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Khush (film)
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"Khush" means "ecstatic pleasure". This is Parmar's seventh film. Gwendolyn Audrey Foster, the author of Women Film Directors: An International Bio-criticalApotheosis (film) (580 words) [view diff] exact match in snippet view article
ISBN 978-0-520-07917-5. Daryl Chin (2002). Wheeler W. Dixon; Gwendolyn Audrey Foster (eds.). "Walking on thin Ice: The Films of Yoko Ono". ExperimentalParadise (1932 film) (122 words) [view diff] exact match in snippet view article
Simoneschi Gino Viotti Dixon & Foster p.159 Wheeler Winston Dixon & Gwendolyn Audrey Foster. A Short History of Film. Rutgers University Press, 2008. ParadiseMarie Epstein (805 words) [view diff] exact match in snippet view article find links to article
instrument of social liberation rather than repression." Vincendeau and Gwendolyn Audrey Foster also note that Benoît-Lévy and Epstein's films place particularCameroon–Turkey relations (692 words) [view diff] exact match in snippet view article find links to article
Glickman. Westport, CT: Greenwood, 1992. Dixon, Wheeler Winston, and Gwendolyn Audrey Foster. A Short History of Film. New Brunswick, N.J.: Rutgers UniversityThe Murder Men (film) (158 words) [view diff] exact match in snippet view article
Infobase. pp. 81–82. ISBN 9781438130170. Retrieved February 9, 2011. Gwendolyn Audrey Foster (1999). Captive bodies: postcolonial subjectivity in cinema. SUNYThe Birth, the Life and the Death of Christ (883 words) [view diff] exact match in snippet view article find links to article
(bearing) the marks of crucifixion" with three angels behind him. Gwendolyn Audrey Foster considers that this film was one of Guy's major accomplishmentsSkyscrapers (1906 film) (1,279 words) [view diff] exact match in snippet view article
"extraordinary scenes shot (...) atop the city's massive skyscrapers." Gwendolyn Audrey Foster gives this film as one example of films dealing "with actual streetThe Eavesdropper (61 words) [view diff] exact match in snippet view article find links to article
Silver Condor Award for Best Director. Wheeler Winston Dixon; Gwendolyn Audrey Foster (2008). A Short History of Film. Rutgers University Press. p. 343Two Friends (1986 film) (541 words) [view diff] exact match in snippet view article
and The Piano.” In a retrospective essay for Senses of Cinema, Gwendolyn Audrey Foster wrote, “What makes the film so remarkable is the depth of feelingWarren Sonbert (2,144 words) [view diff] exact match in snippet view article find links to article
Experimental Cinema: The Film Reader, ed. Wheeler W. Dixon and Gwendolyn Audrey Foster. Psychology Press, 2002, p. 265. Accessed March 28, 2014. GartenbergWild Boys of the Road (1,047 words) [view diff] exact match in snippet view article find links to article
married until his death in 1975. Wild Boys of the Road essay by Gwendolyn Audrey Foster at National Film Registry Nothing Sacred: The Cinema of WilliamSheila Dabney (611 words) [view diff] exact match in snippet view article find links to article
TV film) The Underground Man (1974 TV film) as Rent-A-Car Girl Gwendolyn Audrey Foster (January 1, 1995). Women Film Directors: An International Bio-criticalThe Great White Man of Lambaréné (288 words) [view diff] exact match in snippet view article find links to article
Politics and Theory. McFarland. pp. 7–21. ISBN 978-0-7864-5356-6. Gwendolyn Audrey Foster (2003). Performing Whiteness: Postmodern Re/Constructions in theHedda Gabler filmography (487 words) [view diff] exact match in snippet view article find links to article
Critical Guide. Wallflower Press. pp. 252ff. ISBN 978-1-903364-21-5. Gwendolyn Audrey Foster (2003). Identity and Memory: The Films of Chantal Akerman. SIUMichelle Parkerson (920 words) [view diff] exact match in snippet view article find links to article
Parkerson, Michelle. Waiting Rooms. Common Ground Press (1983). Gwendolyn Audrey Foster (1 May 1997). Women Filmmakers of the African & Asian Diaspora:Prema Karanth (620 words) [view diff] exact match in snippet view article find links to article
2002-12-02. Retrieved 1 November 2001. Wimal Dissanayake (2004), p83 Gwendolyn Audrey Foster (1995), p206 Dissanayake, Wimal (2004). Indian Popular Cinema:Pratibha Parmar (702 words) [view diff] exact match in snippet view article find links to article
Press. pp. 355–357. ISBN 9781558622371. Retrieved 22 March 2019. Gwendolyn Audrey Foster, Women Filmmakers of the African and Asian Diaspora. Southern IllinoisBoris Deutsch (949 words) [view diff] exact match in snippet view article find links to article
1997. "Experimental Cinema: The Film Reader" Wheeler W. Dixon, Gwendolyn Audrey Foster, 2002 Dixon, Wheeler W.; Foster, Gwendolyn Audrey (2002). ExperimentalLois Weber (15,116 words) [view diff] exact match in snippet view article find links to article
(University of California Press, 1994): 223. Anthony Slide, in Gwendolyn Audrey Foster, "Early Women Filmakers as Social Arbiters", Troping the Body:Tamra Davis (1,599 words) [view diff] exact match in snippet view article find links to article
choice after Wainwright turned the project down. According to Gwendolyn Audrey Foster, the comedy made fun of the seriousness and sexism of rap musicLana Gogoberidze (420 words) [view diff] exact match in snippet view article find links to article
"Berlinale: 1984 Juries". berlinale.de. Retrieved 2010-11-21. Gwendolyn Audrey Foster (1995), Women Film Directors: An International Bio-Critical DictionaryThe Phantom of Liberty (2,726 words) [view diff] exact match in snippet view article find links to article
and Sound article by Michael Wood Senses of Cinema article by Gwendolyn Audrey Foster The Phantom of Liberty: The Serpentine Movements of Chance an essayMira Nair (3,396 words) [view diff] exact match in snippet view article find links to article
streets of Bombay. Spare rib, ISSN 0306-7971; 198, 1989, pp. 28–29. Gwendolyn Audrey Foster: Women Filmmakers of the African and Asian Diaspora: DecolonizingCristina Perincioli (2,577 words) [view diff] exact match in snippet view article find links to article
– German Film and Television Academy) "For Women: Chapter 1". Gwendolyn Audrey Foster writes about her directorial work: "Cristina Perincioli is an importantMartyrs (2008 film) (4,193 words) [view diff] exact match in snippet view article
an association Laugier vocally denounced. Literary professor Gwendolyn Audrey Foster similarly challenges the sentiment that Martyrs belongs in thisRashomon (5,569 words) [view diff] exact match in snippet view article find links to article
December 19, 2018. Retrieved June 11, 2020. Wheeler Winston Dixon, Gwendolyn Audrey Foster: A Short History of Film. Rutgers University Press, 2008, ISBN 9780813544755History of film (18,627 words) [view diff] exact match in snippet view article find links to article
Allyn & Bacon. ISBN 978-0-205-62528-4. Wheeler Winston Dixon, Gwendolyn Audrey Foster (30 March 2018). A Short History of Film (3rd ed.). Rutgers UniversityIvan the Terrible (1944 film) (3,657 words) [view diff] exact match in snippet view article
biography. Grove Press. pp. 411–412. Dixon, Wheeler Winston and Gwendolyn Audrey Foster (2008). A Short History of Film. New Brunswick, NJ: Rutgers UniversityList of films banned in the United States (1,265 words) [view diff] exact match in snippet view article find links to article
ISBN 9781438110011. Retrieved January 11, 2016. Wheeler Winston Dixon & Gwendolyn Audrey Foster (March 1, 2008). A Short History of Film. Rutgers University PressPassing (sociology) (5,214 words) [view diff] exact match in snippet view article
In Class-Passing: Social Mobility in Film and Popular Culture, Gwendolyn Audrey Foster suggests that racial and gender passing is often stigmatized butList of avant-garde films before 1930 (1,539 words) [view diff] exact match in snippet view article find links to article
2010). "Love Story of the Painter Balla and a Chair" – via Vimeo. Gwendolyn Audrey Foster, "Wome Film Directors: An International Bio-Critical DictionaryHistory of film technology (11,837 words) [view diff] exact match in snippet view article find links to article
York: Thunder's Mouth press, 2006. Dixon, Wheeler Winston and Gwendolyn Audrey Foster. A Short History of Film, 2nd edition. New Brunswick: Rutgers University