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alternate case: film theory

MatPat (1,863 words) [view diff] case mismatch in snippet view article find links to article

and lore of various video games and the gaming industry. His spinoff Film Theory centers on cinema and internet filmography. In 2015, Patrick created
Suspense (1,065 words) [view diff] no match in snippet view article find links to article
Suspense is a state of mental uncertainty, anxiety, of being undecided, or of being doubtful. In a dramatic work, suspense is the anticipation of the outcome
Montage (filmmaking) (1,332 words) [view diff] no match in snippet view article
Montage (/mɒnˈtɑːʒ/) is a film editing technique in which a series of short shots are sequenced to condense space, time, and information. The term has
Hyperlink cinema (1,452 words) [view diff] no match in snippet view article find links to article
Hyperlink cinema is a term coined by author Alissa Quart, who used the term in her review of the film Happy Endings (2005) for the film journal Film Comment
Kuleshov effect (1,056 words) [view diff] no match in snippet view article find links to article
The Kuleshov effect is a film editing (montage) effect demonstrated by Soviet filmmaker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon
Jean Epstein (665 words) [view diff] case mismatch in snippet view article find links to article
Epstein. Paris: Seghers, 1964. Stuart Liebman, Jean Epstein’s Early Film Theory, 1920-1922. PhD Dissertation: New York University, 1980. Trond Lundemo
Cinema 2: The Time-Image (98 words) [view diff] no match in snippet view article find links to article
Cinema 2: The Time-Image (French: Cinéma 2, L'Image-Temps) is the second volume of Gilles Deleuze's work on cinema published in 1985. Using the philosophy
New Sincerity (3,288 words) [view diff] case mismatch in snippet view article find links to article
Sincerity" in Jim Collins, Hilary Radner and Ava Preacher Collins, eds., Film Theory Goes to the Movies (New York: Routledge, 1993) (ISBN 0415905761,
Phi phenomenon (1,083 words) [view diff] no match in snippet view article find links to article
The term phi phenomenon is used in a narrow sense for an apparent motion that is observed if two nearby optical stimuli are presented in alternation with
Werner Herzog (6,032 words) [view diff] no match in snippet view article find links to article
Werner Herzog (German: [ˈvɛɐ̯nɐ ˈhɛɐ̯tsoːk]; born 5 September 1942) is a German film director, screenwriter, author, actor, and opera director. Herzog
Time Within Time: The Diaries 1970–1986 (387 words) [view diff] no match in snippet view article find links to article
Time Within Time: The Diaries 1970–1986 (Original Russian title: Martyrolog) are the diaries of the Russian filmmaker Andrei Tarkovsky. They cover his
The Pervert's Guide to Cinema (194 words) [view diff] no match in snippet view article find links to article
The Pervert's Guide to Cinema is a 2006 documentary directed and produced by Sophie Fiennes, scripted and presented by Slavoj Žižek. It explores a number
Jean-Louis Comolli (340 words) [view diff] exact match in snippet view article find links to article
and has since published numerous works on film theory, documentary, and jazz. He currently teaches film theory at the Universities of Paris VIII, Barcelona
Diva (414 words) [view diff] case mismatch in snippet view article find links to article
Andrew Milnes (2002) Doane, Mary Anne (1991). Femmes Fatales: Feminism, Film Theory, Psychoanalysis, Routledge, New York. ISBN 978-0-415-90320-2. Crace,
Fedor Ozep (412 words) [view diff] exact match in snippet view article find links to article
screenwriter, born in Moscow. An important early writer on film and film theory, he served as dramaturge for the Mezhrabpomfilm-Rus company and wrote
Mahesh Kathi (497 words) [view diff] exact match in snippet view article find links to article
cinema. He appeared on the reality TV show Bigg Boss Telugu. He studied film theory at the Hyderabad Central University. He is a communications graduate
The Pervert's Guide to Ideology (726 words) [view diff] no match in snippet view article find links to article
The Pervert's Guide to Ideology is a 2012 British documentary film directed by Sophie Fiennes and written and presented by Slovene philosopher and psychoanalytic
Mise en abyme (1,176 words) [view diff] exact match in snippet view article find links to article
itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the technique of inserting a story
David Lynch bibliography (160 words) [view diff] case mismatch in snippet view article find links to article
Mactaggart, Allister (2010). The Film Paintings of David Lynch: Challenging Film Theory. Intellect Books. ISBN 978-1-84150-332-5. Olson, Greg (29 September 2008)
Racebending (2,830 words) [view diff] no match in snippet view article find links to article
Racebending is a neologism that describes the changing of a character's perceived race or ethnicity during the adaptation of a work from one medium to
Beijing Film Academy (1,348 words) [view diff] exact match in snippet view article find links to article
degrees in many areas of film. BFA offers courses in script writing, film theory, film directing, film and television production, film acting, film and
Aesthetic distance (602 words) [view diff] no match in snippet view article find links to article
Aesthetic distance refers to the gap between a viewer's conscious reality and the fictional reality presented in a work of art. When a reader becomes fully
Camera Obscura (journal) (293 words) [view diff] case mismatch in snippet view article
the journal's subtitle was changed from "A Journal of Feminism and Film Theory" to "Feminism, Culture, and Media Studies" to reflect that its interests
Zheng Junli (955 words) [view diff] no match in snippet view article find links to article
Zheng Junli (December 6, 1911 – April 23, 1969) was a Chinese actor and director born in Shanghai and who rose to prominence in the golden age of Chinese
Jean-Luc Nancy (3,158 words) [view diff] no match in snippet view article find links to article
Jean-Luc Nancy (/nɑːnˈsi/; French: [ʒɑ̃.lyk nɑ̃si]; born 26 July 1940) is a French philosopher. Nancy's first book, published in 1973, was Le titre de
Chen Liting (1,583 words) [view diff] exact match in snippet view article find links to article
staging of the play Qu Yuan, and wrote one of the first Chinese books on film theory. After the early 1950s, Chen's attempts at filmmaking were repeatedly
Michael Oblowitz (232 words) [view diff] case mismatch in snippet view article find links to article
graduate of the University of Cape Town. Oblowitz holds an M.F.A. in Film Theory and Production from Columbia University 1982. He studied color photography
Oswell Blakeston (736 words) [view diff] exact match in snippet view article find links to article
film industry, made some experimental films, and wrote extensively on film theory. He was also a poet and wrote in non-fiction areas including travel,
Sergei Eisenstein bibliography (224 words) [view diff] exact match in snippet view article find links to article
ISBN 978-81-7046-057-2. Eisenstein, Sergei (1977). Film form: essays in film theory. Harcourt, Brace. ISBN 978-0-15-630920-2. Eisenstein, Sergei; Taylor
The Monthly Film Bulletin (472 words) [view diff] exact match in snippet view article find links to article
influenced in some cases by the auteur theory and Marxist-influenced film theory, though some more traditional critics such as John Gillett remained,
Herbert J. Leder (103 words) [view diff] case mismatch in snippet view article find links to article
It! (1967), and The Candy Man (1969). He taught Cinematography and Film Theory at Jersey City State College (now New Jersey City University). Herbert
The Hypothesis of the Stolen Painting (1,302 words) [view diff] exact match in snippet view article find links to article
of Ruiz's masterpieces that challenges the boundaries of cinema and film theory. "You can say The Hypothesis of the Stolen Painting is a detective film
Academy of Media Arts Cologne (649 words) [view diff] exact match in snippet view article find links to article
connection between artistic praxis and art and media theory discourses, film theory analysis as well aesthetic and philosophical questioning is an integral
Robin Wood (critic) (1,394 words) [view diff] exact match in snippet view article
University - of the editorial collective which publishes CineACTION!, a film theory magazine. Wood was also York professor emeritus of film. Wood was born
The Ministry of Truth (Kracht book) (232 words) [view diff] exact match in snippet view article
capital Pyongyang accompanied by quotations from Kim Jong-il's book on film theory, On the Art of the Cinema. In his introduction, Kracht compares the country
Zero Patience (2,110 words) [view diff] exact match in snippet view article find links to article
film has been the subject of critical attention in the context of both film theory and queer theory and is considered part of the informal New Queer Cinema
Jacques Tati (5,284 words) [view diff] exact match in snippet view article find links to article
l'Ecole des facteurs to Playtime, is the epitome of what an auteur is (in film theory) supposed to be: the controlling mind behind a vision of the world on
Bienvenido Noriega Jr. (414 words) [view diff] case mismatch in snippet view article find links to article
Philippines he took up courses such as Modern Drama, Shakespeare, Comedy and Film Theory. He worked for the Philippine government for more than twenty years (most
Audience superior position (216 words) [view diff] no match in snippet view article find links to article
Audience superior position is a term in literary theory to describe when the audience of a narrative work knows more than one or more characters in the
Closet screenplay (1,599 words) [view diff] exact match in snippet view article find links to article
Cinema: The Film Theory of Antonin Artaud" discusses Artaud's three Lesescenarios (listed below) in the context of his "revolutionary film theory." And in
David Wills (writer) (384 words) [view diff] exact match in snippet view article
"has concentrated on literary theory, especially the work of Derrida, film theory, comparative literature" with an emphasis on how and where we think through
Camp MTV (1,171 words) [view diff] exact match in snippet view article find links to article
a paperweight while Ed, Dré, and some campers watch. Chris discusses film theory and Sergei Eisenstein with campers—and then introduces a clip from UHF
Establishing shot (914 words) [view diff] case mismatch in snippet view article find links to article
COLLEGE.com. Retrieved 11 April 2010. "Terms Used by Narratology and Film Theory". Purdue University. Retrieved 11 April 2010. "Glossary". The Art of
World Cinema: Diary of a Day (43 words) [view diff] no match in snippet view article find links to article
World Cinema: Diary of a Day is a 1995 collection of journals from filmmakers around the world. It includes entries from filmmakers as famous as Terry
Close Up (magazine) (660 words) [view diff] exact match in snippet view article
major literary and cinematic figures contributing articles on the latest film theory (René Crevel, Dorothy Richardson, Sergei Eisenstein, Hans Sachs, Harry
The Monster (1903 film) (512 words) [view diff] exact match in snippet view article
"'Hieroglyphics in motion': representing ancient Egypt and the Middle East in film theory and criticism of the silent period", in Michelakis, Pantelis; Wyke, Maria
Sean Godley (132 words) [view diff] case mismatch in snippet view article find links to article
United Kingdom. Godley was educated at Bradfield College, gained a BA in Film Theory and Psychology (2004) from The University of Gloucestershire and an MA
Raymond Bellour (506 words) [view diff] no match in snippet view article find links to article
Bellour (France, 1939- ) Michael Goddard, Raymond Bellour, in Colman, ed., Film, Theory and Philosophy ""From Matter"". Trafic. 79:1. Autumn 2011. Morain, Jean-Baptiste
Sean Godley (132 words) [view diff] case mismatch in snippet view article find links to article
United Kingdom. Godley was educated at Bradfield College, gained a BA in Film Theory and Psychology (2004) from The University of Gloucestershire and an MA
Forbes Fictional 15 (507 words) [view diff] case mismatch in snippet view article find links to article
markup not allowed in: |website= (help) The Film Theorists (2017-08-08), Film Theory: Scrooge McDuck's Net Worth SOLVED! (Disney's DuckTales), retrieved 2017-08-19
Paddy Whannel (418 words) [view diff] exact match in snippet view article find links to article
film criticism and film studies that provided a platform for emergent film theory. As Alan Lovell put it, "a grasp of the overall context and an attention
Midnight Sun Film Festival (778 words) [view diff] exact match in snippet view article find links to article
some of which are usually presented as "master classes" by various film theory experts. Typically, the festival introduces 4–5 young directors who are
VFX creative director (376 words) [view diff] exact match in snippet view article find links to article
work according to a predefined vision A strong grasp of all aspects of film theory Creative director Art director Visual effects Visual effects supervisor
Ed Helms (2,081 words) [view diff] exact match in snippet view article find links to article
as a geology major, but ended up graduating in 1996 with his B.A. in film theory and technology. He spent a semester as an exchange student at New York
F-rating (931 words) [view diff] no match in snippet view article find links to article
The F-rating is a rating to highlight women on screen and behind the camera. Developed at Bath Film Festival in 2014, the F-rating was inspired by the
Stock character (1,676 words) [view diff] exact match in snippet view article find links to article
of 'stock' characters. This notion has been considerably explored in film theory, where feminists have argued, female stock characters are only stereotypes
Hartmut Winkler (286 words) [view diff] case mismatch in snippet view article find links to article
field of digital media. His works include Switching/Zapping (1991), Film Theory, Der Filmische Raum und der Zuschauer (1992) and Computers and Media
Aleksandar Bečanović (262 words) [view diff] exact match in snippet view article find links to article
of poetry in Montenegro in 2002. He also translates material, mostly film theory, from English. He lives in Bar. At the 2006 Pula Festival of Books and
Tim Huebschle (271 words) [view diff] exact match in snippet view article find links to article
University of Cape Town. During his studies, he participated in a few film theory seminars and subsequently chose to follow a career in the film industry
Tim Huebschle (271 words) [view diff] exact match in snippet view article find links to article
University of Cape Town. During his studies, he participated in a few film theory seminars and subsequently chose to follow a career in the film industry
Hartmut Winkler (286 words) [view diff] case mismatch in snippet view article find links to article
field of digital media. His works include Switching/Zapping (1991), Film Theory, Der Filmische Raum und der Zuschauer (1992) and Computers and Media
Trinh T. Minh-ha (3,133 words) [view diff] exact match in snippet view article find links to article
theory and research, cultural politics, feminist theory, Third cinema, film theory and aesthetics, the Voice in social and creative contexts, and the autobiographical
Yale Union (1,673 words) [view diff] exact match in snippet view article find links to article
Chicago) is a filmmaker, film critic, and teacher. He currently teaches film theory and history at the California Institute of the Arts. He made his first
Leo Braudy (1,511 words) [view diff] case mismatch in snippet view article find links to article
and co-edited: Film Theory and Criticism: Introductory Readings (with Marshall Cohen), eighth edition, New York: Oxford, 2016. Film Theory and Criticism:
The Great Northern Hotel (228 words) [view diff] case mismatch in snippet view article find links to article
Mactaggart, Allister (2010). The Film Paintings of David Lynch: Challenging Film Theory. University of Chicago Press. p. 59. ISBN 9781841503325. The Real Great
Anna Camaiti Hostert (1,520 words) [view diff] no match in snippet view article find links to article
Anna Camaiti Hostert (born July 19, 1949, in Florence, Italy) is an Italian American philosopher and a scholar of Visual Studies. She lives and works between
Fernando Regueira (113 words) [view diff] exact match in snippet view article find links to article
He wrote scripts for cinema, television and short films. He studied film theory and criticism at "Aquilea" school with Angel Faretta. He also studied
Teorema (1,513 words) [view diff] case mismatch in snippet view article find links to article
the film. The author of A Certain Realism: Making Use of Pasolini’s Film Theory and Practice, Maurizio Viano, says that in order to understand the film
The Silence of the Lambs (film) (4,387 words) [view diff] case mismatch in snippet view article
September 6, 2002. Retrieved September 14, 2019. Collins, Jim (1992). Film Theory Goes to the Movies. Routledge. p. 35. ISBN 978-0-415-90576-3. "The Silence
French impressionist cinema (1,016 words) [view diff] case mismatch in snippet view article find links to article
1995. 4. Bordwell, Appendix B pp. 270–292. 5. Aitken, Ian. European Film Theory and Criticism: A Critical Introduction. Edinburgh: Edinburgh University
Peter Greenaway (1,824 words) [view diff] exact match in snippet view article find links to article
Beyond the Theory of Practice (2011), and voiced strong criticisms of film theory as distinct from discussions of other media: "Are you sufficiently happy
Hugh J. Silverman (1,296 words) [view diff] exact match in snippet view article find links to article
deconstruction, hermeneutics, semiotics, phenomenology, aesthetics, art theory, film theory, and the archeology of knowledge. Silverman was born in Boston, Massachusetts
Dream sequence (1,587 words) [view diff] case mismatch in snippet view article find links to article
(from The Imaginary Signifier)". In Braudy, Leo; Cohen, Marshall (eds.). Film Theory and Criticism: Introductory Readings (6th ed.). New York: Oxford University
Film and Television Master's program at Sacred Heart University (461 words) [view diff] exact match in snippet view article find links to article
storytelling, both traditional and in the new Internet-based media, as well as film theory. Students participate in workshops and create independent film, television
Lotte Reiniger (2,991 words) [view diff] exact match in snippet view article find links to article
Baer, Nicholas; Cowan, Michael J. (eds.). The promise of cinema: German film theory, 1907–1933. Oakland. ISBN 0520962435. OCLC 938890898. Donald, Crafton
Ulus Baker (482 words) [view diff] exact match in snippet view article find links to article
both as a prolific author, and as a professor of sociology, media, and film theory. From late 80's till his death, he frequently wrote for major Turkish
Taihei Imamura (358 words) [view diff] exact match in snippet view article find links to article
Underlining how Imamura was a unique figure in the history of Japanese film theory, Heiichi Sugiyama subtitled his autobiography of Imamura, "A solitary
The Little Mermaid (3,288 words) [view diff] case mismatch in snippet view article find links to article
Mutilation in The Little Mermaid. In Collins, J & Radner, H (Eds.), Film Theory Goes to the Movies. New York: Routledge. Mulvey, L. (1973) Fears, Fantasies
Guillermo Calderón (153 words) [view diff] case mismatch in snippet view article find links to article
of Physical Theater in California, and receiving a Master's Degree in Film Theory at the City University of New York. Calderón's plays include: B, Clase
Jaws (film) (14,464 words) [view diff] case mismatch in snippet view article
Learning. ISBN 978-1-4018-8102-3. Collins, Jim; Radner, Hilary (1993). Film Theory Goes to the Movies. London: Routledge. ISBN 978-0-415-90576-3. Friedman
Martine Beugnet (267 words) [view diff] exact match in snippet view article find links to article
entire monograph on the work of Claire Denis, where she invoked the film theory of French philosopher Gilles Deleuze. In 2005, she published a book on
Citizen Kane (23,884 words) [view diff] exact match in snippet view article find links to article
step forward in film language." Bazin's praise of the film went beyond film theory and reflected his own philosophy towards life itself. His metaphysical
Karen Redrobe (240 words) [view diff] exact match in snippet view article find links to article
of Art at the University of Pennsylvania. Her research has dealt with film theory, animation, and feminism, among other topics. Vanishing Women: Magic
Matthew Pateman (265 words) [view diff] no match in snippet view article find links to article
2010. Subsequently, he moved to Hallam and taught across English, TV, Film, Theory and Drama. His research continues to be equally diverse and he has recently
Nicholas Garnham (484 words) [view diff] exact match in snippet view article find links to article
academia at the Polytechnic of Central London to teach film making and film theory. Garnham was central in establishing first Media Studies degree at the
Pulp Fiction (15,288 words) [view diff] case mismatch in snippet view article find links to article
Brooker (1996). "Pulpmodernism: Tarantino's Affirmative Action", in Film Theory: Critical Concepts in Media and Cultural Studies, ed. Philip Simpson
Gerald Mast (426 words) [view diff] case mismatch in snippet view article find links to article
and several of his books, including A Short History of the Movies and Film Theory and Criticism, have been widely incorporated into university film studies
Alfred Hitchcock (15,479 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-0-300-11050-0. White, Susan (2015). "Alfred Hitchcock and Feminist Film Theory (Yet Again)". In Freedman, Jonathan (ed.). The Cambridge Companion to
Nicholas Garnham (484 words) [view diff] exact match in snippet view article find links to article
academia at the Polytechnic of Central London to teach film making and film theory. Garnham was central in establishing first Media Studies degree at the
Matthew Pateman (265 words) [view diff] no match in snippet view article find links to article
2010. Subsequently, he moved to Hallam and taught across English, TV, Film, Theory and Drama. His research continues to be equally diverse and he has recently
David Lynch (14,090 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-1-50134100-7). The Film Paintings of David Lynch: Challenging Film Theory by Allister Mactaggart (Intellect, 2010, ISBN 978-1-84150-332-5). Interpretazione
10 Story Fantasy (783 words) [view diff] no match in snippet view article find links to article
 249–250. ISBN 0-313-21221-X. Cahir, Linda Costanzo (2006). Literature into Film: Theory and Practical Approaches. Jefferson NC: McFarland. ISBN 978-0-7864-2597-6
Noël Burch (451 words) [view diff] exact match in snippet view article find links to article
La lucarne de L'Infini. Burch's major contribution to the history of film theory is not his definition of classical Hollywood film tropes, which had already
Morgan J. Freeman (893 words) [view diff] exact match in snippet view article find links to article
following year in Paris, France working for Why Not Productions and studying film theory at the Sorbonne. He later entered New York University's Graduate Film
Terrence Malick (5,579 words) [view diff] case mismatch in snippet view article find links to article
Henderson, Brian. 'Exploring Badlands'. Wide Angle: A Quarterly Journal of Film Theory, Criticism and Practice, 5:4, 1983, 38–51. Keyser, Les. Hollywood in
Dialogic (985 words) [view diff] case mismatch in snippet view article find links to article
"The Dramaturgy of Film Form". In Braudy, Leo; Cohen, Marshall (eds.). Film Theory and Criticism (6th ed.). New York: Blackwell. p. 23. Richard Sennett
Immanence (3,230 words) [view diff] case mismatch in snippet view article find links to article
Profile in Philosophical Library. European Graduate School. Robert Stam, Film Theory, 2006, p. 48. Catholic encyclopedia: Immanence "Immanence and Deterritorialization:
Damián Szifron (247 words) [view diff] exact match in snippet view article find links to article
Argentina. Born to a Jewish family, Szifron studied cinema with the film theory writer Angel Faretta. Szifron was the writer and director of Hermanos
Vsevolod Pudovkin (747 words) [view diff] exact match in snippet view article find links to article
Pudovkin was also an educator and a journalist, author of several books on film theory, professor at VGIK, president of the cinema section at VOKS (since 1944)
Bullet time (2,424 words) [view diff] case mismatch in snippet view article find links to article
"Polygraphic Photography and the Origins of 3-D Animation". In Animating Film Theory, edited by Karen Beckman, p.67, n.17. Durham, NC: Duke University Press
Stanley Kubrick (20,367 words) [view diff] exact match in snippet view article find links to article
when people started talking. He also spent many hours reading books on film theory and writing down notes. Sergei Eisenstein's theoretical writings had
Ron Burnett (498 words) [view diff] case mismatch in snippet view article find links to article
Images Think published by MITPress. He is the editor of Explorations in Film Theory published in 1991 by Indiana University Press. He is the author of over
Irshad Ashraf (779 words) [view diff] exact match in snippet view article find links to article
innovative documentary films about history, art and politics. After studying film theory in London in the mid 1990s, Irshad moved to Tokyo to teach English while
Metro-Goldwyn-Mayer (13,954 words) [view diff] no match in snippet view article find links to article
 282. Welsh, James M.; Cahir, Linda Costanzo (2006). Literature Into film: Theory and Practical Approaches. Jefferson, North Carolina: McFarland. ISBN 0786425970
Sound film (18,169 words) [view diff] case mismatch in snippet view article find links to article
Marcel (1932). "Cinema and the World", trans. Claudia Gorbman, in French Film Theory and Criticism: A History/Anthology, 1907–1939. Volume 2: 1929–1939, ed
Henri Langlois (1,303 words) [view diff] exact match in snippet view article find links to article
Wollen, Peter (2004). "The Auteur Theory". In Shepherdson, K. J. (ed.). Film theory: critical concepts in media and cultural studie. Routledge. ISBN 0415259738
Waking Life (1,647 words) [view diff] exact match in snippet view article find links to article
touches also upon existentialism, situationist politics, posthumanity, the film theory of André Bazin, and lucid dreaming, and makes references to various celebrated
Long Distance Wireless Photography (1,199 words) [view diff] case mismatch in snippet view article find links to article
implantation of perversions", in Burnett, Ron (ed.), Explorations in Film Theory: Selected Essays from Ciné-Tracts, Bloomington: Indiana University Press
Wilfrid Laurier University Press (1,102 words) [view diff] exact match in snippet view article find links to article
popular culture, consumer culture, regional/national cinemas, film policy, film theory, and film history. The Indigenous Studies Series seeks to be responsive
Cary Grant (17,276 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-0-515-03246-8. Walker, Elsie (2015). Understanding Sound Tracks Through Film Theory. Oxford University Press. ISBN 978-0-19-989632-5. Wansell, Geoffrey (2011)
Mari Ruti (953 words) [view diff] exact match in snippet view article find links to article
focus on contemporary theory, literary criticism, cultural studies, film theory, psychoanalysis, trauma theory, and feminist theory. Her English graduate
Jutta Brückner (2,423 words) [view diff] exact match in snippet view article find links to article
films between 1975 and 2005. Furthermore, she has written essays in film theory, film reviews and radio plays. She lives in Berlin and was Professor
Maya Deren (4,518 words) [view diff] exact match in snippet view article find links to article
United States, Canada, and Cuba, lecturing and writing on avant-garde film theory, and additionally on Vodou. In February 1946 she booked the Provincetown
Match cut (1,612 words) [view diff] case mismatch in snippet view article find links to article
2014. Felluga, Dino (31 January 2011). "Terms Used by Narratology and Film Theory". Introductory Guide to Critical Theory. Purdue University. Retrieved
The Big Lebowski (7,348 words) [view diff] case mismatch in snippet view article find links to article
Film Institute), ISBN 978-1-84457-173-4. The Big Lebowski in Feminist Film Theory "The Big Lebowski" Official Trailer The Big Lebowski on IMDb The Big
Yvette (1928 film) (119 words) [view diff] case mismatch in snippet view article
as Louis Jean Marconi Yvette (1938) Abel p.237 Abel, Richard. French Film Theory and Criticism: A History/anthology, 1907-1939, Volume 2. Princeton University
Filmmaking technique of Luis Buñuel (5,397 words) [view diff] exact match in snippet view article find links to article
filmmaking technique have been studied extensively in film criticism and film theory. The staging of scenes in his films was a central motif in Buñuel's filmmaking
IMR (128 words) [view diff] exact match in snippet view article find links to article
and psychological research Institutional mode of representation, in film theory In Medias Res (band), Vancouver, Canada International Migration Review
Spider-Man 3 (9,507 words) [view diff] case mismatch in snippet view article find links to article
holiday spirit?, Variety November 16, 2007 Buckland, Warren (2009). Film Theory and Contemporary Hollywood Movies. Routledge. p. 46. ISBN 9781135895747
Mamma Roma (1,310 words) [view diff] case mismatch in snippet view article find links to article
acting training. In his book A Certain Realism: Making Use of Pasolini's Film Theory and Practice, Maurizio Viano points out that actors in other filmmaker's
John Frankenheimer (3,316 words) [view diff] exact match in snippet view article find links to article
California, where he shot his first documentary. He also began studying film theory by reading books about other famous directors, such as Sergei Eisenstein
Louis Delluc Prize (494 words) [view diff] case mismatch in snippet view article find links to article
Nino Franck Marcel Idzkowski Roger Régent Abel, Richard (1993). French Film Theory and Criticism: A History/Anthology, 1907-1939. Volume 2: 1929-1939 (1
Slobodan Šijan (261 words) [view diff] exact match in snippet view article find links to article
davitelja. Šijan has written more than five books on the subject of film, film theory and mass media. As of 2001, he is teaching at Loyola Marymount University
Anne Rosellini (476 words) [view diff] exact match in snippet view article find links to article
High School. She later received a Bachelor of Fine Arts, focusing on film theory and film history, from the School of the Art Institute of Chicago. After
Robert Bresson (2,785 words) [view diff] exact match in snippet view article find links to article
on the Cinematographer (1975) is one of the most respected books on film theory and criticism. His theories about film greatly influenced other filmmakers
Peter Brunette (100 words) [view diff] case mismatch in snippet view article find links to article
Haneke, published in February 2010. (co-author) Screen/Play: Derrida and Film Theory (with David Wills), Princeton, 1989). (co-editor) Deconstruction and
Digital Domain (3,055 words) [view diff] case mismatch in snippet view article find links to article
Prince, Stephen. "True Lies: Perceptual Realism, Digital Images, and Film Theory" (PDF). Retrieved 21 November 2017. "Digital Domain Announces Vancouver
Trafic (journal) (504 words) [view diff] no match in snippet view article
Felicity (2009). Film, Theory and Philosophy. Durham: Aucumen. pp. viii. ISBN 9781844651856. Coleman, Felicity; Dowd, Garin (2009). Film, Theory and Philosophy
Through a Glass Darkly (film) (3,312 words) [view diff] case mismatch in snippet view article
Carla Ambrósio (2016). "The Caesuras in Through a Glass Darkly". Bion in Film Theory and Analysis: The Retreat in Film. Routledge. ISBN 1317274520. Gervais
Antonia's Line (1,594 words) [view diff] case mismatch in snippet view article find links to article
Tampa, Florida. Retrieved 20 January 2013. Smelik, Anneke. "Feminist Film Theory". The Feminist eZine. Retrieved 20 January 2013. Barra, Allen (14 February
Ninasam (1,116 words) [view diff] exact match in snippet view article find links to article
course was started with subjects including film history, film techniques, film theory, film criticism, art films and popular cinema. Films that were staged
The Chant of Jimmie Blacksmith (film) (1,462 words) [view diff] case mismatch in snippet view article
at Oz Movies Analysis by Allan James Thomas who teaches Documentary Film Theory at RMIT and La Trobe Universities The Chant of Jimmie Blacksmith at Rotten
Moumen Smihi (1,055 words) [view diff] exact match in snippet view article find links to article
founded in 1979, has produced some twenty films and edited books on film theory. As World War II was drawing to a close, Smihi was born into a religious
Richard Peña (568 words) [view diff] exact match in snippet view article find links to article
the Film department at Columbia University, where he specializes in film theory and international cinema and founded the Columbia University MA program
B movie (15,351 words) [view diff] case mismatch in snippet view article find links to article
Press. ISBN 0-8223-2374-5 Schatz, Thomas (1993). "The New Hollywood", in Film Theory Goes to the Movies: Cultural Analysis of Contemporary Film, ed. Jim Collins
New French Extremity (3,897 words) [view diff] case mismatch in snippet view article find links to article
Quarterly, 44(4), pp. 2–12. Re-published in Braudy, L. and Cohen, M. (2009). Film Theory & Criticism, New York: Oxford University Press. Williams, L. (2001).
Badlands (film) (2,400 words) [view diff] case mismatch in snippet view article
Henderson, 1983. ‘Exploring Badlands’. Wide Angle: A Quarterly Journal of Film Theory, Criticism and Practice, 5:4, 38-51. Les Keyser, 1981. Hollywood in the