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Longer titles found: Elisabeth Luther Cary (view)

searching for Elisabeth Luther 8 found (16 total)

Golden Type (844 words) [view diff] exact match in snippet view article find links to article

Typeface. David R. Godine Publisher. pp. 47–51. ISBN 978-0-87923-333-4. Elisabeth Luther Cary (1902). William Morris: poet, craftsman, socialist. G. P. Pvtnam's

Margaret Neilson Armstrong (968 words) [view diff] exact match in snippet view article find links to article

Neilson Armstrong Mary Raymond Shipman Andrews, The Militants, 1907. Elisabeth Luther Cary, The Rossettis, 1900. Henry van Dyke, The Blue Flower, 1902. Gullans

Elverhoj Art Colony (2,080 words) [view diff] exact match in snippet view article find links to article

{{cite book}}: CS1 maint: location missing publisher (link) Cary, Elisabeth Luther (September 13, 1914). "Elverhoi School of Decorative Art Recalls William

Henry Golden Dearth (1,545 words) [view diff] exact match in snippet view article find links to article

Metropolitan" (PDF). The New York Times. New York. Retrieved 2008-11-08. Gary, Elisabeth Luther (1919), "The painting of Henry Golden Dearth", The American Magazine

Frick Collection (20,937 words) [view diff] exact match in snippet view article find links to article

Collection 2016, pp. 51–58. The Frick Collection 2016, pp. 68–69. Cary, Elisabeth Luther (October 18, 1931). "A Place for Pilgrimage; The Famous Henry Clay

Stefan Hirsch (3,900 words) [view diff] exact match in snippet view article find links to article

Davis mailbox by Stefan Hirsch". artnet.com. Retrieved 2014-07-27. Elisabeth Luther Cary (1930-10-05). "American Paintings". The New York Times. p. X11

Wood Gaylor (4,144 words) [view diff] exact match in snippet view article find links to article

Other Art on Exhibition". New York Times. New York, New York. p. X11. Elisabeth Luther Cary (1930-12-07). "American Exhibition at Museum of Modern Art; At

Charles Goeller (4,662 words) [view diff] exact match in snippet view article find links to article

whose careers would later flourish. One critic for the New York Times, Elisabeth Luther Cary, praised the painting as "a truly superb achievement of team work