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Find link is a tool written by Edward Betts.Longer titles found: Shout (Black gospel music) (view)
searching for Black Gospel music 101 found (126 total)
alternate case: black Gospel music
Urban contemporary gospel
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traditional black gospel music, but uses modern musical forms. Urban/contemporary gospel derives primarily from traditional black gospel music, with strongWHOV (116 words) [view diff] case mismatch in snippet view article find links to article
operated by Hampton University. It airs urban contemporary, jazz, and black gospel music. Many shows are hosted by Hampton University students. "Arbitron StationChicago soul (1,364 words) [view diff] case mismatch in snippet view article find links to article
sound of Chicago soul, like southern soul with its rich influence of black gospel music, also exhibited an unmistakable gospel sound, but was somewhat lighterWYLS (385 words) [view diff] case mismatch in snippet view article find links to article
broadcasting on the clear-channel frequency of 670 kHz. WYLS broadcasts a black gospel music format. This station began licensed operation on 1350 kHz with 5,000Fred Mendelsohn (167 words) [view diff] case mismatch in snippet view article find links to article
and market black gospel music as a national company. His dedication and contributions built the historic foundation for the black gospel music industryThe Rance Allen Group (987 words) [view diff] case mismatch in snippet view article find links to article
: 363 The group's incorporation of rock and soul into traditional black gospel music prefigured the crossover success of such artists as Amy Grant, AndraeWCRY (1,071 words) [view diff] case mismatch in snippet view article find links to article
WCRY (1460 AM, "Joy 1460") was a radio station broadcasting a black gospel music format. Licensed to serve Fuquay-Varina, North Carolina, United StatesWZRX (AM) (285 words) [view diff] case mismatch in snippet view article
while, it was a blues station, but in 2005 the format turned to all black gospel music as "Glory 1590". The format changed again in 2006 to an all-news,The Williams Brothers (gospel group) (684 words) [view diff] case mismatch in snippet view article
The Williams Brothers is an American traditional black gospel music group from Jackson, Mississippi, they were formed in 1960 by Leon "Pop" Williams, whoNova Scotia Mass Choir (393 words) [view diff] case mismatch in snippet view article find links to article
ensemble based in Halifax, Nova Scotia. The choir performs mainly black gospel music, and focuses on spreading the message of racial harmony. The NovaPilgrim Jubilees (532 words) [view diff] case mismatch in snippet view article find links to article
known as The Pilgrim Jubilee Singers, are an American traditional black gospel music group originally from the cities of Jackson, Mississippi and ChicagoThe Christianaires (429 words) [view diff] case mismatch in snippet view article find links to article
The Christianaires was an American black gospel music group from Sontag, Mississippi, they were active from 1983 until 2004. At its inception, The groupJackson Southernaires (453 words) [view diff] case mismatch in snippet view article find links to article
The Jackson Southernaires is an American traditional black gospel music group from Jackson, Mississippi, producer Frank Crisler formed the group in 1940WKOO (3,471 words) [view diff] case mismatch in snippet view article find links to article
an attempt to save the radio station, brought back the traditional black gospel music format, along with the former on-air personality, Ann Faison. WEGGKenneth Morris (composer) (327 words) [view diff] case mismatch in snippet view article
and Morris Music Company, the nation's oldest continuously running black gospel music publishing company, which operated from 1940 until 1989. In 1940,Go Down Moses (2,293 words) [view diff] case mismatch in snippet view article find links to article
N. Potter. Darden, R. (2004). People Get Ready! A New History of Black Gospel Music. Bloomsbury. Newman, R. S. (1998). Go Down Moses: A Celebration ofGospel Plow (966 words) [view diff] case mismatch in snippet view article find links to article
History of Black Gospel Music, 2015, pp. 70–93. “What Spirituals Are, What Spirituals Mean.” People Get Ready! A New History of Black Gospel Music, 2015,WREN (AM) (1,381 words) [view diff] exact match in snippet view article
Before falling silent, it had most recently broadcast a traditional Black Gospel music format branded as "The Mighty 590". Over the six decades of its operationSlim & the Supreme Angels (772 words) [view diff] case mismatch in snippet view article find links to article
The Supreme Angels was an American traditional black gospel music group from Milwaukee, Wisconsin, United States. The Supreme Angels were formed in 1953Bill "Hoss" Allen (1,672 words) [view diff] case mismatch in snippet view article find links to article
from the 1950s through the 1990s for playing rhythm and blues and black gospel music on Nashville radio station WLAC. Allen was the youngest of a quartetWHTY (AM) (1,326 words) [view diff] case mismatch in snippet view article
2, 2003. From Spring 2003 until Spring 2006, this station aired a black gospel music format branded as "Hallelujah 1460". In early Summer 2006, WHAL switchedWillie Ruff (1,463 words) [view diff] case mismatch in snippet view article find links to article
of Music. Ruff was known for uncovering links between traditional black gospel music and unaccompanied psalm singing. Ruff's theory was that the ScottishWEXY (784 words) [view diff] case mismatch in snippet view article find links to article
Florida" with a mix of brokered black gospel church talk programs and black gospel music filling out its unsold airtime. In 2015, the WEXY made the local newsWNRN (AM) (467 words) [view diff] case mismatch in snippet view article
to WFTH to represent the word "faith." The format was switched to black gospel music and preaching shows. In May 2016, the station was leased to Stu-CommKZIZ (423 words) [view diff] case mismatch in snippet view article find links to article
communities of King and Pierce County, Washington with a diverse R&B, black gospel music and talk format as well as Hispanic programming. On March 6, 2016WYDE (AM) (895 words) [view diff] case mismatch in snippet view article
Later in the 1990s, the station changed formats again, this time to black gospel music, placing it in direct competition with format leader WAGG and severalHave Mercy Baby (348 words) [view diff] case mismatch in snippet view article find links to article
that it was the first popular R&B recording highlighting passionate black gospel music features. Other significant recordings of the song were made by: TheCall and response (music) (1,941 words) [view diff] case mismatch in snippet view article
History of Gospel Music—with references to call and response in black gospel music Gospel Music History—Gospel Music Encyclopedia citing the originsWAOK (1,378 words) [view diff] case mismatch in snippet view article find links to article
call sign to WAOK. It adopted a rhythm and blues and traditional black gospel music format. Featured performers included legendary R&B disc jockey ZenasWNGL (1,103 words) [view diff] exact match in snippet view article find links to article
transaction was consummated on June 23, 1999. The station switched to a black Gospel music format branded as Victory 1410 under the slogan "The Voice of Victory"Slave Songs of the United States (698 words) [view diff] case mismatch in snippet view article find links to article
ISBN 0-393-04810-1. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3Mahalia Jackson (13,017 words) [view diff] case mismatch in snippet view article find links to article
exactly suited to Mahalia's swing." Jackson's influence was greatest in black gospel music. Beginning in the 1930s, Sallie Martin, Roberta Martin, Willie MaeThe Blind Boys of Alabama (7,262 words) [view diff] case mismatch in snippet view article find links to article
Heavenly Gospel Singers. While the boys were not allowed to sing black gospel music at their school (which was run by an all-white faculty), they wereWJTB-FM (468 words) [view diff] case mismatch in snippet view article find links to article
station in Blairstown, New Jersey. WFMV offered mostly contemporary black gospel music with some classic artists such as CeCe Winans, Smokie Norful, MaryWSTK (977 words) [view diff] case mismatch in snippet view article find links to article
WEGG and WSTK were rebranded “Joy 710 & 104.5” with a traditional black gospel music format, operating the same syndicated format as 1490 WWIL (AM), underChristian music (2,026 words) [view diff] case mismatch in snippet view article find links to article
Amazing Grace Darden, Robert, People Get Ready: A New History of Black Gospel Music Continuum International Publishing Group, 2005, ISBN 0-8264-1752-3KSSE (1,482 words) [view diff] no match in snippet view article find links to article
all-night program playing classic, traditional, and contemporary "Black gospel" music, hosted by veteran gospel music DJ "Sister Ruth" Dixon, known forWENN (AM) (1,243 words) [view diff] case mismatch in snippet view article
moving to 1220 AM in 1959, it was replaced by WENN, playing R&B and black gospel music that targeted Birmingham's African-American community. During theList of North American folk music traditions (1,420 words) [view diff] case mismatch in snippet view article find links to article
ISBN 0-393-04810-1. Darden, Robert (2004). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1436-2Music of Chicago (3,857 words) [view diff] case mismatch in snippet view article find links to article
Chicago. Its sound, like southern soul with its rich influence of black gospel music, also exhibited an unmistakable gospel sound, but was somewhat lighterWOW Gospel 2005 (485 words) [view diff] case mismatch in snippet view article find links to article
Belot, Jennifer (January 8, 2005). "WOW Gospel 2005". Black Gospel. Black Gospel Music Clef Network. Archived from the original on February 8, 2005. RetrievedKLRG (North Little Rock, Arkansas) (1,294 words) [view diff] case mismatch in snippet view article
Willis of Norfolk, Virginia, in 1990. Willis switched the station to a Black gospel music format under a new KLRG call sign. This continued for 14 years, evenKWAM (1,630 words) [view diff] case mismatch in snippet view article find links to article
teaching shows. It also sold blocks of time to preachers and played black gospel music. The station already had a history of religious radio programmingContemporary Catholic liturgical music (2,183 words) [view diff] case mismatch in snippet view article find links to article
Mass" tradition took hold in Black Catholic parishes and introduced Black gospel music to the larger Catholic world. Other major players in this movementDorothy Combs Morrison (523 words) [view diff] case mismatch in snippet view article find links to article
Robert; Darden, Bob (2005). People Get Ready!: A New History of Black Gospel Music. Continuum International Publishing Group. p. 275. ISBN 978-0-8264-1752-7William Herbert Brewster, Sr. (639 words) [view diff] case mismatch in snippet view article find links to article
Tears, Reaping in Joy. In addition to his vast legacy in the genre of black gospel music, Brewster had a formative influence on a young Elvis Presley, whoAl Green (3,545 words) [view diff] case mismatch in snippet view article find links to article
Foundation. Darden, Robert (2005). People Get Ready!: A New History of Black Gospel Music. Continuum International Publishing Group. p. 296. ISBN 0-8264-1752-3Alex Bradford (604 words) [view diff] case mismatch in snippet view article find links to article
Cleveland to Andrae Couch". People get ready! : a new history of Black gospel music. New York: Continuum. ISBN 978-0-8264-1436-6. Murrells, Joseph (1978)WNWF (1,179 words) [view diff] exact match in snippet view article find links to article
flipped to a sports talk format during the week and on Saturday with a black Gospel music format on Sundays. In November 2003, Gulf Broadcasting Company, IncChildren, Go Where I Send Thee (1,318 words) [view diff] case mismatch in snippet view article find links to article
2021. Darden, Robert (2004). People Get Ready!: A New History of Black Gospel Music. New York: Continuum. p. 185. ISBN 0826414362. "Nina Simone - TheWhat'd I Say (3,599 words) [view diff] case mismatch in snippet view article find links to article
was obvious to listeners, but a deeper aspect of the fusion between black gospel music and R&B troubled many black audiences. Music, as was much of AmericanJazz (20,084 words) [view diff] case mismatch in snippet view article find links to article
Suite" by Duke Ellington. Later many other jazz artists borrowed from black gospel music. However, it was only after World War II that a few jazz musiciansJubilee quartet (354 words) [view diff] case mismatch in snippet view article find links to article
Spirituals". NPR. "Shall We Gather at the River", a collection of black gospel music, including jubilee quartets; made available for public by the StateMick Jenkins (rapper) (1,810 words) [view diff] case mismatch in snippet view article
mother listened to Neo-soul, while his father enjoyed contemporary black gospel music. When Jenkins was just 17 years old, he began going to open-mic eventsCharles Gayle (1,199 words) [view diff] case mismatch in snippet view article find links to article
childhood was influenced by religion, and his musical roots trace to black gospel music. He had performed and recorded with Cecil Taylor, William Parker,Trevor W. Payne (622 words) [view diff] case mismatch in snippet view article find links to article
described by Billboard magazine as "fusing conventional American black gospel music with funk, jazz, and even calypso and classical music". The MJGC alsoRoberta Martin (943 words) [view diff] case mismatch in snippet view article find links to article
ISBN 9781135377007. Darden, Bob. People Get Ready!: A New History of Black Gospel Music, Continuum International Publishing Group (2004), pg. 190; ISBN 0-8264-1436-2Lucie Campbell (893 words) [view diff] case mismatch in snippet view article find links to article
24–49. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0826417523Pavel Svinyin (459 words) [view diff] case mismatch in snippet view article find links to article
2013-10-08. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3James T. Jones IV (419 words) [view diff] case mismatch in snippet view article find links to article
Joyce M.; Jones, James T. (1987). "Good News for the Motor City: Black Gospel Music in Detroit" (PDF). In Ed Brown (ed.). 1987 Festival of American FolklifeLucy McKim Garrison (647 words) [view diff] case mismatch in snippet view article find links to article
ISBN 0-252-00454-X. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0826417523Christianity in Japan (5,569 words) [view diff] case mismatch in snippet view article find links to article
Accented Cinema. December 24, 2020. Retrieved March 7, 2023. "How Black Gospel Music Is Changing Hearts in Japan". Mission to the World. March 7, 2023...Play Nine Songs with Mr. Quintron (438 words) [view diff] case mismatch in snippet view article find links to article
Cartwright's fondness for gospel music: "Greg had been really into black gospel music, and wanted to try some gospels songs in Oblivians fashion, but onlyMargaret Pleasant Douroux (675 words) [view diff] case mismatch in snippet view article find links to article
hdl:2142/39038. ISSN 2150-6701. "BIOGRAPHY : Margaret P. Douroux Black Gospel Music Clef: Your Music Ministry Source". www.blackgospel.com. RetrievedSwing Low, Sweet Chariot (4,212 words) [view diff] case mismatch in snippet view article find links to article
Darden, Bob (5 October 2005). People get ready! : a new history of Black gospel music. Bloomsbury Academic. ISBN 978-0-8264-1752-7. OCLC 875302254. CroceCharles Mingus (5,614 words) [view diff] case mismatch in snippet view article find links to article
retained the hot and soulful feel of hard bop, drawing heavily from black gospel music and blues, while sometimes containing elements of third stream, freeAnthony Heilbut (1,389 words) [view diff] case mismatch in snippet view article find links to article
Moments in Opera has sold over 700,000 albums), but his specialty is black gospel music. Among his productions, How I Got Over (Columbia) by Mahalia JacksonJacky Clark Chisholm (1,372 words) [view diff] case mismatch in snippet view article find links to article
Clark Sisters". June 10, 2018. "Jacky Clark-Chisholm: Interview - Black Gospel Music Clef (BlackGospel.com) - May, 2005". www.blackgospel.com. "Jacky Clark-Chisholm:Jerry Zolten (1,142 words) [view diff] case mismatch in snippet view article find links to article
underground cartoonist Robert Crumb, In the Spirit [3], a history of Black gospel music, and Boppin' With Pekar [4], an overview of jazz history with HarveyThe Barrett Sisters (1,393 words) [view diff] case mismatch in snippet view article find links to article
Barrett Sisters Concert Singers known for harmonizing blend secular, sacred repertoire The Black Gospel Music Restoration Project (Baylor/Smithsonian)WSWN (1,995 words) [view diff] case mismatch in snippet view article find links to article
programming as the "New Sugar 900." Now, during its unsold airtime, it runs black gospel music as its filler programming. The station brought back Sugar 900's multiBessie Griffin (1,455 words) [view diff] case mismatch in snippet view article find links to article
2010). "Bessie Griffin: A Pioneering, and Largely Forgotten, Giant of Black Gospel Music". Cross Rhythms. Stoke-on-Trent, England: Cornerstone House. ISSN 0967-540XStand by Me (Charles Albert Tindley song) (704 words) [view diff] case mismatch in snippet view article
2016. Robert Darden, Bob Darden People Get Ready!: A New History of Black Gospel Music 2005- Page 162 "Tindley had a rare gift for both creating Bible-basedMusic and Some Highly Musical People (981 words) [view diff] case mismatch in snippet view article find links to article
Illinois Press, 2010. p237 Darden, Bob. Get Ready!: a new history of black gospel music. A&C Black, 2004. p119-123 Schenbeck 2012, p49-50 Schenbeck 2012,Villa Rica, Georgia (3,914 words) [view diff] case mismatch in snippet view article find links to article
player for the Milwaukee Bucks Thomas A. Dorsey, early innovator of black gospel music Maidie Norman, actress David M. Parsons, poet laureate of Texas, 2011Opal Louis Nations (945 words) [view diff] case mismatch in snippet view article find links to article
of musical recordings, books and photographs will be part of The Black Gospel Music Preservation Project at Baylor University in Waco, Texas, United StatesThe River of Dreams (1,666 words) [view diff] case mismatch in snippet view article find links to article
dropped the lawsuit in 1994. The song borrows from the traditions of black gospel music and spirituals. The production includes a gospel choir and the lyricsMusic of Maryland (3,936 words) [view diff] case mismatch in snippet view article find links to article
and only record in 1962. The Piedmont blues arose from a mixture of black gospel music with white string ensembles, and is characterized by a style of guitarDouble bass (18,438 words) [view diff] case mismatch in snippet view article find links to article
composer and bandleader, produced music that fused hard bop with black gospel music, free jazz, and classical music. Free jazz and post-bop bassist CharlieTina Louise Thomas (2,075 words) [view diff] case mismatch in snippet view article find links to article
by Paul Mann, to a standing ovation. Rev. Dorsey, the "father of black gospel music," went on to write an article in Christian Life magazine "Jesus TookCan't Keep It to Myself (529 words) [view diff] case mismatch in snippet view article find links to article
Darden, Bob (January 1, 2004). People Get Ready!: A New History of Black Gospel Music. A&C Black. "Gospel singer Marion Williams". NPR. "Marion Williams:Edward King (author) (396 words) [view diff] case mismatch in snippet view article
(1895) Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0826417523Can't Keep It to Myself (529 words) [view diff] case mismatch in snippet view article find links to article
Darden, Bob (January 1, 2004). People Get Ready!: A New History of Black Gospel Music. A&C Black. "Gospel singer Marion Williams". NPR. "Marion Williams:Thomas A. Dorsey (5,670 words) [view diff] case mismatch in snippet view article find links to article
Ferris, William, and Hart, Mary L., eds.: "The Secularization of Black Gospel Music" by Heilbut, Anthony in Folk Music and Modern Sound, (1982), UniversityDoobie Powell (475 words) [view diff] case mismatch in snippet view article find links to article
205935591;_ylt=AnygLQ6U8L4_EUHoE65WFHvxsyUv[permanent dead link] "Black Gospel Music GospelWire.com - BKS Music Group Presents Doobie Powell LIVE DVD recordingGentry McCreary (1,142 words) [view diff] case mismatch in snippet view article find links to article
Radio Promotions. Light was quickly becoming an industry leader in Black Gospel Music, as McCreary worked with the likes of Walter Hawkins, Tramaine HawkinsSelah (song) (5,605 words) [view diff] case mismatch in snippet view article
Tyler (October 30, 2019). "How Kanye West's 'Jesus is King' embeds black gospel music in white evangelical theology". The Washington Post. Archived fromMercy (Andraé Crouch album) (555 words) [view diff] case mismatch in snippet view article
Darden, Bob (January 1, 2004). "People Get Ready!: A New History of Black Gospel Music". A&C Black – via Google Books. "Andrae Crouch". GRAMMY.com. NovemberGood Shepherd (song) (3,413 words) [view diff] case mismatch in snippet view article
15, 2011. Darden, Bob (2005). People Get Ready!: A New History of Black Gospel Music. Continuum International Publishing Group. p. 146. ISBN 0-8264-1752-3Mellonee Burnim (791 words) [view diff] case mismatch in snippet view article find links to article
doctorate in ethnomusicology in 1980, with a dissertation titled The Black Gospel Music Tradition: Symbol of Ethnicity. Following her graduation, Burnim continuedHeart to Yours (2,840 words) [view diff] case mismatch in snippet view article find links to article
contemporary gospel containing elements of R&B, neo-soul and traditional black gospel music, with inspirational lyrics about building, maintaining and appreciatingThe Davis Sisters (3,175 words) [view diff] case mismatch in snippet view article find links to article
Road, Norristown, PA 19401; Precious Memories Program. The Baylor Black Gospel Music Restoration Project The Best of the Davis Sisters available from Savoy/MalacoLanny Wolfe (2,292 words) [view diff] case mismatch in snippet view article find links to article
pre-recorded music, using styles of music influenced by pop-culture and black gospel music. Though he heavily influenced the greater world of gospel music duringTimeline of music in the United States (1920–1949) (20,608 words) [view diff] case mismatch in snippet view article
ISBN 0-87972-498-6. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3Lonnie Mack (12,822 words) [view diff] case mismatch in snippet view article find links to article
the night, Mack became a fan of rhythm and blues and traditional black gospel music. He began playing guitar at the age of seven, after trading his bicycleTimeline of music in the United States (1820–1849) (5,612 words) [view diff] case mismatch in snippet view article
ISBN 0-393-04810-1. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3Timeline of music in the United States (1880–1919) (14,223 words) [view diff] case mismatch in snippet view article
ISBN 0-87972-498-6. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3Timeline of music in the United States (1850–1879) (8,388 words) [view diff] case mismatch in snippet view article
ISBN 978-0-87972-498-6. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 978-0-8264-1752-7Timeline of music in the United States (1950–1969) (14,540 words) [view diff] case mismatch in snippet view article
ISBN 0-87972-498-6. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3Timeline of music in the United States (1970–present) (11,735 words) [view diff] case mismatch in snippet view article
ISBN 0-87972-498-6. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3Timeline of music in the United States to 1819 (9,505 words) [view diff] case mismatch in snippet view article find links to article
ISBN 0-87972-498-6. Darden, Robert (1996). People Get Ready: A New History of Black Gospel Music. New York: Continuum International Publishing Group. ISBN 0-8264-1752-3