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searching for One voice per part 46 found (52 total)

Peter Harvey (baritone) (380 words) [view diff] exact match in snippet view article

commercial recording in 2014: it consists of Bach cantatas performed "one voice per part". Harvey has also collaborated with Harry Christophers and The Sixteen

Andrew Parrott (300 words) [view diff] no match in snippet view article find links to article

Bach Choir, which was informed by his work with Joshua Rifkin on one-voice-per-part performance of Bach's vocal works. This approach significantly reduces

Eric Milnes (392 words) [view diff] exact match in snippet view article find links to article

series of recordings of all Bach cantatas with singers performing one voice per part and the Montreal Baroque Orchestra. Born in Huntington, New York,

Choir (4,970 words) [view diff] exact match in snippet view article find links to article

documented as taking part in performances of his Magnificat with one voice per part. Independent instrumental accompaniment opened up new possibilities

Mass in B minor discography (764 words) [view diff] exact match in snippet view article find links to article

only one singer for a vocal part in the choral movements, termed "one voice per part" (OVPP). On some of these recordings, the solo singer is reinforced

St John Passion discography (463 words) [view diff] exact match in snippet view article find links to article

only one singer for a vocal part in the choral movements, termed "one voice per part" (OVPP). On some of these recordings, the solo singer is reinforced

TENET (ensemble) (759 words) [view diff] no match in snippet view article

York City. They perform on period instruments, and specialize in one-voice-per-part singing. Called “a major force in the New York early music world"

Christ lag in Todes Banden, BWV 4 discography (287 words) [view diff] exact match in snippet view article find links to article

recordings rely on choir without (or with few) solo voices. Choirs with one voice per part (OVPP) and orchestras playing on period instruments in historically

Unser Mund sei voll Lachens, BWV 110 (1,975 words) [view diff] exact match in snippet view article find links to article

Pilgrimage, incorrectly interprets it as Bach's vote against a strict one voice per part concept: contra Gardiner's assertion, Bach did not indicate "con"

Wie schön leuchtet der Morgenstern, BWV 1 discography (1,245 words) [view diff] exact match in snippet view article find links to article

cantatas with the ensemble La Petite Bande with vocalists singing one voice per part (OVPP). They recorded Wie schön leuchtet der Morgenstern in 2007.

Bach Collegium Japan (924 words) [view diff] exact match in snippet view article find links to article

old-fashioned in this repertoire), and on the other hand that of purists with one voice per part. According to Ross, Suzuki's interpretations tend towards subtlety

Sie werden euch in den Bann tun, BWV 183 (1,264 words) [view diff] exact match in snippet view article find links to article

taken from the listing on the Bach Cantatas Website. Choirs with one voice per part (OVPP) and orchestras playing period instruments in historically informed

Wahrlich, wahrlich, ich sage euch, BWV 86 (1,243 words) [view diff] exact match in snippet view article find links to article

taken from the listing on the Bach Cantatas Website. Choirs with one voice per part (OVPP) and instrumental groups playing period instruments in historically

Katharine Fuge (372 words) [view diff] exact match in snippet view article find links to article

recorded Bach's funeral music Trauerode and Missa in A, BWV 234, with one voice per part. She recorded the soprano solo of Ein deutsches Requiem by Brahms

Dominik Wörner (473 words) [view diff] exact match in snippet view article find links to article

Year with the ensemble La Petite Bande on period instruments and one voice per part (OVPP). He recorded Bach's solo cantatas for bass such as Ich will

Vespro della Beata Vergine discography (449 words) [view diff] exact match in snippet view article find links to article

in numerous versions. Some versions are choral-based, others use one voice per part (OVPP). Some versions use modern instruments, but since the first

Jan Kobow (812 words) [view diff] exact match in snippet view article find links to article

Pentecost of Gottfried Heinrich Stölzel, conducted by Ludger Rémy, with one voice per part, the four soloists forming the choir. In 2003 he recorded Bach cantatas

Es ist das Heil uns kommen her, BWV 9 (1,543 words) [view diff] exact match in snippet view article find links to article

dedicated to mostly church music), chamber choirs or groups with one voice per part (OVPP), and matching instrumental ensembles playing on Baroque period

Wer Dank opfert, der preiset mich, BWV 17 (1,231 words) [view diff] exact match in snippet view article find links to article

follows the selection on the Bach Cantatas Website. Ensembles singing one voice per part (OVPP) and playing period instruments are marked by green background

Halt im Gedächtnis Jesum Christ, BWV 67 (1,439 words) [view diff] exact match in snippet view article find links to article

selection on the Bach Cantatas Website. Performing groups singing one voice per part (OVPP) and instrumental groups playing period instruments in historically

Schwingt freudig euch empor, BWV 36 (1,732 words) [view diff] exact match in snippet view article find links to article

of recordings is provided by the Bach Cantatas Website. Choir with one voice per part (OVPP) and ensembles playing period instruments in historically informed

Schmücke dich, o liebe Seele, BWV 180 (1,664 words) [view diff] exact match in snippet view article find links to article

are taken from the selection on Bach Cantatas Website. Groups with one voice per part (OVPP) and ensembles playing period instruments in historically informed

Midori Suzuki (soprano) (426 words) [view diff] exact match in snippet view article

2000 she was one of the singers who also formed the choir (OVPP, one voice per part) in a recording of Bach's Mass in B minor with the ensemble La Petite

Es ist euch gut, daß ich hingehe, BWV 108 (1,500 words) [view diff] exact match in snippet view article find links to article

from the listing on the Bach Cantatas website. Vocal ensembles with one voice per part (OVPP) and instrumental groups playing period instruments in historically

Bereitet die Wege, bereitet die Bahn, BWV 132 (1,550 words) [view diff] exact match in snippet view article find links to article

taken from the selection on the Bach Cantatas Website. Choirs with one voice per part (OVPP) and instrumental groups playing period instruments in historically

Gottes Zeit ist die allerbeste Zeit, BWV 106 (1,768 words) [view diff] exact match in snippet view article find links to article

taken from the listing on the Bach Cantatas Website. Choirs with one voice per part (OVPP) and instrumental groups playing period instruments in historically

Nun komm, der Heiden Heiland, BWV 61 (1,878 words) [view diff] exact match in snippet view article find links to article

from the selection on the Bach Cantatas Website. Vocal groups with one voice per part (OVPP) and instrumental groups playing period instruments in historically

Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 (1,854 words) [view diff] exact match in snippet view article find links to article

taken from the listing on the Bach Cantatas Website. Choirs with one voice per part (OVPP) and ensembles playing period instruments in historically informed

Dunedin Consort (1,391 words) [view diff] no match in snippet view article find links to article

1742. It was the second commercial recording of the work to use the one-voice-per-part vocal scoring proposed by Joshua Rifkin. 2008: Handel’s Acis and Galatea

Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 (1,820 words) [view diff] exact match in snippet view article find links to article

taken from the listing of the Bach Cantatas Website. Choirs with one voice per part (OVPP) and ensembles playing period instruments in historically informed

Sie werden aus Saba alle kommen, BWV 65 (1,938 words) [view diff] exact match in snippet view article find links to article

taken from the selection on the Bach Cantatas Website. Choirs with one voice per part (OVPP) and instrumental groups playing period instruments in historically

Christmas Oratorio discography (454 words) [view diff] exact match in snippet view article find links to article

as the oboe da caccia used by Harnoncourt's oboeists. Choirs with one voice per part (OVPP), used in some historically informed performances of Bach's

Lobet Gott in seinen Reichen, BWV 11 (2,128 words) [view diff] exact match in snippet view article find links to article

period instruments in historically informed performance and choirs of one voice per part (OVPP) is marked by green background. "BWV" is Bach-Werke-Verzeichnis

O Ewigkeit, du Donnerwort, BWV 20 (1,884 words) [view diff] exact match in snippet view article find links to article

period instruments in historically informed performance and a choir of one voice per part (OVPP) are marked by green background. Dellal 2017. Dürr & Jones 2006

Greta De Reyghere (715 words) [view diff] exact match in snippet view article find links to article

Consort conducted by Philippe Pierlot, performing choral music with one voice per part. They recorded several Bach cantatas, including in 1995 Christ lag

Ich will den Kreuzstab gerne tragen, BWV 56 discography (1,590 words) [view diff] exact match in snippet view article find links to article

function, with the ensemble La Petite Bande, with vocalists singing one voice per part (OVPP). They recorded the cantata in 2006, with singer Dominik Wörner

Frieder Bernius (1,325 words) [view diff] no match in snippet view article find links to article

Bach's music the several-voice-to-a-part approach, as opposed to the one-voice-per-part approach advocated by Andrew Parrott and Joshua Rifkin. The Historical

Komm, du süße Todesstunde, BWV 161 (3,113 words) [view diff] exact match in snippet view article find links to article

excerpted from the selection on the Bach-Cantatas website. Choirs with one voice per part (OVPP) and ensembles playing on period instruments in historically

Historically informed performance (5,356 words) [view diff] exact match in snippet view article find links to article

art Concert pitch Early music revival List of early music ensembles One voice per part String section Shakespeare in Original Pronunciation Lawson & Stowell

Ralf Otto (1,067 words) [view diff] exact match in snippet view article find links to article

Schumann's version in Mainz, and sang Bach's Mass in B minor with one voice per part. He has also conducted works by composers such as Luigi Dallapiccola

Glossary of music terminology (10,210 words) [view diff] no match in snippet view article find links to article

scale. ohne Dämpfer (Ger.) Without a mute omaggio Homage, celebration one-voice-per-part (OVPP) The practice of using solo voices on each musical line or part

Mass in B minor (7,185 words) [view diff] no match in snippet view article find links to article

Bach choral recording. Joshua Rifkin's first recording using the one-voice-per-part vocal scoring he proposes was made in 1982, and won a 1983 Gramophone

Christmas Oratorio (4,898 words) [view diff] case mismatch in snippet view article find links to article

Adherents of theories specifying small numbers of performers (even to 'One Voice Per Part') may however choose to use numbers approaching one instrument per

Jesu, meine Freude, BWV 227 (5,767 words) [view diff] exact match in snippet view article find links to article

discussed to this day, for example in reviews of Philippe Herreweghe's one voice per part recordings of 1985 and 2010. Jesu, meine Freude has been recorded

Bach cantata (5,695 words) [view diff] exact match in snippet view article find links to article

part. On the other hand, some modern performances and recordings use one voice per part. Joshua Rifkin is well known is an advocate of this approach, although

Wachet auf, ruft uns die Stimme, BWV 140 (1,963 words) [view diff] exact match in snippet view article find links to article

the selection on the Bach Cantatas Website. Choirs singing OVPP (one voice per part) and instrumental groups playing period instruments in historically