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searching for Imperial Theatres 96 found (148 total)

Marius Petipa (9,166 words) [view diff] exact match in snippet view article find links to article

Premier maître de ballet (First Ballet Master) of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial

Ludwig Minkus (3,488 words) [view diff] exact match in snippet view article find links to article

the official post of Composer of Ballet Music to the St. Petersburg Imperial Theatres, a position he held until it was abolished upon his retirement in

Ivan Vsevolozhsky (1,206 words) [view diff] exact match in snippet view article find links to article

the Imperial Theatres in Russia from 1881 to 1898 and director of the Hermitage from 1899 to his death in 1909. Vsevolozhsky ran the Imperial Theatres with

The Wood Demon (play) (448 words) [view diff] exact match in snippet view article

completed in April 1890 and received the permission to be staged by Imperial Theatres in May. It was published by the Rassokhin Publishers on 23 August

Sergeyev Collection (2,409 words) [view diff] exact match in snippet view article find links to article

Petipa, who served as Premier Maître de ballet of the St. Petersburg Imperial Theatres from 1871 until 1903. The Sergeyev Collection also documents a small

La Bayadère (4,839 words) [view diff] exact match in snippet view article find links to article

Petersburg Imperial Theatres. The role of Solor was created by the forty-three-year-old Lev Ivanov, Premier danseur of the St. Petersburg Imperial Theatres, with

Mariia Surovshchikova-Petipa (255 words) [view diff] exact match in snippet view article find links to article

February 1836 – 16 March 1882) was prima ballerina to the St. Petersburg Imperial Theatres and wife of the noted choreographer Marius Petipa. Mariia Sergeyevna

Ballet master (1,479 words) [view diff] exact match in snippet view article find links to article

Petersburg Imperial Theatres from 1859 until 1869. Lev Ivanov (1834–1901), Deuxieme Maître de Ballet of the St. Petersburg Imperial Theatres from 1885

Mlada (2,488 words) [view diff] exact match in snippet view article find links to article

by Stepan Gedeonov (1816–1878), director of the Saint Petersburg Imperial Theatres, originally envisioned as a ballet to be composed by Aleksandr Serov

A Profitable Position (498 words) [view diff] case mismatch in snippet view article find links to article

edition later that year. Banned from being produced at the Russian Imperial theatres, it was premiered only six years later, on September 27, 1863, in

Bluebeard (ballet) (3,008 words) [view diff] exact match in snippet view article

Marius Petipa's fiftieth anniversary in service to the St. Petersburg Imperial Theatres. Marius Petipa created the ballet Bluebeard for his own benefit performance

It's a Family Affair-We'll Settle It Ourselves (1,201 words) [view diff] exact match in snippet view article find links to article

Moskvityanin issue. Having caused a furore, it was banned by the Imperial Theatres' censorship committee and was staged for the first time on 9 December

The Last Ones (316 words) [view diff] case mismatch in snippet view article find links to article

editor, in April. The play was banned from being produced by the Imperial theatres by the Imperial Press Department on 10 June 1908. In 1923 it was included

A Protégée of the Mistress (911 words) [view diff] exact match in snippet view article find links to article

Biblioteka Dlya Chteniya. Refused the permission to be produced at the Imperial Theatres in October 1859, it premiered in Maly Theatre, Moscow, only on October

List of the main ballet masters of the Saint Petersburg State Ballet (419 words) [view diff] case mismatch in snippet view article find links to article

the imperial theatres; after the revolution in 1917, it passed to the property of the State of USSR, with all structure of the Imperial theatres. In the

Alexander Ostrovsky (8,605 words) [view diff] exact match in snippet view article find links to article

among others, by Nikolai Gogol) was banned from being produced by Imperial Theatres. "Judging by these scenes what the Moscow merchants only do is cheat

Fyodor Kokoshkin (244 words) [view diff] exact match in snippet view article find links to article

theatre entrepreneur, the first director of the Moscow troupe of the Imperial Theatres, in 1823—1831. Several of his poems (including "On Napoleon's Retreat"

Riccardo Drigo (3,775 words) [view diff] exact match in snippet view article find links to article

during the opera season in Padua the director of the Saint Petersburg Imperial Theatres, Baron Karl Karlovich Kister, attended a performance of Donizetti's

Mariya Stepanova (216 words) [view diff] exact match in snippet view article find links to article

Donskoy. Stepanova was born into a family of musicians active in the Imperial Theatres in Saint Petersburg. She initially studied to be ballet dancer and

Avdotya Timofeyeva (86 words) [view diff] case mismatch in snippet view article find links to article

Jean-Baptiste Landé, and was given a position in the ballet of the Imperial theatres in 1748. She performed many parts in the ballets by Giovanni Battista

The Enchanted Forest (ballet) (586 words) [view diff] exact match in snippet view article

recently been appointed second maître de ballet to the St. Petersburg Imperial Theatres. The ballet was also the composer and conductor Riccardo Drigo's first

Glikeriya Fedotova (160 words) [view diff] exact match in snippet view article find links to article

Maly Theatre, honoured with the titles Meritorious Artist of the Imperial Theatres, People's Artist of the Republic (1924) and Hero of Labour (1924)

Boris Godunov (opera) (11,775 words) [view diff] exact match in snippet view article

Original Version of 1869, which was rejected for production by the Imperial Theatres, and the Revised Version of 1872, which received its first performance

Nikolai Muzil (263 words) [view diff] exact match in snippet view article find links to article

Maly Theatre. He was honoured with the Meritorious Artists of the Imperial Theatres title in 1903. Born to Ignaty Muzil, a well-established Russian merchant

Ballet dancer (1,758 words) [view diff] exact match in snippet view article find links to article

assoluta of the St. Petersburg Imperial Theatres. Preobrajenska became prima ballerina of the St. Petersburg Imperial Theatres and went on to become one of

Gennaro Astarita (695 words) [view diff] exact match in snippet view article find links to article

Prince Nicolai Yusupov, who at the time was the director of the Imperial Theatres in St Petersburg, asked him to bring an Italian opera troupe to the

The Seasons (ballet) (865 words) [view diff] exact match in snippet view article

of music and chef d’orchestre to the Ballet of the St. Petersburg Imperial Theatres, while also serving as conductor for performances of the Italian operas

Mikhail Zagoskin (587 words) [view diff] exact match in snippet view article find links to article

career as a librarian, then became part of the management of the Imperial Theatres, and lastly served as director of the Moscow Armory Museum. In the

Mathilde Kschessinska (2,017 words) [view diff] exact match in snippet view article find links to article

she obtained the rank of Prima ballerina of the Saint Petersburg Imperial Theatres. The maestro Marius Petipa did not consent to Kschessinskaya receiving

It's Not All Shrovetide for the Cat (417 words) [view diff] exact match in snippet view article find links to article

Theatre and Literary Committee declared the comedy eligible for the Imperial Theatres repertoires. On December 10 it was approved by censors. The play premiered

Vladimir Shchiglev (197 words) [view diff] exact match in snippet view article find links to article

Engagement, 1873), for thirty years remained part of the Russian Imperial Theatres' repertoire. Well-received were his plays for children, some of which

Maria Sinyavskaya (71 words) [view diff] case mismatch in snippet view article find links to article

She was engaged at the Petrovka Theatre in 1780–1801, and in the Imperial theatres in St petersburg in 1801–1807. She was referred to as the first tragedienne

Sergei Diaghilev (3,665 words) [view diff] exact match in snippet view article find links to article

the Imperial Theatres. After several increasingly antagonistic differences of opinion, Diaghilev refused to go on editing the Annual of the Imperial Theatres

Ondine, ou La naïade (1,047 words) [view diff] exact match in snippet view article find links to article

his engagement as Premier Maître de Ballet of the St. Petersburg Imperial Theatres in Russia, Jules Perrot presented an elaborately expanded production

Grigory Kugushev (141 words) [view diff] exact match in snippet view article find links to article

Foster) had considerable, if not lasting, success in the Russian Imperial Theatres in 1850s. More substantial and critically acclaimed were Kugushev's

Raymonda (1,833 words) [view diff] exact match in snippet view article find links to article

to the St. Petersburg Imperial Theatres), the composer Alexander Glazunov, the director of the St. Petersburg Imperial Theatres Ivan Vsevolozhsky, and

La fille mal gardée (5,666 words) [view diff] exact match in snippet view article find links to article

1791. Didelot—who served as Maître de ballet to the St. Petersburg Imperial Theatres from 1801–1811 and from 1816–1837—presented his version of La Fille

Michael Maddox (1,203 words) [view diff] exact match in snippet view article find links to article

difficulties meant that ownership of the theatre passed to the Office of Imperial Theatres in 1792. Empress Maria Feodorovna granted Maddox a life-long pension

The Pharaoh's Daughter (1,699 words) [view diff] exact match in snippet view article find links to article

Marius Petipa staged during his long career with the St. Petersburg Imperial Theatres. The ballet was staged especially for the benefit performance of the

Ministry of the Imperial Court (304 words) [view diff] exact match in snippet view article find links to article

supervised all archaeological research in Russia. Direction of the Imperial Theatres in St. Petersburg and Moscow The Court choristers The Imperial band

Catterino Cavos (2,304 words) [view diff] exact match in snippet view article find links to article

fallen in love with St. Petersburg, and entered the service of the Imperial Theatres, at first as composer for a French opera troupe with the responsibility

Le Corsaire (3,424 words) [view diff] exact match in snippet view article find links to article

Perrot, who served as Premier Maître de Ballet of the St. Petersburg Imperial Theatres from 1849 until 1858. Le Corsaire was performed for the first time

The Forest (play) (680 words) [view diff] exact match in snippet view article

that such a masterpiece has been so poorly treated by the Russian Imperial Theatres. One of the play's admirers was the actor Prov Sadovsky who's made

The Snow Maiden (play) (755 words) [view diff] case mismatch in snippet view article

Theatre location. The management decided to unite the actors of all Imperial theatres for one grand production, for which Ostrovsky was asked to write a

Ginislao Paris (1,205 words) [view diff] exact match in snippet view article find links to article

2388 S.P. Dyagilev (Editor) (1898) Imperial Theatres Yearbook, Season 1898-1899 Directorate of Imperial Theatres, St Petersburg (90) RGIA (Russian State

Lev Ivanov (917 words) [view diff] exact match in snippet view article find links to article

straits. On the strength of his 50 years' service he petitioned the Imperial Theatres for financial assistance. La Forêt enchantée (en. The Enchanted Forest)

La Perle (ballet) (925 words) [view diff] case mismatch in snippet view article

featured the highest ranking dancers from the St. Petersburg and Moscow Imperial theatres. While the ballet was in the early stages of production, a list of

The Hypochondriac (play) (369 words) [view diff] exact match in snippet view article

negotiations, the permission for the comedy to be produced on stage the Imperial Theatres was received. It premiered on 21 September 1855 in Saint Petersburg's

Mikhailovsky Theatre (1,140 words) [view diff] exact match in snippet view article find links to article

Performances were given either by a French company, hired by the Russian Imperial Theatres, or at the end of the century by the Mariinsky Theatre and Alexandrinsky

An Ardent Heart (890 words) [view diff] exact match in snippet view article find links to article

30 years ago." On January 4, 1869, the comedy was licensed by the Imperial Theatres of Russia. On January 15 it premiered at the Maly Theatre, as a benefit

Les millions d'Arlequin (1,349 words) [view diff] exact match in snippet view article find links to article

commissioned Marius Petipa—Premier maître de ballet of the Saint Petersburg Imperial Theatres—to create three short ballets for the 1900–1901 season that would

Cavos (389 words) [view diff] exact match in snippet view article find links to article

(1805–1861), received musical training and served thirty years in the Imperial Theatres in St. Petersburg, holding various positions, including Director of

Leopold Auer (3,845 words) [view diff] exact match in snippet view article find links to article

position of first violinist to the orchestra of the St. Petersburg Imperial Theatres. This included the principal venue of the Imperial Ballet and Opera

Carlotta Grisi (824 words) [view diff] exact match in snippet view article find links to article

appreciated her talents. She was prima ballerina of the St. Petersburg Imperial Theatres in St. Petersburg from 1850 to 1853, working not only with Perrot

The Nutcracker (8,961 words) [view diff] exact match in snippet view article find links to article

The Sleeping Beauty in 1890, Ivan Vsevolozhsky, the director of the Imperial Theatres, commissioned Tchaikovsky to compose a double-bill program featuring

Giacomo Durazzo (260 words) [view diff] case mismatch in snippet view article find links to article

ambassador to the court in Vienna, where he was appointed director of the imperial theatres in the city in 1754. He is most famous for working with the composer

Nikolay Yusupov (505 words) [view diff] exact match in snippet view article find links to article

(1800–16), a member of the Council of State (from 1823) and Director of Imperial Theatres (1791-1796) under a series of sovereigns, including Catherine the

Leonid Kinskey (1,219 words) [view diff] case mismatch in snippet view article find links to article

St. Petersburg, Russia. He started his career as a mime in various imperial theatres in Russia in the mid-1910s. In 1921, he fled Russia for Germany. He

Eduard Nápravník (830 words) [view diff] case mismatch in snippet view article find links to article

Petersburg. Nápravník became organist and assistant conductor at the Imperial theatres in 1863, second conductor in 1867, and chief conductor, succeeding

Boris Fitinhof-Schell (324 words) [view diff] exact match in snippet view article find links to article

Opera, which were commissioned by Ivan Vsevolozhsky, director of the Imperial Theatres. His Wedding March, scored especially for the wedding of Tsar Nicholas

House of Yusupov (1,694 words) [view diff] exact match in snippet view article find links to article

(1751–1831), Senator, Minister of State Properties and Director of the Imperial Theatres, was a keen traveller who spoke five languages and was also a patron

Death of Pyotr Ilyich Tchaikovsky (4,966 words) [view diff] exact match in snippet view article find links to article

composer's funeral himself and instructed the Directorate of the Imperial Theatres to organise the event. According to Poznansky, this action showed

Joseph-Alphonse Esménard (411 words) [view diff] case mismatch in snippet view article find links to article

return from this expedition, he was put in charge of censorship in the imperial theatres, a posting he gained for being a protege of the minister of police

Nina (Dalayrac) (977 words) [view diff] case mismatch in snippet view article

1797 in translation on the scenes of the Gatchina and Petersbourg Imperial theatres.Programme Notes for Giovanni Paisiello: Nina Castelvecchi, Stefano

The Sleeping Beauty (ballet) (3,452 words) [view diff] exact match in snippet view article

of all ballets. Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible

Sadko (opera) (1,934 words) [view diff] exact match in snippet view article

Rimsky-Korsakov's operas was staged by a commercial theatre rather than the Imperial Theatres. The St. Petersburg premiere followed 26 January 1901 at the Mariinsky

Le Réveil de Flore (1,524 words) [view diff] exact match in snippet view article find links to article

Celebration at Peterhof, Ezhegodnik Imperatorskikh Teatrov. St. Petersburg Imperial Theatres, 426-9. 1894. Wiley, Roland John (1985). Tchaikovsky's Ballets. Oxford

Alexey Verstovsky (928 words) [view diff] case mismatch in snippet view article find links to article

appointed as an 'inspector of music' in Moscow, in charge of the imperial theatres including the Maly and Bolshoi, controlling all the repertoire (from

Stepan Davydov (440 words) [view diff] exact match in snippet view article find links to article

numerous other works. He held the post of the Kapellmeister of the Imperial Theatres in St Petersburg (1806–1810). From 1810 he taught at the Theatrical

Vsevolod Meyerhold (2,972 words) [view diff] case mismatch in snippet view article find links to article

theatrical innovation during the decade 1907–1917, while working with the imperial theatres in St. Petersburg. He introduced classical plays in an innovative

Ida Rubinstein (1,760 words) [view diff] case mismatch in snippet view article find links to article

and theatre, including lessons from instructors from the Russian imperial theatres. She lacked natural dance ability, but she worked constantly on her

Anna Pavlova (4,576 words) [view diff] exact match in snippet view article find links to article

of Ekaterina Vazem, former Prima ballerina of the Saint Petersburg Imperial Theatres. During her final year at the Imperial Ballet School, Pavlova performed

Swan Lake (1895) (7,144 words) [view diff] exact match in snippet view article

commissioned by Ivan Vsevolozhsky, director of the St. Petersburg Imperial Theatres, to score what would become two of his greatest works: the operas

Cesare Ciardi (462 words) [view diff] exact match in snippet view article find links to article

teacher. Ciardi himself played as first flute in the orchestras of the Imperial Theatres in Saint Petersburg, including the orchestra of the Imperial Italian

Lyubov Nikulina-Kositskaya (588 words) [view diff] exact match in snippet view article find links to article

play (and the first to receive the permission to be produced at the Imperial Theatres) Stay in Your Own Sled. Her triumph as Dunya Rusakova paved for her

La fille mal gardée (Ashton) (2,535 words) [view diff] exact match in snippet view article

passage by Tamara Karsavina, former Ballerina of the St. Petersburg Imperial Theatres and the Original Ballet Russe. She had in turn learned it from her

Askold's Grave (opera) (1,292 words) [view diff] exact match in snippet view article

created specifically for Alexander Bantyshev. The directors of the Imperial Theatres paid 2,000 rubles to the composer for this opera. The opera was first

Pyotr Nevezhin (337 words) [view diff] exact match in snippet view article find links to article

об Островском) were published by Teatr i Iskusstvo (1906) and The Imperial Theatres Yearbook (1909 and 1910). Nevezhin died in 1919 in Petrograd and is

Lionel Brough (2,060 words) [view diff] case mismatch in snippet view article find links to article

Brough was resident comic lead at the Gaiety, Globe, Charing Cross and Imperial theatres. In the 1870s and 1880s he increasingly augmented his popular parts

1909 in music (2,623 words) [view diff] exact match in snippet view article find links to article

Carnatic music composer (b. 1842) Ivan Vsevolozhsky, director of the Imperial Theatres of Russia Wikimedia Commons has media related to Music in 1909. Jefferson

Mattia Battistini (2,108 words) [view diff] case mismatch in snippet view article find links to article

established himself as an immense favorite with audiences at Russia's two imperial theatres in Saint Petersburg and Moscow: the Mariinsky and the Bolshoi respectively

Mikhail Miloradovich (7,743 words) [view diff] case mismatch in snippet view article find links to article

manipulate Miloradovich to overthrow the stern and frugal director of imperial theatres, Prince Tyufyakin. Miloradovich lent them support and then himself

Desvergers (1,117 words) [view diff] case mismatch in snippet view article find links to article

by Pyotr Karatygin and was part of the repertoire of the Russian imperial theatres 1833 (15 February): Une Passion vaudeville in 1 act, with Varin and

Nicholas II (20,450 words) [view diff] case mismatch in snippet view article find links to article

income, he had to fund staff, the upkeep of imperial palaces and imperial theatres, annuities for the royal family, pensions, bequests, and other outgoings

Starring Madame Modjeska (1,238 words) [view diff] exact match in snippet view article find links to article

Modjeska's fame ascended to that of a reigning star at the Warsaw Imperial Theatres, but she longed to develop into an international performer. Modjeska

Prince Igor (6,148 words) [view diff] exact match in snippet view article find links to article

in Russian music. "During the season of 1888–9 the Directorate of Imperial Theatres began to lead us a fine dance with the production of Prince Igor,

Pietro Gonzaga (1,387 words) [view diff] case mismatch in snippet view article find links to article

lampblack, not black ink. Gonzaga dominated the art department of imperial theatres for over thirty years, surviving three monarchs: Catherine II, Paul

Tsar Boris (drama) (2,058 words) [view diff] exact match in snippet view article

received the censors' permission. But the directorial Committee of the Imperial Theatres refused to accept it. Tsar Boris was premiered in Anna Brenko's Moscow

Grand Duke Sergei Mikhailovich of Russia (3,977 words) [view diff] exact match in snippet view article find links to article

to the Romanovs to promote her career. Sergei, as president of the Imperial Theatres Society, took an active role in the ballet world to secure a prominent

Bronislava Nijinska (28,984 words) [view diff] exact match in snippet view article find links to article

capital at the age of nine. In 1908 she graduated as an 'Artist of the Imperial Theatres'. An early breakthrough came in Paris in 1910 when she became a member

Symphony No. 2 (Borodin) (3,418 words) [view diff] exact match in snippet view article

work on the symphony was again interrupted when the Director of the Imperial Theatres, Stephan Gedenov, asked him to collaborate on an extravagant opera-ballet

Boris Anisfeld (2,184 words) [view diff] exact match in snippet view article find links to article

On Nov. 29, Anisfeld signs a contract with the management of the Imperial Theatres for the execution of sets and costumes for Islamey. The work is to

Aleksey Konstantinovich Tolstoy (7,760 words) [view diff] exact match in snippet view article find links to article

Evropy) received no official ban, but the Directorial council of the Imperial Theatres refused to sanction its production. In 1871 Tolstoy started his fifth

Bakhrushin Museum (1,643 words) [view diff] case mismatch in snippet view article find links to article

portraits; pictures of theatre buildings inside and outside. Described imperial theatres: Bolshoi Theatre, Mariinsky Theatre, Maly Theatre and Alexandrinsky

La capricciosa corretta (2,199 words) [view diff] case mismatch in snippet view article find links to article

the Burgtheater in Vienna, where Da Ponte had been the poet to the imperial theatres of Emperor Joseph II since 1783. After the death of Joseph II in 1790

Maxim Berezovsky (5,925 words) [view diff] case mismatch in snippet view article find links to article

was sent to Martini in February 1770 by the director of the Russian imperial theatres, Ivan Yelagin, by which time Berezovsky was already in Bologna and