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Longer titles found: Half the Sky Feminist Theatre (view)

searching for Feminist theatre 44 found (84 total)

alternate case: feminist theatre

Huma Safdar (1,479 words) [view diff] exact match in snippet view article find links to article

teacher, theatre artist, Punjabi language activist and director of feminist theatre “Sangat”. As an artist, she worked with Ajoka Theatre and Punjab Lok
Clare McIntyre (532 words) [view diff] exact match in snippet view article find links to article
traditional forms of female representation. She debuted on the British feminist theatre scene as an actress in the 1970s, and emerged as a female writer with
Diana Taylor (professor) (355 words) [view diff] exact match in snippet view article
American and U.S. theatre and performance, performance and politics, feminist theatre and performance in the Americas, Hemispheric studies, and trauma studies
Mary Vingoe (2,195 words) [view diff] exact match in snippet view article find links to article
and theatre director. Vingoe was one of the co-founders of Canadian feminist theatre company Nightwood Theatre and later co-founded Ship's Company Theatre
Janet Seidel (427 words) [view diff] case mismatch in snippet view article find links to article
singer. From 1976 to 1980, she was an active member of the Adelaide Feminist Theatre Group. For their first show, The Carolina Chisel Show (1976), she wrote
Marthe Blackburn (340 words) [view diff] exact match in snippet view article find links to article
l’âge", a short theatrical piece which was part of the collaborative feminist theatre work La nef des sorcières alongside pieces by Luce Guilbeault, France
Kim Renders (1,177 words) [view diff] exact match in snippet view article find links to article
and a founding member of Nightwood Theatre, the oldest professional feminist theatre company in Canada. Renders was born in Toronto, Ontario, on January
Theatre of Canada (4,031 words) [view diff] case mismatch in snippet view article find links to article
(early 1980s) Windsor Feminist Theatre 1980 (Windsor) Native Earth Performing Arts 1982 (Toronto) Half the Sky Feminist Theatre 1982 (Hamilton) DNA Theatre
María Abella de Ramírez (455 words) [view diff] case mismatch in snippet view article find links to article
Farnsworth, May Summer. "Sex Work, Sickness, and Suicide: Argentine Feminist Theatre in the 1910s and 1920s". Hemispheric Institute. Rappaport, Helen (2001)
Julie Okoh (1,494 words) [view diff] case mismatch in snippet view article find links to article
Harcourt. Julie Okoh retired in 2017. In a lecture titled "Towards Feminist Theatre in Nigeria", which she presented in October 2012, Okoh concludes: The
He and She (play) (1,427 words) [view diff] case mismatch in snippet view article
over half a century, He and She was revived by the Washington Area Feminist Theatre in 1973 (Grottlieb 14). In accordance with the opinion of many dramaturgical
Susan Bennett (academic) (672 words) [view diff] case mismatch in snippet view article
before she was granted administrative leave. In 2006, Bennett edited "Feminist Theatre and Performance." At the time, she also chaired the Survey Methodology
Bye Bye Monkey (567 words) [view diff] exact match in snippet view article find links to article
fill the museum. Lafayette also works as a lighting technician for a feminist theatre group. After rehearsal one day, the women in the group discuss their
Carole Fréchette (1,368 words) [view diff] exact match in snippet view article find links to article
political and feminist theatre as well as collective writing which was flourishing at that time in Quebec. In 1974, she joined the feminist theatre group called
Dress Suits to Hire (958 words) [view diff] case mismatch in snippet view article find links to article
2016-04-25. Martin, Carol (2002). Worlds of Performance : A Sourcebook on Feminist Theatre and Performance : On and Beyond the Stage. United States: Routledge
Nasreen Anjum Bhatti (776 words) [view diff] exact match in snippet view article find links to article
"Nasreen Anjum Bhatti: classic case of forsaken writers". DAWN.COM. "Feminist theatre group gives voice to the powerless". The Express Tribune. 6 January
Myrna Lamb (424 words) [view diff] case mismatch in snippet view article find links to article
ISBN 978-0-8135-3973-7. Krich Chinoy, Helen; Walsh Jenkins, Linda, ed. "Feminist Theatre", Women in American Theatre, Theatre Communications Grou, 2006, ISBN 1559362634
Roberta Sklar (233 words) [view diff] case mismatch in snippet view article find links to article
2008-08-23. Chinoy, Helen Krich; Jenkins, Linda Walsh (2006). "Chapter 6, Feminist Theatre". Women in American Theatre. New York: Theatre Communications Group
Cloud 9 (play) (1,479 words) [view diff] case mismatch in snippet view article
Plays (Oxford: Oxford University Press, 2007) Shannon Baisden, 'How Feminist Theatre Became "Queer": A Look into Caryl Churchill's Cloud Nine' (2004), p
Marlborough Pub and Theatre (1,937 words) [view diff] exact match in snippet view article find links to article
The Devil’s Dykes and The Bright Girls — formed the radical lesbian feminist theatre collective, Siren. Siren’s shows included Curfew, Mama’s Gone a-Hunting
Lois Weaver (980 words) [view diff] exact match in snippet view article find links to article
Miguel's sisters Lisa Mayo and Gloria Miguel, was a co-founder of feminist theatre company Spiderwoman Theatre, whose members focused on using their own
Norah Smyth (807 words) [view diff] exact match in snippet view article find links to article
village life. In 1912, Smyth joined the Pioneer Players, Edith Craig's feminist theatre company. Also around this time, she joined the Women's Social and Political
Rutherford and Son (1,347 words) [view diff] exact match in snippet view article find links to article
modern revival did not get underway until 1980 when a production by the feminist theatre company Mrs Worthington's Daughters (directed by Julie Holledge) was
Lady Caroline Blackwood (1,477 words) [view diff] exact match in snippet view article find links to article
other periodicals on subjects such as beatniks, Ulster sectarianism, feminist theatre and New York free schools. Although these articles were elegant, minutely
Kate Lushington (868 words) [view diff] case mismatch in snippet view article find links to article
of Joy - co-written with Natasha Greenblatt "Fear of Feminism" in Feminist Theatre and Performance (ed. Susan Bennett, 2006) The Canadian Women Director's
Sara Tilley (494 words) [view diff] exact match in snippet view article find links to article
director based in St. John's. She was the artistic director of the feminist theatre company She Said Yes! from 2002 to 2016, and has written or cowritten
Mabel Evwierhoma (424 words) [view diff] exact match in snippet view article find links to article
development. Lagos, Nigeria: Association of Nigerian Authors, 2006 Nigerian feminist theatre : essays on female axes in contemporary Nigerian drama, 2014 (ed. with
Janette Steer (740 words) [view diff] case mismatch in snippet view article find links to article
Katherine E. Kelly, "The Actresses' Franchise League Prepares For War: Feminist Theatre in Camouflage" Theatre Survey 35(1)(May 1994): 121-137. "Actresses"
Missing and murdered Indigenous women (13,219 words) [view diff] case mismatch in snippet view article find links to article
Women. Big Green Sky is a play commissioned and produced by Windsor Feminist Theatre (WFT), which debuted in May 2016 in Windsor Ontario. It was prompted
The Yellow Wallpaper (4,913 words) [view diff] case mismatch in snippet view article find links to article
MacArthur, Laura Michelle (2014). "Re-viewing Reception: Criticism of Feminist Theatre in Montreal and Toronto, 1976 to Present" (PDF). library.utoronto.ca
Sue Perlgut (280 words) [view diff] case mismatch in snippet view article find links to article
Abortion & Life. Akashic. Martin, Carol, ed. (1996). A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage. Routledge. Rajan, V.G. Julie
Hope McIntyre (706 words) [view diff] case mismatch in snippet view article find links to article
Centre. Retrieved October 9, 2020. Dempsey, Shawna (2015). "Staging Feminist Theatre". Herizons. Vol. 29 no. 1. pp. 24–29. ISSN 0711-7485. Scott, Shelley
Jane Arden (director) (1,493 words) [view diff] exact match in snippet view article
wrote the drama The Illusionist. In 1970, Arden formed the radical feminist theatre group Holocaust and then wrote the play A New Communion for Freaks
Fefu and Her Friends (2,171 words) [view diff] case mismatch in snippet view article find links to article
Retrieved 2020-08-03 – via JSTOR. Dempsey, Shauna (2015). "Staging Feminist Theatre". Herizons. Vol. 20 no. 3. Herizons Magazine, Inc. p. 12 – via ProQuest
Margaret Nevinson (1,413 words) [view diff] exact match in snippet view article find links to article
campaigns. The play was revived in 1979 by Mrs Worthington's Daughters, a feminist theatre company, directed by Julie Holledge in a double-bill with Susannah
Alice Birch (2,439 words) [view diff] exact match in snippet view article find links to article
Playwright. In 2015, Birch developed the play We Want You to Watch with feminist theatre company RashDash. We Want You to Watch was commissioned by the National
Drowning (play) (1,631 words) [view diff] exact match in snippet view article
Subversive Acts: Gender, Representation, and race in contemporary feminist theatre, Raima Evan of the University of Pennsylvania explores popular and
Sheila Bhatia (636 words) [view diff] case mismatch in snippet view article find links to article
ISBN 9780195644463.CS1 maint: extra text: authors list (link) "Aesthetics of Indian Feminist Theatre". Rup Katha. 2015. Retrieved 30 May 2015. Susie J. Tharu, Ke Lalita
Julie Lyonn Lieberman (1,327 words) [view diff] exact match in snippet view article find links to article
residencies across the country, and became the composer-in-residence for the feminist theatre company, Emmatroupe. Its writers and supporters included Kate Millet
Françoise Berd (1,230 words) [view diff] exact match in snippet view article find links to article
Encyclopedia of Canadian Theatre, this piece was a "masterpiece of feminist theatre, which caused a sensation at its creation, not only due to its bluntness
Zorica Jevremović (1,278 words) [view diff] exact match in snippet view article find links to article
public figures, and blind persons. 1997-1999: "WAY 5a" („PUT 5a”), Feminist theatre in an apartment occupied by Autonomous Women's Center Against Sexual
Carol Fischer Sorgenfrei (1,149 words) [view diff] exact match in snippet view article find links to article
play was produced as an equity showcasing by La Luna Productions—a feminist theatre company she cofounded to promote empowering stories through kabuki
Meeting Ground Theatre Company (1,287 words) [view diff] case mismatch in snippet view article find links to article
Issues 16-19. The Co-op. 1986. p. 46. Elaine Aston (5 July 2005). Feminist Theatre Practice: A Handbook. Routledge. pp. 204–. ISBN 978-1-134-77151-6.
Yulia Tsvetkova (1,663 words) [view diff] exact match in snippet view article find links to article
Social-Media Pages" – via www.rferl.org. "In Russia's far east, a feminist theatre director comes under attack". openDemocracy. "The Kremlin's Political