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Longer titles found: Me Myself & Rye... An Introduction to The Russian Futurists (view)

searching for The Russian Futurists 16 found (42 total)

alternate case: the Russian Futurists

Cubo-Futurism (3,970 words) [view diff] exact match in snippet view article find links to article

Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists. In 1913, the term "Cubo-Futurism" first came to describe works
Dynamism of a Cyclist (821 words) [view diff] exact match in snippet view article find links to article
works, and his application of the paint was thicker and denser. The Russian Futurists explored many of the same themes as the Italians. Natalia Goncharova's
Kseniya Boguslavskaya (590 words) [view diff] exact match in snippet view article find links to article
1913 she married Puni and their flat became a meeting point for the Russian Futurists. Velimir Khlebnikov was deeply impressed by herself and her stories
Zygmunt Waliszewski (291 words) [view diff] exact match in snippet view article find links to article
in 1917. He visited Moscow several times and became inspired by the Russian Futurists. He, later, became a member of a prolific Futurist group in Tbilisi
Hectograph (1,248 words) [view diff] exact match in snippet view article find links to article
though not very extensively, as an artistic medium in printmaking. The Russian Futurists used it for book illustrations, and the German expressionist Emil
Elsa Triolet (682 words) [view diff] exact match in snippet view article find links to article
Moscow Institute of Architecture. Ella soon became associated with the Russian Futurists via Lilya, who was in 1912 married to the art critic Osip Brik;
The Cansecos (462 words) [view diff] exact match in snippet view article find links to article
Year Artist Title 2007 The Russian Futurists Let's Get Ready To Crumble 2007 Small Sins Holiday 2007 Vivek Shraya Your Name 2008 Madrid Reply To Everyone
Elena Guro (1,023 words) [view diff] exact match in snippet view article find links to article
to the journal Trap for Judges, one of the first publications of the Russian Futurists. She also contributed to the second volume of Trap for Judges in
Zang Tumb Tumb (1,799 words) [view diff] case mismatch in snippet view article find links to article
of artists including Balla, Carra, Boccioni, Hugo Ball and Dada, the Russian futurists, the Vorticists including Wyndham Lewis, Guillaume Apollinaire,
Futurism (7,958 words) [view diff] exact match in snippet view article find links to article
representation of movement; like their Italian contemporaries, the Russian Futurists were fascinated with dynamism, speed and the restlessness of modern
Universal War (1,564 words) [view diff] case mismatch in snippet view article find links to article
each other's works. Unlike the Italian futurists, the attitude of the Russian futurists to the war and the Russian Revolution were at best ambiguous- Kruchenykh
Futurism (literature) (2,296 words) [view diff] no match in snippet view article
nevertheless selective modifications to existing syntax" and that the "Russian Futurists' idea that they were 'shaking syntax loose'" is more accurate. Early
Artist's book (4,989 words) [view diff] case mismatch in snippet view article find links to article
Nikolai Burliuk, Elena Guro, Vasili Kamenski and Velimir Khlebnikov, the Russian futurists created a sustained series of artists' books that challenged every
Natalia Goncharova (3,237 words) [view diff] exact match in snippet view article find links to article
Rayonism, and produced many paintings in that style. As leaders of the Russian Futurists, they organized provocative lecture evenings in the same vein as
Aleksei Gastev (1,772 words) [view diff] exact match in snippet view article find links to article
with influences ranging from Émile Verhaeren and Walt Whitman to the Russian Futurists. Gastev's poetry energetically celebrates industrialization, announcing
Boris Pasternak (11,141 words) [view diff] exact match in snippet view article find links to article
publishing his first book of poems, influenced by Aleksandr Blok and the Russian Futurists, the same year. Pasternak's early compositions show the clear influence