsukan) opened in the Batō area of Nakagawa, Tochigi Prefecture

signed to Universal Music Publishing Group and Electric Feel Publishing. "Ukiyo" (2016) "scumbag demo" (2017) "GIRL" (2017) "Today" (2018) "Momma" (2018)

featuring Western-style clothes and hairstyle. Kikugorō was a popular figure in ukiyo-e woodblock prints, especially in those by Toyohara Kunichika. He was also

collecting Japanese art, particularly ukiyo-e. Some of the first samples of ukiyo-e were to be seen in Paris. The Ukiyo-e became a great influence on painting

Pictures of the Floating World – Ukiyo-e Prints from the National Collection (December 2009) exhibited original Japanese Ukiyo-e from the national collection

Hiroshige ukiyo-e "Suruga" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting the Miho no Matsubara and Mount Fuji

prints showing decapitations and acts of violence from Japanese history. Ukiyo-e artists such as Utagawa Kuniyoshi presented similar themes with bondage

Some episodes contained scenes whose artwork reflected Japan's traditional ukiyo-e woodblock prints. To date the Hashimoto-san series has not been released

Tsukioka may refer to: People: Tsukioka Settei (1710–1787), Japanese ukiyo-e artist Kōgyo Tsukioka (1869–1927), Japanese artist of the Meiji period Yoshitoshi

Japanese artist Eishōsai Chōki (栄松斎 長喜), aka Momokawa Chōki, a designer of ukiyo-e Japanese woodblock prints Oroku Chōki (小禄 朝奇, 1676–1721), a prince of

Hiroshige ukiyo-e "Noto" in "Famous Views of the Sixty-odd_Provinces" (六十余州名所図会), depicting Taki-no-ura

London. Architect Edward William Godwin also designed his home and bought ukiyo-e in 1862 to decorate his home; William Eden Nesfield also designed early

Shita-kiri Suzume Katsushika Hokusai ukiyo-e Folk tale Name Shita-kiri Suzume Country Japan

"Watanabe no Tsuna meets Ibaraki-dōji at Modoribashi Bridge." Ukiyo-e print by Utagawa Kunisada.

1972), Japanese economist Kitao Shigemasa (北尾 重政, 1739–1820), Japanese ukiyo-e artist Teruhiro Kitao (北尾 光弘, born 1937), Japanese fencer 7954 Kitao,

appearance of the Gashadokuro on the giant skeleton in Utagawa Kuniyoshi's ukiyo-e print, Takiyasha the Witch and the Skeleton Spectre. It has no direct

Kaika-e (Japanese: 開化絵) is a genre of Japanese woodblock prints (ukiyo-e) during the Meiji period that celebrated the Westernization of Tokyo and its

Tavern Other Music Paresis Hall The Ritz The Saint SideWalk Cafe Sin-é St. Mark's Bookshop St. Mark's Playhouse Ukiyo Upright Citizens Brigade Theatre

Ukiyo-e of Tokugawa Ieyasu

Children JA Sazae サザエさん (Sazae-san) TV Family, Children JA (Secret) Gekiga Ukiyo-e Thousand and One Nights (秘)劇画 浮世絵千一夜 (Maruhi Gekiga, Ukiyoe Senichiya)

A 19th-century Japanese ukiyo-e print depicting a Dutch embassy. Due to their proximity to Edo, the Dutch were required to make more visits to the capital

the Ōi River, even ferryboats were forbidden. As depicted in contemporary ukiyo-e prints by artists such as Hokusai, travelers crossed the river on bearers'

Tavern Other Music Paresis Hall The Ritz The Saint SideWalk Cafe Sin-é St. Mark's Bookshop St. Mark's Playhouse Ukiyo Upright Citizens Brigade Theatre

buildings, including one honjin, two wakihonjin and 68 hatago. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831 to 1834 depicts travellers

played a key role in the development of Japanese cultural products such as ukiyo-e, rakugo, and handicrafts. Aesthetic ideals such as iki, tsū, and wabi-sabi

obsidian, which have been exploited since the Jōmon period. Hiroshige's ukiyo-e print of Wada-shuku dates from 1835–1838. The print depicts an exaggerated

Chinese painter (died 1749) Miyagawa Chōshun, Japanese painter in the ukiyo-e style (died 1753) Ciro Adolfi, Italian painter (died 1758) Domenico Brandi

Kaika-e (Japanese: 開化絵) is a genre of Japanese woodblock prints (ukiyo-e) during the Meiji period that celebrated the Westernization of Tokyo and its

France and Japan, along with a considerable number of pieces of Japanese ukiyo-e art. Yoneichi Otani, son of Hotel founder Yonetaro Otani, was the first

Tavern Other Music Paresis Hall The Ritz The Saint SideWalk Cafe Sin-é St. Mark's Bookshop St. Mark's Playhouse Ukiyo Upright Citizens Brigade Theatre

A 19th-century Japanese ukiyo-e print depicting a Dutch embassy. Due to their proximity to Edo, the Dutch were required to make more visits to the capital

Hiroshige ukiyo-e " Echigo " in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting Oyashirazu cliffs.

Hiroshige ukiyo-e " Kōzuke " in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting Mount Haruna Under Snow

Japanese painters include Kanō Sanraku, Maruyama Ōkyo, and Tani Bunchō. Ukiyo-e, literally 'pictures of the floating world', is a genre of woodblock prints

Benjamin Delapierre, French artist (died 1800) Kitao Shigemasa, Japanese ukiyo-e artist from Edo (died 1820) Giuseppe Levati, Italian painter and designer

Two geisha relaxing after having entertained; the insets showing the curfew bell at Asakusa. Ukiyo-e woodblock print by Yōshū Chikanobu, 1888

and other works of art. There are about 100 nikuhitsuga ukiyo-e paintings in the "Ujiie Ukiyo-e Collection". Portrait of Lanxi Daolong (Rankei Dōryū)

Tavern Other Music Paresis Hall The Ritz The Saint SideWalk Cafe Sin-é St. Mark's Bookshop St. Mark's Playhouse Ukiyo Upright Citizens Brigade Theatre

Japanese voice actress Konishi Hirosada (小西 廣貞, ca. 1810–1864), Japanese ukiyo-e artist Hiroyuki Konishi (小西 裕之, born 1963), Japanese gymnast Hokuto Konishi

British caricaturist (born c.1756) June 28 – Torii Kiyonaga, Japanese ukiyo-e printmaker and painter of the Torii school (born 1752) August 31 – John

painter (died 1806) Katsukawa Shunshō, Japanese painter and printmaker in the ukiyo-e style (died 1792) François-Gaspard Teuné, French ébéniste (cabinet-maker)

was father of Ramses II, born 1303 BC. 1600s Japan saw the origination of Ukiyo-e, an influential illustration style characterised by expressive line, vivid

area is known for its sakura ebi, a type of small shrimp. In the classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834, Hiroshige chose

Hiroshige ukiyo-e "Hida" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting a Yōrō Waterfalls

(in Japanese: 名所江戸百景, romanized: Meisho Edo Hyakkei) is a series of 119 ukiyo-e prints begun and largely completed by the Japanese artist Hiroshige (1797–1858)

Venice, CA. Fujita blends Eastern techniques (anime, partitioned screens, ukiyo-e), and elements (geishas, warriors, demons), with Western, urban imagery

Frothingham, American painter (died 1864) Kunisada, Japanese designer of ukiyo-e woodblock prints (died 1865) Abraham Wivell, British portrait painter

French draftsman and engraver (died 1780) Toriyama Sekien, scholar and ukiyo-e artist of Japanese folklore (died 1788) Johan Stålbom, Finnish painter

Maschine (CD, Die Form Side-Project 4, Hyperium) Ukiyo - Die Form and Akifumi Nakajima|Aube 1994: Ukiyo (CD, Die Form Side-Project 5, Hyperium/Hypnobeat)

Hiroshige ukiyo-e "Iyo" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting the port city of Saijō

ISSN 0004-4083 OCLC 1514382 Wikimedia Commons has media related to Toyohara Chikanobu. Ukiyo-e Prints by Toyohara Chikanobu Chikanobu: The Artist's Eye

valuable items. Mainly acquired in Japan and China, their collection comprised ukiyo-e prints, silk paintings, Buddhist sculptures and wall paintings, wood carvings

Steamboat between Osaka and Fushimi could take 12 hours. There's antique Ukiyo-e that depict the history of Yodo River (Uji River). The Uji River has a

period, active mostly in Bologna (died 1749) Nishikawa Sukenobu, Japanese ukiyo-e printmaker from Kyoto (died 1750) Jaime Mosen Ponz, Spanish painter (died

Ukiyo-e print by Hiroshige of the sailboats at Yahashi, one of the Eight Views of Ōmi, c. 1834

over 11 kilometers from the preceding post station, Yui-shuku. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834 depicts two sumo

Hiroshige ukiyo-e "Sanuki" in "Sixty-eight Views of the Provinces" (諸国六十八景)

Omocha-e (Japanese: 玩具絵, "toy prints") is a genre of Japanese woodblock prints ukiyo-e. Omocha-e prints were made for children, "pieces that can be cut and pasted

pine and hackberry trees, to provide shade for the travelers. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834 depicts travelers

Ukiyo-e print by Hiroshige showing Iga-Ueno Castle

of many paintings because of Mount Fuji in the background. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831 to 1834 depicts two

miniature painter (born 1784) February 24 – Toyokuni, Japanese master of ukiyo-e, especially Kabuki actor prints (born 1769) March 8 – Adélaïde Dufrénoy

Many Happy Returns of the Day Hiroshige – One Hundred Famous Views of Edo (ukiyo-e woodblock print series begins publication) Arthur Hughes – April Love

unknown) August 22 – Torii Kiyonobu I, Japanese painter and printmaker in the ukiyo-e style, especially on Kabuki signboards (born 1664) October 2 - Arnold

ukiyo-e " Shimotsuke " in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting Mount Nikkō, Urami Waterfall (Shimotsuke, Nikkōsan, Urami no taki)

Nihonbashi in Edo, ukiyo-e print by Hiroshige

from Chōjū-jinbutsu-giga ("Animal-person Caricatures"), went so far as to ukiyo-e ("floating world") in the 17th century. Western-style humour comics and

Japanese discus thrower Furuyama Moromasa (古山 師政), 18th-century Japanese ukiyo-e painter Yukio Furuyama (古山 征男, born 1938), Japanese equestrian 16759 Furuyama

had strong ties to the Minamoto, Imagawa and Tokugawa clans. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834 depicts two travellers

English engraver, etcher and painter (died 1810) Torii Kiyonaga, Japanese ukiyo-e printmaker and painter of the Torii school (died 1815) 1752/1753: William

competition can realize their desired reality. Among the participants are Ace Ukiyo, a mysterious man and the DGP's undefeated champion who competes as Kamen

particular Chinese paintings of the Song and Yuan dynasties, as well as early ukiyo-e paintings. In 1922, he was an early member of the Shunyo-kai art society

preserved the gate and part of one of the honjin as a museum. Keisai Eisen's ukiyo-e print of Warabi-shuku dates from 1835 to 1838, and depicts the ferry crossing

unknown) August 22 – Torii Kiyonobu I, Japanese painter and printmaker in the ukiyo-e style, especially on Kabuki signboards (born 1664) October 2 - Arnold

forty-seven rōnin is one of the most popular themes in woodblock prints, or ukiyo-e and many well-known artists have made prints portraying either the original

several ukiyo-e prints by Hiroshige, in particular twice in his famous One Hundred Famous Views of Edo series from 1856–1858. Zōjō-ji in ukiyo-e Zojoji

Hiroshige ukiyo-e "Awa" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting the Naruto whirlpools

(2006). 浮世絵に見る『東海道中膝栗毛』滑稽の旅 (特集 旅). Nihon Ukiyoe Kyōkai. Ukiyo-e Art: A Journal of the Japan Ukiyo-e Society (in Japanese). 151–152: 23. "Library Publishes

J Award for Music Video of the Year. In 2014 they released the single "Ukiyo" without radio or video servicing, yet in a few months it had millions of

Omocha-e (Japanese: 玩具絵, "toy prints") is a genre of Japanese woodblock prints ukiyo-e. Omocha-e prints were made for children, "pieces that can be cut and pasted

Obata Nobusada (1534–1582), Japanese general Yanagawa Nobusada, Japanese ukiyo-e artist Nobutada This page or section lists people that share the same

Japanese folklore. The Hell Courtesan has been portrayed multiple times in ukiyo-e. The Hell Courtesan is usually depicted in a dress with the images of

Many Happy Returns of the Day Hiroshige – One Hundred Famous Views of Edo (ukiyo-e woodblock print series begins publication) Arthur Hughes – April Love

between the modern-day cities of Makinohara and Hamamatsu. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834 depicts travelers

The gate of the former honjin has also been preserved. Keisai Eisen's ukiyo-e print of Fukaya-shuku dates from 1835–1838. The print depicts four meshimori

Hokkus in 1920, Noguchi devoted most of his English efforts to studies of ukiyo-e and began a belated career as a Japanese language poet. Noguchi's success

honjin. Most of Aheo-shuku was destroyed by a fire in 1861. Keisai Eisen's ukiyo-e print of Ageo-shuku dates from 1835–1838. The inscription to the upper

castle town for Sunpu Castle in the former Suruga Province. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831 to 1834 depicts travellers

Hiroshige ukiyo-e "Suo" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting the Kintai Bridge

Hiroshige ukiyo-e "Etchū" in "The Famous Scenes of the Sixty Provinces" (六十余州名所図会), depicting Funa-hashi, a pontoon bridge

which includes Buddhist sculptures, Chinese, Korean, and Japanese ceramics, ukiyo-e, and over two hundred sets of samurai armour. Tottori Prefectural Museum

later generations to 団十郎. The Dawn of the Floating World, 1650-1765: Early Ukiyo-e Treasures from the Museum of Fine Arts, Boston Timothy Clark, Anne Nishimura

Telepan Tetsu Toots Shor's Restaurant The Village Den Tramezzini NYC Tulsi Ukiyo Uncle Boons Veritas Vong wd~50 Windows on the World The World Related Chinatown

English engraver, etcher and painter (died 1810) Torii Kiyonaga, Japanese ukiyo-e printmaker and painter of the Torii school (died 1815) 1752/1753: William

anime (animated television and cinema), and earlier Japanese art such as ukiyo-e, in conjunction to contemporary, "Neo-pop" artists from Japan. He argues

443 houses, which included one honjin, 1 sub-honjin and 54 hatago. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834 does not depicts

Tavern Other Music Paresis Hall The Ritz The Saint SideWalk Cafe Sin-é St. Mark's Bookshop St. Mark's Playhouse Ukiyo Upright Citizens Brigade Theatre

expressly forbidden the construction of any bridge on the Ōi River. The classic ukiyo-e print by Andō Hiroshige (Hōeido edition) from 1831–1834 depicts a daimyō

the walking courses are its honjin and one of its hatago. Keisai Eisen's ukiyo-e print of Ogekawa-shuku dates from 1835–1838. Eisen chose to depict a rural

on art and artists (died 1826) October 31? – Hokusai, Japanese artist, ukiyo-e painter and printmaker of the Edo period (died 1849) November 11 – Landolin

along through route of the highway before and after the town. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831 to 1834 depicts horses

1727) probable - Torii Kiyonobu I, Japanese painter and printmaker in the ukiyo-e style, especially on Kabuki signboards (died 1729) February John Hoskins

Hiroshige ukiyo-e "Bungo" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting Minosaki in 1856

Tavern Other Music Paresis Hall The Ritz The Saint SideWalk Cafe Sin-é St. Mark's Bookshop St. Mark's Playhouse Ukiyo Upright Citizens Brigade Theatre

High noon at Kasumigaseki. Ukiyo-e by Utagawa Kuniyoshi

their travels. The sankin-kōtai figures prominently in some Edo-period ukiyo-e woodblock prints, as well as in popular theater such as kabuki and bunraku

1,1,1,1) Ukiyo-e No. 2*, 2015 (ca 18’) – Concerto for flute and symphony orchestra (fl solo/2,2,2,2/4,2,2,0/batt (1esec)/cel/strings) Ukiyo-e No. 3*,

Ryūsen-zu 流宣図 is a style of woodblock print maps created by the ukiyo-e artist and popular writer Ishikawa Ryūsen (or Tomonobu)(jp) in the Edo period

railway station, until it was renamed Shimizu Station in 1934. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834 depicts a view

Hiroshige ukiyo-e "Dewa" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting the Mogami River and Mount Gassan

of one of the honjin is commemorated by a stone monument. Keisai Eisen's ukiyo-e print of Kumagai-shuku dates from c. 1835–1838. This complicated composition

Hiroshige ukiyo-e "Inaba" in "The Famous Scenes of the Sixty States" (六十余州名所図会), depicting Kajikoyama

painter (born 1718) Katsukawa Shunshō, Japanese painter and printmaker in the ukiyo-e style (born 1726) P. & D. Colnaghi & Co; John Linnell (1973). A Loan Exhibition

"Asukai Masanori Teaching Tokugawa Yoshimune to Play Kemari." Ukiyo-e printed by Tsukioka Yoshitoshi.

Buddhist temple, so it was often used by travelers coming to pray. The classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834 depicts travelers

Harunobu, Japanese woodblock print artist, one of the most famous in the Ukiyo-e style (died 1770) Gustaf Lucander, Finnish painter (died 1805) January

trees lining the route along this point. This is depicted in the classic ukiyo-e print by Andō Hiroshige (Hōeidō edition) from 1831–1834 which shows a

had been influenced in color woodcut printing by the Japanese style of Ukiyo-e prints. Throughout his life Das perfected his woodcut and wood engraving